DOCSLIB.ORG

The Port of Last Resort

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Port of Last Resort Zuflucht in Shanghai The Port of Last Resort A Film by Joan Grossman and Paul Rosdy Music by John Zorn Zuflucht in Shanghai THE PORT OF LAST RESORT A film by Joan Grossman & Paul Rosdy Selected for the 29th International Forum of New Cinema, Berlin, 1999; Best Documentary, Centaur Prize, „Message to Man“ Film Festival, St. Petersburg, 1999; Best Documentary, Cinemanila International Film Festival, Philippines, 1999; Best Picture, „Framing the Other“ Film Festival, New York City, 1999; Hongkong International Film Festival ,1999; Jerusalem International Film Festival, 1999; Vancouver International Film Festival, 1999; Pusan International Film Festival, 1999; Sao Paolo International Film Festival, 1999; Mar Del Plata International Film Festival, Buenos Aires, 1999; Taipeh Golden Horse Film Festival, 1999 79 min, 16 mm, Austria / USA, 1998 Production: Pinball Films & Extrafilm Written, directed, edited and produced by Joan Grossman & Paul Rosdy In the years 1938–1941, nearly 20,000 Euro- pean Jews escaped the terror of the Nazis by fleeing to Shanghai, China. Most would end up spending a decade in exile, building a community known as „LittleVienna“ and sur- viving in a ghetto controlled by the Japanese. Chapters: 1. The Port of Last Resort 2. Siegmar Simon 3. Fred Fields 4. Ernest Heppner 5. Illo Heppner 6. 1939: Arrival in Shanghai 7. Hongkew 8. Shanghai 9. The War in Europe 10. Little Vienna 11. 1940: Refugee Relief Report 12. December 1941 13. Hardship and Survival 14. Ghetto 15. 1943: Conditions Worsen 16. Wintertime 17. 1945: Air Attack in the Ghetto 18. Ghoya, King of the Jews 19. We didn‘t know about the Holocaust 20. After the War 21. Exodus 22. Credits Music: John Zorn Musicians: Greg Cohen (bass) Anthony Coleman (piano) Mark Feldman (violin) Erik Friedlander (cello) Marc Ribot (guitar) Min Xiao-Fen (pipa) Soundtrack „Filmworks VIII“ available on Tzadik Records Co-Producer: Lukas Stepanik Sound Design: Vincent Tese Cinematography: Wolfgang Lehner Voices: Barbara Sukowa (Annie Witting), Otto Tausig (A. J. Storfer) and Jaromir Borek, Erika Deutinger, Fritz von Friedl, Brigitta Furgler, Dietrich Hollinderbäumer, Peter Kybart, Gen Seto, Michael Scheidl, Matty O‘Shea, Keenan Shimizu, Sabine Thomson, Maria Urban Interviews: Fred Fields, Ernest Heppner, Illo Heppner, Siegmar Simon Films: Eric J. Schmidt; Charles Bliss Home Movies, National Film & Sound Archive; Voticky Family Home Movies, The Montreal Holocaust Memorial Centre; National Archives; The Library of Congress; UCLA Film & Television Archive; The Film History Foundation; Grinberg Film Libraries; Archive Films; Fish Films Photographs, Writings and Documents: Christina Adler, Henry Compart, Horst P. Eisfelder, Fred Fields, Heinz Gert Friedrichs, Leah J. Garrick, Ernest Heppner, Illo Heppner, David Kranzler, Peter Reiss, Hertha Shriner, Siegmar Simon, Peter Witting American Jewish Joint Distribution Committee; Dokumentationsarchiv des Österreichischen Widerstandes; Leo Baeck Institute; The Library of Congress; New York Public Library; Österreichisches Literaturarchiv; Österreichische Nationalbibliothek; Politisches Archiv des Auswärtigen Amtes; Sigmund Freud Museum; Stiftung Archiv der Akademie der Künste; United Nations Archives Unit; Yivo Institute for Jewish Research Historical Advisor: Dr. David Kranzler Sound Recordists: Chris Bryan, Vincent Tese Voice Recording: Ton Eichinger, Buttons Sound, LRP Studio Super-8 photography: Paul Rosdy, Joan Grossman Camera Assistants: Jon Gerrard, Jamie Tabachnik Photo Stills and Reproduction: Paolo Vescia Production Associates: Patric Chiha, Gabriele Kranzelbinder, Jay Stern, Melissa Waldron Transcription: Nannette Deasy, Birgit Nagele Animation Photography and Titles: F-Stop Studio / Gary Becker Opticals: DuArt, Film Effects, Interformat / Monaco Labs Sound Mix: CocoLoco Audio Archival Film Duplication: Colorlab Film Lab: DuArt Negative Cut: Immaculate Matching Legal Counsel: Abrams, Garfinkel & Rosen Accounting: Anna Maria Leber Insurance: DeWitt Stern Group Fiscal Sponsor: Media Network Additional Songs: „Sippur”, „Hadashah” and „Yatzar” from the album „“The Circle Maker“, Composer: John Zorn, Courtesy of Tzadik Records „Ich Hab Heut’ Nacht” (Barlied / Kleiner Walzer II) by Alfred W. Kneucker with permission of Raoul Kneucker performed by Dennis Malone „Kleine Komödie” by Georg Hübsch & Paul Wiener with permission of Ursula Hübsch performed by Dennis Malone „The Little Mill” (Song of the Porters) with permission of Monitor Records „Sell Candy Song” Composer: Liang Le Yin Lyrics: Li Jun Qing (CASH) Recording Artist: Li Xiang Lan, courtesy of EMI (Hong Kong) Ltd. „Yung Yung Yung” Composer: Liang Ai Yin Lyrics: Li Qi Niu (CASH) Recording Artist: Liang Ping, courtesy of EMI (Hong Kong) Ltd. „Xiao Hua” (Little Flower) Composer and Lyrics: Wu Cun Recording Artist: Bai Guang courtesy of EMI (Hong Kong) Ltd. „Chinese Wedding” by Whitey Smith, J. Elder, J. Meredith, J. Anderson performed by Whitey Smith & The Majestic Hotel Orchestra Courtesy of The RCA Records Label of BMG Entertainment „Bulbes” (Traditional) Emil Decameron and his Orchestra Courtesy of Vanguard Classics a division of Omega Records Group A Co-Production of Pinball Films, New York / Vienna & Extrafilm, Vienna Produced with the support of: Federal Chancellery of Austria / Department for the Arts; ORF / Austrian Broadcasting Corporation; Home Box Office; The Harry and Jeanette Weinberg Foundation; The Arthur Ross Foundation; Documentary – an Initiative of the MEDIA Programme of the European Community; Wiener Städtische Versicherung; Theodor Körner Fonds (P) 1998 Pinball Films / Extrafilm GmbH Subtitles: Pinball Fims (D/UK) Jean-Luc Perrin (F) Luis Gago (E) Mariko Takahashi (J) Photography: Library of Congress, Washington; United Nations Archive, N.Y.; National Archives, Washington: Heinz Gert Friedrichs (Sammlung Frederick Rolf); Public Library, N.Y.; Yivo Institute, N.Y.; Horst P. Eisfelder, Melbourne; Sigmund Freud Museum, Wien; Paolo Vescia (Grossman & Rosdy) Layout and Design: Günter Mattei CD-Smartpac: 19532321.1-53 Herzog + Idex CD-Packaging: M 9710405.1 Winter&Winter Print: Printoffensive GmbH www.winterandwinter.com www.rosdyfilm.com Made in Germany Joan Grossman & Paul Rosdy .
Load more

Recommended publications
  • John Zorn Artax David Cross Gourds + More J Discorder
    John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request.
    [Show full text]
  • Sonicacts Poetics of Space.Pdf
    Sonic Acts XIII The Poetics of Space Edited by Arie Altena & Sonic Acts Sonic Acts Press, Amsterdam 2010 The Poetics of Space Contents 7 22 33 149 161 169 Approaches to Right Here, Right Space and Sound The Hybrid Architectures Now, HC Gilje’s Space is Body Centred Voice Over Interview with Raviv of Iannis Xenakis Networks of Specificity Interview with Sonia Introduction Brandon LaBelle Ganchrow by Arie Altena Elizabeth Sikiaridi Mitchell Whitelaw Cillari by Annet Dekker 51 61 75 179 189 199 Soundscape Composition Techno-poetry of Extremities as Global Music: Augmented Reality and Maryanne Amacher Electroacoustic Mental and Existential Interactive Architecture Long Sounds in Conversation with Music as Soundscape Ecology Diller + Scofidio Interview with Daan Douglas Kahn Frank J. Oteri Barry Truax Juhani Pallasmaa Blur Building Roosegaarde by Arie Altena 93 99 105 207 229 237 The Poetics of Hybrid Space Changing Space is Something that Jordan Belson and Pixel Architecture is Spatial Sensibilities Arrives with the Sound the Vortex Concerts: Media Architecture and Ubiquitous Interview with Takuro Mizuta Cosmic Illusions E.A.T The Diorama Revisited Interview with Marc Maurer by Mediatization Lippit by Arie Altena Cindy Keefer Pepsi Pavilion Erkki Huhtamo Arie Altena Eric Kluitenberg 111 125 137 249 253 255 Immersive Works for Cyborg Ritual and A Spatial Language Complete Experiences Sentic Technology in of Light and Sound Interview with TeZ the Vortex Concerts Interview with Edwin van by Arie Altena Trace Reddell der Heide by Arie Altena Biographies Image Credits Colophon Introduction 6 7 Introduction Introduction This book was compiled and edited in 2009 during the development who have delved deep into our understanding of space through of the thirteenth Sonic Acts Festival.
    [Show full text]
  • Downbeat.Com March 2014 U.K. £3.50
    £3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene
    [Show full text]
  • 1St International Zbigniew Seifert Jazz Violin Competition / PROGRAM
    / PROGRAM 1st International Zbigniew Seifert Jazz Violin Competition 16th – 19th July 2014 / Lusławice, Kraków A Competition held under the Honorary Patronage of the President of the Academy of Music in Cracow, in cooperation with the “Emanations” Festival and the Summer Jazz Festival at Piwnica pod Baranami. Organizer: Partners: The Competition project has been made possible by the financial support of the Ministry of Culture and National Heritage, the Małopolska Province and Kraków City Council. Media Patrons: 2 1st International Zbigniew Seifert Jazz Violin Competition 16 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 17 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 18 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice final auditions 19 LIPCA 2014 r. 7 pm Manggha Museum of Japanese Art and Technology in Cracow gala concert www.seifertcompetition.com 3 n love with the music of John Coltrane, he originally took up the saxophone, and soon afterwards - set up ZBIGNIEW his first ensemble, the Zbig- Iniew Seifert Quartet, where he played with Jan Jarczyk, Jan Gonciarczyk and Janusz SEIFERT Stefański. Uncompromising and very daring in their artistic AN ICON OF THE JAZZ VIOLIN aims from the very start, they won the 2nd (1968) and then the Born in Cracow, he was associated with that city almost 1st (1969) prize at the Jazz on throughout his life. It was there that he completed primary and the Oder Festival, while Seifert secondary music schools and where he graduated from the himself took individual prizes.
    [Show full text]
  • Some Notes on John Zorn's Cobra
    Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come.
    [Show full text]
  • Poslovno Poroĉilo CD Za Leto 2009 1 I POSLOVANJE
    Poslovno poroĉilo CD za leto 2009 I POSLOVANJE CANKARJEVEGA DOMA V LETU 2009 .................................................. 3 1.1 ZAKONSKE IN DRUGE PODLAGE, KI POJASNJUJEJO DELOVNO PODROĈJE 3 1.2 ORGANI ZAVODA ........................................................................................................ 3 1.3 URESNIĈITEV DOLGOROĈNIH IN LETNIH CILJEV POSLOVANJA .................... 5 1.4 POSLOVNO OKOLJE CD ............................................................................................ 10 1.5 ĈLOVEŠKI VIRI ........................................................................................................... 12 1.6 ŠTEVILO PRIREDITEV IN OBISKOVALCEV .......................................................... 18 1.7 ZASEDENOST DVORAN ............................................................................................ 20 1.8 FINANĈNO POSLOVANJE V LETU 2009, PRIMERJAVE Z OSNOVAMI ............ 24 1.9 INVESTICIJE, NAKUPI OPREME, INVESTICIJSKO VZDRŢEVANJE ................. 35 1.10 PREGLED MEDIJSKEGA POJAVLJANJA IN MARKETINŠKIH PRIJEMOV ..... 39 1.11 PRODAJA VSTOPNIC ZA PRIREDITVE JAVNE SLUŢBE V LETU 2009 ........... 42 II KULTURNO – UMETNIŠKI PROGRAM CANKARJEVEGA DOMA ........................... 44 2 RESNA GLASBA IN OPERA ............................................................................................ 44 2.1 SIMFONIĈNA GLASBA .............................................................................................. 44 2.2 GLASBENO-SCENSKA DEJAVNOST .....................................................................
    [Show full text]
  • A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 Pm
    A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 pm BIO Listen to A.J. Croce’s albums and it’s clear that he holds an abiding love for all kinds of music – Blues, Soul, Pop, Jazz, and Rock n’ Roll. It is readily apparent too that people love Croce’s diverse approach to music. His nine albums have all charted, and done so on an impressive array of charts: Top 40, Blues, Americana, Jazz, Independent, College, and Radio 1, to name a few. The Nashville-based singer/ songwriter also has landed 18 singles on variety of Top 20 charts. A virtuoso piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and, over his career, he has performed with a wide range of musicians, Photo: Joshua Black Wilkins from Willie Nelson to the Neville Brothers; Bela Fleck to Ry Cooder. A.J. has also co-written songs with such formidable A.J. Croce performs Croce Plays Croce, a special night of tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen music featuring a complete set of classics by his late and multi-Grammy winner Gary Nicholson. father Jim Croce, some of his own tunes, and songs that influenced both him and his father. This special event The late, great New Orleans piano man, and Croce hero, features such timeless songs as “Operator,” “You Don’t Allen Toussaint might have described A.J. most succinctly Mess Around with Jim,” “Time in a Bottle,” (a song written for when he proclaimed: “In such a crowded music universe A.J.), “Rapid Roy," (The Stock Car Boy), and “Lovers Cross," it is a pleasure to witness triple uniqueness: pianist, to name a few.
    [Show full text]
  • La Musica Salottiera D'avanguardia Di Zorn
    My Space Il Museo www.myspace.com/thecoral www.museomemoriaustica.it 41 DOMENICA Canzoni, foto Dedicato alla memoria delle 11 LUGLIO e appuntamenti della band vittime della strage 2010 Roberto Carlos I Am Kloot I più suonati a Radio Città del Capo TOP 10 ALBUM www.radiocittadelcapo.it (Bologna) Operazione nostalgia Notturno autunnale Anouar Brahem 02 Mario Brunello Odusia Roberto Carlos I Am Kloot I miei successi Sky At Night The astounding eyes of Rita 03 Vic Chesnutt At the cut Columbia Pias Il suonatore di oud ** *** 04 Dinosaur Jr Farm 05 Dj Spooky The secret song 06 Dente L’amore non è bello Se siete oltre i 40, un rigurgito nostalgico Esce ora il nuovo cd del trio cult man- saràinevitabile riascoltandol’artistabrasilia- cuniano,ma sarebbestato più adattoposti- 07 Mike Patton Mondo cane no, molto noto in Italia dagli anni 60 ai 70. ciparlo di qualche mese. Perché è nottur- Ecco A che serve volare (col classico «rom- no e malinconico, morbido e romantico, 08 Souljazz Orchestra Rising sun bo»sullo sfondo)e ilbeat ingenuodi La don- ironico e pensoso, con l’ispirata voce del na di un amico mio, ma anche Testardo io e leader John Bramwell in evidenza. Ideale 09 Tinariwe Imidiwan Canzone per te (di Endrigo). Peccato per la per l’autunno, insomma: conservatelo per scarna confezione e gli errori sparsi. D.P. le prime uggiose giornate di pioggia. D.P. 10 John Zorn O,o La musica salottiera Musica e memoria GIORDANO MONTECCHI seo, il pubblico aspetta in silenzio, allo scoccare dei trent’anni, l’ini- zio de «La ventunesima ora»: due d’avanguardia di Zorn concerti ideati dal Festival Angeli- ca con musiche di Karlheniz Exotica e cool-jazz, surf strumentale, klezmer stilizzato..
    [Show full text]
  • June 2010 Issue
    NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June.
    [Show full text]
  • John Zorn Marathon Royce Triple Threat Featuring Abraxas, Secret Chiefs 3 & Bladerunner & the Hermetic Organ
    John Zorn Marathon Royce Triple Threat featuring Abraxas, Secret Chiefs 3 & Bladerunner & The Hermetic Organ Sat, May 2 ROYCE TRIPLE THREAT 8pm – Abraxas: Psychomagia Royce Triple Threat Aram Bajakian Guitar Royce Hall Eyal Maoz Guitar 8pm Kenny Grohowski Drums RUNNING TIME: Shanir Blumenkranz Gimbri Approximately 3 hours; Two intermissions Intermission The Hermetic Organ 9pm – Secret Chiefs 3: Masada Book Two Royce Hall Trey Spruance Guitar Midnight Eyvind Kang Violin Ches Smith Drums RUNNING TIME: Approximately 45 minutes; Jason Schimmel Guitar No intermission Matt Lebofsky Keyboards Toby Driver Bass PRE-SHOW TERRACE EVENT: Round-Robin Duets: Intermission A Musical Improvisation 6:30 pm 10pm – Bladerunner Inspired by John Zorn’s improvisational John Zorn Sax techniques, a group of UCLA student Bill Laswell Bass musicians play a round-robin of s Dave Lombardo Drums pontaneous duets, culminating in a group imrov-jam session. THE HERMETIC ORGAN John Zorn Solo Organ Improvisations CAP UCLA SPONSOR: Supported in part by the Andrew W. Mellon Foundation ABOUT THE PROGRAM Although organ was Zorn’s first instrument (he often credits Lon Chaney MEDIA SPONSOR: in The Phantom of the Opera as a primal influence), in 2011 the saxophone great surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. The music is breathtaking, and distinguished by a spiritual mood that only a huge pipe organ like Royce Hall’s Skinner can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, this performance reveals the composer’s mind at work in all its permutations.
    [Show full text]
  • Gun Street Girl Free
    FREE GUN STREET GIRL PDF Adrian McKinty | 336 pages | 02 Jul 2015 | Profile Books Ltd | 9781846689826 | English | London, United Kingdom GUN STREET GIRL CHORDS by Tom Waits @ Libraries are closed until further notice. We are now offering contactless pickup and return at select locations with Books on the Go! Some notices were not sent. Check your account for due dates but we are still fine free! My Account. Log Out. Advanced Search. Logged In As. Library Home Page. New Titles for Adults. Library Reads. General Fiction. Science Fiction, Fantasy, Horror. Graphic Novels. Large Print. CD Audio Books. Downloadable Audio. Children's Fiction. Children's Nonfiction. Young Adult. BRiAN Help. Interlibrary Loan. Login in Interlibrary Loan. Search WorldCat. Downloadable Library. Library Events. Events for Adults. Events for Teens. Events for Kids. Average Rating. McKinty, Adrian. Choose a Format. On Shelf. Eva H. Perry Regional Gun Street Girl Mystery. Fuquay-Varina Community - Mystery. Quick Copy View. See Full Copy Details. Place Hold. Date Publisher Phys Desc. Language Gun Street Girl Seventh Street Books, an imprint of Prometheus Books, pages ; 21 cm. English On Shelf. More Info Place Hold. Available Online. Check Out OverDrive. Add a Review. Add Gun Street Girl List. More Details. Also in This Series. Similar Titles From NoveList. Similar Series From NoveList. Similar Authors From NoveList. Published Reviews. Reviews from GoodReads. Loading GoodReads Reviews. Staff View. Did Michael Kelly really shoot his parents at point blank and then jump off a nearby cliff? Borrower Reviews. Copies Location Call 2 of 2. Copies Location Call of 1. Copies Gun Street Girl Call 4 of 1.
    [Show full text]
  • Draw the Circle: the 40 Day Prayer Challenge
    Draw the Circle The 40 Day Prayer Challenge Mark Batterson New York Times Bestselling Author of The Circle Maker Contents Cover Title Page Introduction Day 1: Get Ready Day 2: Established by God Day 3: Amazing Things Day 4: Don’t Pray Away Day 5: Write It Down Day 6: Shameless Audacity Day 7: Put on Waders Day 8: One God-Idea Day 9: Dream Factory Day 10: Crazy Faith Day 11: First-Class Noticer Day 12: Sow a Seed Day 13: One Day Day 14: Speak to the Mountain Day 15: Contend for Me Day 16: Lord, Surprise Me Day 17: Do Not Delay Day 18: Keep Circling Day 19: Memorial Offerings Day 20: Go. Set. Ready Day 21: Set Your Foot Day 22: Prayer Fleece Day 23: Not Now Day 24: Find Your Voice Day 25: A Prophetic Voice Day 26: Game with Minutes Day 27: Double Circle Day 28: Quit Praying Day 29: A New Prayer Day 30: Abide in Me Day 31: Spell It Out Day 32: Get a Testimony Day 33: Prayer Covering Day 34: Raise Up a Remnant Day 35: The Longest Lever Day 36: Senior Partner Day 37: Prayer Contracts Day 38: Climb the Watchtower Day 39: Holy Ground Day 40: Prayer Alphabet Notes About the Author Resources by Mark Batterson Copyright About the Publisher Share Your Thoughts Introduction The forty-day prayer challenge is going to change your life. In fact, the next forty days have the potential to dramatically alter the rest of your life. God is going to begin a good work in you, and He is going to carry it to completion.
    [Show full text]