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Institute of Archaeology Arcl0084a: Ancient Egypt in London

Institute of Archaeology Arcl0084a: Ancient Egypt in London

INSTITUTE OF ARCHAEOLOGY

ARCL0084A: IN LONDON

Module handbook 2019–2020 Year 2 BA / Affiliate Option, 15 credits, Friday, 11:00–13:00

Moodle password: ARCL0084

Deadlines for coursework for this module: (1) 11/11/2019, (2) 9/12/2019 Target dates for return of marked coursework to students: (1) 15/11/2019, (2) 13/12/2019

Co-ordinator: Stephen Quirke [email protected] UCL Institute of Archaeology, 4th floor, Room 409

Please see the last page of this handbook for important information about submission and marking procedures, or links to the relevant webpages. ARCL0084A "Ancient Egypt in London" 2019-2020

1 OVERVIEW

Short description This module introduces the history and archaeology of ancient Egypt from 4000 BC to 30 BC, and its modern receptions, as represented in the , the Petrie Museum of Egyptian Archaeology UCL and other venues in London.

Week-by-week summary (For detailed descriptions see pages 9–20 of this handbook). Classes are taught by the module co-ordinator Stephen Quirke, joined in week by Jan Picton, IoA Honorary Teaching Fellow and member of archaeological expeditions to the New Kingdom palace sites at Ghurab and Malqata. Each class includes student presentations and museum gallery visits.

1. 4.10.2019. Introduction. Meet in the Leventis Gallery, ground floor of the Institute of Archaeology. Page 9. Outline of module organisation and objectives, essay dates; agree order of student presentations. Review of literature and resources. Introduction to the frameworks for discussing the in time and space, and the physical and social geography of the Nile valley.

2. 11.10.2019. The (re)production of ancient Egypt. Meet in Malet Place outside the entrance to the Petrie Museum. Page 10. This class will cover the exploration of ancient Egypt, the development of and the images of ancient Egypt which have been created over the past 250 years. Visit to the British Museum, Gallery of the Enlightenment (Room 1), Great Court, and Sculpture Gallery (Room 4).

3. 18.10.2019. Changing land: village and state formation. Meet in Malet Place outside the entrance to the Petrie Museum. Page 11. Introduction to the Predynastic period. Visit to the Predynastic and Early Dynastic Gallery (Room 64) at the British Museum. Explore the changes in Egypt from farming villages to unified state. Discussion of the archaeological record: how much of ancient Egypt survives?

4. 25.10.2019. Materials, techniques and craft specialisation. Meet in Malet Place outside the entrance to the Petrie Museum. Page 12. Introduction to the Petrie Museum, the collection and records, and their value for archaeological research. Handling class with museum objects, focussing on materials, crafts and technologies.

5. 1.11.2019. Gods and kings in ancient Egypt. Meet in Malet Place outside the entrance to the Petrie Museum. Page 13. This class will introduce ancient Egyptian concepts of kingship and divinity. Visiting the main sculpture gallery in the British Museum (Room 4) in the second hour, we will explore the relation between king and deities, and how earthly and divine power were expressed in Egyptian sculpture.

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4.11–8.11.2019: Reading Week, no teaching.

*** Essay 1 due on Turnitin by midnight Monday 11/11/2019 (hard copy to submission box at reception desk at IoA) ***

6. 15.11.2019. Wider horizons of Egypt: African, Asian, Mediterranean. Meet in Malet Place outside the entrance to the Petrie Museum. Page 15. Handling class led by Jan Picton in the Petrie Museum with museum objects and archive documents, with a focus on the evidence for contacts between Egypt and other lands at different periods.

*** Confirm Essay 2 choice to module co-ordinator by email in advance of class 7.

7. 22.11.2019. Ancient Egyptian afterlives. Meet at the Information Desk in the Great Court of the British Museum. Page 16. Burial practices through time: reading museum displays and their gaps. Visit to British Museum Rooms 1, 4, 64, and 66.

8. 29.11.2019. Ancient Egypt in London. Meet at the obelisk on the Thames Embankment (between the Underground stations Embankment and Temple). Page 17. Visit to the obelisk at the Thames Embankment and to the Soane Museum. Discussion of the reception of Ancient Egypt in 19th century social contexts.

9. 6.12.2019. Multiple object lives: Egyptian and Egyptianising objects. Meet in Malet Place outside the entrance to the Petrie Museum. Page 18. Presentations on your choice of object or monument, Egyptian or Egyptianising. Module evaluations.

*** Essay 2 due on Turnitin by midnight Monday 9/12/2019 (hard copy to submission box at reception desk at IoA) ***

10. 13.12.2019. Re: presenting Egypt Meet in Malet Place outside the entrance to the Petrie Museum. Page 19 Visit the Nebamun Room (61) and other galleries in the British Museum. Module evaluation review.

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Basic reading General reference works for the module as a whole, with useful bibliographies. Refer to this list for background research for essays. All titles are in the Institute of Archaeology Library.

Introductions and overviews Baines, J. 2007. Visual and Written Culture in Ancient Egypt. Oxford: Oxford University Press. EGYPTOLOGY B 20 BAI; ISSUE DESK IOA BAI Bard, K.A. 2015. An Introduction to the Archaeology of Ancient Egypt. 2nd edition. Malden, Mass., Oxford, Carlton: Blackwell. Available online at SFX@UCL. 1st edition (2007) in library EGYPTOLOGY A 5 BAR, IOA ISSUE DESK BAR 29. Accessible introduction from an archaeological perspective. Brewer, D.J. 2012. The Archaeology of Ancient Egypt: Beyond . Cambridge: Cambridge University Press. EGYPTOLOGY E 5 BRE Kemp, B.J. 2006. Ancient Egypt. Anatomy of a Civilization. 2nd edition. London and New York: Routledge. Available online at SFX@UCL. EGYPTOLOGY B 5 KEM and IOA ISSUE DESK KEM. Combination of archaeological fieldwork with written and visual sources, extensively illustrated. Nicholson, P.T. and I. Shaw (eds.) 2000. Ancient Egyptian Materials and Technology. Cambridge: Cambridge University Press. INST ARCH K QUARTOS NIC / EGYPTOLOGY QUARTOS S 5 NIC and ISSUE DESK. For the range of materials and technologies used in ancient Egypt and for use in object essays. Robins, G. 2008. The Art of Ancient Egypt. Revised edition. Cambridge, Mass.: Harvard University Press. EGYPTOLOGY QUARTOS M 5 ROB. A richly illustrated introduction, focussing on items in the British Museum, with a useful bibliography. Sasson, J.M. et al. (eds.) 2000. Civilizations of the Ancient Near East. Peabody, Mass.: Hendrickson. INST ARCH DBA 100 SAS. Essay collection with compendious bibliographies. A good starting point to research a topic. Shaw, I. (ed.) 2003, The Oxford History of Ancient Egypt. Oxford: Oxford University Press. EGYPTOLOGY B 5 SHA and available online at SFX@UCL. More in-depth analysis of historical periods, useful for preparatory reading. Smith, W.S. 1998. The Art and Architecture of Ancient Egypt. 3rd revised edition. New Haven: Yale University Press. EGYPTOLOGY QUARTOS K 5 SMI. The original text is from 1958, but is still useful in this edition, profusely illustrated. Spencer, J. (ed.) 2007. The British Museum Book of Ancient Egypt. London: British Museum. EGYPTOLOGY A 5 SPE (earlier edition by Quirke and Spencer at EGYPTOLOGY A 5 JAM). Accessible guide to the history and material culture of ancient Egypt as represented in the British Museum. Useful for preparatory reading. Trigger, B.G., B.J. Kemp, D. O’Connor and A.B. Loyd 1983. Ancient Egypt: A Social History. Cambridge: Cambridge University Press. EGYPTOLOGY B 5 TRI and available online at SFX@UCL. Useful introductions to main periods, adopting more archaeological approaches. Wendrich, W. (ed.) 2010. Egyptian Archaeology. Chichester: Wiley-Blackwell. EGYPTOLOGY A 6 WEN and IOA ISSUE DESK. A more advanced introduction to different topics in a chronological sequence Wilkinson, T. (ed.) 2007. The Egyptian World. London and New York: Routledge. EGYPTOLOGY A 5 WIL and available online at SFX@UCL. Essays on topics relevant to presentations and coursework.

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Encyclopedias Bard, K.A. 1999. Encyclopedia of the Archaeology of Ancient Egypt. London: Routledge. EGYPTOLOGY A 2 BAR; ISSUE DESK IOA BAR 17 Helck, W. and E. Otto (eds.) 1975ff. Lexikon der Ägyptologie. Wiesbaden: Harrassowitz. Includes English, German and French articles. EGYPTOLOGY A 2 LEX Redford, D.B. (ed.) 2001. The Oxford Encyclopedia of Ancient Egypt. Oxford: Oxford University Press. EGYPTOLOGY A 2 OXF and available online at SFX@UCL. Brief essays with further reading. Not to be cited in coursework, but useful bibliographies and background to topics. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings. 8 volumes. EGYPTOLOGY A 1 POR and OPEN ACCESS E-BOOK. Originally compiled by R. Porter and R.L.B. Moss, hence nicknamed the “Porter/Moss”. UCLA Encyclopedia of Egyptology: http://escholarship.org/uc/nelc_uee

Sources for maps, with useful background and bibliographies Baines, J. and J. Málek 2000. Cultural Atlas of Ancient Egypt. Revised edition. New York: Fact on file. EGYPTOLOGY QUARTOS A 2 BAI and ISSUE DESK IOA BAI 2. Some of the best maps available, with illustrated discussion of sites. Manley, B. 1996. The Penguin Historical Atlas of Ancient Egypt. London: Penguin. EGYPTOLOGY A 2 MAN

Methods of assessment This module is assessed by means of two pieces of written coursework of 2000 words, each contributing 50% to the final marks for the module. The module co-ordinator is willing to discuss an outline of the student's approach to the assignment, provided this is planned suitably in advance of the submission date. Guidance on preparing coursework can be found on Moodle under the heading 'IoA Student Administration': https://moodle.ucl.ac.uk/ The criteria for assessment used in this module are those agreed by the Board of Examiners in Archaeology, and are included in the Undergraduate Handbook which is also available on Moodle under the heading 'IoA Student Administration': https://moodle.ucl.ac.uk/

Teaching methods This module will be taught through visits to the British Museum, the Petrie Museum and other venues in central London. Attendance at all sessions is compulsory. All students will make one presentation per term. Object-handling sessions give students closer familiarity with the material and awareness of conservation standards.

Workload There will be 20 hours of lectures/museum visits for this module. Students will be expected to undertake around 70 hours of reading and preparation of oral presentations for the module, plus 60

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hours preparing for and producing the assessed work. This adds up to a total workload of 150 hours for the module.

Prerequisites There is no formal prerequisite, but students should discuss with their personal tutors how this module complements their main area of study, and whether assessment by essays presents any issues.

2 AIMS, OBJECTIVES AND ASSESSMENT Aims This module will provide students with an introduction to the history and archaeology of ancient Egypt, and to the study and reception of ancient Egypt in modern times, based on objects in London museums and other venues in London.

Objectives On successful completion of the module students will:  be familiar in outline with the history and archaeology of ancient Egypt,  understand the factors in the 19th and 20th centuries that led to large museum collections,  be able to recognise and evaluate different approaches and agendas to the presentation of Egypt’s past, in museums and across diverse social contexts,  develop confidence in presenting topics in museums, and handling / assessing museum objects.

Learning outcomes On successful completion of the module students will:  develop their oral presentation skills through debate and subject presentations,  develop a range of research skills transferable to all disciplines through reasoned and critical analysis of multiple sources,  develop competence in independent research use of the library and museum archive material,  demonstrate sensitivity and competence in managing fragile ancient materials.

Coursework Please observe the rules set out in this handbook and in the online student handbook for the preparation and submission of coursework. There is suitable reading for all essays in the class reading lists provided – you should also make use of the bibliographies in these books, and remember to refer to the core reading list. Additional reading lists will be provided as necessary. Well-chosen illustrations and maps must be used to illustrate your argument. They are not included in the word count and can contribute to the clarity of your paper and will contribute to the marks. Irrelevant illustrations are not a substitute for a reasoned argument.

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YOU MUST USE THE EXACT TITLE OF THE ESSAY AS GIVEN, NOT AN APPROXIMATION.

ESSAY 1. Between 1900–2100 words. Submission deadline midnight Monday 11 November 2019 on Turnitin (hard copy to submission box at reception desk at IoA). The marked essays will be returned to the students by 15 November 2019. Pick ONE of the following questions: 1. Which political and social factors resulted in large collections of Egyptian antiquities outside Egypt in the 19th century? Given their histories, is it justified to continue holding them? 2. Are the relief sculpture palettes of the late Predynastic Period art, communication or propaganda? 3. Discuss the evidence for different theories for the rise of the complex state in Egypt, indicating which theory or theories you consider most persuasive?

ESSAY 2. Between 1900–2100 words. Submission deadline midnight Monday 9 December 2019 on Turnitin (hard copy to submission box at reception desk at IoA) (hard copy to submission box at reception desk at IoA). The marked essays will be returned to the students by 13 December 2019. Pick ONE of the following: 1. Discuss the significance of one object on display in the Petrie Museum or the British Museum. Give a description of its form, material, and manufacture, and discuss its origin and archaeological context. Give examples of comparable objects to support your argument over its significance. For this option, a list will be provided. 2. Discuss one Egyptianising object or monument in London. A list will be provided. For either option, discuss your choice with the module co-ordinator by 22 November 2019.

Whichever topics you choose, your essays should comprise:  a clear (but brief) introduction to set the scene and outline your approach,  the main part with a well-structured, fully-referenced description that summarises your reading,  a conclusion with your OWN assessment/evaluation: please feel free to agree or disagree with conclusions reached by different authors you have read. What do YOU think is significant? It is not about who is right or wrong, but about how the evidence is interpreted.

If students are unclear about the nature of an assignment, they should discuss this with the module co-ordinator.

Students are not permitted to re-write and re-submit essays in order to try to improve their marks. However, students may be permitted, in advance of the deadline for a given assignment, to submit for comment a brief outline of the assignment.

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Please note that in order to be deemed to have completed and passed in any module, it is necessary to submit all assessments. Word counts The following should not be included in the word count: title page, contents pages, lists of figure and tables, abstract, preface, acknowledgements, bibliography, lists of references, captions and contents of tables and figures, appendices. Penalties will only be imposed if you exceed the upper figure in the indicated word count range (2,100 words). There is no penalty for using fewer words than the lower figure in the range: the lower figure is simply for your guidance to indicate the sort of length that is expected. In the 2019-2020 session penalties for overlength work will be as follows:

 For work that exceeds the specified maximum length by less than 10% the mark will be reduced by five percentage marks, but the penalised mark will not be reduced below the pass mark, assuming the work merited a Pass.  For work that exceeds the specified maximum length by 10% or more the mark will be reduced by ten percentage marks, but the penalised mark will not be reduced below the pass mark, assuming the work merited a Pass.

Please make sure you give your candidate number in the Title line when submitting on Moodle – this helps us with assigning and speedily marking the essay. Please do not put your name on coursework. If you have problems submitting your coursework on the day of the deadline, you still MUST submit it on Turnitin later – coursework which has not been submitted on Turnitin cannot be finally marked.

Coursework submission procedures  All coursework must normally be submitted both as hard copy and electronically. (The only exceptions are bulky portfolios and lab books which are normally submitted as hard copy only.)  You should staple the appropriate colour-coded IoA coversheet (available in the IoA library and outside Room 411a) to the front of each piece of work and submit it to the red box at the Reception Desk (or Room 411a in the case of Year 1 undergraduate work).  All coursework should be uploaded to Turnitin by midnight on the day of the deadline. This will date-stamp your work. It is essential to upload all parts of your work as this is sometimes the version that will be marked.  Instructions are given below. Please note that the procedure has changed for 2019-20, and work is now submitted to Turnitin via Moodle

1. Ensure that your essay or other item of coursework has been saved as a Word doc., docx. or PDF document. Please include the module code and your candidate number on every page as a header. 2. Go into the Moodle page for the module to which you wish to submit your work. 3. Click on the correct assignment (e.g. Essay 1), 4. Fill in the “Submission title” field with the right details: It is essential that the first word in the title is your examination candidate number (e.g. YGBR8 Essay 1), Note that this changes each year. 5. Click “Upload”.

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6 Click on “Submit” 7 You should receive a receipt – please save this. 8 If you have problems, please email the IoA Turnitin Advisers [email protected], explaining the nature of the problem and the exact module and assignment involved. One of the Turnitin Advisers will normally respond within 24 hours, Monday-Friday during term. Please be sure to email the Turnitin Advisers if technical problems prevent you from uploading work in time to meet a submission deadline - even if you do not obtain an immediate response from one of the Advisers, they will be able to notify the relevant module co-ordinator that you had attempted to submit the work before the deadline.

3 SCHEDULE AND SYLLABUS Teaching schedule Lectures will be held on Friday 11:00–13:00. For venues and lecturers see the week-by-week summary on pp. 2-3 of this handbook and the following syllabus pp. 9-20.

Syllabus The following is an outline for the module and identifies essential and supplementary readings relevant to each session. Information is provided as to where in the UCL library system individual readings are located; their location and Teaching Collection (TC) number, and status (whether out on loan) can also be accessed on the eUCLid computer catalogue system. Reading marked as “essential” are considered essential to keep up with the topics covered in the module and should be read by all students in preparation for the class, not just those making presentations. Copies of individual articles and chapters identified as essential reading are in the Teaching Collection in the Institute Library (where permitted by copyright) or are available online. Students are recommended to take notes and ideas from these prior to the session to promote discussion. You should also refer to the ‘general reference works’ listed at the beginning of this handbook.

1. ANCIENT EGYPT IN LONDON: INTRODUCTION. Outline of module organisation and objectives, essay dates, literature and resources; agree order of student presentations. Meet in the Leventis Gallery, ground floor of the Institute of Archaeology. Introduction to the sources for studying the history of ancient Egypt. Where does our information come from? How reliable is it? Essential reference works are introduced, together with London library resources and museum collections. Review of printed and online resources. Outline of frameworks for discussing the history of ancient Egypt in time and space. Models of periodisation, and introduction to the physical and social geography of the Nile valley.

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2. THE (RE)PRODUCTION OF ANCIENT EGYPT. London is one of several cities outside Egypt with large collections of Egyptian antiquities. Museum displays express European fascination with the region, in the political and ideological framework that enabled Europe to dominate the appropriation of the Pharaonic past. Discussion of the agendas that have guided modern approaches to the study of ancient Egypt. This class will outline the exploration of ancient Egypt, the development of Egyptology and the images which the Western world created of ancient Egypt in the past 250 years. Visit to the British Museum, Gallery of the Enlightenment (Room 1). Meet in Malet Place outside the entrance to the Petrie Museum.

PRESENTATIONS (10 minutes each): A. Discuss the impact of the Napoleonic expedition to Egypt on the study of ancient Egypt. B. What were the factors behind the origins of the great collections of Egyptian antiquities?

Essential reading Moser, S. 2006. Wondrous Curiosities. Ancient Egypt at the British Museum. Chicago and London: University of Chicago Press. Read Chapter 3: 65–92. Useful for discussion of presentations. EGYPTOLOGY C 10 BM and ISSUE DESK Colla, E. 2007. Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham, NC: Duke University Press. Read Introduction and Chapter 1: pp. 1–66. EGYPTOLOGY A 8 COL and IOA ISSUE DESK COL 13; also available online at SFX@UCL Scham, S.A. 2003. Ancient Egypt and the archaeology of the disenfranchised. In: Jeffreys, D. (ed.). Views of Ancient Egypt since Napoleon Bonaparte: Imperialism, Colonialism and Modern Appropriations. London: University College London Press, 171–178. EGYPTOLOGY A 8 JEF and DIGITISED READING

Additional reading Doyon, W. 2008. The poetics of Egyptian museum practice, BMSAES 10, 1–37. Available online at SFX@UCL Eldaly, O. 2003. Ancient Egypt in medieval Arabic writings. In: Ucko, P. and T. Champion (eds.). The Wisdom of Egypt: Changing Visions through the Ages. London: UCL Press, 39–63. EGYPTOLOGY A 8 UCK and DIGITISED READING Reid, D. 2002. Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. Berkeley, Los Angeles, London: University of California Press. Read pp. 21– 48 for a summary on early 19th century archaeology in Egypt; pp. 103–107, 159–163, 237–239, 275– 278 briefly introduce the creation of the four major archaeological museums in Egypt. EGYPTOLOGY A 8 REI; also available online at SFX@UCL Riggs, C. 2013. Colonial visions. Egyptian antiquities and contested histories in the Cairo Museum, Museum Worlds: Advances in Research 1, 65–84. Available online at SFX@UCL Said, E.W. 2003. Orientalism. London: Penguin. MAIN LIBRARY HISTORY 6 A SAI. Classic (first published in 1978) which introduces the highly debated concept of ‘Orientalism’ as a framework for understanding ‘Western’ appropriations and presentations of the ‘East’. Trigger, B.G. 1984. Alternative archaeologies: nationalist, colonialist, imperialist, Man, New Series 19, 355–370. Available online at SFX@UCL

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Trigger, B.G. 1995. Egyptology, ancient Egypt and the American imagination. In: Thomas, N. (ed.). The American Discovery of Ancient Egypt. Los Angeles: Los Angeles County Museum of Art, 21–35. INST ARCH TC 3098

For the presentations, also consult the Digital Egypt for Universities page: http://www.digitalegypt.ucl.ac.uk/museum/index.html

3. CHANGING LAND: VILLAGE AND STATE FORMATION. Between 4000 and 3000 BC, the foundations of the political and religious institutions and many cultural practices which came to characterise ancient Egypt were laid. Visit to the Petrie Museum and British Museum to investigate the roots of ancient Egypt and the development of social and political units at different scales. Meet in Malet Place outside the entrance to the Petrie Museum.

PRESENTATIONS (10 minutes each): A. Outline the theories proposed for the development of the ancient Egyptian state. B. Discuss the development and uses of writing in the Late Predynastic and Early Dynastic Periods.

Essential reading Stevenson, A. 2016. The Egyptian Predynastic and state formation, Journal of Archaeological Research 24(4), 421–468. Available online through SFX@UCL Regulski, I. 2016. The origins and early development of writing in Egypt. Oxford Handbooks Online. At http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199935413.001.0001/oxfordhb- 9780199935413-e-61?rskey=wZMUeM&result=1

Additional reading Adams, B. 1984. Predynastic Egypt. Shire Egyptology 7. Princes Risborough: Shire. Reprinted 2011. EGYPTOLOGY B 5 ADA and EGYPTOLOGY B 11 ADA Adams, B. and K.M. Ciałowicz 1997. Protodynastic Egypt. Shire Egyptology 25. Princes Risborough: Shire. EGYPTOLOGY B 5 ADA Baines, J. 1989. Communication and display: The integration of early Egyptian art and writing, Antiquity 63:240, 471–482. INST ARCH PERS and available online at SFX@UCL Bard, K.A. 1992. Toward an interpretation of the role of ideology in the evolution of complex society in Egypt, Journal of Anthropological Archaeology 11, 1–24. Available online at SFX@UCL Bard, K.A. 2015. An Introduction to the Archaeology of Ancient Egypt. 2nd edition. Malden, Mass., Oxford, Carlton: Blackwell. Read Chapter 5: pp. 93–131. Available online at SFX@UCL. 1st edition (2007) in library EGYPTOLOGY A 5 BAR and DIGITIED READING Brewer, D.J. 2012. The Archaeology of Ancient Egypt: Beyond Pharaohs. Cambridge: Cambridge University Press. See Chapters 3–5. EGYPTOLOGY E 5 BRE Craig Patch, D. 2011. Dawn of Egyptian Art. Yale and New York: Yale University Press and Metropolitan Museum of Art. EGYPTOLOGY M 5 PAT Köhler, C. 2010. Theories of state formation. In: Wendrich, W. (ed.). Egyptian Archaeology. Chichester: Wiley-Blackwell, 36–54. EGYPTOLOGY A 6 WEN and IOA ISSUE DESK

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Moreno García, J. C. 2016. Early writing, archaic states and nascent administration: Ancient Egypt in context (late 4th–early 3rd millennium BC), Archéo-Nil 26, 149–169. INST ARCH PERS Spencer, A.J. (ed.) 1996. Aspects of Early Egypt. London: British Museum Press. EGYPTOLOGY QUARTOS A 6 SPE Teeter, E. (ed.) 2011. Before the Pyramids. The Origins of Egyptian Civilization. Oriental Institute Museum Publications 33. Chicago: Oriental Institute of the University of Chicago. EGYPTOLOGY QARTOS B 11 TEE, ISSUE DESK IOA TEE, online at: https://oi.uchicago.edu/sites/oi.uchicago.edu/files/uploads/shared/docs/oimp33.pdf Wengrow, D. 2006. The Archaeology of Early Egypt: Social Transformation in North-East Africa, 10,000 to 2650 BC. Cambridge: Cambridge University Press. EGYPT B 11 WEN, ISSUE DESK IOA WEN 7 Wenke, R.J. 2009. The Ancient Egyptian State: The Origins of Egyptian Culture (c. 8000-2000 BC). New York: Cambridge University Press. EGYPTOLOGY B 6 WEN

See also the following web sites: http://xoomer.virgilio.it/francescoraf/hesyra/palettes.htm, with illustrations for all relief palettes http://www.ucl.ac.uk/museums-static/digitalegypt//naqadan/index.html http://www.ucl.ac.uk/museums-static/digitalegypt//archaicegypt/index.html www.hierakonpolis-online.org

4. MATERIALS, TECHNIQUES AND CRAFT SPECIALISATION. Introduction to the Petrie Museum, the collection and records, and their value to archaeological research. In this handling class, students have an opportunity to examine museum objects of different materials, originating from a range of different places, times and functional contexts. Meet in Malet Place outside the entrance to the Petrie Museum.

PRESENTATIONS (10 minutes each): A. Discuss the strengths of the Petrie Museum as a teaching collection. B. What is Egyptian faience, and how was it produced?

Essential reading Stevenson, A. (ed.) 2015. The Petrie Museum of Egyptian Archaeology: Characters and Collections. London: UCL Press. Available online at SFX@UCL Nicholson, P.T. and I. Shaw (eds.) 2000. Ancient Egyptian Materials and Technology. Cambridge: Cambridge University Press. INST ARCH K QUARTOS NIC / EGYPTOLOGY QUARTOS S 5 NIC and ISSUE DESK. For the range of materials and technologies used in ancient Egypt. Read the introduction.

Additional reading Andrews, C. 1990. Ancient Egyptian Jewellery. London: British Museum Publications. EGYPTOLOGY QUARTOS M 20 AND and ISSUE DESK. Read pp. 37–100. Brown, C., F. Macalister and W. Wright 1995. Conservation in Ancient Egyptian Collections. London: Archetype. EGYPTOLOGY E 9 BRO / and INST ARCH LA BRO and ISSUE DESK. Read Jaeschke pp 23–29, and Seth-Smith and Lister pp 165–173.

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Freed, R.E.F. 1982. Egypt’s Golden Age. The Art of Living in the New Kingdom 1558–1085 BC. Boston: Museum of Fine Arts. EGYPTOLOGY M 5 FRE. Read pp. 193–195, 199–227 on toilette implements. Friedman, F.D. (ed.) 1998. Gifts of the Nile, Ancient Egyptian Faience. London: Thames & Hudson. EGYPTOLOGY QUARTOS M 20 FRI and ISSUE DESK. Read pp. 15–31. Janssen, R. 1992. The First Hundred Years: Egyptology at University College London 1892–1992. London: UCL Press. EGYPTOLOGY QUARTOS A 8 JAN and ISSUE DESK Petrie, W.M.F. 1927. Objects of Daily Use. Publications of the Egyptian Research Account and British School of Archaeology in Egypt 42. London: British School of Archaeology in Egypt. EGYPTOLOGY QUARTOS E 30; also available as E-BOOK Samson, J. 1978. Amarna. City of Akhenaten and Nefertiti. Nefertiti as . Warminster: Aris & Phillips. EGYPTOLOGY QUARTOS C 11 UNI This presents many of the more important Amarna items in the Petrie Museum collection. Shaw, I. 2012. Ancient Egyptian Technology and Innovation: Transformations in Pharaonic Material Culture. Bristol: Bristol Classical Press. ISSUE DESK IOA SHA 5 Stevens, A. and M. Eccleston 2007. Craft production and technology. In: Wilkinson, T. (ed.). The Egyptian World. London and New York: Routledge, 146–159. EGYPTOLOGY A 5 WIL and available online at SFX@UCL.

For the presentations, also consult: http://www.ucl.ac.uk/museums-static/digitalegypt/themes/tech.html for techniques and materials http://www.digitalegypt.ucl.ac.uk/archaeology/sitesindex.html for a guide to sites excavated by Petrie, major finds, and publications and links to other useful pages

5. GODS AND KINGS IN ANCIENT EGYPT. This class will introduce concepts of kingship and the ancient Egyptian pantheon. Visiting the main sculpture gallery (Room 4) in the British Museum, we will explore how the sphere of the divine and the royal related to each other and how earthly and divine power were expressed in Egyptian sculpture. We will also enquire whether ‘art’ is an appropriate concept for understanding and analys- ing Egyptian sculpture and related material culture production. Meet in Malet Place outside the entrance to the Petrie Museum.

PRESENTATIONS (10 minutes each) A. Why were images of ancient Egyptian kings created? B. Discuss the role and importance of colour in ancient Egyptian art.

Essential reading Baines, J. 1994. On the status and purposes of Egyptian art, Cambridge Archaeological Journal 4, 67– 94. INST ARCH PERS and available online at SFX@UCL Bryan, B. 1992. Royal and divine statuary. In: Kozloff, A., B. Bryan and L.M. Berman (eds.). Egypt’s Dazzling Sun. Amenhotep III and his World. Cleveland: Cleveland Museum of Art and Indiana University Press, 125–184. EGYPTOLOGY QUARTOS C81 CLE and ISSUE DESK

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Additional reading Baines, J. 1995. Kingship, definition of culture, and legitimation. In: O’Connor, D. and D.P. Silverman (eds). Ancient Egyptian Kingship. Leiden, New York, Cologne: E.J. Brill, 4–47. EGYPTOLOGY B 20 OCO Cherpion, N. 1999. The human image in Old Kingdom non-royal reliefs. In: Arnold, D. et al. (eds.). Egyptian Art in the Age of the Pyramids. New York: Metropolitan Museum of Art, 103–115. EGYPTOLOGY QUARTOS M 5 MET Frankfort, H. 1932. On Egyptian art, Journal of Egyptian Archaeology 18, 33–48 (review of Schäfer). INST ARCH PERS and available online at SFX@UCL Laboury, D. 2010. Portrait versus ideal image. In: Wendrich, W. (ed.). UCLA Encyclopedia of Egyptology. Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025jjv0 Lloyd, A.B. 2014. Ancient Egypt: State and Society. Oxford: Oxford University Press. Available online through SFX@UCL, EGYPTOLOGY B 5 LLO and ISSUE DESK. Read Chapter “Kingship”: pp. 65–96. Quirke, S. 1992. Ancient Egyptian Religion. New York: Dover Publications. EGYPTOLOGY R5 QUI Quirke, S. 2001. The Cult of Ra. Sun Worship in Ancient Egypt. London: Thames & Hudson. EGYPTO- LOGY R5 QUI Richards, J. 2010. Kingship and legitimation. In: Wendrich, W. (ed.). Egyptian Archaeology. Chichester: Wiley-Blackwell, 55–84. EGYPTOLOGY A 6 WEN, IOA ISSUE DESK and E-BOOK Robins, G. 2007. Art. In: Wilkinson, T (ed.). The Egyptian World. London and New York: Routledge, 355–365. EGYPTOLOGY A 5 WIL and available online at SFX@UCL Schäfer, H. 1986. Principles of Egyptian Art. 4th, posthumous edition by E. Brunner-Traut, translated by J. Baines. Oxford: Griffith Institute. EGYPTOLOGY M5 SCH. In the afterword the editor Emma Brunner-Traut introduces the term ‘aspective’. Shafer, B.E. (ed.) 1991. Religion in Ancient Egypt: Gods, Myths and Personal Practice. Ithaca, NY: Cornell University Press; London: Routledge. EGYPTOLOGY R 5 SHA

For the presentations, also consult the Digital Egypt for Universities page: http://www.digitalegypt.ucl.ac.uk/art/art3.html http://www.ucl.ac.uk/museums-static/digitalegypt//themes/beliefae.html

6. WIDER HORIZONS OF EGYPT: AFRICAN, ASIAN, MEDITERRANEAN. Visit to the Petrie Museum, including handling class led by Jan Picton. We will consider first-hand the evidence for contacts between Egypt and other lands at different periods, from the predynastic and the age of state formation, to the centuries of Ptolemaic and Roman rule. Meet in Malet Place outside the entrance to the Petrie Museum.

PRESENTATIONS (10 minutes each): A. Discuss the relations between Egypt and the Levant during the second millennium BC. B. Discuss the relations between Egypt and Nubia during the second millennium BC.

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Essential reading Edwards, D.N. 2004. The Nubian Past: An Archaeology of the Sudan. London: Routledge. Read pp. 78–79, 101–111. EGYPTOLOGY E 120 EDW and DIGITISED READING Mumford, G.D. 2014. Egypt and the Levant. In: Steiner, M.L. and A.E. Killebrew (eds.). The Oxford Handbook of the Archaeology of the Levant: c. 8000-332 BCE. Oxford: Oxford University Press, 69– 89. INST ARCH DBA 100 STE and available online at SFX@UCL Shaw, I. 2003. Egypt and the outside world. In: Shaw, I. (ed.). The Oxford History of Ancient Egypt. Oxford: Oxford University Press, 308–323. Available online at SFX@UCL

Additional reading Bard, K.A. 2015. An Introduction to the Archaeology of Ancient Egypt. 2nd edition. Malden, Mass., Oxford, Carlton: Blackwell. Read Chapters 7.10–8.1, pp. 208–234. Available online at SFX@UCL. 1st edition (2007) in library EGYPTOLOGY A 5 BAR, IOA ISSUE DESK BAR 29. Bietak, M. (ed.) 1995. Trade, Power and Cultural Exchange: Hyksos Egypt and the Eastern Mediterranean World 1800–1500 BC, Ägypten und Levante 5. Vienna: Verlag der Österreichischen Akademie der Wissenschaften. IOA PERS Liverani, M. 1990. Prestige and Interest: International Relations in the Near East ca 1600–1100 BC. Padua: Sargon. MAIN LIBRARY, ANCIENT HISTORY B61 LIV Podany, A.H. 2010. Brotherhood of Kings: How International Relations Shaped the Ancient Near East. Oxford: Oxford University Press. Chapters 7 and 8. MAIN LIBRARY, ANCIENT HISTORY B 57 POD Smith, S.T. 1995. Askut in Nubia: The Economics and Ideology of Egyptian Imperialism in the Second Millenium B.C. London: Kegan. EGYPTOLOGY B 20 SMI Smith, S.T. 2003. Wretched Kush: Ethnic Identities and Boundaries in Egypt’s Nubian Empire. London and New York: Routledge. EGYPTOLOGY B 60 SMI Török, L. 2009. Between Two Worlds: The Frontier Region between Ancient Nubia and Egypt, 3700 BC – 500 AD. Leiden: Brill. EGYPTOLOGY B 20 TOR Wilkinson, T. (ed.). The Egyptian World. London and New York: Routledge. Section VII: pp. 401–487. EGYPTOLOGY A 5 WIL and available online at SFX@UCL

7. ANCIENT EGYPTIAN AFTERLIVES. Burial practices through time: reading museum displays and their gaps. This class uses relevant exhibits at the British Museum. Meet at the Information Desk in the Great Court of the British Museum.

PRESENTATIONS (10 minutes each): A. How did the ancient Egyptians view death? Discuss with specific reference to the “Book of the Dead”. B. Outline the development of ancient Egyptian coffins from the Old Kingdom to the Roman period.

Essential reading Näser, C. 2013. Equipping and stripping the dead. A case-study on the procurement, compilation, arrangement, and fragmentation of grave inventories in New Kingdom Thebes. In: Tarlow, S. and L.

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Nilsson Stutz (eds.). The Oxford Handbook of the Archaeology of Death and Burial. Oxford: Oxford University Press, 643–661. ISSUE DESK IOA TAR1 and online at SFX@UCL Taylor, J. 2001. Death and the Afterlife in Ancient Egypt. London: British Museum. Read Chapter 1: pp. 10–43. EGYPTOLOGY R 5 TAY and DIGITISED READING Additional reading Allen, J.P. 2004. Some aspects of the non-royal afterlife in the Old Kingdom. In: Bárta, M. (ed.). The Old Kingdom Art and Archaeology: Proceedings of the Conference Held in Prague, 31–June 4, 2004. Prague: Publishing House of the Academy of Sciences of the Czech Republic, 9–18. EGYPTOLOGY QUARTOS B 12 BAR Assmann, J. 2005. Death and Salvation in Ancient Egypt. Translated from German by D. Lorton. Abridged and updated by the author. Ithaca, London: Cornell University Press. EGYPTOLOGY R 5 ASS Forman, W. and S. Quirke 1996. Hieroglyphs and the Afterlife in Ancient Egypt. London. EGYPTOLOGY QUARTOS V 10 FOR. For a general overview on the text genres associated with death and burial. Grajetzki, W. 2003. Burial Customs in Ancient Egypt. Life in Death for Rich and Poor, London: Golden House Publications. EGYPTOLOGY E 7 GRA. A good overview on the archaeological evidence and the development of burial customs through all periods of ancient Egyptian history. Ikram, S. and A. Dodson 1998. The Mummy in Ancient Egypt: Equipping the Dead for the Afterlife. London: Thames & Hudson. EGYPTOLOGY E7 IKR. Richly illustrated. Kozloff, A. 1998. The decorative and funerary arts during the reign of Amenhotep III. In: O’Connor, D. and E. Cline (eds.). Amenhotep III: Perspectives on his Reign. Ann Arbor: University of Michigan Press, 96–102. EGYPTOLOGY B12 OCO Pinch, G. 2003. Redefining funerary objects. In: Hawass, Z.A. and L. Pinch Brock (eds.). Egyptology at the Dawn of the Twenty-First Century. Proceedings of the Eight International Congress of Egyptologists, Cairo, 2000. Volume 2: History, Religion. Cairo and New York: American University Press, 443–447. EGYPTOLOGY A 6 CON and ISSUE DESK Quirke, S. 2013. Going out in Daylight : prt m hrw : the Ancient Egyptian Book of the Dead: Trans- lations, Sources, Meanings. London: Golden House Publications. EGYPTOLOGY QUARTOS V 30 BOO Taylor, J.H. 2001. Death and the Afterlife in Ancient Egypt. London: British Museum Press. EGYPTOLOGY R5 TAY Taylor, J.H. 2010. Journey through the Afterlife: Ancient Egyptian Book of the Dead. London: British Museum Press. EGYPTOLOGY QUARTOS V 50 BOO

For the presentations, see also the Digital Egypt for Universities page: http://www.ucl.ac.uk/museums-static/digitalegypt//religion/index.html http://www.ucl.ac.uk/museums-static/digitalegypt//burialcustoms/index.html

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8. ANCIENT EGYPT IN LONDON. Visit to the obelisk at Victoria Embankment and the Soane Museum. Discussion of the reception of Ancient Egypt in 19th and 20th century social contexts. Meet at the obelisk at Victoria Embankment.

PRESENTATIONS (10 minutes each): A. Discuss the ancient and modern history of the obelisk of Thutmose III which today stands on Victoria Embankment, London. B. Discuss the socio-historical context which surrounded the acquisition of the sarcophagus of Seti I by Sir John Soane in 1824.

Essential reading Colla, E. 2007. Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham, NC: Duke University Press. Read Introduction and Chapter 1: pp. 1–66. EGYPTOLOGY A 8 COL and IOA ISSUE DESK COL 13; also available online at SFX@UCL

Additional reading France, P. 1991.The Rape of Egypt: How the Europeans Stripped Egypt of its Heritage. London: Barrie & Jenkins. EGYPTOLOGY A 8 FRA Hassan, F. 2003. Imperialist appropriations of Egyptian obelisks. In: Jeffreys, D. (ed.). Views of Ancient Egypt since Napoleon Bonaparte: Imperialism, Colonialism and Modern Appropriations. London: University College London Press, 19–68. EGYPTOLOGY A 8 JEF Reid, D. 2002. Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. Berkeley, Los Angeles, London: University of California Press. Read pp. 21– 48. EGYPTOLOGY A 8 REI; also available online at SFX@UCL

For the sarcophagus of Seti I, also consult: http://collections.soane.org/object-m470 http://www.factumfoundation.org/ind/63/the-facsimile-of-the-tomb-of-seti-i Darley, G. 1999. John Soane: An Accidental Romantic. New Haven and London: Yale University Press. BARTLETT LIBRARY NA997.S7 D 27 1999 Dorey, H. 1991. Sir John Soane's Acquisition of the Sarcophagus of Seti I, The Georgian Group Journal 1, 26–35. Hornung, E. 1999. The Ancient Egyptian Books of the Afterlife. Translated from German by D. Lorton. Ithaca and London: Cornell University Press. EGYPTOLOGY V 50 HOR Reeves, N. and R.H. Wilkinson 1996. The Complete Valley of the Kings: Tombs and Treasures of Egypt's Greatest Pharaohs. London: Thames and Hudson. Read pp. 137–139. EGYPTOLOGY E 7 REE Wilkinson, R.H. and K.R. Weeks 2016. The Oxford Handbook of the Valley of the Kings. New York: Oxford University Press. Read chapters 13, 16: pp. 200–217, 245–259. Available online at SFX@UCL

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For the obelisk, known since medieval times as 'Cleopatra's needle', also consult: Chaney, E. 2011. Roma Britannica and the Cultural Memory of Egypt: Lord Arundel and the Obelisk of Domitian. In: Marshall, D., K. Wolfe and S. Russell (eds.). Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome. Rome: British School at Rome, 147–170. MAIN LIBRARY ART KI 7 MAR Martin, K. 1999. Obelisks: quarrying, transporting and erecting. In: Bard, K.A. (ed.). Encyclopedia of the Archaeology of Ancient Egypt. London: Routledge, 587–589. EGYPTOLOGY A 2 BAR; ISSUE DESK IOA BAR 17 Iversen, E. 1968–1972. Obelisks in Exile. 2 volumes. Copenhagen: Gad. EGYPTOLOGY QUARTOS E 7 IVE http://www.ucl.ac.uk/museums-static/digitalegypt/architecture/obelisks.html

9. MULTIPLE OBJECT LIVES: EGYPTIAN AND EGYPTIANISING OBJECTS. Review of themes through your choices of monuments or objects, Egyptian or Egyptianising, to be seen today in London. Meet in Malet Place outside the entrance to the Petrie Museum. Ten minutes of this class are set aside for filling out the module evaluation forms.

Presentations (by all module participants): 5-minute presentations on the history of one object on display in the Petrie Museum or an Egyptianising object or monument in London. You can choose any object or monument. For museum objects: Use the inventory number as recorded on the display label to identify on the online museum database (a) the provenance and (b) the way the object reached the museum. For all presentations: Bring print-out maps and/or pictures of the findspots or locations of the objects/monuments you present. You can also illustrate your talk with further images. Relate the object/monument to topics we have explored during the module and discuss its relevance for learning about ancient Egypt. NB: strict 5-minute limit!

Essential reading Kopytoff, I. 1986, The cultural biography of things: commoditization as process. In: Appadurai, A. (ed.). The Social Life of Things. Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 64–91. Available online at SFX@UCL Gosden, C. and Y. Marshall 1999. The cultural biography of objects, World Archaeology 31, 169–178. Available online at SFX@UCL

Additional reading Curl, J.S. 2005. The Egyptian Revival: Ancient Egypt as the Inspiration for Design Motifs in the West. London: Routledge. BARTLETT LIBRARY N6351.2.E39 C87 2005 Elliott, C. K. Griffis-Greenberg and R. Lunn 2003. Egypt in London – entertainment and commerce in the 20th century metropolis. In: Price, C. and J.-M. Humbert (eds.). Imhotep Today: Egyptianizing Architecture. Encounters with Ancient Egypt. London: University College London Press, 106–125. EGYPTOLOGY K 5 HUM

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Humbert, J.-M., M. Pantazzi, C. Ziegler (eds.) 1994. Egyptomania: Egypt in Western Art, 1730–1930. Ottawa, Paris: National Gallery of Canada, Réunion des Musées Nationaux. MAIN LIBRARY ART P 7 EGY Nicholson, P. and I. Shaw (eds.) 2000. Ancient Egyptian Materials and Technology. Cambridge: Cambridge University Press. Read introduction: pp. 1–2. INST ARCH K QUARTOS NIC / EGYPTOLOGY QUARTOS S 5 NIC, ISSUE DESK and DIGITISED READING Petrie, W.M.F. 1927. Objects of Daily Use. Publications of the Egyptian Research Account and British School of Archaeology in Egypt 42. London: British School of Archaeology in Egypt. Read pp. 39–43. EGYPTOLOGY QUARTOS E 30; also available as E-BOOK Shaw, I. 2012. Ancient Egyptian Technology and Innovation. Transformations in Pharaonic Material Culture. London: Bristol Classical Press. EGYPTOLOGY S 5 SHA Stevens, A., M. Eccleston 2007. Craft production and technology. In: Wilkinson, T. (ed.), The Egyptian World. London, New York: Routledge, 146–159. EGYPTOLOGY A 5 WIL and available online at SFX@UCL For Egyptianising monuments and architecture in London, also consult: https://blogs.ucl.ac.uk/museums/tag/egyptian-revival/ - http://www.e-c-h-o.org/egyptomania.php

10. PRESENTING EGYPT. The module concludes with a visit to the Nebamun Room (61) of the British Museum to view some of the finest surviving New Kingdom tomb paintings. Meet in Malet Place outside the entrance to the Petrie Museum. Fifteen minutes of the first hour of this class are for discussing the module evaluation.

PRESENTATIONS (10 minutes each): A. Describe the layout of an 18th dynasty tomb of a wealthy household in the Theban necropolis. B. Discuss the role of women in Ancient Egypt.

Essential reading Kampp-Seyfried, F. 2003. The Theban necropolis: An overview of topography and tomb development from the Middle Kingdom to the Ramesside Period. In: Strudwick, N. and J.H. Taylor (eds.). The Theban Necropolis. Past, Present and Future. London: British Museum Press, 2–10. EGYPTOLOGY QUARTOS E 100 STR Bryan, B. 2009. Memory and knowledge in Egyptian tomb painting. In: Cropper, E. (ed.). Dialogues in Art History, from Mesopotamian to Modern: Readings for a New Century. Studies in the 74, Symposium Papers 51. Washington: National Gallery of Art; New Haven; London: Yale University Press, 18–39. MAIN LIBRARY ART C 5 CRO and available online at SFX@UCL

Additional reading Assmann, J. 2003. The Ramesside tomb and the construction of sacred space. In: Strudwick, N. and J.H. Taylor (eds.). The Theban Necropolis. Past, Present and Future. London: British Museum Press, 46–52. EGYPTOLOGY QUARTOS E 100 STR Feucht, E. 1992. Fishing and fowling with the spear and the throw-stick reconsidered. In: Luft, U. (ed.). The Intellectual Heritage if Egypt: Studies Presented to Lászlo Kákosy by Friends and Colleagues

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on the Occasion of his 60th Birthday. Studia Aegyptiaca 14. Budapest: La Chaire d'Égyptologie de l'Université Eötvös Loránd de Budapest, 157–169. EGYPTOLOGY A 6 KAK Janssen, R.M. and J.J. Janssen 1990. Growing up in Ancient Egypt. London: Rubicon. EGYPTOLOGY B 20 JAN Janssen, R.M. and J.J. Janssen 1996. Getting Old in Ancient Egypt. London: Rubicon. EGYPTOLOGY B 20 JAN. Also available as a joint volume. Kampp-Seyfried, F. 1998. Overcoming death – the private tombs at Thebes. In: Schulz. R. and M. Seidel (eds.). Egypt: The World of the Pharaohs. Cologne: Könemann, 248–263. EGYPTOLOGY QUARTOS B 5 SCH Leprohon, R.J. 1999. Concept of the family in ancient Egyptian literature, KMT 10:2, 50–55. TC INST ARCH 2869 Manniche, L. 2003, The so-called scenes of daily life in the private tombs of the Eighteenth Dynasty: An overview. In: Strudwick, N. and J.H. Taylor (eds.). The Theban Necropolis. Past, Present and Future. London: British Museum Press, 42–45. EGYPTOLOGY QUARTOS E 100 STR Robins, G. 1993. Women in Ancient Egypt. London: British Museum Press. EGYPTOLOGY B 20 ROB Robins, G. 1995. Women and children in peril. Pregnancy, birth and infant mortality in ancient Egypt, KMT 5:4, 24–35. TC INST ARCH 2868 Wilfong, T.G. 1997. Women and Gender in Ancient Egypt: from Prehistory to Late Antiquity: An Exhibition at the Kelsey Museum of Archaeology, 14 March–15 June 1997. Ann Arbor: Kelsey Museum. EGYPTOLOGY B 20 WIL

For the tomb chapel of Nebamun see also: Parkinson, R.B. 2008. The Painted Tomb-Chapel of Nebamun: Masterpieces of Ancient Egyptian Art in the British Museum. London: British Museum Press. EGYPTOLOGY M 20 PAR and ISSUE DESK http://www.britishmuseum.org/research/research_projects/nebamun_wall_paintings.aspx

4 ONLINE RESOURCES

Moodle This module makes use of UCL's online teaching resource 'Moodle'. At the start of the module please log on at https://moodle.ucl.ac.uk for the 2019-2020 year and register for "ARCL0084A: Ancient Egypt in London". Once registered you will find online materials such as this handbook, additional information about the module, weekly reading lists and the presentations used in lectures as well as links to important forms and documents. The Moodle password for this module is ARCL0084.

Online reading list An online reading list is available for this module: https://rl.talis.com/3/ucl/lists/C924604B-7D0E-34FB-C579-E76171162C9B.html

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5 ADDITIONAL INFORMATION

Libraries and other resources In addition to the Library of the Institute of Archaeology (IoA), other libraries in UCL with holdings of particular relevance to this degree are: Main Library, Bartlett Library, DMS Watson Library (all availability accessed via the online catalogue). This module is largely taught at the British Museum and the Petrie Museum. Relevant resources with regard to the collections of these two museums are: www.thebritishmuseum.ac.uk – with online catalogue under “Research” tab http://petriecat.museums.ucl.ac.uk/ – online catalogue of the Petrie Museum Avoid any website that is not linked to a recognisable museum, academic institution or scholar.

Further recommended sites for this module are: www.accessingvirtualegypt.ucl.ac.uk www.ucl.ac.uk/museums-static/digitalegypt/ www.ees.ac.uk www.fitzmuseum.cam.ac.uk/er with links to many other sites www.globalegyptianmuseum.org online database combining selections of objects from 16 museums www.griffith.ox.ac.uk/ with the Tutankhamun archive http://www.griffith.ox.ac.uk/discoveringTut/ www.hierakonpolis-online.org/ www.metmuseum.org search the collection from “Art” in the tool bar > “The Met Collection” www.mfa.org search the collection from “Collections” in the tool bar > “Search the collections” field Among the websites above, those for museums in London (Petrie Museum, British Museum) and elsewhere have object databases which are very useful both for information and for illustrations for your essays (always cite museum location and accession numbers).

Information for intercollegiate and interdepartmental students Students enrolled in departments outside the Institute of Archaeology should obtain the Institute’s coursework guidelines from Judy Medrington (email: [email protected]), which will also be available on Moodle.

Feedback In trying to make this module as effective as possible, we welcome feedback from students during the module of the year. All students are asked to give their views on the module in an anonymous questionnaire which will be circulated at one of the last sessions of the module. These questionnaires are taken seriously and help the module co-ordinator to develop the module. The summarised responses are considered by the Institute's Staff-Student Consultative Committee, Teaching Committee, and by the Faculty Teaching Committee. If students are concerned about any aspect of this module we hope they will feel able to talk to the module co-ordinator, but if they feel this is not appropriate, they should consult their Personal Tutor, the Academic Administrator, or the Chair of Teaching Committee.

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APPENDIX Institute of Archaeology Coursework Procedures General policies and procedures concerning modules and coursework, including submission procedures, assessment criteria, and general resources, are available on the IoA Student Administration section of Moodle: https://moodle.ucl.ac.uk/. It is essential that you read and comply with these. Note that some of the policies and procedures will be different depending on your status (e.g. undergraduate, postgraduate taught, affiliate, graduate diploma, intercollegiate, interdepartmental). If in doubt, please consult your module co- ordinator.

GRANTING OF EXTENSIONS: Note that there are strict UCL-wide regulations with regard to the granting of extensions for coursework. Note that Module Coordinators are not permitted to grant extensions. All requests for extensions must be submitted on a the appropriate UCL form, together with supporting documentation, via Judy Medrington’s office and will then be referred on for consideration. Please be aware that the grounds that are acceptable are limited. Those with long- term difficulties should contact UCL Student Support and Wellbeing to make special arrangements. Please see the IoA Student Administration section of Moodle: https://moodle.ucl.ac.uk/ for further information. Additional information is given here: http://www.ucl.ac.uk/srs/academic-manual/c4/extenuating-circumstances/

CITING OF SOURCES and AVOIDING PLAGIARISM: Coursework must be expressed in your own words, citing the exact source (author, date and page number; website address if applicable) of any ideas, information, diagrams, etc., that are taken from the work of others. This applies to all media (books, articles, websites, images, figures, etc.). Any direct quotations from the work of others must be indicated as such by being placed between quotation marks. Plagiarism is a very serious irregularity, which can carry heavy penalties. It is your responsibility to abide by requirements for presentation, referencing and avoidance of plagiarism. Make sure you understand definitions of plagiarism and the procedures and penalties as detailed in UCL regulations: http://www.ucl.ac.uk/current-students/guidelines/plagiarism

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