On the Structural Assessment of Masonry Vaults and Domes
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Basic Technical Rules the Nubian Vault (Nv)
PRODUCTION CENTRE INTERNATIONAL PROGRAMME BASIC TECHNICAL RULES v3 BASIC TECHNICAL RULES THE NUBIAN VAULT (NV) TECHNICAL CONCEPT THE NUBIAN VAULT ASSOCIATION (AVN) ADVICE TO MSA CLIENTS Version 3.0 SEASON 2013-2014 COUNTRY INTERNATIONAL Association « la Voûte Nubienne » - 7 rue Jean Jaurès – 34190 Ganges - France February 2015 www.lavoutenubienne.org / [email protected] / +33 (0)4 67 81 21 05 1/14 PRODUCTION CENTRE INTERNATIONAL PROGRAMME BASIC TECHNICAL RULES v3 CONTENTS CONTENTS.............................................................................................................2 1.AN ANCIENT TECHNIQUE, SIMPLIFIED, STANDARDISED & ADAPTED.........................3 2.MAIN FEATURES OF THE NV TECHNIQUE........................................................................4 3.THE MAIN STAGES OF NV CONSTRUCTION.....................................................................5 3.1.EXTRACTION, FABRICATION & TRANSPORT OF MATERIAL....................................5 3.2.CHOOSING THE SITE....................................................................................................5 3.3.MAIN STRUCTURAL WORKS........................................................................................6 3.3.1.Foundations........................................................................................................................................ 6 3.3.2.Load-bearing walls.............................................................................................................................. 7 3.3.3.Arches in load-bearing -
Gothic Churches in Paris St Gervais Et St Protais Image Matching 3D Reconstruction to Understand the Vaults System Geometry
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XL-5/W4, 2015 3D Virtual Reconstruction and Visualization of Complex Architectures, 25-27 February 2015, Avila, Spain GOTHIC CHURCHES IN PARIS ST GERVAIS ET ST PROTAIS IMAGE MATCHING 3D RECONSTRUCTION TO UNDERSTAND THE VAULTS SYSTEM GEOMETRY M.Capone a, , M. Campi b, R. Catuogno c a DiARC Dipartimento di Architettura Università degli Studi di Napoli Federico II, [email protected] b DiARC Dipartimento di Architettura Università degli Studi di Napoli Federico II, [email protected] c DiARC Dipartimento di Architettura Università degli Studi di Napoli Federico II, [email protected] Commission V, WG V/4 KEY WORDS: Structure from Motion, Image Matching, 3D Modeling, Ribbed Vaults, Gothic Flamboyant, 3D reconstruction. ABSTRACT: This paper is part of a research about ribbed vaults systems in French Gothic Cathedrals. Our goal is to compare some different gothic cathedrals to understand the complex geometry of the ribbed vaults. The survey isn't the main objective but it is the way to verify the theoretical hypotheses about geometric configuration of the flamboyant churches in Paris. The survey method's choice generally depends on the goal; in this case we had to study many churches in a short time, so we chose 3D reconstruction method based on image dense stereo matching. This method allowed us to obtain the necessary information to our study without bringing special equipment, such as the laser scanner. The goal of this paper is to test image matching 3D reconstruction method in relation to some particular study cases and to show the benefits and the troubles. -
FEMA P-361, Safe Rooms for Tornadoes And
Safe Rooms for Tornadoes and Hurricanes Guidance for Community and Residential Safe Rooms FEMA P-361, Third Edition / March 2015 All illustrations in this document were created by FEMA or a FEMA contractor unless otherwise noted. All photographs in this document are public domain or taken by FEMA or a FEMA contractor, unless otherwise noted. Portions of this publication reproduce excerpts from the 2014 ICC/NSSA Standard for the Design and Construction of Storm Shelters (ICC 500), International Code Council, Inc., Washington, D.C. Reproduced with permission. All rights reserved. www.iccsafe.org Any opinions, findings, conclusions, or recommendations expressed in this publication do not necessarily reflect the views of FEMA. Additionally, neither FEMA nor any of its employees makes any warrantee, expressed or implied, or assumes any legal liability or responsibility for the accuracy, completeness, or usefulness of any information, product, or process included in this publication. Users of information contained in this publication assume all liability arising from such use. Safe Rooms for Tornadoes and Hurricanes Guidance for Community and Residential Safe Rooms FEMA P-361, Third Edition / March 2015 Preface ederal Emergency Management Agency (FEMA) publications presenting design and construction guidance for both residential and community safe rooms have been available since 1998. Since that time, thousands Fof safe rooms have been built, and a growing number of these safe rooms have already saved lives in actual events. There has not been a single reported failure of a safe room constructed to FEMA criteria. Nevertheless, FEMA has modified its Recommended Criteria as a result of post-disaster investigations into the performance of safe rooms and storm shelters after tornadoes and hurricanes. -
The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE)
ABSTRACT MARY ELIZABETH BLUME The English Claim to Gothic: Contemporary Approaches to an Age-Old Debate (Under the Direction of DR STEFAAN VAN LIEFFERINGE) The Gothic Revival of the nineteenth century in Europe aroused a debate concerning the origin of a style already six centuries old. Besides the underlying quandary of how to define or identify “Gothic” structures, the Victorian revivalists fought vehemently over the national birthright of the style. Although Gothic has been traditionally acknowledged as having French origins, English revivalists insisted on the autonomy of English Gothic as a distinct and independent style of architecture in origin and development. Surprisingly, nearly two centuries later, the debate over Gothic’s nationality persists, though the nationalistic tug-of-war has given way to the more scholarly contest to uncover the style’s authentic origins. Traditionally, scholarship took structural or formal approaches, which struggled to classify structures into rigidly defined periods of formal development. As the Gothic style did not develop in such a cleanly linear fashion, this practice of retrospective labeling took a second place to cultural approaches that consider the Gothic style as a material manifestation of an overarching conscious Gothic cultural movement. Nevertheless, scholars still frequently look to the Isle-de-France when discussing Gothic’s formal and cultural beginnings. Gothic historians have entered a period of reflection upon the field’s historiography, questioning methodological paradigms. This -
The Vault with Curvilinear Ribs in the “Hall of Arms”
In: Proceedings of the First Conference of the Construction History Society, ed. by James W P Campbell et al., 459-468. Queens’ College, Cambridge 2014 (authors’ manuscript) The Vault with Curvilinear Ribs in the “Hall of Arms” in the Albrechtsburg Meissen: Studies on the Concept, Design and Construction of a Complex Late Gothic Rib Vault David Wendland, María Aranda Alonso, Alexander Kobe During the 14th and 15th centuries, the challenge of creating vaulted ceilings lead to ever more complex solutions in late Gothic architecture. These ambitious, astonishing and sometimes daring constructions rank amongst the finest masterpieces of architecture – extremely demanding from the structural point of view and particularly challenging in their geometric design. Their builders managed to overcome the difficulties of planning the complicated meshes of ribs soaring along spatial curves, providing instructions for the production of their single components and their assembly on the building site, and achieving a curved vault surface which corresponds to the equilibrium condition of shell structures. The discussion on how the design and planning of these structures was performed and how their construction process was organized, has been so far largely based on sources (some of them dating from long after late Gothic architecture was practised), and in particular on their interpretation as established in the 19th century. However, this current state of research can be shown to be in contrast with the evidence of many of the actual built objects. At this point, it appears necessary to formulate hypotheses on the design directly from the built artefact, and on this basis attempt a re-interpretation of the known drawings and treatises.1 For this approach it is also necessary to deal with the methodological challenges of using the building as source. -
C6 – Barrel Vault Country : Tunisia
Building Techniques : C6 – Barrel vault Country : Tunisia PRÉSENTATION Geographical Influence Definition Barrel vault - Horizontal framework, semi-cylindrical shape resting on load-bearing walls - For the building, use or not of a formwork or formwork supports. - Used as passage way or as roofing (in this case, the extrados is protected by a rendering). Environment One finds the barrel vault in the majority of the Mediterranean countries studied. This structure is usually used in all types of environment: urban, rural, plain, mountain or seaside. Associated floors: Barrel vaults are used for basement, intermediary and ground floors for buildings and public structures. This technique is sometimes used for construction of different floors. In Tunisia, stone barrel vaults are only found in urban environment, they are common in plains and sea side plains, exceptional in mountain. The brick barrel vault is often a standard in mountain environment. The drop vault (rear D' Fakroun) is often a standard everywhere. Associated floors: In Tunisia, this construction technique is used to build cellars, basements, cisterns (“ fesqiya ”, ground floors and first floors (“ ghorfa ”). Drop arches and brick vaults can sometimes be found on top floors. Illustrations General views : Detail close-up : This project is financed by the MEDA programme of the European Union. The opinions expressed in the present document do not necessarily reflect the position of the European Union or of its member States 1/6 C6 Tunisia – Barrel vault CONSTRUCTION PRINCIPLE Materials Illustrations Nature and availability (shape in which it is found) For the construction of barrel vaults, the most often used materials are limestone and terracotta brick in all the studied countries. -
Types of Foundations
Lecture Note COSC 421 1 (M.E. Haque) TYPES OF FOUNDATIONS Foundation Systems Shallow Foundation Deep Foundation Pile Foundation Pier (Caisson) Foundation Isolated spread Wall footings Combined Cantilever or footings footings strap footings Raft or Mat foundation Lecture Note COSC 421 2 (M.E. Haque) Shallow Foundations – are usually located no more than 6 ft below the lowest finished floor. A shallow foundation system generally used when (1) the soil close the ground surface has sufficient bearing capacity, and (2) underlying weaker strata do not result in undue settlement. The shallow foundations are commonly used most economical foundation systems. Footings are structural elements, which transfer loads to the soil from columns, walls or lateral loads from earth retaining structures. In order to transfer these loads properly to the soil, footings must be design to • Prevent excessive settlement • Minimize differential settlement, and • Provide adequate safety against overturning and sliding. Types of Footings Column Footing Isolated spread footings under individual columns. These can be square, rectangular, or circular. Lecture Note COSC 421 3 (M.E. Haque) Wall Footing Wall footing is a continuous slab strip along the length of wall. Lecture Note COSC 421 4 (M.E. Haque) Columns Footing Combined Footing Property line Combined footings support two or more columns. These can be rectangular or trapezoidal plan. Lecture Note COSC 421 5 (M.E. Haque) Property line Cantilever or strap footings: These are similar to combined footings, except that the footings under columns are built independently, and are joined by strap beam. Lecture Note COSC 421 6 (M.E. Haque) Columns Footing Mat or Raft Raft or Mat foundation: This is a large continuous footing supporting all the columns of the structure. -
SOHO Design in the Near Future
Rochester Institute of Technology RIT Scholar Works Theses 12-2005 SOHO design in the near future SooJung Lee Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Lee, SooJung, "SOHO design in the near future" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A thesis Submitted to the Faculty of The College of Imaging Arts and Sciences In Candidacy for the Degree of Master of Fine Arts SOHO Design in the near future By SooJung Lee Dec. 2005 Approvals Chief Advisor: David Morgan David Morgan Date Associate Advisor: Nancy Chwiecko Nancy Chwiecko Date S z/ -tJ.b Associate Advisor: Stan Rickel Stan Rickel School Chairperson: Patti Lachance Patti Lachance Date 3 -..,2,2' Ob I, SooJung Lee, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Signature SooJung Lee Date __3....:....V_6-'-/_o_6 ____ _ Special thanks to Prof. David Morgan, Prof. Stan Rickel and Prof. Nancy Chwiecko - my amazing professors who always trust and encourage me sincerity but sometimes make me confused or surprised for leading me into better way for three years. Prof. Chan hong Min and Prof. Kwanbae Kim - who introduced me about the attractive -
Quincha Architecture: the Development of an Antiseismic Structural System in Seventeenth Century Lima
Proceedings of the First International Congress on Construction History, Madrid, 20th-24th January 2003, ed. S. Huerta, Madrid: I. Juan de Herrera, SEdHC, ETSAM, A. E. Benvenuto, COAM, F. Dragados, 2003. Quincha architecture: The development of an antiseismic structural system in seventeenth century Lima Humberto Rodríguez Camilloni The introduction of quincha construction in the City of Kings or Lima during the middle of the seventeenth century marked a decisive turning point in the devel- opment of Spanish co]onia] architecture along the Peruvian coast. Not only did this ingenious antiseismic structural system provide a definitive solution to the earthquake problem that had plagued several generations of builders since the founding of the vicerega] capital by Francisco Pizarro in 1535, but it also permitted the creation of monumenta] and lofty interior spaces which paraJleled and even rivaled European designs. Surprising]y, however, quincha construction has received only a general and inadequate treatment in the artistic literature of Spanish colonia] architecture; its fuJl impact stilI awaiting recognition in the history of construction. I In an effort to help fill this void, this paper investigates the earthquake-proof system of quincha and its formal implications, as a cornerstone in the history of South American colonial architecture. In the viceroyalty of Peru, possibly no greater chalIenge confronted the colonia] architects than that of designing buildings that could withstand the frequent earthquakes. Time and again European and viceregal architects had seen the failure of their efforts, incJuding the anachronistic use of Gothic ribbed vaulting in the Cathedral of Lima folJowing ] the earthquake of 609 because it was believed it Figure 1 2 wou]d provide a more resistant structura] system. -
Multicultural Exchange in the Norman Palaces of Twelfth
A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Art University of Toronto © Copyright by Dana Katz 2016 A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily by Dana Katz Doctor of Philosophy Graduate Department of Art University of Toronto 2016 Abstract This dissertation examines the twelfth-century residences associated with the Norman Hautevilles in the parklands that surrounded their capital at Palermo. One of the best-preserved ensembles of medieval secular architecture, the principal monuments are the palaces of La Zisa and La Cuba, the complexes of La Favara and Lo Scibene, the hunting lodge at Parco, and the palace at Monreale. The Norman conquest of Sicily in the previous century dramatically altered the local population’s religious and cultural identity. Nevertheless, an Islamic legacy persisted in the park architecture, arranged on axial plans with waterworks and ornamented with muqarnas vaults. By this time, the last Norman king, William II, and his court became aligned with contemporaries in the Latin West, and Muslims became marginalized in Sicily. Part One examines the modern “discovery” and reception of the twelfth-century palaces. As secular examples built in an Islamic mode, they did not fit preconceived paradigms of medieval Western architecture in the scholarly literature, greatly endangering their preservation. My examination reconstructs the vast landscape created by the Norman kings, who modified their surroundings on a monumental scale. Water in the parklands was harnessed to provide for ii artificial lakes and other waterscapes onto which the built environment was sited. -
Marina Bay Sands Hotel Arch 631 Kayla Brittany Maria Michelle Overall Information
Marina Bay Sands Hotel Arch 631 Kayla Brittany Maria Michelle Overall Information Location: Singapore Date of Completion: 2010 Cost: $5.7 billion Architect: Moshe Safdie Executive Architect: Aedas, Pte Ltd. Structural Engineer: Arup Landscape Architects: Peter Walker and Partners Landscape Architects Height: 57 Stories (197 m, 640 ft) Design Concept • General parameters of the design were • EXPLORE (new living and lifestyle options) • EXCHANGE (new business ideas) • ENTERTAIN (rich cultural experiences) • 55 Stories of hotel • Garden on top of 1 hectare • 150 m (492 ft) infinity pool • Primary driving element of design was the need for a continuous atrium running along all three towers • Tapering of the building was then conceived Foundation Design • Built on reclaimed land • http://vimeo.com/18140 564 • Layers • Deepest layer is stiff-to-hard Old Alluvium (OA) • Middle layer (5m- 35m thick) is Kallang Formation made of deep soft clay marine deposits with some firm clay and medium dense sand of fluvial origin mixed in • Top layer (12m-15m thick) is sand infill Old Alluvium (OA) Layer • Used a forest of barrettes and 1m-3m diameter bored piles • Average excavation depth was 20m • 2.8 cubed Mm of fill and marine clay taken from site Cofferdams • Diaphragm walls used for minimum strutting • 5 reinforced concrete cofferdams – Circular • 2-120m diameter • 1-103 diameter – Peanut shaped (twin-celled) • 75m diameter – Semi-circular • 65m radius • Each was a dry enclosure – Construction carried out without need for conventional temporary support -
In the Greeting That Arch Klumph Made to the Rotarians at the 1917 Rotary International Convention in Atlanta, He Said
VISIT DISTRICT 6630's FOUNDATION CENTENNIAL WEBSITE AT TRF100.ORG In the greeting that Arch Klumph made to the Rotarians at the 1917 Rotary International Convention in Atlanta, he said “We are gathered here today, a band of loyal, tired, and true members of the most worthy organization, Consecrated to the doctrine of service in all that the word implies.” Arch C. Klumph believed that Rotary would Brighten all eternity when he proclaimed in December 1928 “The Rotary Foundation is not to build monuments of brick and stone. If we work upon marble, it will perish; if we work on brass, time will efface it; if we raise temples they will crumble into dust; but if we work upon immortal minds…we are engraving on those tablets something that will brighten all eternity. Rotary is built by men made of good stuff; the ideal of service is developing into practice. As a consequence, the organization will never stand still.” — The Father of The Rotary Foundation was A Rotarian with a dream. A dream that he followed for 30 years, telling Rotarians what an endowment fund could do for Rotary and the communities of the world. Arch C. Klumph was a charter member and past president of the Rotary Club of Cleveland. He was Rotary International’s sixth president, creator of the district system for Rotary Clubs and the Father of The Rotary Foundation of Rotary International. This is the Arch Klumph that you all know. I would like to introduce you to the real Arch Klumph: He was born in Conneautville, Pennsylvania on the 6th of June 1869, and he is a direct descendent on the maternal side of James Fenimore Cooper, the American novelist.