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Perspectives Behind Translating House of Flesh by Yusuf Idris
C. Lindley Cross 12 June 2009 Perspectives Behind Translating House of Flesh by Yusuf Idris Within the canon of great minds and talents that brought Egypt to a literary renaissance between 1880 and 1960, Yusuf Idris (1927-1991) is widely acknowledged as the master of the Egyptian short story. Employing a compact, terse style, charged with an energy that viscerally engages the senses as much as it does the imagination and intellect, he burst into the public eye with a prolific outpouring of work in the years directly following the 1952 Revolution. His stories from the beginning were confrontational and provocative, articulated from his firm commitment to political activism. Although his literary efforts had largely petered out by the 1970s, the uncompromising zeal and intensity he brought to his short stories left a groundbreaking impression on the history of modern Arabic fiction. Inside the Arabic literary tradition, the short story (al-qiṣṣah al-qaṣīrah, or al-uqṣuṣah) is in itself a genre that bears a political dimension, first and foremost due to its having been largely inspired by foreign models.1 Even in Europe and North America, it only achieved widespread acceptance as a literary form distinct from novels in the early nineteenth century. In the climate of French literary prestige and British colonialism encroaching upon Egypt’s identity, the choice whether to adopt or reject such forms was often indicative of a wider political view. Some intellectuals were convinced that the only way to save Egypt from cultural effacement was to re-appropriate the language and forms of the great classical masters like Abu Nawas and al- Mutanabbi and inject them into contemporary literature, warding off further corruption as a vaccine wards off disease. -
Rituals of Islamic Spirituality: a Study of Majlis Dhikr Groups
Rituals of Islamic Spirituality A STUDY OF MAJLIS DHIKR GROUPS IN EAST JAVA Rituals of Islamic Spirituality A STUDY OF MAJLIS DHIKR GROUPS IN EAST JAVA Arif Zamhari THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/islamic_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Zamhari, Arif. Title: Rituals of Islamic spirituality: a study of Majlis Dhikr groups in East Java / Arif Zamhari. ISBN: 9781921666247 (pbk) 9781921666254 (pdf) Series: Islam in Southeast Asia. Notes: Includes bibliographical references. Subjects: Islam--Rituals. Islam Doctrines. Islamic sects--Indonesia--Jawa Timur. Sufism--Indonesia--Jawa Timur. Dewey Number: 297.359598 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2010 ANU E Press Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changesthat the author may have decided to undertake. -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This article examines the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the compound with her coffin as the album cover [1]. -
Jerusalem Studies in Arabic and Islam
Institute of Asian and African Studies at The Hebrew University The Max Schloessinger Memorial Foundation REPRINT FROM JERUSALEM STUDIES IN ARABIC AND ISLAM I 1979 THE MAGNES PRESS. THE HEBREW UNIVERSITY. JERUSALEM PROPHETS AND PROGENITORS IN THE EARLY SHI'ATRADITION* Uri Rubin INTRODUCTION As is well known, the Shi 'I belief that 'Ali' should have been Muhammad's succes- sor was based on the principle of hereditary Califate, or rather Imamate. 'Ali's father, Abu Talib, and Muhammad's father, 'Abdallah, were brothers, so that Muhammad and 'Ali were first cousins. Since the Prophet himself left no sons, the Shi 'a regarded' All as his only rightful successor.' Several Shi 'I traditions proclaim 'All's family relationship (qariiba) to Muhammad as the basis for his hereditary rights. For the sake of brevity we shall only point out some of the earliest.A number of these early Shi T traditions center around the "brothering", i.e. the mu'akhiih which took place after the hijra; this was an agreement by which each emigrant was paired with one of the Ansar and the two, who thus became brothers, were supposed to inherit each other (see Qur'an, IV, 33? 'All, as an exception, was paired not with one of the Ansar but with the Prophet himself." A certain verse in the Qur'an (VIII, 72) was interpreted as stating that the practice of mu iikhiin was confined only to the Muhajinin and the Ansar, to the exclusion of those believers who had stayed back in Mecca after the hijra. They re- tained the old practice of inheritance according to blood-relationship." This prac- tice, which was introduced in al-Madi na, affected the hereditary rights of the families of the Muhajiriin who were supposed to leave their legacy to their Ansari * This article is a revised form of a chapter from my thesis on some aspects of Muhammad's prophethood in the early literature of hadt th. -
Albanian Contemporary Qur'anic Exegesis: Sheikh
ALBANIAN CONTEMPORARY QUR’ANIC EXEGESIS: SHEIKH HAFIZ IBRAHIM DALLIU’S COMMENTARY (Tafsir Al-Quran Kontemporari Albania: Ulasan Oleh Sheikh Hafiz Ibrahim Dalliu) Hajredin Hoxha1 ABSTRACT: The objective of this study is to explore and analyze the main intellectual and religious trends and tendencies in the writings of Albanian Ulema in their dealing with Qur’anic studies, in the modern time, in the Balkan Peninsula in Europe. In conducting this study, the researcher has utilized inductive, historical, critical and analytical methodologies. The Albanian lands in the Balkan Peninsula were governed and ruled by the Islamic Ottoman Empire for almost five centuries. Historically, to some extent and despite the conflicts and clashes, Albanians were able to show to the world a very good sample of peace, unity and harmony among themselves, as a multi religious and multi ethnic society. The attention and the engagement of the Albanian Ulema with the Qur’anic sciences have been tremendous since the spread of Islam, and have to be taken into consideration. Despite the tough and serious political, economic and religious challenges in the 19th and 20th centuries, they were not distracted from conducting their learning and teaching affaires. As a result of very close contacts and relations with different ideologies, cultures and civilizations within the Ottoman mixed ethnicity and in the middle-east, the researcher based on different sources, was able to identify and discover Sunni Maturidi dogmatic approach in dealing with Quranic Exegesis in the Commentary of Sheikh Hafiz Ibrahim Dalliu-a case study. The results and conclusions of this study are to be taken into consideration also, especially when we know that the current and modern historical sources of Albania are deviated almost completely and not to be trusted at all, because they failed to show to the Albanian people a real picture of Islam. -
Outline of Sufism: the Essentials of Islamic Spirituality Appears As One of Our Selections in the Perennial Philosophy Series
World Wisdom The Library of Perennial Philosophy The Library of Perennial Philosophy is dedicated to the exposition of the timeless Truth underlying the diverse reli- gions. This Truth, often referred to as the Sophia Perennis— or Perennial Wisdom—finds its expression in the revealed Scriptures as well as in the writings of the great sages and the artistic creations of the traditional worlds. Outline of Sufism: The Essentials of Islamic Spirituality appears as one of our selections in the Perennial Philosophy series. The Perennial Philosophy Series In the beginning of the twentieth century, a school of thought arose which has focused on the enunciation and expla- nation of the Perennial Philosophy. Deeply rooted in the sense of the sacred, the writings of its leading exponents establish an indispensable foundation for understanding the timeless Truth and spiritual practices which live in the heart of all religions. Some of these titles are companion volumes to the Treasures of the World’s Religions series, which allows a comparison of the writings of the great sages of the past with the perennialist authors of our time. Other WOrks by William stOddart What Does Islam Mean in Today’s World? What Do the Religions Say about Each Other? Christian Attitudes towards Islam, Islamic Attitudes towards Christianity Invincible Wisdom: Quotations from the Scriptures, Saints, and Sages of All Times and Places Remembering in a World of Forgetting: Thoughts on Tradition and Postmodernism Outline of Buddhism Outline of Hinduism Outline of Sufism The Essentials of Islamic Spirituality William Stoddart Foreword by R.W. J. Austin Outline of Sufism: The Essentials of Islamic Spirituality ©2012 World Wisdom, Inc. -
Mistranslations of the Prophets' Names in the Holy Quran: a Critical Evaluation of Two Translations
Journal of Education and Practice www.iiste.org ISSN 2222-1735 (Paper) ISSN 2222-288X (Online) Vol.8, No.2, 2017 Mistranslations of the Prophets' Names in the Holy Quran: A Critical Evaluation of Two Translations Izzeddin M. I. Issa Dept. of English & Translation, Jadara University, PO box 733, Irbid, Jordan Abstract This study is devoted to discuss the renditions of the prophets' names in the Holy Quran due to the authority of the religious text where they reappear, the significance of the figures who carry them, the fact that they exist in many languages, and the fact that the Holy Quran addresses all mankind. The data are drawn from two translations of the Holy Quran by Ali (1964), and Al-Hilali and Khan (1993). It examines the renditions of the twenty five prophets' names with reference to translation strategies in this respect, showing that Ali confused the conveyance of six names whereas Al-Hilali and Khan confused the conveyance of four names. Discussion has been raised thereupon to present the correct rendition according to English dictionaries and encyclopedias in addition to versions of the Bible which add a historical perspective to the study. Keywords: Mistranslation, Prophets, Religious, Al-Hilali, Khan. 1. Introduction In Prophets’ names comprise a significant part of people's names which in turn constitutes a main subdivision of proper nouns which include in addition to people's names the names of countries, places, months, days, holidays etc. In terms of translation, many translators opt for transliterating proper names thinking that transliteration is a straightforward process depending on an idea deeply rooted in many people's minds that proper nouns are never translated or that the translation of proper names is as Vermes (2003:17) states "a simple automatic process of transference from one language to another." However, in the real world the issue is different viz. -
University of Lo Ndo N Soas the Umayyad Caliphate 65-86
UNIVERSITY OF LONDON SOAS THE UMAYYAD CALIPHATE 65-86/684-705 (A POLITICAL STUDY) by f Abd Al-Ameer 1 Abd Dixon Thesis submitted for the degree of Doctor of Philoso] August 1969 ProQuest Number: 10731674 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731674 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2. ABSTRACT This thesis is a political study of the Umayyad Caliphate during the reign of f Abd a I -M a lik ibn Marwan, 6 5 -8 6 /6 8 4 -7 0 5 . The first chapter deals with the po litical, social and religious background of ‘ Abd al-M alik, and relates this to his later policy on becoming caliph. Chapter II is devoted to the ‘ Alid opposition of the period, i.e . the revolt of al-Mukhtar ibn Abi ‘ Ubaid al-Thaqafi, and its nature, causes and consequences. The ‘ Asabiyya(tribal feuds), a dominant phenomenon of the Umayyad period, is examined in the third chapter. An attempt is made to throw light on its causes, and on the policies adopted by ‘ Abd al-M alik to contain it. -
Tafsīr Surah Al-Kafirun
Tafsīr Surah al-Kafirun By Haider Hobbollah Transcribed and translated by Syed Ali Imran (Canada) Names, Reasons of Revelation The chapter has been referred to in three ways in Islamic works: 1. Surah al-Kāfirūn 2. Surah al-Juḥd – since Juḥd means rejection, this name was probably given due to the rejection that appears in the later verses 3. Surah al-Muqashqisha – some have called both this and Surah Ikhlās together as al-Muqashqishatān. Qashqasha means to sweep away and abandon something, and the chapter is given this name because of the rejection (barā’ah) mentioned in the verses. A group of disbelievers in Makkah, including al-Ḥārith b. Qays al-Sahmī, al-‘Āṣ b. Wā’il, al-Walīd b. Mughīrah, Umayyah b. Khalaf and others, came to the Prophet (p) and said to him, why do you not worship what we worship, and we will worship what you worship for a time period, after which we will see whose god and worship is better, who sees the results of their worship soon after. If your god and worship are better then that will be a moment of pride for the Quraysh and we will take a share of it, but if you (p) find that our gods and worship are better then you shall take a share of it. As per historical reports, the Prophet (p) rejected their offer. This chapter was revealed and the Prophet (p) left the Masjid al-Ḥarām and recited it in front of the people. This is the popular report describing the reasons for the chapter’s revelation, both in Sunnī and Shī’ī texts, the latter works including traditions from the Ahl al-Bayt (a) as well. -
The Islamic Traditions of Cirebon
the islamic traditions of cirebon Ibadat and adat among javanese muslims A. G. Muhaimin Department of Anthropology Division of Society and Environment Research School of Pacific and Asian Studies July 1995 Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Muhaimin, Abdul Ghoffir. The Islamic traditions of Cirebon : ibadat and adat among Javanese muslims. Bibliography. ISBN 1 920942 30 0 (pbk.) ISBN 1 920942 31 9 (online) 1. Islam - Indonesia - Cirebon - Rituals. 2. Muslims - Indonesia - Cirebon. 3. Rites and ceremonies - Indonesia - Cirebon. I. Title. 297.5095982 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Printed by University Printing Services, ANU This edition © 2006 ANU E Press the islamic traditions of cirebon Ibadat and adat among javanese muslims Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changes that the author may have decided to undertake. In some cases, a few minor editorial revisions have made to the work. The acknowledgements in each of these publications provide information on the supervisors of the thesis and those who contributed to its development. -
When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World
Religions 2015, 6, 1277–1313; doi:10.3390/rel6041277 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World Mark LeVine 1,2 1 Department of History, University of California, Irvine, Krieger Hall 220, Irvine, CA 92697-3275, USA; E-Mail: [email protected] 2 Center for Middle Eastern Studies, Lund University, Finngatan 16, 223 62 Lund, Sweden Academic Editor: John L. Esposito Received: 6 August 2015 / Accepted: 23 September 2015 / Published: 5 November 2015 Abstract: This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world. Keywords: Arab Spring; revolutionary art; Tahrir Square What to do when military thugs have thrown your mother out of the second story window of your home? If you’re Nigerian Afrobeat pioneer Fela Kuta, Africa’s greatest political artist, you march her coffin to the Presidential compound and write a song, “Coffin for Head of State,” about the murder. Just to make sure everyone gets the point, you use the photo of the crowd at the gates of the Presidential compound with the coffin as the album cover [1]. -
Summary of Juz 1
The Message of the Majestic Quran Summary of Juz 1 1. Surat al-Fatiha In the name of Allah, the Kind, the Caring. 1All praises are for Allah the Lord of the worlds. 2The Kind, the Caring. 3The Controller of Judgement Day. 4We worship You alone and from You alone we seek help. 5Guide us on the straight path: 6the path of those You favoured, not those who are condemned or the misguided ones. 2. Surat al-Baqara The first Juz opens with the Surat al-Baqara revealed over two years in Madinah after the in 622 CE (Common Era). By now two thirds of the Quran had ﷺ migration of the Prophet been revealed in Makkah during a tense situation. In Madinah Muslims faced new challenges: settling down in a new city with Arabs and Jews. The two Arab tribes, the Aus and the Khazraj, both with a long history of rivalry. There were three Jewish tribes, they had moved to Madinah after they were expelled from Jerusalem by the Romans. The Jews were literate, skilled and affluent compared to the Arabs and believed they were “the chosen people”. The surah opens by describing the people of Madinah and dividing them into three groups: the believers, the disbelievers and the hypocrites. The Faithful are described as having firm belief in Allah, the unseen realities and the Hereafter; they pray regularly and give charity generously. The disbelievers have locked minds unwilling to listen. Then follows a section listing the evil habits of hypocrites: deceivers and liars, who mock the believers and make trouble, they are ignorant, misguided, and disorientated.