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Kevin Chu Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ) Island of Fire https://bg.listvote.com/lists/film/movies/island-of-fire-709237/actors A Book of Heroes https://bg.listvote.com/lists/film/movies/a-book-of-heroes-101245223/actors 10+10 https://bg.listvote.com/lists/film/movies/10+10-10843715/actors Seven Foxes 2 https://bg.listvote.com/lists/film/movies/seven-foxes-2-10864500/actors Just Call Me Nobody https://bg.listvote.com/lists/film/movies/just-call-me-nobody-10937232/actors Kung Fu Kids https://bg.listvote.com/lists/film/movies/kung-fu-kids-10942874/actors Perfect Two https://bg.listvote.com/lists/film/movies/perfect-two-11082160/actors Trouble Maker https://bg.listvote.com/lists/film/movies/trouble-maker-16242341/actors Fantasy Mission Force https://bg.listvote.com/lists/film/movies/fantasy-mission-force-1677288/actors My Geeky Nerdy https://bg.listvote.com/lists/film/movies/my-geeky-nerdy-buddies-17194185/actors Buddies Naughty Boys & Soldiers https://bg.listvote.com/lists/film/movies/naughty-boys-%26-soldiers-30636061/actors A Home Too Far https://bg.listvote.com/lists/film/movies/a-home-too-far-4657381/actors Shaolin Popey https://bg.listvote.com/lists/film/movies/shaolin-popey-4860018/actors Flying Dagger https://bg.listvote.com/lists/film/movies/flying-dagger-5463390/actors Forever Friends https://bg.listvote.com/lists/film/movies/forever-friends-5469393/actors Oolong Courtyard https://bg.listvote.com/lists/film/movies/oolong-courtyard-55696688/actors Grandpa's Love https://bg.listvote.com/lists/film/movies/grandpa%27s-love-5595506/actors My Wife's Lover https://bg.listvote.com/lists/film/movies/my-wife%27s-lover-6946629/actors The Treasure Hunter https://bg.listvote.com/lists/film/movies/the-treasure-hunter-705390/actors One Stone Two Birds https://bg.listvote.com/lists/film/movies/one-stone-two-birds-7093252/actors Kung Fu Dunk https://bg.listvote.com/lists/film/movies/kung-fu-dunk-715295/actors School Days https://bg.listvote.com/lists/film/movies/school-days-7432164/actors The Love Winner https://bg.listvote.com/lists/film/movies/the-love-winner-7748990/actors Young Policemen in https://bg.listvote.com/lists/film/movies/young-policemen-in-love-8058375/actors Love Fight to Win https://bg.listvote.com/lists/film/movies/fight-to-win-96694763/actors.

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MY DETAILS My Name: Jong B. Mobile No.: 0917-5877-393 Movie Library Count: 8,600 Titles / Movies Total Capacity : 36 TB Updated as of: December 30, 2014 Email Add.: jongb61yahoo.com Website: www.jongb11.weebly.com Sulit Acct.: www.jongb11.olx.ph Location Add.: Bago Bantay, QC. (Near SM North, LRT Roosevelt/Munoz Station & Congressional Drive Capacity & Loadable/Free Space Table Drive Capacity Loadable Space Est. No. of Movies/Titles 320 Gig 298 Gig 35+ Movies 500 Gig 462 Gig 70+ Movies 1 TB 931 Gig 120+ Movies 1.5 TB 1,396 Gig 210+ Movies 2 TB 1,860 Gig 300+ Movies 3 TB 2,740 Gig 410+ Movies 4 TB 3,640 Gig 510+ Movies Note: 1. 1st Come 1st Serve Policy 2. Number of Movies/Titles may vary depends on your selections 3. SD = Standard definition Instructions: 1. Please observe the Drive Capacity & Loadable/Free Space Table above 2. Mark your preferred titles with letter "X" only on the first column 3. Please do not make any modification on the list. 3. If you're done with your selections please email to [email protected] together with the confirmaton of your order. 4. Pls. refer to my location map under Contact Us of my website YOUR MOVIE SELECTIONS SUMMARY Categories No. of titles/items Total File Size Selected (In Gig.) Movies (2013 & Older) 0 0 2014 0 0 3D 0 0 Animations 0 0 Cartoon 0 0 TV Series 0 0 Korean Drama 0 0 Documentaries 0 0 Concerts 0 0 Entertainment 0 0 Music Video 0 0 HD Music 0 0 Sports 0 0 Adult 0 0 Tagalog 0 0 Must not be over than OVERALL TOTAL 0 0 the Loadable Space Other details: 1.
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The Tragedy of Big Cast Includes Winona Ryder, Julianne Moore, Keanu Reeves, Monica Bellucci and Maria Bello, but Critics Were Divided on This One
16 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 1, 2010 • TAIPEI TIMES FILM REVIEW OTHER RELEASES COMPILED BY Martin WILLiams The Private Lives of Pippa Lee Robin Wright Penn is Pippa Lee, a housewife in Connecticut whose psychological history and social milieu makes it to the big screen courtesy of Rebecca Miller (daughter of Arthur Miller), who adapted her own work and directed. Pippa is married to publisher Alan Arkin and has an interesting network of friends, family and associates, but there’s no shortage of dissatisfaction in her life. Flashbacks to Pippa as a young woman (played by Blake Lively from TV’s Gossip Girl) help explain why. The tragedy of Big cast includes Winona Ryder, Julianne Moore, Keanu Reeves, Monica Bellucci and Maria Bello, but critics were divided on this one. Couples Retreat Vince Vaughn and wife travel to lovely Bora Bora for therapy along with three other couples, genius but the program on offer by the local resort chief (Jean Reno) is not quite what they BY HO YI expect. American critics STAFF REPORTER liked the actors but retreated from the rest of the production, which — as with many mainstream US comedies these days — injects surprisingly crude material throughout in the hope of appearing lively, if not funny. Om Shanti Om Bollywood films never took off in Taiwan, and while this week’s release (under the mini-festival title “Bling! Bling! Bollywood!”) of two big-budget odes to the movie industry won’t change that, it will surely remind adventurous local audiences of the dynamism of India’s filmmakers.
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Heritage Chinese Draft Course of Study at Senior Secondary Level
Acknowledgement This work is being funded by the Australian Government Department of Education, Employment and Workplace Relations under the School Languages Program. Heritage Chinese Draft Course of Study at Senior Secondary Level October 2009 C O L L A B O R A T I V E C U R R I C U L U M A N D A S S E S S M E N T F R A M E W O R K F O R L A N G U A G E S A U S T R A L I A © 2009 Board of Studies NSW for and on behalf of the Crown in right of the State of New South Wales, 2009. This document contains Material prepared by the Board of Studies NSW for and on behalf of the Australasian Curriculum, Assessment and Certification Authorities, in collaboration with the: Victorian Curriculum and Assessment Authority SACE Board of South Australia Queensland Studies Authority Curriculum Council of Western Australia Northern Territory Board of Studies Tasmanian Qualifications Authority New Zealand Qualifications Authority. All rights reserved. No part of the Material may be reproduced in Australia or in any other country by any process, electronic or otherwise, in any material form or transmitted to any other person or stored electronically in any form without the prior written permission of the Board of Studies NSW, except as permitted by the Copyright Act 1968. School students in Australia and teachers in schools in Australia may copy reasonable portions of the Material for the purposes of bona fide research or study.
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George Chun Han Wang Portare Il Sorriso in Tempi Che Cambiano: Il Cinema Comico a Taiwan
Ufeff13_Libro_ITALIANO_Layout 1 12/04/2011 10:01 Pagina 361 ASIA RIDE! Taiwan George Chun Han Wang Portare il sorriso in tempi che cambiano: il cinema comico a Taiwan Da quando, nei primi anni Ottanta, si è affermato il movimento del nuovo cinema taiwanese, il mondo intero ha potuto scoprire delle autentiche gemme cinematografiche, dirette da icone del cinema autoria- le di Taiwan come Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang e Ang Lee. I film d’autore provenienti da Taiwan continuano a generare entusiasmo all’estero, ma in patria le commedie locali sono state spesso accantonate perché ritenute grossolane, inferiori, poco originali e prive di meriti intellettuali. Per quanto ci possa essere del vero in queste discutibili generalizzazioni, il film comico non ha mai smesso di divertire il pubblico a Taiwan, strappando risate di cuore e creando deliziosi ricordi nei momenti felici e in quelli bui. Attraverso tutta la sua complessa storia, Taiwan ha avuto i suoi tempi duri. La vittoria degli alleati nel Pacifico nel 1945 pose fine a cinquant’anni di dominio coloniale del Giappone e la sovranità di Taiwan venne assunta dalla Repubblica di Cina. Dopo avere dato l’addio a un regime oppressivo, il popolo di quell’“isola del tesoro”, conosciuta anche come Formosa, finì sotto un nuovo governo, controllato dal partito nazio- nalista Kuomingtang (KMT) di Chiang Kai-shek. Quando fu evidente che anche questa amministrazione era autoritaria e corrotta, la popolazione locale si ribellò. Il 28 febbraio 1947 una sommossa antigovernativa venne violentemente repressa dal KMT, ci furono migliaia di arresti ed esecuzioni e quell’evento tragico, che venne poi ricordato come “Massacro 228”, segnò l’inizio dell’era del “Terrore Bianco”.
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Popular Culture, Media and Contemporary Chinese Cinema
Chinese Film and Media* Fall 2017: CHT3391, Sect 13B3/ ENG4135, Sect 28BG Instructor: Dr. XIAO Ying, [email protected] http://languages.ufl.edu/people/faculty-alpha/ying-xiao/ Class Meeting: T7 (1:55-2:45pm) & R7-8 (1:55-3:50pm), TUR2322 Screenings: W9-11, TUR2322 Office Hours: T8-9 (3:00-4:55) and R9 (4:05-4:55), or by appointment Pugh Hall 306, 352-392-6539 *The syllabus is subject to change according to the needs of the class and upon the instructor’s notification. Course Description As China reopened to the world and becomes the newly emerged superpower in the recent few decades, Chinese films and other aspects of screen media have not only attracted worldwide scholarly attentions and artistic interests, but also they have been embraced by a wide range of popular tastes internationally. This course will examine Chinese cinema in juxtaposition with popular culture and other forms of media such as television, music, journalism in a broad sociopolitical and historical context. While focusing specifically on film productions, cultural consumptions, and media representations in the contemporary era of mainland China, we will place these discourses within a general framework of national tradition and identity and track their evolutions from the beginning of the twentieth-century. We will look at these distinct yet interrelated phenomena from a comparative and cross-cultural perspective, by emphasizing the heterogeneous and hybrid nature of Chinese culture and media. An interdisciplinary approach (with the assistance of a wide diversity of readings and multimedia tools) will be incorporated into our discussions that are especially concerned with the concepts and configurations of urban modernity, youth subculture, popular literature and music, the interactions between Shanghai and Hollywood, and the narratives of food, sports, and fashion on screen and across other media.
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Directoryoffilmproduction&Distri
DirectoryofFilmProduction&DistributionCompaniesinTaiwan (Alphabetical Order) Arc Light Films Chang Hong Channel Film& Video Co. Ltd. / Chang Tong Co. Ltd. Deepjoy Picture Corporation Dot-Shine Digimedia Communication Co., Ltd. Double Edge Entertainment F. Rhythm 3D Animation Company Fisfisa Media Co., Ltd. Flash Forward Entertainment George Hsin Production Good Day Films Good Films Workshop Green Day Film Co. Ltd. Honto Production Hsuhu Production Co. Hyper Pictures Co., Ltd. Jet Tone Films Limited Joint Entertainment International Inc. Khan Entertainment Co., Ltd. Luminoso Film Co.,Ltd. Mei Ah Entertainment Development Inc. Ocean Deep Films One Production Film Co. Rice Film International Co., Ltd. Sino Movie Sky Films Entertainment Co., Ltd. SOFA Studio South Sky Filmworx Ltd. Spring House Entertainment Tech. Inc. The Classic Vision Co., Ltd. Three Dots Entertainment Trigram Films Tel：2709-3880 Website: www.taipeifilmcommission.org Fax：2709-3905 E-mail: [email protected] B1, No.18, Ln. 112, Sec. 4, Ren-ai Rd., Da-an Dist., Taipei City 10689, Taiwan (R.O.C.) Company Logo Name Arc Light Films Background Arc Light Films, established in 1996 by internationally renowned producer Peggy CHIAO, was named one of the most promising production companies in Asia at the Pusan Film Festival. It has been featured in prestigious magazines such as the British Variety, World Screen, Film Français, and Moving Pictures. With a creative vision that spans continents and oceans, Arc Light Films aims to unite the talents of Taiwan, China, and Hong Kong in its endeavors to produce innovative films to represent Asian cinema on the international stage. Arc Light has worked with directors such as WANG Xiaoshuai, TSAI Ming Liang, Olivier ASSAYAS, LIN Chengsheng, and more.
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A Simple Noodle Story
A Sony Pictures Classics Release A WOMAN, A GUN AND A NOODLE SHOP Directed by Zhang Yimou Starring Sun Hunglei Xiao Shenyang Yan Ni Official Selection: 2010 Berlin Film Festival TRT: 95 min East Coast Publicity West Coast Publicity Distributor Hook Publicity Block Korenbrot Sony Pictures Classics Jessica Uzzan Max Buschman Carmelo Pirrone Mary Ann Hult Melody Korenbrot Lindsay Macik [email protected] 110 S. Fairfax Ave, #310 550 Madison Ave [email protected] Los Angeles, CA 90036 New York, NY 10022 917-653-6122 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax CREDITS Starring SUN Honglei XIAO Shenyang YAN Ni Co-starring NI Dahong CHENG Ye MAO Mao Special Appearance ZHAO Benshan Edited by MENG Peicong Music Composed by ZHAO Lin Sound Designed by TAO Jing Production Designed by HAN Zhong Director of Photography ZHAO Xiaoding Production Manager HUANG Xinming Executive Producer ZHANG Zhenyan Produced by ZHANG Weiping BILL Kong GU Hao Story Consultant ZHOU Xiaofeng Screenplay by XU Zhengchao SHI Jianquan Directed by ZHANG Yimou 2 A WOMAN, A GUN AND A NOODLE SHOP A film by Zhang Yimou A tale of a wife, her gun and the noodle shop A WOMAN, A GUN AND A NOODLE SHOP is a remake of the 1985 directorial debut of Joel and Ethan Coen, BLOOD SIMPLE. Transposing the Coen Brother’s celebrated mix of dark humor and riveting suspense to China, the film is helmed by Zhang Yimou (director of THE RED SORGHUM, TO LIVE, HERO, HOUSE OF FLYING DAGGERS and other masterpieces), one of the most eminent directors of the “Fifth Generation”.
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Warming Chestnuts for the Festive Season
14 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 25, 2009 • TAIPEI TIMES BY DiaNE BAKer D a n c e STOP Warming chestnuts for the festive season COMPILED BY IAN BartHOLOmeW ancing snowflakes and cost of NT$10 million (US$309,000) Gulliver, the main character in upermodel Lin Chih-lin (林 Nutcrackers, battling mice — with a special performance Jonathan Swift’s 18th century novel 志玲) is getting an image and squabbling children, it’s last night to benefit a host of local Gulliver’s Travels. makeover with her role in Dthat time of year. For ballet lovers charities and orphanages. The foundation created the STreasure Hunter (刺陵), a big- around the world, if it’s December, The Nutcracker tells the story of NT$10 million (US$30,000) traveling budget action flick scheduled its Nutcracker season. Clara and the gift of a very special museum to help children learn about to open next week. This is her Although the ballet was nutcracker in the shape of a soldier human anatomy as well as Swift’s second role in a feature movie. considered a failure when it was first that she receives from her godfather classic tale. Clearly Lin is making the right performed in 1892, it has become at a Christmas Eve party at her Visitors enter the exhibition kind of moves because Treasure one of the most widely performed parent’s house. Act One centers on through a hole in Gulliver’s foot. Hunter (刺陵) stars Jay Chou (周 productions in the world.
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Taiwan's Comedy Cinema
Ufeff13_Libro_INGLESE_Layout 1 12/04/2011 09:59 Pagina 161 ASIA LAUGHS! Taiwan George Chun Han Wang Bringing Laughter in Changing Times: Taiwan’s Comedy Cinema Since the Taiwanese New Cinema movement emerged three decades ago in the early 1980s, the world has enjoyed discovering cinematic gems made by Taiwan’s iconic auteurs such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang and Ang Lee. Art-house films from Taiwan continue to generate international enthusiasm, but domestically, the island’s comedy cinema has often been brushed aside as being crude, inferior, unoriginal and short of intellectual merit. Although there may be some truth in these disputable generalizations, comedy cinema nevertheless has contin- ued to entertain the audience in Taiwan, earning heartfelt laughs and creating delightful memo- ries in good times and bad times. Throughout its complex history, Taiwan has had its share of difficult times. The Allied victory in the Pacific in 1945, ended five decades of colonial rule under Japan and Taiwan’s sovereignty was taken over by the Republic of China (ROC). Having bid farewell to one oppressive regime, people of the “treasure island” also known as Formosa, came under a new government con- trolled by Chiang Kai-shek’s Nationalist Chinese Kuomingtang party (KMT). Discovering that this administration was also overbearing and corrupt, the local population rebelled. On February 28th 1947, an anti-government uprising was violently put down by the KMT, thousands were impris- oned and executed in this tragic event known as the 228 Incident, instigating the era of “White Terror.” When the Chinese Civil War ended in 1949, KMT had lost control of mainland China to the Communists.
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Please Turn Off Cellphones During Screening March 27, 2012 (XXIV:10) John Woo, the KILLER (1989, 111 Min.)
Please turn off cellphones during screening March 27, 2012 (XXIV:10) John Woo, THE KILLER (1989, 111 min.) Written & Directed by John Woo Produced by Hark Tsui Original Music by Lowell Lo (as Lowell Lowe) Cinematography by Peter Pau (as Peter Pao) and Wing-Hung Wong (as Wong Wing Hang) Film Editing by Kung Wing Fan (as Fan Kung Ming) Art Direction by Man-Wah Luk (as Luk Man Wah) Set Decoration by Chun-Ching Tai Stunt action coordinators Siu-Tung Ching (as Ching Siu Tung) and Chi-Ho Lau (as Lau Chi Ho) Yun-Fat Chow…Ah Jong (as Chow Yun Fat) Danny Lee…Insp. Li Ying / Little Eagle Sally Yeh…Jennie Kong Chu…Fung Sei (as Chu Kong) Kenneth Tsang…Sgt. Tsang Yeh (as Tsang Kong) Fui-On Shing…Wong Hoi (as Shing Fui On) Wing-Cho Yip…Wong Dung-Yu 1992 The Legend of the Swordsman, 1991 Once Upon a Time in JOHN WOO (b. Yusen Wu, September 23, 1946, Guangzhou, China, 1990 Zhong Ri nan bei he, 1990 The Swordsman, 1989 A China) has directed 39 films, some of which are 2009 Red Cliff Better Tomorrow III: Love and Death in Saigon, 1989 The Killer II, 2008 Red Cliff, 2003 Paycheck, 2002 Hostage, 2002 (as Tsui Hark), 1988 Gunmen, 1988 The Big Heat, 1987 A Better Windtalkers, 2000 Mission: Impossible II, 1997 Face/Off, 1996 Tomorrow II, 1986 Peking Opera Blues, 1986 A Better Broken Arrow, 1993 Hard Target, 1992 Hard Boiled, 1991 Once Tomorrow (as Tsui Hark), and 1985 King Worker. a Thief, 1990 Bullet in the Head, 1989 The Killer, 1987 A Better Tomorrow II, 1986 A Better Tomorrow, 1985 Liang zhi lao hu, PETER PAU (1952, Hong Kong) won a Best Cinematography 1981 Hua ji shi dai (as Wu Hsiang-fei), 1979 Last Hurrah for Oscar for Crouching Tiger, Hidden Dragon (2000).
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George Wang Events
George Chun Han Wang: Diversity Enhancement Activities Select Student Film Projects I mentored Date Film Title Info Event Dimensions 2009 Mantoy ACM's first queer film with https://vimeo.com/al sexual orientation intimate gay love scenes bum/4472556 password: alohasmile 2010 Stand Your Ground ACM's first film directed by https://vimeo.com/al disability a student with severe visual bum/4472556 password: alohasmile impairment 2011 Nani ke Kalo Filmed entirely in Hawaiian https://vimeo.co culture, ethnicity language m/57761920 2012 Tlamictihquetl / Filmed entirely in Nahuatl, https://www.you culture, ethnicity The Hunter the indigenous language of tube.com/watch? the Aztecs v=Efk8-qw9Toc 2012 Knife Dancer A documentary about the https://vimeo.com/al culture, ethnicity father of the fire knife bum/4472556 password: alohasmile dance: Freddie Letuli 2012 Mata An experimental film, https://vimeo.com/al culture, gender Polynesian myth bum/4472556 password: alohasmile 2012 Rhythms A story about being an https://vimeo.com/al acceptance, outsider and being accepted bum/4472556 outsiders password: alohasmile for who you are. 2013 So I Decided Filmed entirely in Japanese https://vimeo.com/al culture, ethnicity, bum/4472556 disability password: alohasmile Speakers & Guests I Invited Date Guest Background Event Dimensions 11/2016 Cheng Pei Pei Legendary film actress (Hong Master Class culture, gender, Kong, China) "Queen of Martial after screening of ethnicity, Arts" Crouching Tiger, Hidden Dragon 11/2016 Lora Yan Chen Cinematographer, film Guest speaker
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The Warrior Women of Transnational Cinema: Gender and Race in Hollywood and Hong Kong Action Movies
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2010 The Warrior Women of Transnational Cinema: Gender and Race in Hollywood and Hong Kong Action Movies Lisa Funnell Wilfrid Laurier University Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Women's Studies Commons Recommended Citation Funnell, Lisa, "The Warrior Women of Transnational Cinema: Gender and Race in Hollywood and Hong Kong Action Movies" (2010). Theses and Dissertations (Comprehensive). 1091. https://scholars.wlu.ca/etd/1091 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-64398-3 Our file Notre r§f6rence ISBN: 978-0-494-64398-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'Internet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats.
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Kevin Chu Ð¤Ð¸Ð»Ð¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)​

Kevin Chu Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ)