Winter 1986-87 CAA Newsletter
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Los Angeles Bibliography
A HISTORICAL BIBLIOGRAPHY OF THE BUILT ENVIRONMENT IN THE LOS ANGELES METROPOLITAN AREA Compiled by Richard Longstreth 1998, revised 16 May 2018 This listing focuses on historical studies, with an emphasis is on scholarly work published during the past thirty years. I have also included a section on popular pictorial histories due to the wealth of information they afford. To keep the scope manageable, the geographic area covered is primarily limited to Los Angeles and Orange counties, except in cases where a community, such as Santa Barbara; a building, such as the Mission Inn; or an architect, such as Irving Gill, are of transcendent importance to the region. Thanks go to Kenneth Breisch, Dora Crouch, Thomas Hines, Greg Hise, Gail Ostergren, and Martin Schiesl for adding to the list. Additions, corrections, and updates are welcome. Please send them to me at [email protected]. G E N E R A L H I S T O R I E S A N D U R B A N I S M Abu-Lughod, Janet, New York, Chicago, Los Angeles: America's Global Cities, Minneapolis: University of Minnesota Press, 1999 Adler, Sy, "The Transformation of the Pacific Electric Railway: Bradford Snell, Roger Rabbit, and the Politics of Transportation in Los Angeles," Urban Affairs Quarterly 27 (September 1991): 51-86 Akimoto, Fukuo, “Charles H. Cheney of California,” Planning Perspectives 18 (July 2003): 253-75 Allen, James P., and Eugene Turner, The Ethnic Quilt: Population Diversity in Southern California Northridge: Center for Geographical Studies, California State University, Northridge, 1997 Avila, Eric, “The Folklore of the Freeway: Space, Culture, and Identity in Postwar Los Angeles,” Aztlan 23 (spring 1998): 15-31 _________, Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles, Berkeley: University of California Pres, 2004 Axelrod, Jeremiah B. -
Department of Art History
Northwestern University ______________________________________________ Department of Art History Newsletter 2008 1 letter from the chair... It is an enormous pleasure and an honor to welcome new and returning students and new, visiting, and full-time faculty members to campus, as well as to hail the many achievements of faculty and graduate students alike, some of whom are on leave or in situ conduct- ing research. Aside from the stellar accomplishments of members of the department—listed in the individual profiles herein—and the ongoing excellent support of our departmental staff Claire Arctander (Department Assistant) and Robin Bland (Program Assistant) the department has much to celebrate. In faculty news, Christopher Pinney, Professor of Anthropology and Visual Culture at University College London, continues as our Visiting Mary Jane Crowe Professor 2007-2009. His “(World) Art?” conference in the spring was a tremendous success and, among other things, brilliantly represented our departmental interest in exploring new terrains in the context of the globalization of our field. This year we are very pleased to welcome to our department two new faculty members, Jesús Escobar (Associate Professor), whose area of expertise is early modern Spanish art and architecture, and Ann Gunter (Professor of Art History and in the Humanities), whose field is Ancient Near Eastern visual culture. (See their individual profiles on page 6.) The department is currently searching in the area of East Asian art. This year we received an unprecedented and extremely generous gift from Elizabeth and Todd Warnock. The Warnocks are a local fam- ily and have been involved with the University for some time; this was their first gift to the department. -
A Civic Architect for San Diego
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Summer 1999, Volume 45, Number 3 Gregg Hennessey, Editor A Civic Architect for San Diego The Work of William Templeton Johnson by Sarah J. Schaffer Images from this article Of the architects in San Diego's lexicon, many names are more recognizable to the casual observer than William Templeton Johnson's. Yet he earned the rare honor of being elected a fellow to the American Institute of Architects (AIA) in 1939,1 and his public buildings are as familiar as the houses on one's own block: the ornately decorated Fine Arts Gallery in Balboa Park, the stoic San Diego Trust & Savings Bank at Sixth and Broadway, and the stark Serra Museum atop the Presidio Park hill. Although Johnson (1877-1957) is best known for his Spanish Revival buildings, his work and life spanned many architectural movements, including the skyscrapers of the Chicago School, the natural philosophy of Arts and Crafts, and especially the modern traditionalism of Spanish Revival. Regardless of style, the overarching theme directing all of his public buildings, and indeed his life's philosophy, was an enduring passion for community in a city that came of age in his lifetime. Like many others in San Diego at the turn of the twentieth century, Johnson was a transplanted Easterner. Born on Staten Island, New York, in 1877, he was thrust into roofing work at the age of twelve when his father died. This sparked his interest in architecture, which he continued to pursue through his schooling at New York's Columbia University and in Paris.2 In his education at the Ecole des Beaux-Arts in Paris from 1908 to 1911, he treaded the same steps as had noted American architects Richard Morris Hunt, H.H. -
2015-16 Newsletter
2015-16 NEWSLETTER Dear Friends and Colleagues: delivered a series of lectures at the University of Paris in her role as Directrice It is my pleasure to highlight recent d’études. In the year ahead, we will search accomplishments in the Department of for an assistant professor in global Art History. One of the singular hon- modern and contemporary architectural ors this past year was given to Krista history as David Van Zanten prepares for Thompson, who was awarded the retirement in 2018. prestigious Charles Rufus Morey Prize Four students completed the Ph.D. from the College Art Association for her this past year, landing a tenure-track book, Shine: The Visual Economy of Light position at the University of Indiana at in African Diasporic Aesthetic Practice. The Bloomington, a visiting professorship book went on to win another top prize at Gettysburg College, and multi-year from the Caribbean Studies Association postdoctoral fellowships at Amherst and this spring. Williams Colleges. Alumni Alison Fisher This year the Elizabeth and Todd and Greg Foster Rice won the prestigious Warnock Gift to Art History funded Philip Johnson Prize awarded by the graduate research, group seminar Society of Architectural Historians in travel, and book subventions to faculty April. You can now read this news and and alumni. The department pursued more on a re-designed website that greater collaboration with Chicago-area looks especially great on a smartphone. institutions and with the Northwestern It took some effort getting the website University/Art Institute of Chicago and this newsletter together and Mel Center for Scientific Studies in the Arts. -
September 2013
University of Wisconsin-Madison Department of Art History Newsletter September 2013 Think Tank Lays Foundation for Curatorial Studies Curriculum What makes a successful and innovative curator in the twenty- trained professionals, but also a broader public. In the case of first-century, and how can we create a responsive, forward- American Indian culture, he argued, it was essential to give voice looking curriculum that takes advantage of the distinctive re- to communities who were invested in cultural ownership of the sources—faculty, staff, collections and exhibition spaces—at material. In displaying museum objects, curators must think UW-Madison? At the end of April, the Department of Art Histo- increasingly about cultural interactions. ry collaborated with the Chipstone Foundation of Milwaukee to Anne-Marie Bouttiaux, curator at the Royal Museum for Central host a Think Tank on Curatorial Studies that attempted to answer Africa, Tervuren, Belgium proposed that the ideal mode of curat- these questions. Participants included guest speakers from muse- ing is one in which the curator becomes an “artist” with the free- ums around the United States and abroad, as well as alumni, fac- dom to think, dream and scheme over a long period of time— ulty, academic staff and graduate students from the Departments what she terms “slow curation.” Curators should engage the of Art History, Art, Design Studies, History of Science, and Zo- public by challenging stereotypes, and mixing time periods, ge- ology, as well as curators and staff from the Chazen Museum of ographies, different categories of objects. Art, the Kohler Art Library, the Design Gallery, Ebling Library, Special Collections of the Memorial Library, the Zoology Muse- Art History alumna, Karen Levitov (M.A. -
L.A.'S Architecture: a Night of Learning & Discussion
Fall, 2019 L.A.’s Architecture: A Night of Learning & Discussion We are thrilled to announce that our next public ways of Los Angeles (2008)” and “Finding Los Angeles program will be the much anticipated discussion with by Foot: Stairstreet, Bridge, Pathway and Land (2013)”. Robert Inman, an Eagle Rock resident, about his latest A native son of Los Angeles, he is an award-winning work and collaboration with the late, great Dr. Robert urban walker and was a frequent collaborator with his W. Winter (1924 - 2019) entitled: mentor, Dr. Robert W. Winter, lauded as a “Guru,” “Fa- “An Architectural Guidebook to Los Angeles: Fully ther,” and “Godfather” of Los Angeles architecture. Revised 6th Edition” by David Gebhard and Robert Robert Inman cultivated his lifelong enthusiasm Winter Revised and Updated by Robert Inman and for the built environment of Los Angeles as a student Robert Winter. Foreword by Nathan Masters. at Occidental College under the tutelage of Dr. Robert Please join us for a fantastic evening of learning, W. Winter. He embraced stair- and urban walking as an discussion, and refreshments on Tuesday, October avocation in 2004. In nine years of leading urban walks, 15th @ 7pm at the Center for the Arts, Eagle Rock at he has lead more than five thousand participants on two 2225 Colorado Blvd. Street parking is available. Ad- hundred walking events of this nature. His groups have mission is FREE and OPEN TO ALL. included grade school children, college urban study Robert Inman is the author of “A Guide to the Stair- groups, and transportation specialists. -
2017-18 Newsletter.Indd
201718 NEWSLETTER Dear Friends and Colleagues: Next year, Krista Thompson will hold the Smithsonian George Gurney Senior It is my pleasure to highlight some of Fellowship at the Smithsonian American the past year’s accomplishments in Art Museum and, in November, Huey the Department of Art History and to Copeland will be Visiting Professor at reflect upon what has turned out to be the École des Hautes Études en Sciences a seven-year run as chair. Among many Sociales in Paris. faculty honors, fi rst mention goes to David Van Zanten who, after 38 years Three students completed the Ph.D. at Northwestern, retired at the end of this past year and the department Spring Quarter and is now Mary Jane graduated 10 students with the B.A. Crowe Professor of Art History Emeritus. Current graduate students continue to David has helped shape the study of garner prestigious awards including transatlantic architecture and urbanism fellowships from the Northwestern Paris in the modern era and the model of his Program in Critical Theory, the American scholarship served as the inspiration Association for University Women, for a symposium held this past May and the Fulbright Fellowship Program. which was co-sponsored by the Graham One of the singular successes of the Foundation for Advanced Studies in the Andrew W. Mellon Chicago Objects Fine Arts. As a small token of all David Study Initiative (COSI)—which received has done, the department will rename renewed funding this spring with a its annual, undergraduate prize for a $1.8 million grant from the Andrew paper written in a 300-level course as W. -
ACADEMIC PROGRAM 2012 ASOR ANNUAL MEETING **Please Note That Dates and Times Are Subject to Change
ACADEMIC PROGRAM 2012 ASOR ANNUAL MEETING **Please note that dates and times are subject to change. Wednesday, November 14 7:00-8:15pm A1 Andrew G. Vaughn (ASOR Executive Director) Welcome to the 2012 Annual Meeting (5 min.) Timothy P. Harrison (University of Toronto and ASOR President) Introductions (10 min.) Plenary Address Manfred Bietak (The University of Vienna), “The Discourse between Historical and Radiocarbon Chronology of the Bronze Age in the Levant” (50 min.) Thursday, November 15 8:20-10:25am A2 Secondary Context: Considering Theory and Method for the Study of Objects of No Known Origin (Workshop) Theme: Discussion of the theory and methodology surrounding the study of unprovenienced objects and related ethical questions. Introduction (5 min.) Christina Brody (San Francisco Museum of Modern Art), Rick Hauser (IIMAS The International Institute for Mesopotamian Area Studies), and Christopher Tuttle (American Center for Oriental Research, Amman), Presiding Discussants (5 min. each position paper; approximately 10 min. discussion following each paper) Ann Shafer (American University in Cairo), “The Unprovenienced Object in Canonical Texts” Sarah Kielt Costello (University of Houston), “Defining Principles, Determining Value” Douglass W. Bailey (San Francisco State University), “Beyond Provenience and Towards a Post- archaeological Practice: An Example of Prehistoric Figurines” Helen Dixon (University of Michigan), “Guidelines from the Museum Field: An Assessment of Ethical Standards for the Acquisition, Study, and Display of Unprovenienced Artifacts from the ICOM, AAM, and other Museum-Oriented Institutions” Elizabeth S. Greene (Brock University), Justin Leidwanger (University of Toronto), Richard M. Leventhal (Penn Cultural Heritage Center), and Brian I. Daniels (Penn Cultural Heritage Center), “The Afterlife of Commercially Salvaged Underwater Cultural Heritage” Christina Brody (San Francisco Museum of Modern Art), “Provenience Research and Methodology— Don't Forget the Laws and Ethics!” Christopher A. -
January/February 2017
SOCIETY OF ARCHITECTURAL January/February HISTORIANS/ SOUTHERN CALIFORNIA CHAPTER NEWS 2017 Inventing Ojai 1 President’s Letter 2 Authors on Architecture: Breisch 3 Frank Bros. Store Exhibition 4 IN THIS ISSUE Paul Williams News 5 Image: courtesy Los Angeles Public Library Angeles Public Los Image: courtesy Inventing Ojai: Placemaking Through Architecture SAH/SCC Exhibition and Home Tour Sunday, March 19, 2017 Join SAH/SCC this spring as we venture to Ojai, CA, to examine the legacy of city father Edward Drummond Libbey (1854-1925) in the architecture of Ojai. We begin the day with a behind-the-scenes tour of the Ojai Valley Museum’s exhibition, “Inventing Ojai,” with museum president and historian, Mark Lewis. After a formal luncheon in an historic setting, we will tour downtown Ojai and selected residences of the period. In his recent article in the Winter 2016-17 issue of Ojai Quarterly, Mark Lewis recounts the story of how Ojai became the cohesive Photo: courtesy Los Angeles Public Library architectural wonderland that it is today. In the at the time was known as “Nordhoff” and consisted of a ramshackle group of vernacular wooden early 1900s, Libbey, the glass magnate from buildings. In 1916, inspired by a discussion with friend and oil magnate Harry Sinclair, Libbey the Midwest, hired Myron Hunt and Elmer decided to do something for the community: remake it into a quaint Spanish town in the spirit Grey to design and construct a Craftsman- of early Californian and Mexican settlements. Libbey hired architects Frank Mead and Richard style vacation home for him in Ojai. -
ESTHER MCCOY LECTURE SERIES ARCHITECTURAL HISTORY: BOB WINTER and MERRY OVNICK the Oracular and Irreverent Robert W
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A Canon from Scratch: Shaping a New Architecture Guidebook for Los Angeles Urban/Environmental Policy 308 Occidental College, Spring 2014
A canon from scratch: Shaping a new architecture guidebook for Los Angeles Urban/Environmental Policy 308 Occidental College, Spring 2014 Instructor: Christopher Hawthorne ([email protected]) Course Meetings: Wed. 7:15 pm – 10:15 pm, Johnson Hall 106 Course Description: How do we decide what pieces of architecture in any city are the most significant? How do we guide people through the 21st-century city? Is the traditional idea of an architecture guidebook -- as a collection of maps, as a steady voice of authority, as a way to determine and fix the architectural canon -- obsolete? For that matter, are the familiar definitions of Los Angeles urbanism and architectural innovation obsolete too? This course will allow students to explore those questions as they work alongside Los Angeles Times architecture critic Christopher Hawthorne in helping conceptualize a new architectural guidebook for Southern California, a project on which Hawthorne is collaborating with the leading architecture photographer Iwan Baan. Students will read and assess guidebooks and other treatments of LA architecture and the architecture of other cities; they will help divide the Southern California region into sections and begin debating which new and old buildings are worthy of inclusion in the new guidebook and why; and they will receive detailed feedback on their own writing and criticism (and/or photography) while examining the ways that guidebooks, the publishing business, and the city of Los Angeles itself have all changed since the most influential and popular guidebooks to L.A. architecture first appeared several decades ago. A key part of that analysis will be helping develop ideas for a digital version of the book for mobile phone and iPad. -
Post WWII Fire Stations, 1947-1963
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Public and Private Institutional Development, 1850-1980 Sub-Context: Government Infrastructure and Services, 1850-1980 Theme: Municipal Fire Stations Subtheme: Post World War II Fire Stations, 1947-1963 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources September 2017 SurveyLA Citywide Historic Context Statement Municipal Fire Stations/Post WWII Fire Stations, 1947-1963 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 THEME INTRODUCTION 1 HISTORIC CONTEXT 3 LIST OF ASSOCIATED RESOURCES & LIST OF ARCHITECTS 29 EVALUATION CRITERIA FOR POSTWAR FIRE STATONS 43 BIBLIOGRAPHY 45 SurveyLA Citywide Historic Context Statement Municipal Fire Stations/Post WWII Fire Stations, 1947-1963 PREFACE The theme of Post-World War II Fire Stations is a component of Los Angeles’s historic context statement, and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to this municipal service. Refer to HistoricPlacesLA.org for information on designated resources associated with this theme as well as those identified through SurveyLA and other surveys. CONTRIBUTORS Daniel Prosser is a historian and preservation architect. He holds an M.Arch. from Ohio State University and a Ph.D. in history from Northwestern University. Before retiring he was the Historic Sites Architect for the Kansas State Historical Society. Mary Ringhoff is an Associate at Architectural Resources Group in Pasadena, where she has worked since 2012. Her work on SurveyLA began with the historic context statement and continued through completion of the survey itself. Mary is also an archaeologist, and is on the faculty of USC’s School of Architecture as an adjunct lecturer in the Heritage Conservation program.