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Jennifer Higdon-Large Full
Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted, yet imbued with integrity and freshness.” The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President’s Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations’ 5oth anniversary. -
Robert Volkmann (Geb
Robert Volkmann (geb. Lommatzsch bei Meißen, 6. April 1815 — gest. Budapest, 29. Oktober 1883) I. (II.) Streichquartett a-moll op. 9 (1847-48) I Largo (p. 1) – Allegro non troppo (p. 2) II Adagio molto (p. 14) – Affettuoso (p. 15) – Tranquillo (p. 16) – a Tempo (p. 17) – Affettuoso (p. 18) –Accelerando – Adagio. Recitativo (p. 19) – Tempo I (p. 20) III Presto (p. 22) – Trio (p. 26) – Scherzo seconda parte (p. 29) IV Allegro impetuoso (p. 34) Vorwort Unter den vergessenen Komponisten der deutschen Romantik im Umfeld von Mendelssohn, Schumann, Liszt und des später geborenen Brahms war Robert Volkmann einer der originellsten und bedeutendsten. Geboren als zweiter Sohn des Kantoren Gotthelf Volkmann (1767-1833), begann er im Kindesalter zu komponieren und spielte Klavier, Orgel, Geige und Cello. 1832 ging er zum Studium nach Freiberg, wo ihn der städtische Musikdirektor August Ferdinand Anacker (1790-1851), ein tatkräftiger Beethovenianer, förderte und ihm die Entscheidung, vollberuflich Musiker zu werden, nahelegte. Also ging Volkmann 1836 nach Leipzig, wo es noch kein Konservatorium gab (dieses sollte erst 1843 gegründet werden), studierte Komposition und Theorie bei dem Organisten der Peterskirche (und späteren Leiter der Orgelklasse am Konservatorium), Karl Ferdinand Becker (1804-77), hörte die Donnerstagskonzerte im Gewandhaus unter Felix Mendelssohn-Bartholdy und erfreute sich der Schätzung Robert Schumanns. Im Oktober 1839 trat er eine Lehrstelle an einer Prager Musikschule an, doch schon 1840 wurde er als Musiklehrer der beiden Töchter der Gräfin Stainlein-Saalenstein im Familienschloß im ungarischen Szemeréd in der Nähe von Ipolyság verpflichtet, wo er sich nun vermehrt dem Komponieren widmete. Im Gefolge der Gräfin besuchte er öfters Pest, den damals vorwiegend deutschen Teil des heutigen Budapest. -
Madeline Plays Mendelssohn
Madeline Plays Mendelssohn TIMPANOGOS SYMPHONY ORCHESTRA JOHN PEW MUSIC DIRECTOR CELEBRATING Mendelssohn, Violin Concerto 10 YEARS Schubert, Unfinished Symphony February 12 & 13, 2021 7:30 pm Timberline Middle School Concert Program Donna Diana Overture (1894) Emil von Reznicek (1860-1945) Symphony No. 8 “Unfinished” (1822) Franz Schubert (1797-1828) Violin Concerto in E minor, Op. 64 (1845) Felix Mendelssohn (1809-1847) 1. Allegro molto appassionato 2. Andante 3. Allegretto non troppo – Allegro molto vivace Madeline Adkins, violin 1 Violinist Madeline Adkins joined the Utah Symphony as Concertmaster in 2016. Prior to this appointment, she was a member of the Baltimore Symphony Orchestra, performing as Associate Concertmaster for 11 seasons. She was also Concertmaster of the Baltimore Chamber Orchestra from 2008-2016. Adkins performs on the "ex-Chardon" Guadagnini of 1782, graciously loaned by Gabrielle Israelievitch to perpetuate the legacy of her late husband, former Toronto Symphony concertmaster, Jacques Israeliev- itch. She has served as Guest Concertmaster of the Pittsburgh Symphony, the Cincinnati Symphony, the Houston Symphony, the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, the Grand Teton Music Festival Orchestra, and the Grant Park Symphony Orchestra in Chicago. Adkins has also been a guest artist at numer- ous festivals including the Stellenbosch International Chamber Music Festival in South Africa, the Sarasota Music Festival, Jackson Hole Chamber Music, Music in the Mountains, and the Sewanee Summer Music Festival, as well as a clinician at the National Orchestral Institute, the National Youth Orchestra at Carnegie Hall, and the Haitian Orchestra Institute. In addition, she has served as the Music Director of the NOVA Chamber Music Series in Salt Lake City. -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles. -
Program Notes | South American Sounds
27 Season 2018-2019 Thursday, October 4, at 7:30 The Philadelphia Orchestra Friday, October 5, at 2:00 Saturday, October 6, at 8:00 Miguel Harth-Bedoya Conductor Elizabeth Hainen Harp Gershwin Cuban Overture Ginastera Harp Concerto, Op. 25 I. Allegro giusto II. Molto moderato III. Liberamente capriccioso (solo cadenza)— Vivace Intermission Piazzolla Tangazo First Philadelphia Orchestra performances López Perú negro First Philadelphia Orchestra performances This program runs approximately 1 hour, 45 minutes. These concerts are sponsored by Ken Hutchins. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the October 5 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra. Villa-Lobos Quintet in the Form of a Chôros (in one movement) Patrick Williams Flute Peter Smith Oboe Socrates Villegas Clarinet Angela Anderson Smith Bassoon Ernesto Tovar Torres Horn Ginastera from String Quartet No. 1, Op. 20: I. Allegro violento ed agitato II. Vivacissimo Dara Morales Violin Yu-Ting Chen Violin Meng Wang Viola John Koen Cello Piazzolla “Oblivion” and “Libertango” Dara Morales Violin Yu-Ting Chen Violin Meng Wang Viola John Koen Cello 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in -
Nov 23 to 29.Txt
CLASSIC CHOICES PLAYLIST Nov. 23 - Nov. 29, 2020 PLAY DATE: Mon, 11/23/2020 6:02 AM Antonio Vivaldi Concerto for Viola d'amore, lute & orch. 6:15 AM Wolfgang Amadeus Mozart Divertimento for Winds 6:29 AM Georg Muffat Sonata No.1 6:42 AM Marianne Martinez Sinfonia 7:02 AM Georg Philipp Telemann Concerto for 2 violas 7:09 AM Ludwig Van Beethoven Eleven Dances 7:29 AM Henry Purcell Chacony a 4 7:37 AM Robert Schumann Waldszenen 8:02 AM Johann David Heinichen Concerto for 2 flutes, oboes, vn, string 8:15 AM Antonin Reicha Commemoration Symphony 8:36 AM Ernst von Dohnányi Serenade for Strings 9:05 AM Hector Berlioz Harold in Italy 9:46 AM Franz Schubert Moments Musicaux No. 6 9:53 AM Ernesto de Curtis Torna a Surriento 10:00 AM Wolfgang Amadeus Mozart Rondo for horn & orch 10:07 AM Wolfgang Amadeus Mozart Divertimento No. 3 10:21 AM Wolfgang Amadeus Mozart Piano Sonata 10:39 AM Wolfgang Amadeus Mozart Allegro for Clarinet & String Quartet 10:49 AM Wolfgang Amadeus Mozart Divertimento No. 8 11:01 AM Aaron Copland Appalachian Spring (Ballet for Martha) 11:29 AM Johann Sebastian Bach Violin Partita No. 2 12:01 PM Bedrich Smetana Ma Vlast: The Moldau ("Vltava") 12:16 PM Astor Piazzolla Tangazo 12:31 PM Johann Strauss, Jr. Artist's Life 12:43 PM Luigi Boccherini Flute Quintet No. 3 12:53 PM John Williams (Comp./Cond.) Summon the Heroes 1:01 PM Ludwig Van Beethoven Piano Trio No. 1 1:36 PM Margaret Griebling-Haigh Romans des Rois 2:00 PM Johann Sebastian Bach Konzertsatz (Sinfonia) for vln,3 trpts. -
Download This Issue As
Official Publication of the International Conference of Symphony and Opera Musicians VOLUME 56 NO. 1 MARCH 2018 Partly Sunny Skies in In This Issue San Antonio’s Wild Ride Partly Sunny Skies in By Marisa Bushman, SAS ICSOM Louisville Louisville ....................... 1 Delegate By Bert Witzel, LO ICSOM Delegate San Antonio’s Wild Ride ............................... 1 he last year has been tumultuous for the n December 2011, the Louisville Orchestra Chairperson’s Report .... 2 Musicians of the San Antonio Sympho- Inc. filed for bankruptcy and attempted to ICSOM at SphinxConnect ny. Our collective emotions have ranged President’s Report ........ 3 T reject the musicians’ contract in federal from cautious optimism to total despair as the I The Purpose and court. Upon advice of labor counsel, Liza Hirsch events of the last year have unfolded. Relevance of ICSOM Stacy Nyikos Medina, the Louisville Orchestra musicians imme- Congress Delivers a Last spring, the Mu- O’Neil Arnold diately engaged the most Tax Pay Cut to ICSOM sicians of the San An- reputable local bankrupt- Musicians ...................... 4 tonio Symphony were cy attorneys and defeated How the new law notified of a plan for a that effort. We were able affects musicians takeover of the Sym- to keep our contract and Conrad’s Concert .......... 6 phony by three of the continued to work for its Kansas City creates largest foundations in sensory-friendly concerts duration. After the con- Musicians of the San Antonio, the Tobin tract expired came an in- San Francisco Opera Endowment, the Kron- famous lockout that lasted Organize Benefit kosky Foundation, and an entire season. -
Adagio (1950–51) Metamorphose (1953) Symphony No. 1, Sinfonia Austéra (1953–55, Rev
WORKS BY PER NØRGÅRD Works for Orchestra Preludio (1950–51) Adagio (1950–51) Metamorphose (1953) Symphony No. 1, Sinfonia austéra (1953–55, rev. 1956) Bright Dances (1959) Fragment VI (1959–61) The Young Man Is Getting Married (1964–68) Le jeune homme à marier — Suite (1965) Composition for Orchestra (1966) Töne vom Hernst (1966) Iris (1966–67, rev. 1968) Luna, Four Phases for Orchestra (1967) Århus’ tapre skrædder (1968) Voyage into the Golden Screen (1968) The Man Who Thought Things (1969) Tango Chikane (chamber orchestra version) (1969) Symphony No. 2, in one movement (1970, rev. 1971) Symphony No. 3, in two movements (1972–75) Dream Play (1975, rev. 1980) Twilight (1976–77, rev. 1979) Towards Freedom? (1977) Symphony No. 4, Indian Rose Garden and Chinese Witch Sea (1981) Surf (1983) Burn (1984) Symphony No. 5 (1990, rev. 1991) Spaces of Time (1991) Night-Symphonies, Day Breaks (1991–92) Fugitive Summer (1992) Out of This World — Hommage à Lutosławski (1994) Four Observations — From an Infinite Rapport. Hommage à Bartók (1995) Tributes — Album for strings (1995) Voyage into the Broken Screen, Hommage à Sibelius (1995) Aspects of Leaving (1997) (more) Symphony No. 6, At the End of the Day (1997–99, rev. 2000) Terrains Vagues (2000) Intonation/Detonation (2001) Symphony No. 7 (2004–06) Lysning (Glade) (2006) Symphony No. 8 (2010–11) Works for Soloist(s) and Orchestra Rhapsody — in D (for piano) (1952) Concerto for Piano and Orchestra (1955–58) Nocturnes, Fragment VII (for soprano) (1961–62) Three Love Songs (for alto) (1963) Recall — Concerto for Accordion (1968) For a Change — Percussion Concerto No. -
The Great Cello Concerto of Robert Volkmann (1856-1857)
AN IMPORTANT NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are very pleased for you to have a copy of this article, which you may read, print or save on your computer. You are free to make any number of additional photocopies, for johnstone-music seeks no direct financial gain whatsoever from these articles; however, the name of THE AUTHOR must be clearly attributed if any document is re-produced. If you feel like sending any (hopefully favourable) comment about this, or indeed about the Johnstone-Music web in general, simply vis it the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you ! THE GREAT CELLO CONCERTO OF ROBERT VOLKMANN (1856-1857) By David Johnstone Introduction: I have to admit that when I was a full-time student in London, the name of Robert Volkmann did not mean anything to me, and this for someone who used to spend almost all of his grant on buying music scores! I believe that the first time that I read his name was in the excellent biography of David Popper by Stephen De ’ak. De ’ak spoke not only highly about the work itself, but on Popper ’s genuine interest in bringing the composition before the general public. It made me curious; why dwell on this work and not other contemporary romantic works, such as the cello concertos by Molique or Raff? At a much later date, I did have the privilege of performing works of Volkmann, such as the String Serenades, and these experiences confirmed my initial beliefs that here was a composer who has been treated unjustly during the second half of the twentieth century. -
FMSO COMMISSION Or COMMISSION PARTICIPANT
FMSO COMMISSION or COMMISSION PARTICIPANT MAJOR COLLABORATION WITH OTHER ORGANIZATION/COMMUNITY OUTREACH PROJECT HYBRID PROGRAMMING – POPS/THEMATIC/TRADITIONAL AUDIO-VISUAL ENHANCEMENT LOCAL/YOUTH EMPHASIS MASTERWORKS SERIES PROGRAMMING – 2005 – Present 2018-2019 – EXPERIENCE THE SYMPHONY CHEE-YUN & SERGEY Dvorak – Slavonic Dances No. 2 & 7 Popper – Hungarian Rhapsody – with cellist SERGEY ANTONOV Liszt – Mephisto Waltz No. 1 Saint-Saëns – Introduction & Rondo Capriccioso – with violinist CHEE-YUN Brahms – Double Concert – with CHEE-YUN & SERGEY HIGDON HARP CONCERTO – regional premiere Mozart – Concerto for Flute & Harp, mvt. 2 – with harpist YOLANDA KONDONASSIS & Deb Harris Higdon – Harp Concerto – with harpist YOLANDA KONDONASSIS Nielsen – Symphony No. 4 “The Inextinguishable” MYTHICAL HEROES & WOMEN WARRIORS - with projected images Djawadi/Peterson – Music from “Game of Thrones” Smetana – “Sarka” from Ma Vlast (My Homeland) Shore – Music from “Lord of the Rings” Sibelius – Four Legends from the “Kalevala” (Lemminkainen Suite) THE VIRTUOSO NEXT DOOR – featuring FMSO musicians as soloists Shostakovich – Festive Overture (side by side with FMAYS Sr. High Orchestra) Poulenc – Double Piano Concerto – with pianists Jay Hershberger & Tyler Wottrich Tower – Fanfares for the Uncommon Woman – featuring FMSO brass & percussion Adams – Tromba Lontana – featuring FMSO trumpets Corigliano – Chaconne from “The Red Violin” CLAUSEN WORLD PREMIERE – FMSO COMMISSION Wagner/Clausen – “Elsa’s Procession to the Cathedral” from Lohengrin Copland – Appalachian Spring Clausen – TITLE TBA – FMSO Commission 2017-2018 – JUMP IN ALTERED STATES Hermann – Music from “Psycho” Corigliano – “Three Hallucinations” from Altered States Berlioz – Symphonie Fantastique THE ILLUMINATED SOUL – A COLLABORATION WITH THE ST. JOHN’S BIBLE PROJECT Bruch – Ave Maria (with cellist Inbal Segev) Bloch – Schelomo (with cellist Inbal Segev) Strauss – Death and Transfiguration Theofanidis – Rainbow Body (with projected images from The St. -
Concerts Conducted by Carl Schuricht Including Music of Anton Bruckner (1912-1965) Original Source
Concerts conducted by Carl Schuricht including music of Anton Bruckner (1912-1965) Original source : http://carlschuricht.com/concert.htm Important Dates 3 July 1880 : Carl Adolph Schuricht was born at Danzig (Gdansk) into a family of organ-builders. His father, Carl Conrad Schuricht was born on 27 January 1856. He was an organ-builder and worked at his father's factory. He died on 9 June 1880 (3 weeks before his son was born !) when he tried to help an employee fallen into the sea, in the bay of Danzig. His mother, Amanda Ludowika Alwine Wusinowska was a well-known Polish Oratorio singer (1847-1935) . She didn't re-marry after her husband's death. 1886 : Began piano and violin lessons at the age of 6. Studied at the « Friedrichs Realgymnasium » in Berlin. 1891 : Began to compose at the age of 11. 1892 : Studied at the « Königliches Realgymnasium » in Wiesbaden. Written the music and the librettos for 2 Operas. 1895 : Started conducting at the age of 15. 1901-1902 : 1st professional job as « Korrepetitor » at the « Stadttheater » of Mainz. 1902 : Won a composition prize from the Kuszynski Foundation, and awarded a scholarship by Franz von Mendelssohn. Allowed him to continue his studies at the « Berliner Musikhochschule » (« der Königlichten Hochschule für Musik ») under Ernst Rudorff, piano ; Heinrich van Eyken (and not Engelbert Humperdink) , composition ; and, later, Max Reger in Leipzig. His musical compositions were published mostly by Drei-Lilien-Verlag, Berlin. Opus 1 : Piano Sonata in F minor. Opus 2 : « Herbst-Stücke » (Opuscules for autumn) for piano and orchestra. Opus 3 : « Fünf Lieder » (5 Songs) . -
The Cello in Motion
The Cello in Motion Co-presented by The Temple Emanu-El Streicker Center and Orchestra of St. Luke’s Monday, November 30th, 2020 at 6:30pm Streamed live from The Temple Emanu-El Streicker Center piano. In 1970, she won the biennial Royal Schools of Music Scholarship for the West Indies which Performers allowed her to study piano and singing at the Royal Academy of Music in London. In 1974, she was one Ilmar Gavilan, Mitsuru Tsubota, violin of three finalists in the International Piano Concerto Kaya Bryla-Weiss, viola Competition in Dudley, United Kingdom. While a Daire FitzGerald, Hamilton Berry, cellos rehearsal pianist for The London Contemporary Dance Theatre, Alberga began composing works conceived for dance, including her celebrated piano quintet Clouds (1984); she would later become the Program company’s musical director. ELEANOR ALBERGA Ride Through Alberga’s orchestral works, Sun Warrior (1990) written for the inaugural Women in Music Festival and her FRANZ SCHUBERT dramatic adaptation of Roald Dahl’s Snow White and the Seven Dwarves (1994) for large symphony String Quintet in C Major, D. 956 orchestra and narrators, were premiered at the Allegro ma non troppo Royal Festival Hall in 1994 with Franz Welser-Möst Adagio conducting the LPO. In 2009, the premiere of her Scherzo opera Letters of a Love Betrayed at the Royal Opera Allegretto House drew comparisons to Berg’s Wozzeck and Debussy’s Pelleas et Melisande. Program Notes In 2001, she was awarded a NESTA Fellowship for composition and premiered her first violin concerto, Ride Through by Eleanor Alberga written for Thomas Bowes and commissioned by The Scottish Chamber Orchestra under Joseph Swensen.