Chapter 12 Continuing Resources
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Marketing Chinese Women Writers in the 1990S, Or the Politics of Self-Fashioning
Journal of Contemporary China ISSN: 1067-0564 (Print) 1469-9400 (Online) Journal homepage: http://www.tandfonline.com/loi/cjcc20 Marketing Chinese women writers in the 1990s, or the politics of self-fashioning Megan M. Ferry To cite this article: Megan M. Ferry (2003) Marketing Chinese women writers in the 1990s, or the politics of self-fashioning, Journal of Contemporary China, 12:37, 655-675, DOI: 10.1080/1067056032000117696 To link to this article: http://dx.doi.org/10.1080/1067056032000117696 Published online: 03 Jun 2010. Submit your article to this journal Article views: 142 View related articles Citing articles: 5 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cjcc20 Download by: [Nationwide Childrens Hospital] Date: 24 October 2016, At: 09:49 Journal of Contemporary China (2003), 12(37), November, 655–675 Marketing Chinese Women Writers in the 1990s, or the Politics of Self-Fashioning MEGAN M. FERRY* This article examines the sensation a young group of woman writers are causing in 1990s China. Variously named the ‘New, New Generation’, or Glam Lit writers, these women have received critical attention from the literary field and the market. While critics debate the seriousness of their literature, publishing houses are producing their literature at a rapid pace. A governmental ban on the works of two authors, Zhou Weihui and Mian Mian, has fueled readership of black market copies and spurred commentary on the Internet. I argue that the unbridled female sexuality that fuels the sensation of these writers is driven by the publishing market and cultural production, with the complicity of women authors themselves. -
Recent Publications in Music 2009
Fontes Artis Musicae, Vol. 56/4 (2009) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2009 On behalf of the International Association of Music Libraries Archives and Documentation Centres / Pour le compte l'Association Internationale des Bibliothèques, Archives et Centres de Documentation Musicaux / Im Auftrag der Die Internationale Vereinigung der Musikbibliotheken, Musikarchive und Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2008. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in the IAML journal Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. Compiled and edited by Geraldine E. Ostrove Reporters: Austria: Thomas Leibnitz Canada: Marlene Wehrle China, Hong Kong, Taiwan: Katie Lai Croatia: Zdravko Blaţeković Czech Republic: Pavel Kordík Estonia: Katre Rissalu Finland: Ulla Ikaheimo, Tuomas Tyyri France: Cécile Reynaud Germany: Wolfgang Ritschel Ghana: Santie De Jongh Greece: Alexandros Charkiolakis Hungary: Szepesi Zsuzsanna Iceland: Bryndis Vilbergsdóttir Ireland: Roy Stanley Italy: Federica Biancheri Japan: Sekine Toshiko Namibia: Santie De Jongh The Netherlands: Joost van Gemert New Zealand: Marilyn Portman Russia: Lyudmila Dedyukina South Africa: Santie De Jongh Spain: José Ignacio Cano, Maria José González Ribot Sweden Turkey: Paul Alister Whitehead, Senem Acar United States: Karen Little, Liza Vick. With thanks for assistance with translations and transcriptions to Kersti Blumenthal, D. -
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UC San Diego UC San Diego Electronic Theses and Dissertations Title Professionalizing Service Provision : The Field of Social Work in Urban China Permalink https://escholarship.org/uc/item/388729pv Author Han, Ling Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Professionalizing Service Provision: The Field of Social Work in Urban China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Ling Han Committee in charge: Professor Richard Madsen, Chair Professor Richard Biernacki Professor Kwai Ng Professor Paul Pickowicz Professor Nancy Postero Professor Christena Turner 2015 Copyright Ling Han, 2015 All rights reserved. The Dissertation of Ling Han is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ Chair University of California, San Diego 2015 iii DEDICATION For my parents iv TABLE OF CONTENTS Signature Page .................................................................................................................. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble -
Shanghai Baby: Beyond China
Shanghai Baby: Beyond China A Chinese novel banished to the West Manya Koetse Bachelor Thesis Literary Studies University of Amsterdam Shanghai Baby (1999) is a novel that has caused much controversy in China and beyond in the early years of the millennium. The ongoing controversy over this book and its writer made me decide to write my thesis in Literary Studies about this topic in 2008. I remember telling a friend of mine, an Amsterdam-based second-generation Chinese young man, about my thesis topic. He appeared disgruntled. Why would I spend time on a book that was a disgrace to Chinese culture, and, particularly, a shame to Chinese men? The book was rightfully banned in China, he said, as it was nothing but a piece of garbage. My interest in this book only showed my lack of intelligence, he added. His reaction further aroused my interest in Shanghai Baby. A book that evokes such emotional reactions does not belong in the trash, but should get the attention it deserves. The following piece is a translated and adapted version of my thesis, originally written in Dutch. It was supervised by Dr. Murat Aydemir at the University of Amsterdam. Manya Koetse 2012 2 Contents 1. From National to International Literature 4 Chinese Literary Tradition 5 Chick-lit: What is it? 8 World Literature and Disneyfication 10 2. Sex and The City 13 Sexuality in Shanghai Baby 14 The City and its Consumer 18 3. Beyond China 21 Shanghai Baby in the West 21 Shanghai Baby as Chick-lit 22 Shanghai Baby in World Literature 25 Shanghai Baby’s Final Destination 28 References 32 3 1. -
UNIVERSITY of CALIFORNIA, IRVINE Shanghai's Wandering
UNIVERSITY OF CALIFORNIA, IRVINE Shanghai’s Wandering Ones: Child Welfare in a Global City, 1900–1953 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Maura Elizabeth Cunningham Dissertation Committee: Professor Jeffrey N. Wasserstrom, Chair Professor Kenneth L. Pomeranz Professor Anne Walthall 2014 © 2014 Maura Elizabeth Cunningham DEDICATION To the Thompson women— Mom-mom, Aunt Marge, Aunt Gin, and Mom— for their grace, humor, courage, and love. ii TABLE OF CONTENTS Page LIST OF FIGURES iv LIST OF TABLES AND GRAPHS v ACKNOWLEDGEMENTS vi CURRICULUM VITAE x ABSTRACT OF THE DISSERTATION xvii INTRODUCTION: The Century of the Child 3 PART I: “Save the Children!”: 1900–1937 22 CHAPTER 1: Child Welfare and International Shanghai in Late Qing China 23 CHAPTER 2: Child Welfare and Chinese Nationalism 64 PART II: Crisis and Recovery: 1937–1953 103 CHAPTER 3: Child Welfare and the Second Sino-Japanese War 104 CHAPTER 4: Child Welfare in Civil War Shanghai 137 CHAPTER 5: Child Welfare in Early PRC Shanghai 169 EPILOGUE: Child Welfare in the 21st Century 206 BIBLIOGRAPHY 213 iii LIST OF FIGURES Page Frontispiece: Two sides of childhood in Shanghai 2 Figure 1.1 Tushanwan display, Panama-Pacific International Exposition 25 Figure 1.2 Entrance gate, Tushanwan Orphanage Museum 26 Figure 1.3 Door of Hope Children’s Home in Jiangwan, Shanghai 61 Figure 2.1 Street library, Shanghai 85 Figure 2.2 Ah Xi, Zhou Ma, and the little beggar 91 Figure 3.1 “Motherless Chinese Baby” 105 Figure -
QIN MUSIC in CONTEMPORARY CHINA by Da
MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA by Da Lin B.A. in Music, Xi’an Conservatory of Music, 2005 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2010 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Da Lin It was defended on November 29, 2010 and approved by Andrew Weintraub, Professor, Department of Music Adriana Helbig, Assistant Professor, Department of Music Thesis Director: Bell Yung, Professor, Department of Music ii Copyright © by Da Lin 2010 iii Bell Yung MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA Da Lin, M.A. University of Pittsburgh, 2010 The qin, historically recognized as an instrument of Chinese literati, has been presented in various forms of mass media for over fifty years. After the establishment of the People’s Republic in 1949, the government promoted public performances in a propaganda/persuasion media system; consequently, mass media started to play significant roles in reshaping aesthetic standards, performance practices, musical features, and meanings of the qin tradition. The mass media in China, however, went through a commercialization reform after the late 1970s and has shaped the current propaganda/persuasion model. This new media structure has hastened the emergence of new musical features and meanings of the qin in the commercial logic as opposed to the Party logic. Such interactions with technology have arguably constituted contemporary performance practices that have departed from traditional aesthetic standards held by literati practitioners who played the qin for self-satisfaction. -
New York University a Private University in the Public Service
Narrating the City: Literary and Visual Representations of Shanghai New York University A Private University in the Public Service Course Details Narrating the City: Literary and Visual Representations of Shanghai EAST-UA 9950 4 points Instructor Name: Dr. Shaoyi Sun Course Description Ever since the explosive growth of the city from the middle of the 19th century, every mass medium that has emerged in an urban setting has generated a new form of city narrative. Balzac’s Paris, Dickens’ London, Joyce’s Dublin, and Mao Dun’s Shanghai offered us literary examples of how the pulsing rhythm of a particular city was narrated and commented upon. Cinema and other visual forms, on the other hand, provide a range of decoding devices to the city labyrinth. Ruttmann’s Berlin and Vertov’s Moscow or Kiev opened up new ways of seeing the world and narrating the city. The arrival of “new media” creates a new narrative form that not only brings together a multitude of city narratives, makes it possible for the user to interact with those narratives and to formulate his/her own city narrative, but also foregrounds the fact that the city does not acquire its own meaning but only exists in modes of speaking, writing, and representation. While focusing on the literary and visual representations of Shanghai, this course will also introduce some of the most important theoretical and art works that discuss/speak about the cities other than Shanghai. No prior knowledge of Chinese literature, cinema, and culture is required. All works of fiction are the original versions as translated into English. -
The Making of Ethnicity in Postwar Taiwan: a Case Study of Kavalan Ethnic Identity
The Making of Ethnicity in Postwar Taiwan: a case study of Kavalan ethnic identity I-chun Chen Thesis submitted for the degree of Doctor of Philosophy University College London University of London 2000 ProQuest Number: 10631510 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10631510 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis attempts to conceptualise ethnic identity in a more comprehensive theoretical framework. It focuses on the Kavalan, a Taiwanese aboriginal group, in order to investigate why these people have strongly reasserted themselves as a distinctive ethnic group and pursued their minority rights since the 1980s, especially after a long period of sinicization and close interaction with other ethnic groups, when they were considered to have assimilated into mainstream Chinese society. This thesis thus examines problems of ethnicity and identity formation and explores the significance of the construction/reconstruction of Kavalan identity in relation to the historical development of Taiwanese culture and society. The discontinuity and revival of Kavalan identity provide a good example of the reconfiguration of an ethnic identity. -
Blue Kite Group Discussion Questions Social Studies Discussion
Blue Kite Group Discussion Questions Social Studies Discussion Questions for the Whole Film: 1. How is the Party benevolent or malevolent? Come up with a couple examples that depict the Party both ways. 2. Assess the role of propaganda in this film. What are some of the tools the CCP uses to influence the actions of the people? Are there connections between the propaganda used by the CCP and propaganda in our society? 3. What role does fear play in a totalitarian state? Describe how fear influences how the characters make their decisions in their private lives as well as their public lives. 4. Describe the rectification (100 flowers) movement. How does it impact the lives of the Chinese in this film? 5. Speculate why the Stepfather was targeted during the Cultural Revolution. 6. The CCP is a part of most aspects of the lives of the Chinese featured in this film. Identify three to five ways the Party is a part of their everyday lives. English Discussion Questions for The Blue Kite 1. Foreshadowing: Uncle Li’s wedding gift to the newlyweds is a wooden horse figurine and that the horse’s head falls off. Write a prediction of what you think will happen next. 2. In the film we see recurring scenes of the Blue Kite. a. In 12 sentences, summarize at least two scenes from the movie where the Blue Kite appears. b. What does the Blue Kite represent? Write a short paragraph defending your argument. Consider the political backdrop of China during the Hundred Flowers Movement, The Cultural Revolution, and The Great Leap Forward. -
Genealogical Research on Chinese Names: an Annotated Bibliography
Journal of East Asian Libraries Volume 1996 Number 109 Article 4 6-1-1996 Genealogical Research on Chinese Names: An Annotated Bibliography Sheau-yueh J. Chao Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation Chao, Sheau-yueh J. (1996) "Genealogical Research on Chinese Names: An Annotated Bibliography," Journal of East Asian Libraries: Vol. 1996 : No. 109 , Article 4. Available at: https://scholarsarchive.byu.edu/jeal/vol1996/iss109/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. GENEALOGICAL RESOURCES ON CHiNESE nAMES: AN ANNOTATED BIBLIOGRAPHY Sheau-yueh J. Chao City University of New York Introduction The Chinese people possess the oldest and richest genealogical tradition in the world. Family names were created and used by the Chinese people about 2,800 years ago during the Three Dynasties, namely, Hsia , Shang, and Chou. Genealogical roots are found in the preoccupation with their ancestors of the modern Chinese as evidenced in the oracle bone inscriptions of the Shang Period (ca. 1765-1123 B.C.). Following the Chou conquest of the Shang around 1122 B.C., genealogical history and tradition flourished and was preserved by the government of the Chou with records of the emperors, lords, and officials. Genealogical records have always been cherished by mankind, both in ancient and in modern society. To a Chinese, a sumame is not only a means of identification, but also signifies a bond with others of the same sumame, whether or not there is any immediate relationshp. -
Grown-Up Dolls: an Analysis of Professional Critics' and Readers
Grown-up Dolls: An Analysis of Professional Critics’ and Readers’ Reviews of Three Beauty Writers Leiden University Faculty of Humanities MA Asian Studies East Asian Studies Student: Giulia Tavoni s1631829 Supervisors: Prof. dr. F.N. Pieke Drs. A.S. Keijser 20/06/2016 Word Count: 17.708 1 Abstract This thesis analyses the reception of three Chinese women writers (Mian Mian, Wei Hui and Chun Shu), part of a group of female authors known as Beauty Writers, by professional critics and popular readers. The reception of the Beauty Writers by the public in the People’s Republic of China, their native country, has been the focus of very few researches. I seek to add to the existing corpus of research by analysing two different types of reviews: the comments of intellectuals, such as professional critics, fellow writers, editors and professors, and the reviews of general readers who published their remarks on the internet. I will base the examination of the comments on the theory of reader-response criticism, which was born in Western literature and states that the reader shapes the meaning of a text, and that the text is thus not an isolated and self-standing work. By considering the external elements that help the readers judge a work, I seek to understand the reasons behind the positive or negative comments on the Beauty Writers’ works, which have drawn much media attention soon after their publications in the early 2000s. I propose that despite the early heated discussions about the literary worth of the Beauty Writers, in the end the perception of their writing style has reached normalisation, with the inclusion of the writers in the history of Chinese literature.