Commercial Building and Setting – 65, 69 Cambridge Terrace, Christchurch

Total Page:16

File Type:pdf, Size:1020Kb

Commercial Building and Setting – 65, 69 Cambridge Terrace, Christchurch DISTRICT PLAN –LISTED HERITAGE PLACE HERITAGE ASSESSMENT – STATEMENT OF SIGNIFICANCE HERITAGE ITEM NUMBER 1356 COMMERCIAL BUILDING AND SETTING – 65, 69 CAMBRIDGE TERRACE,CHRISTCHURCH PHOTOGRAPH: Amanda Ohs November 2014 HISTORICAL AND SOCIAL SIGNIFICANCE Historical and social values that demonstrate or are associated with: a particular person, group, organisation, institution, event, phase or activity; the continuity and/or change of a phase or activity; social, historical, traditional, economic, political or other patterns. The commercial building at 65 Cambridge Terrace has high historical and social significance as the offices designed by Sir Miles Warren in 1962 for the Warren & Mahoney partnership. Page 1 At the time, the site was zoned residential which meant that not less than half the building was to be used as a house. The remainder of the building functioned as the offices of what has grown to be one of the most important architecture practices in New Zealand. At the time of its construction in 1963 the Cambridge Terrace residential area predominantly comprised large older houses divided into flats. Subsequent re zoning of the area from residential to commercial in the early 1970s led to the eventual demolition of all the houses on the block and the erection of commercial office buildings along the Cambridge Terrace river frontage. As the first commercial building to be constructed on the block, 65 Cambridge Terrace led the transition of the area from residential to commercial. Warren & Mahoney’s architectural practice was founded by Miles Warren in 1955. Warren sought the assistance of his colleague Maurice Mahoney and in 1958 the partnership of Warren & Mahoney was established. Throughout the 1960s the practice received commissions of increasing complexity and scale. The Christchurch Town Hall commission and its attendant success led to the inevitable expansion of the partnership. Warren & Mahoney offices were later established in Wellington (1979) and Auckland (1986). Sir Miles Warren is the first New Zealander to be knighted for his services to architecture. His work of the 1950s and 1960s – which includes 65 Cambridge Terrace – has been described as characteristic of the best work of his career; it is ordered, coherent, and adjusted to the individual human scale. Athfield Architects – another notable architectural practice - has been a recent tenant at 65 Cambridge Terrace. CULTURAL AND SPIRITUAL SIGNIFICANCE Cultural and spiritual values that demonstrate or are associated with the distinctive characteristics of a way of life, philosophy, tradition, religion, or other belief, including: the symbolic or commemorative value of the place; significance to Tangata Whenua; and/or associations with an identifiable group and esteemed by this group for its cultural values. 65 Cambridge Terrace has high cultural significance as it embodies the way of life and architectural approach of Sir Miles Warren at the time of its construction. As the architect’s own office and flat, this building can be seen to express his architectural ideals at the time. The building is highly regarded amongst New Zealand architects and architectural historians, as evidenced by architectural awards, and can be seen to epitomise Sir Miles Warren’s work. The building is also associated with the wider Warren & Mahoney practice that has been influential in establishing New Zealand architectural traditions at a local and national level. ARCHITECTURAL AND AESTHETIC SIGNIFICANCE Architectural and aesthetic values that demonstrate or are associated with: a particular style, period or designer, design values, form, scale, colour, texture and material of the place. High architectural and aesthetic significance are ascribed to 65 Cambridge Terrace because it is a foremost example of the architecture of its period in New Zealand. This four story concrete block building is characterised by its materials, a clear expression of two bays and the triangular roof forms which form the uppermost storey. Stained timberwork is used for the exterior window frames, doors, bargeboards and beams. The timber beams and projecting concrete beams, along with a variety of shapes and sizes of fenestration articulate the front and rear facades. White painted concrete block, which came to epitomise a particular style of Christchurch style of architecture in the 1960s is used for the exterior envelope. The building has been designed to maximise natural light. Page 2 The building has been in a constant state of adaptation with alterations and additions being carried out as the architectural practice expanded. The building won the New Zealand Institute of Architects silver medal in 1969 at which time the jury commented: “This building is a fascinating, idiosyncratic tour de force. There is however a clear rational planning basis with spaces simply organised around an economical central access. Visually the impact is primarily that of lively roof shapes, the uncluttered well proportioned walls, the frank use of materials and the interplay of volumes and levels”. That the design of the building has endured was recognised in 1995 when the building was awarded the New Zealand Institute of Architecture/Resene 25 year award. TECHNOLOGICAL AND CRAFTSMANSHIP SIGNIFICANCE Technological and craftsmanship values that demonstrate or are associated with: the nature and use of materials, finishes and/or technological or constructional methods which were innovative, or of notable quality for the period. 65 Cambridge Terrace has high technological and craftsmanship significance due to the nature and use of the materials and the construction methods for the period. In the Modernist architectural tradition, the materials used are clearly expressed; a structural concrete frame with infill panels of concrete block for the side walls and strong vertical windows in the front, finish the façade of the building. The materials used and craftsmanship show a high standard of quality and attention to detail. CONTEXTUAL SIGNIFICANCE Contextual values that demonstrate or are associated with: a relationship to the environment (constructed and natural), a landscape, setting, group, precinct or streetscape; a degree of consistency in terms of type, scale, form, materials, texture, colour, style and/or detail; recognised landmarks and landscape which are recognised and contribute to the unique identity of the environment. 65 Cambridge Terrace and setting have high contextual significance as it is one of a group of adjacent buildings designed by Warren & Mahoney on Cambridge Terrace constructed over a twenty-eight year period between 1962 and 1988: 65 Cambridge Terrace (1962), 59 Cambridge Terrace (1970), 61 Cambridge Terrace (1974) and 69 Cambridge Terrace (1988). Together they represent an intact cluster of Christchurch’s Modernist heritage as well as the work of one firm over nearly three decades. The buildings noted above have common architectural features, forms, materials and scale. They are constructed with a structural concrete frame with infill panels of concrete block for the side walls and windows in the front and rear facing walls. The proportions of the windows tend to be square, highlighted by distinctive opening sashes. Their rooflines have distinctively triangular features as viewed from the Cambridge Terrace frontages. The site has a river outlook across the Avon River corridor which is classed as an important public open space in the City Plan. An early architectural landmark of the river precinct, St. Michael and All Angels Church (William Fitzjohn Crisp, 1872), is located across the river opposite the site. The setting of 65 Cambridge Terrace consists of a designed garden setting at the rear which features a densely planted enclosed courtyard and a reflecting pool. ARCHAEOLOGICAL AND SCIENTIFIC SIGNIFICANCE Page 3 Archaeological or scientific values that demonstrate or are associated with: the potential to provide information through physical or scientific evidence an understanding about social historical, cultural, spiritual, technological or other values of past events, activities, structures or people. The commercial building and setting at 65 Cambridge Terrace has some archaeological significance. Although 65 Cambridge Terrace was constructed in 1963.and existing archaeological evidence may have been disturbed during its construction, pre-1900 human activity in the immediate vicinity of 65 Cambridge Terrace is documented. 65 Cambridge Terrace is located on the banks of Otākaro (Avon River) which was a well known mahinga kai for Waitaha, Ngāti Mamoe and Ngāi Tahu. In the early years of European settlement, the banks of the Avon opposite 65 Cambridge Terrace provided a popular location for swimming and boating. The area was developed for residential purposes in the 1880s. ASSESSMENT STATEMENT The commercial building and setting at 65 Cambridge Terrace have high overall significance to the Christchurch District. 65 Cambridge Terrace has high historical and social significance as the offices designed by Sir Miles Warren in 1962 for the Warren & Mahoney partnership – one of the most important architecture practices in New Zealand. 65 Cambridge Terrace has high cultural significance because of its association with the wider Warren & Mahoney practice that has been so influential in establishing New Zealand architectural traditions at a local and national level. 65 Cambridge Terrace has high architectural and aesthetic significance; it reflects an excellent local interpretation of overseas modernist
Recommended publications
  • Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna O Waiwhetu 2009
    Bulletin Autumn Christchurch Art Gallery March — May B.156 Te Puna o Waiwhetu 2009 1 BULLETIN EDITOR Bulletin B.156 Autumn DAVID SIMPSON Christchurch Art Gallery March — May Te Puna o Waiwhetu 2009 GALLERY CONTRIBUTORS DIRECTOR: JENNY HARPER CURATORIAL TEAM: KEN HALL, JENNIFER HAY, FELICITY MILBURN, JUSTIN PATON, PETER VANGIONI PUBLIC PROGRAMMES: SARAH AMAZINNIA, LANA COLES PHOTOGRAPHERS: BRENDAN LEE, DAVID WATKINS OTHER CONTRIBUTORS ROBBIE DEANS, MARTIN EDMOND, GARTH GOULD, CHARLES JENCKS, BRIDIE LONIE, RICHARD MCGOWAN, ZINA SWANSON, DAVID TURNER TEL: (+64 3) 941 7300 FAX: (+64 3) 941 7301 EMAIL: [email protected], [email protected] PLEASE SEE THE BACK COVER FOR MORE DETAILS. WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. CURRENT SUPPORTERS OF THE GALLERY AALTO COLOUR CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST COFFEY PROJECTS CREATIVE NEW ZEALAND ERNST & YOUNG FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN HOLMES GROUP HOME NEW ZEALAND LUNEYS PHILIP CARTER PYNE GOULD CORPORATION SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE WARREN TRUST UNIVERSITY OF CANTERBURY UNIVERSITY OF CANTERBURY FOUNDATION VBASE WARREN AND MAHONEY Visitors to the Gallery in front of Fiona Hall’s The Price is Right, installed as part of the exhibition Fiona Hall: Force Field. DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK Front cover image: Rita Angus EDITORIAL DESIGN: ALEC BATHGATE, A Goddess of Mercy (detail) 1945–7. Oil on canvas. Collection CLAYTON DIXON of Christchurch Art Gallery Te PRODUCTION MANAGER:
    [Show full text]
  • The Story up to Now Architects, President (2014–16) of the by Bill Mckay
    FREE Please take one. Issue One An offering of New Zealand Architecture and Design. — 2016 — 10. 14. 26. The diversity of New Class of ’15: the creative Innovative work by design- Zealand’s architecture and inspiring designs oriented companies is is highlighted in Future that received the highest showcased in the hosting Islands, the country’s architectural honours at space at the venue of the exhibition in the Biennale the 2015 New Zealand New Zealand architecture Architeturra 2016. Architecture Awards. exhibition in Venice. Joyful architecture Children playing on the roof of Amritsar, the Wellington house that was a career-long project of Sir Ian Athfield (1940– 2015), an outstanding figure in New Zealand architecture. More village than residence, Amritsar has captivated visitors for 40 years. One new fan is U.S. critic Alexandra Lange (see page 9). Photograph courtesy Athfield Architects. Our archipelago has been discovered by a succession cultural and spiritual importance around which of voyagers and explorers over the centuries but was dwellings were clustered. one of the last significant land masses to be peopled. As the Māori population increased and society The story Around 800 years ago, in the last thrust of human became more tribalised, strategic hillsides were expansion throughout the Pacific Ocean, expert nav- secured during periods of warfare by large-scale igators sailing sophisticated doubled-hulled vessels earthworks and palisades known as pā. The history landed in the southern reach of Polynesia (‘many of New Zealand architecture is not just one of arrival up to now islands’) and adapted their way of life to a colder, and the adaptation and evolution of building forms more temperate land.
    [Show full text]
  • Christchurch Town Hall, Christchurch, 1965-1972
    d o c o m o m o _ _ n n International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement composed by national/regional working party of: NEW ZEALAND 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Warren & Mahoney, Christchurch Town Hall, Christchurch, 1965-1972. source: V-Base, Venue Management, Christchurch date: unknown d o c o m o m o _ n _ n International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1. Identity of building/ group of buildings/ landscape/ garden 1.1 Data for identification current name: Christchurch Town Hall former/original/variant name: n/a number(s) and name(s) of street(s): 100 Kilmore Street town: Christchurch province/state: Canterbury post code: 8013 block: lot: Gaz 86/3002 Pt Lot 1 DP9143 Pt Lot 1 country: New Zealand national topographical grid reference: BX 24 current typology: ADM REC former/original/variant typology: n/a comments on typology: A civic building (ADM) for a recreational (REC) purpose (concert auditorium, theatre and associated facilities) 1.2 Status of protection protected by: Christchurch City Council [City Plan listing] grade: 1 date: 1993 valid for: whole building remarks: 1.3 Visually or functionally related building(s)/site(s) name(s) of surrounding area/building(s): Crowne Plaza Hotel (formerly the Parkroyal Hotel) (1988); Christchurch Convention Centre (c.1997) visual relations: Both these buildings are adjacent to the Town Hall and are connected to it physically via first-floor covered walkways; the Convention Centre is north directly across Kilmore Street, the Crowne Plaza Hotel is to the west of the Town Hall.
    [Show full text]
  • Cathedral Working Group Recommendation Report
    CATHEDRAL WORKING GROUP RECOMMENDATION REPORT NOVEMBER 2016 Released by the Minister supporting Greater Christchurch Regeneration This document and its contents are confidential and shall not be distributed, published, copied or reproduced without the express written permission of the Minister Supporting Greater Christchurch Regeneration and the Church Property Trustees. VERSION ISSUE DATE REASON FOR ISSUE AUTHOR APPROVED FOR ISSUE 1 28.10.16 Draft for Review Bianca Hurrell, RCP Marcus Read, RCP 2 31.10.16 Draft to include Bianca Hurrell, RCP Marcus Read, RCP comments from Working Group Chair Regeneration 3 01.11.16 Edited and Proofed Anna Komink, Axiom Marcus Read, RCP Final Draft to CWG / Bianca Hurrell, RCP 4 07.11.16 Updates following Bianca Hurrell, RCP / Marcus Read, RCP / CWG meeting Anna Komink, Axiom Geoff Dangerfield, CWG Christchurch 5 21.11.16 Updates as Geoff Dangerfield, Geoff Dangerfield, provided to CWG CWG / Marcus Read, CWG / Marcus Read, for review RCP RCP 6 24.11.16 Final Draft providedGreater Geoff Dangerfield, Marcus Read, RCP / to CWG for review CWG / Marcus Read, Geoff Dangerfield, RCP CWG 7 25.11.16 Final Copy Geoff Dangerfield, Geoff Dangerfield, CWG / Marcus Read, CWG / Marcus Read, RCP RCP supporting Minister the by Released ii CONTENTS 1.0 Executive Summary 1 2.0 Recommendations 7 3.0 Introduction 9 4.0 Background and Context 12 5.0 Values and Requirements of the ChristChurch Cathedral 13 6.0 Heritage and Archaeological Review Regeneration16 7.0 Structural Review 21 8.0 Regeneration of the Square 27 9.0 Delivery
    [Show full text]
  • DISCOVER YOUR CITY THROUGH ARCHITECTURE OPEN CHRISTCHURCH 15-16 MAY 2021 40+ BUILDINGS, 1 WEEKEND 1 Openchch.Nz 2
    DISCOVER YOUR CITY THROUGH ARCHITECTURE OPEN CHRISTCHURCH 15-16 MAY 2021 40+ BUILDINGS, 1 WEEKEND CHAMPION SPONSOR PRINCIPAL SPONSORS FUNDERS openchch.nz 0 WITH 46 OPEN BUILDINGS, TWO GUIDED 2 CENTRAL CITY WALKS AND DOZENS OF SPECIAL ACTIVITIES (FROM CHILDREN’S WORKSHOPS TO PERFORMANCES AS WELL AS EXPERT TALKS AND TOURS), OPEN CHRISTCHURCH 2021 IS A CELEBRATION OF OUR ARCHITECTURE. This one-weekend-only festival is – by creating your own itinerary Accessible for everyone in or visiting Ōtautahi you’ll discover your city in a Christchurch over 15 & 16 May. new way. Not Accessible Building owners/kaitiaki will Te Pūtahi thanks all our generous literally open their doors so you Toilets building partners and contributors can experience great design from for welcoming everyone to explore the inside, for free. There are a Parking Provided these special works of architecture. handful of exceptions to this as a We also acknowledge our family of small fee of $4+bf is charged for Ticketed sponsors, funders and supporters access to buildings that require Dr Jessica Halliday for making Open Christchurch 2021 advanced booking. Walk up: turn up on the day Te Pūtahi Director possible. Open Christchurch is a We encourage you to peruse the feast of architecture – we hope you programme carefully and to delve relish the chance to explore and COVID-19: For the latest into openchch.nz to select what enjoy this selection of the city’s information about Covid levels you want to see over the weekend best buildings. please see openchch.nz MESSAGE FROM THE MAYOR more knowledgeable about local architecture and design, engage Open Christchurch is a fantastic in dialogue and make informed festival allowing residents and judgements about our future city’s visitors to explore over 40 environment.
    [Show full text]
  • Reconstruction in New Zealand Post 2010-11 Christchurch Earthquakes
    ReBuilDD Field Trip February 2012 RECONSTRUCTION IN NEW ZEALAND POST 2010-11 CHRISTCHURCH EARTHQUAKES Stephen Platt Christchurch city centre, February 2012 UNIVERSITY OF ImageCat CAMBRIDGE CAR Published by Cambridge Architectural Research Ltd. CURBE was established in 1997 to create a structure for interdisciplinary collaboration for disaster and risk research and application. Projects link the skills and expertise from distinct disciplines to understand and resolve disaster and risk issues, particularly related to reducing detrimental impacts of disasters. CURBE is based at the Martin Centre within the Department of Architecture at the University of Cambridge. About the research This report is one of a number of outputs from a research project funded by the UK Engineering and Physical Sciences Research Council (EPSRC), entitled Indicators for Measuring, Monitoring and Evaluating Post-Disaster Recovery. The overall aim of the research is to develop indicators of recovery by exploiting the wealth of data now available, including that from satellite imagery, internet-based statistics and advanced field survey techniques. The specific aim of this trip report is to describe the planning process after major disaster with a view to understanding the information needs of planners. Project team The project team has included Michael Ramage, Dr Emily So, Dr Torwong Chenvidyakarn and Daniel Brown, CURBE, University of Cambridge Ltd; Professor Robin Spence, Dr Stephen Platt and Dr Keiko Saito, Cambridge Architectural Research; Dr Beverley Adams and Dr John Bevington, ImageCat. Inc; Dr Ratana Chuenpagdee, University of Newfoundland who led the fieldwork team in Thailand; and Professor Amir Khan, University of Peshawar who led the fieldwork team in Pakistan.
    [Show full text]
  • Michael Findlay "Peter Beaven: the Return of History to Architecture in the 1960S"
    Michael Findlay "Peter Beaven: The Return of History to Architecture in the 1960s" Christchurch architect Peter Beaven's long career has been marked by his opposition to modernist philosophies during which time his practice has been animated by a strong sense of history and place. Beaven's diverse body of work is incorporated into New Zealand modernism as though his strongly expressed beliefs about the role of the architect under modernism were immaterial. Critic Kenneth Frampton's influential chapter on critical regionalism in Modern Architecture: A Critical History sets up a framework for interpreting Beaven's contentious statement that he was never a modernist. This paper specifically explores Beaven's position with relation to the design of the Canterbury Building Society building in High St, Auckland (1967). Kerry Francis "Wrapping the Present (the hard man comes to town): Slight adjustments in Whangarei during the 1960s" In 1964 The New Zealand Refining Company opened the country’s only oil Refinery at the entrance to the Whangarei Harbour. This Refinery placed a provincial town at a pivotal location in the modern New Zealand. During the same decade two Whangarei buildings that had been designed by architect A. P. Morgan received new facades courtesy of a “new” architect M.J. Stiffe. In 1963 the Whangarei Womens’ Club in Rust Avenue received a wrap of red brick and mill finish aluminium windows around the original 1924 weatherboard bungalow and in 1967 the then Head Office for the North Auckland Electric Power Board an asymmetric entry location and a skin of selected mosaic tiles across the original (1950) symmetrical plaster façade.
    [Show full text]
  • Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch a Thesis Submitted I
    Approaching the Altar: Art, Agency and Appreciation at the Cathedral of the Blessed Sacrament, Christchurch A Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Art History and Theory at the University of Canterbury by Alison Ruth Flett University of Canterbury 2016 i Dedicated to the memory of the late Bishop Barry Jones, D.D., ninth Roman Catholic Bishop of Christchurch (28.08.41 - 13.02.16), worthy successor of the first bishop, John Joseph Grimes, D.D., S.M. In thanks for his wise leadership after the earthquakes. ii Table of Contents Acknowledgements ......................................................................................................... viii Abstract ............................................................................................................................... x Introduction ......................................................................................................................... 1 Chapter One ....................................................................................................................... 12 The predecessors of the cathedral altar: the Henley and Kimbell/Button altars in context .................................................................................. 12 Chapter Two ...................................................................................................................... 22 1900 - 1905: The Altar in the Mind of the Bishop and the Architect ........................... 22 Chapter Three ...................................................................................................................
    [Show full text]
  • An Annotated Bibliography of Published Sources on Christchurch
    Local history resources An annotated bibliography of published sources on the history of Christchurch, Lyttelton, and Banks Peninsula. Map of Banks Peninsula showing principal surviving European and Maori place-names, 1927 From: Place-names of Banks Peninsula : a topographical history / by Johannes C. Andersen. Wellington [N.Z.] CCLMaps 536127 Introduction Local History Resources: an annotated bibliography of published sources on the history of Christchurch, Lyttelton and Banks Peninsula is based on material held in the Aotearoa New Zealand Centre (ANZC), Christchurch City Libraries. The classification numbers provided are those used in ANZC and may differ from those used elsewhere in the network. Unless otherwise stated, all the material listed is held in ANZC, but the pathfinder does include material held elsewhere in the network, including local history information files held in some community libraries. The material in the Aotearoa New Zealand Centre is for reference only. Additional copies of many of these works are available for borrowing through the network of libraries that comprise Christchurch City Libraries. Check the catalogue for the classification number used at your local library. Historical newspapers are held only in ANZC. To simplify the use of this pathfinder only author and title details and the publication date of the works have been given. Further bibliographic information can be obtained from the Library's catalogues. This document is accessible through the Christchurch City Libraries’ web site at https://my.christchurchcitylibraries.com/local-history-resources-bibliography/
    [Show full text]
  • Heritage and Participation: a Case Study of Advocacy in Post- Earthquake Christchurch
    Heritage and Participation: a case study of advocacy in post- earthquake Christchurch Rebecca Margaret Halliday Ford A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Museum and Heritage Studies Victoria University of Wellington June 2018 Abstract This dissertation explores the advocacy for the Christchurch Town Hall that occurred in 2012-2015 after the Canterbury Earthquakes. It frames this advocacy as an instance of collective-action community participation in a heritage decision, and explores the types of heritage values it expressed, particularly social values. The analysis contextualises the advocacy in post-quake Christchurch, and considers its relationship with other developments in local politics, heritage advocacy, and urban activism. In doing so, this dissertation considers how collective action operates as a form of public participation, and the practical implications for understanding and recognising social value. This research draws on studies of practices that underpin social value recognition in formal heritage management. Social value is held by communities outside institutions. Engaging with communities enables institutions to explore the values of specific places, and to realise the potential of activating local connections with heritage places. Such projects can be seen as participatory practices. However, these processes require skills and resources, and may not be appropriate for all places, communities and institutions. However, literature has under- studied collective action as a form of community participation in heritage management. All participation processes have nuances of communities, processes, and context, and this dissertation analyses these in one case. The research specifically asked what heritage values (especially social values) were expressed through collective action, what the relationship was with the participation processes, communities, and wider situation that produced them, and the impact on institutional rhetoric and decisions.
    [Show full text]
  • The Unsuccessful Entries in the Christchurch Town Hall Competition | AHA: Architectural History Aotearoa (2005) Vol 2:23-31
    LOCHHEAD Unbuilt Sixties: The Unsuccessful Entries in the Christchurch Town Hall Competition | AHA: Architectural History Aotearoa (2005) vol 2:23-31 Unbuilt Sixties: The Unsuccessful Entries in the Christchurch Town Hall Competition Ian Lochhead, Fine Arts, Canterbury University ABSTRACT: The completion of the Christchurch Town Hall in 1972 marked the end of a process which had begun in 1964 with a national competition, the largest and most prestigious of the post-war era in New Zealand and one of the major architectural events of the 1960s. Although Warren and Mahoney's winning design has assumed a prominent place in New Zealand architecture, unsuccessful designs by among others, Pascoe & Linton; Lawry & Sellars; Austin, Dixon & Pepper; Gabites & Beard and Thorpe, Cutter, Pickmere, Douglas & Partners, are virtually forgotten. These designs deserve to be better known since they offer an invaluable insight into the range of architectural approaches being employed during the mid sixties. Standing apart from the short listed designs is Peter Beaven's more widely published entry, which was singled out by the jury as being especially meritorious. The paper will examine unrealised designs for the Christchurch Town Hall in the context of contemporary attitudes towards concert hall and civic centre design. Approaches ranged from the Miesian international modernism of Lawry and Sellars to the sculptural forms of Beaven's proposal in which influences as diverse as Aalto, Scharoun and Mountfort are strikingly integrated. The paper will also assess Warren and Mahoney's unbuilt civic centre design within the framework of the competition entries as a whole. Such unbuilt designs constitute an important, but largely invisible part of the architecture of the 1960s and deserve to be re-inscribed within in the history of the period.
    [Show full text]
  • Inventory of the Christchurch Art Gallery Archive
    Inventory of the Christchurch Art Gallery Archive Introduction The above archive contains material relating to the building of the Christchurch Art Gallery. Archival material begins in 1967, when the deficiencies of the current Christchurch public art gallery (Robert McDougall Art Gallery) were being realised, through to the buildings opening in 2003. Items have been organised chronologically for the majority of the material. Text placed within inverted commas “ ” indicates text taken directly from an item. Text placed within square brackets […] indicates text that has not been taken directly from an item, such as information that has been deduced from examining associated items, or from other sources for the purpose of clarification. The inventory was completed on 28 June 2010 by Fiona Simpson. Item 1 Architectural Competition Entries – Stage One Each entry has its own folder/box labelled with corresponding entry number. Most entries contain A3 drawings, written design details and architectural practise capabilities. 1 Peter Holland 2 Graeme Barr (practise capabilities missing) 3 Sir Miles Warren (no stage one entry found) 4 Ross Megget Architect 5 C.V. Barham (practise capabilities missing) 6 Architectus, Bowes Clifford Thomson 7 No entry as this number was doubled up with entry number 96 8 Noordanus Architects 9 Wilson and Hill Architects 10 Stewart Ross/Team Architecture 11 Nancy Couling/Johanna Klein Architects 12 Stephen Bird/Giles Reid Architects 13 Bull and Sullivan 14 Geoff Richards Architects Ltd 15 Copeland Associates 16 Watt
    [Show full text]