DOCSLIB.ORG

Projection DTMC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Projection DTMC 50 Years of SID Symposia – Nurturing Progress in Projection Technology Pre-SID 1960’s 1970’s 1980’s 1990’s 2000-2012 2001 2003 2008 2009 “Dark Chip” contrast-enhanced DMD/DLP DLP Cinema 2K resolution DMD chip DLP Pico chipsets in low-cost package DLP Cinema 4K resolution DMD chip introduced 1902 Texas Instruments 1981 1985 1987 1989 1992 1993 Texas Instruments Texas Instruments Texas Instruments First recorded operating TV First projected deformable Commercial development Improved contrast “hidden hinge” DMD 1961 Digital Micromirror Interference filter CRT First full-color DMD image projector based on Nipkow Disk 1958 mirror imager of F-LCOS Texas Instruments Image 3 Channel color Eidophor 1974 (DMD) microdisplay Philips Texas Instruments Unknown Talaria sealed oil film 1972 Texas Instruments Displaytech Gretag ILA -Photo-addressed reflective Texas Instruments 2001 2003 2008 2009 light valve introduced Laser (Thermal) Smetic Liquid 1999 Crystal Light Valve (LSLCLV) liquid crystal light valve (LCLV) 1993 Begin manufacture of F-LCOS imagers 1080p p-Si TFT 3LCD projection light valve 8Kx4K D-ILA 4K2K & WUXGA p-Si TFT 3LD 1932-36 GE 1982 Color Sequential LCoS based on TN effect Bell Labs Hughes First VGA p-Si TFT projection light valve Displaytech Epson JVC projection light valves Generation Curved faceplate CRTs form projection Large Diameter Aperture Gun Epson Philips Epson Philips, RCA, Fernsehen Matsushita 1986 1988 1962 1969 - 1970 1971 1975 p-Si TFT LCD projection LCDs for projection TFT Active matrix Twisted Netmatic LC Vertically alignment LCs 2000 Devices Liquid crystal on silicon 1982 light-valve introduced 1993 2002 1943 1953 GE J. Fergason, W. Helfrich, Schiekel, Fahreschon, Kahn 4Kx2K D-ILA High brightness 7" PRT CRT Seiko Epson Projectionvision Inc. Grating light valve (GLV) Last CRT projection paper at SID Eidophor - oil film Color Field Sequential M. Schadt (LCoS) display with chemicallystrengthened glass Stanford Univ. (Eschelle) JVC Sony light valve Eidophor Hughes Hitachi Swiss Fed. Inst. Of Tech. Gretag 1951 1982 1989 1991 1996 1999 2001 3 Tube/3 Lens color Liquid coupling & cooling (3) LCD projection system; Single LV angular-color- TIR Prism for DLP Wire grid polarizer Scrolling Color Recapture CRT Projector of flat CRT faceplate X-dichroic re-combining prism separation projection illumination & beam splitter (color wheel) RCA Sony Seiko Epson Sharp US Precision Lens Moxtek Texas Instruments SID Award Recipients – Projection Displays Karl Ferdinand Braun Prize Fellow of the SID 1993 Willian E. Glenn 1993 Petro Vlahos 1966 Projection 1938 1985 1996 1999 CRT Liquid coupling/ Scrolling color single Polarization conversion; LCoS Scrolling color William E. Good 1993 John A. Van Raalte 1975 Acousto-optic light modulators/ light-valve rear projection Thomas T. True 1993 Eiichi Yamazaki 1997 cooling in rear PTV double fly-eye integration, PCS with rotating prisms Components/ scanner for rear-projection TV technology Larry J. Hornbeck 1999 Willian E. Glenn 1998 Scophony Ltd. Philips Philips Seiko Epson Philips William Bleha 2005 Shinji Morozumi 1998 William P. Bleha 2003 Special Recognition Edward H. Stupp 2003 Architecture William E. Good 1974 Arlie Conner 2004 1996 1997 Hiroki Hamada 2010 First UHP lamp, integrator PBS Polymer retarder stacks for Han-Ping Shieh 2005 system projector (ELP-3500) selective (color) polarization Epson Colorlink, Inc. 1999 1937 Lenses for High - Resolution Microdisplays Contributors to initially generating (2003) and in 2010/12 1976 1979 1986 1992 1995 f/4.5 projection lens US Precision Lens/OPCN Associates revising/updating this Milestone Technology Chart Projection Telecentric projection lens for f/1.0 aspheric Lens system for aspheric Ultra-wide angle Zoom lenses for used for CRT projector LCLV projection lenses CRT faceplate f 77 mm lenses LCD projectors 2003 – Ed Stupp (chair) consulting with Pete Baron, Fred Kahn, Robert Melcher, John Rudolph Philips 1999 2010/12 Revision – consulting with Pete Baron, Rina Bhuva, Bill Bleha, Scott Dewald, Hughes US Precision Lens Hitachi US Precision Lens US Precision Lens Matt Brennesholtz (chief architect) Telecentric projection lenses for LCD Dave Eccles, Daniel den Engelsen, Ed English, Larry Hornbeck, Fred Kahn, Wu Ming, Greg Pettitt, Alan Sobel, Rod Sterling Lenses Minolta, Nikon, USPL 1960's 1993 2001 2006 2010 Xenon arclamp UHP High-pressure External cavity surface Photonic lattice, Direct emission Abbreviations for projection mercury discharge lamp emitting lasers large area LEDs green lasers Westinghouse Philips Novalux Luminus Kaai LCLV - Liquid Crystal Light Valve Illumination ILA - Image Light Amplifier DLP - Digital Light Processor 1960's 1991 2001 Sources Invention of the Metal halide discharge Arc stabilization of DMD - Digital Micromirror Device Laser projection lamp short-arc (UHP) lamps LCOS - Liquid Crystal -on- Silicon Hughes Iwasaki Electric Philips 1937 1940 2002 1970 1979 1983 1999 2005 Contrast-enhancing front projections screens Rear projection screen with Fresnel lens for rear Refractive/TIR Projection Double Lenticular Lenticular, black stripe Black stripe rear screen with Rear projection screen Contrast-enhanced single lenticular 2002 based on polarization 3M controlled gain projection screens Fresnel Screen Screen for CRT RPTV screens for rear-projection Fresnel and lenticular lenses for LCD projection for LCD/DLP RPTV 2007 based on viewing angle Dai Nippon Philips Strong & Hayward for thin RPTV GE Freen Screen Dai Nippon Toppan Toppan 2007 based on spectrum Sony Screens Mitsubishi 1937 1948 1951 1988 1973 1980 1990 1994 1996 1997 1999 2000 Projection CRT Monochrome CRT NTSC Color CRT Transmissive a-Si TFT LCD projection system 2005 2008 2009 2010 Giant VideoBeam CRT with 50" consumer rear a-Si LCD very high First 3-chip LCD First commerical Light-weight (6 lbs) First demonstration of 3-chip 2K DLP Cinema systems Theater projection theater projection Sharp LED illuminated “pocket” Laser-illuminated RPTV First embedded pico projector (DLP) Hybrid (red LED, green phosphor, integrated Schmidt optics projection TV light output projector (3LCD) VGA projector 1-chip DLP Proj. DLP projector digital cinema to paying projectors demonstrated (15” Tube, 80KV anode, RCA (sub-1-lb) DLP projector Mistubushi in a mobile phone blue laser) projector Philips, RCA, 42” Schmidt mirror) Advent GTE Sylvania Barco Epson TI, InFocus, InFocus theater customers Barco, Christie Mistubishi, Toshiba, Samsung Samsung, TI Casio 1986 1988 nView, Proxima Hughes/JVC & TI Fernsehen RCA 2008 Full color, 7.5Mpixel LCSLV Overhead projector 1958 1978 2005 LED/DLP 2009 rear projection display (OHP) LCD panel 1990 2002 1950 Eidophor Enters 1960-63 Dual Talaria 1000-line 1996 1997 First digital 3D in the cinema “picoprojectors 3-D enabled (1-chip) DLP projectors Greyhawk Systems N-View/Proxima/InFocus (3) panel p-Si front 4Kx2K D-ILA projector Products & 75kV, 7” CRT for Production Rapid-process film color high lumen projector First commerical First commercial high-brightness Disney, RealD, TI Samsung, Optoma Multiple Companies screen projector JVC theater projection Gretag projection systems General Electric laser-based 3-chip DLP projector Seiko Epson ITT, Hughes, Burroughs 1988 projector Digital Projection RCA 2006 2009 Applications 3-color ILA video projector Color 1958 1976 2002 DLP RPTV with LED illumination 8Kx4K D-ILA projector 1936 Hughes 1992 1948 Slide Scratcher Monochrome ILA projector with 1997 Rear-projection Samsung, TI & Luminius Devices JVC (prototype) Commercial TV Introduction of the LCD “Light Commercial/consumer color displays fiberoptic-coupled CRT input 1995 2000 pixel DLP HDTV 2012 broadcasting began Cannon” dooms oil film sysems CRT rear Projection TV for command Hughes 1988 First LCoS projector - D-ILA LCoS Samsung 4K 55,000 lumen laser in the UK Barco 2006 2009 RCA & control 3-Chip LCD (3LCD) projector (LC-500) 3-chip Projector cinema projector London GLV 4K x 4K laser projector for planetariums Laser Picoprojectors Introduced FF&M, Northrop Kodak IBM JVC Barco Television Service Evans & Sutherland Microvision, Shanghai Sanxin Tech. Dev. Co. CRTs Oil Films LVs ILA/LCLV DMD/DLP LCDs LCoS LED/Lasers CRTs Oil Films LVs ILA/LCLV DMD/DLP LCDs LCoS LED/Lasers.
Load more

Recommended publications
  • Screen Genealogies Screen Genealogies Mediamatters
    media Screen Genealogies matters From Optical Device to Environmental Medium edited by craig buckley, Amsterdam University rüdiger campe, Press francesco casetti Screen Genealogies MediaMatters MediaMatters is an international book series published by Amsterdam University Press on current debates about media technology and its extended practices (cultural, social, political, spatial, aesthetic, artistic). The series focuses on critical analysis and theory, exploring the entanglements of materiality and performativity in ‘old’ and ‘new’ media and seeks contributions that engage with today’s (digital) media culture. For more information about the series see: www.aup.nl Screen Genealogies From Optical Device to Environmental Medium Edited by Craig Buckley, Rüdiger Campe, and Francesco Casetti Amsterdam University Press The publication of this book is made possible by award from the Andrew W. Mellon Foundation, and from Yale University’s Frederick W. Hilles Fund. Cover illustration: Thomas Wilfred, Opus 161 (1966). Digital still image of an analog time- based Lumia work. Photo: Rebecca Vera-Martinez. Carol and Eugene Epstein Collection. Cover design: Suzan Beijer Lay-out: Crius Group, Hulshout isbn 978 94 6372 900 0 e-isbn 978 90 4854 395 3 doi 10.5117/9789463729000 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2019 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book.
    [Show full text]
  • Society for Information Display by Palisades Convention Management, 411 Lafayette Street, 2Nd Floor, New York, NY 10003; Leonard H
    2008 DISPLAY WEEK / DISPLAY OF THE YEAR AWARDS ISSUE More Energyenergy efficient.Efficient. May/June 2008 Vol. 24, Nos. 5 & 6 INFORMATION DISPLAY INFORMATION SID Official Monthly Publication of the Society for Information Display • www.informationdisplay.org MAY/JUNE 2008 MAY/JUNE THE BEST OF 2007 SID ’08 SHOW ISSUE ● Display of the Year Awards ● Products on Display at Display Week 2008 ● Glass Substrates for LCD TV ● History of Projection Display Technology (Part 1) vikuiti.com ● 1-800-553-9215 The difference is amazing. 3 Journal of the SID May Preview © 3M 2008 See Us at SID ’08 Booth 307 See Us at SID ’08 Booth 329 MAY/JUNE 2008 Information VOL. 24, NOS. 5&6 DISPLAY COVER: The 2008 Display of the Year Awards honor the best display products of 2007 with outstanding features, novel and outstanding display 2 Editorial applications, and novel components that significantly Welcome to LA! enhance the performance of displays. See page 16 Stephen P. Atwood for the details 4 Industry News Werner Haas, LCD Pioneer at Xerox, Dies at Age 79. 6 President’s Corner Are You Hungry? THE BEST OF Paul Drzaic 2007 8 The Business of Displays OLED Displays on the Verge of Commercial Breakthrough? Robert Jan Visser 16 2008 Display of the Year Award Winners Show the Future is Now From the commercialization of OLED displays to the rebirth of 3-D cinema, CREDIT: Clockwise from top left: FUJIFILM, Samsung SDI, Ltd., Luminus Devices, the best display products of 2007 point to the realization of many years of Sony Corp., Apple, and RealD.
    [Show full text]
  • Display Technologies in Japan
    NASA-CR-198566 Japanese Technology Evaluation Center JTEC JTEC Panel Report on Display Technologies In Japan Lawrence E. Tannas, Jr., Co-chair William E. Glenn, Co-chair Thomas Credelle J. William Doane Arthur H. Firester Malcolm Thompson June 1992 (NASA-CR-198564) JTEC PANEL ON N95-27863 DISPLAY TECHNOLOGIES IN JAPAN Final Report (Loyola Coil.) 295 p Unclas G3/35 0049776 Coordinated by Loyola College in Maryland 4501 North Charles Street Baltimore, Maryland 21210-2699 LOYOLA ('()_E ,IN MARYLAND JAP_ TECHNOI_)OY IFv'ALUATION CENTER SPONSOR The Japanese Technology Evaluation Center (JTEC) is operated for the Federal Government to provide assessments of Japanese research and development (R&D) in selected technologies. The National Science Foundation (NSF) is the lead support agency. Paul Herer, Senior Advisor for Planning and Technology Evaluation, is NSF Program Director for the project. Other sponsors of JTEC include the National Aeronautics and Space Administration (NASA), the Department of Commerce (DOC), the Department of Energy (DOE), the Office of Naval Research (ONR), the Defense Advanced Research Projects Agency (DARPA), and the U.S. Air Force. JTEC assessments contribute to more balanced technology transfer between Japan and the United States. The Japanese excel at acquisition and perfection of foreign technologies, whereas the U.S. has relatively little experience with this process. As the Japanese become leaders in research in targeted technologies, it is essential that the United States have access to the results. JTEC provides the important first step in this process by alerting U.S. researchers to Japanese accomplishments. JTEC findings can also be helpful in formulating governmental research and trade policies.
    [Show full text]
  • Multi-User Retinal Displays with Two Components New Degrees of Freedom
    MULTI-USER RETINAL DISPLAYS WITH TWO COMPONENTS NEW DEGREES OF FREEDOM Hans Biverot Doctoral Thesis School of Engineering Physics Royal Institute of Technology Stockholm, 2001 i Akademisk avhandling som med tillstånd av Kungliga Tekniska Högskolan framlägges till offentlig granskning för avläggande av teknologie doktorsexamen fredagen den 11 januari 2002 kl. 10.00 i sal FD5 NOVA, Stockholms centrum för fysik, astronomi och bioteknik (eller SCFAB), Roslagstullsbacken 21, Stockholm ISBN 91-7283-192-8 ISSN 0280-316X ISRN KTH/FYS/-01:2-SE TRITA-FYS 2001:2 Copyright © Hans Biverot 2001 Printed by Universitetsservice US AB ii Biverot, Hans, Multi-user retinal displays with two components. New degrees of freedom Royal Institute of Technology, SCFAB, Department of Physics, SE-106 91 Stockholm, Sweden. Abstract This monograph discusses the man-machine problem of how to improve the match of imaging displays to the visual system. The starting point of the discussion is a statement by Hermann von Helmholtz, (1821-1894). It postulates that whenever an image impression is made on the eye, the nervous signals from a real scene should closely resemble those received, when looking at a display intended to produce a replacement image of that very scene. It is discussed to what extent this postulate should be fulfilled in practice. The study postulates the existence of new types of display systems for indirect viewing with a higher potential in certain cases compared to those in use today. The work to be reported in this thesis has three bases: • Studies on the physics and physiology of imaging, on vision, perception, and the demands on efficient man-machine interaction through the visual sense • An idea and a number of inventions to adapt visual displays to these demands • Industrial research and development resulting in patents and demonstrators to prove the feasibility of these ideas.
    [Show full text]
  • Displays: Fundamentals, Applications, and Outlook
    List of Figures 1.1. Historic drawings of early projectors (from left to right): Fontana’s 1420 pro- jecting lantern without lens (possibly a camera obscura), Da Vinci’s 1515 lantern with lens (but without indication of projecting an image), and Kirch- ner’s 1640-1671 magic lantern (with lens on wrong side).............3 1.2. Image recording, transmission and display with Nipkow disks, the very first approach to television................................4 1.3. For half a century, TV technology involved taking pictures with a camera tube, sending them as an analog signal with synchronizing pulses carefully designed to work with simple tube circuits, and finally displaying the images with a cathode ray tube...............................5 1.4. The Mascher Stereoscopic Viewer was a foldable stereoscope that already used two lenses (John Frederick Mascher, 1852) (left). Stereograph of two tombs within Westminster Abbey (London Stereoscopic Company, 1858) (right)...7 1.5. Organization of the book and chapter dependencies............... 10 2.1. Spectrum of electromagnetic radiation and visible spectrum........... 14 2.2. The radiation absorption of a gray surface, here approximately 50%, (left), is smaller but its emittance is less as well, by the same fraction. If no energy is transported by other means, opposing surfaces must settle at the same temperature in this manner (T1 and T2 converge). A body inside a cavity must acquire the temperature of the cavity walls (right)............. 16 2.3. Ideal black body equivalent. Incident radiation is absorbed totally in the black cavity, due to multiple reflections or absorptions (left). Thermal radiation leaves the opening, matching the average emission at the inside walls, improved to a perfect black body spectrum by the multiple reflections (absorptions), (right)........................................
    [Show full text]
  • (\JASA and Development National Aeronautics and Command Space Administration NASA Technical Memorandum 81278 USAAVRADCOM TR 81-A-8
    NASA Technical Memorandum 81278 USAAVRADCOM TR 81-A-8 Characteristics of Flight Simulator Systems (NASA-TM-81278) CHARACTERISTICS OF FLIGHT N81-21060 SIMULATOR VISUAL SYSTEflS (NASA) 89 p HC A05/HF JU>1 CSCL 01C Unclas G3/05 42058 April 1981 United States Aviation Research (\JASA and Development National Aeronautics and Command Space Administration NASA Technical Memorandum 81278 USAAVRADCOM TR 81-A-8 Characteristics of Flight Simulator Visual Systems Irving C. Statler, Editor, Aeromechanics Laboratory AVRADCOM Research and Technology Laboratories Ames Research Center, Moffett Field, California NASA National Aeronautics and United States ArmV Space Administration Aviation Research and Development Ames Research Center Command Moffett Field. California 94035 PREFACE The Flight Mechanics Panel (FMP) of the Advisory Group for Aerospace Research and Development has maintained a continuing involvement in assessing the fidelity of aircraft simulation. In keeping with this continuing interest and in recognition of the need for a common method of assessing motion system charac- teristics, the FMP, in October 1976, established Working Group 07 on "The Dynamic Characteristics of Flight _Simulator_Hotij3jiJystenis_.^_ThaOlorkjjig Group was charged with definingjand^determining metrics of the hardware-delivered performance of the various degrees of freedom of~th>Tiotioh~systenvr"its~report~(Ref:r~l') was issued in September 1979. As a follow-on activity to FMP WG-07, FMP WG-10 was established in March 1979 to consider "The Charac- teristics of Flight Simulator Visual Systems." This Working Group was charged with identifying and defining the physical parameters of the flight simulator visual display that characterize it and determine its fidel- ity. At its first meeting on 26-27 April 1979 at the British Ministry of Defense, London, the Working Group reviewed the terms of reference, defined in more detail its projected scope, and agreed upon three broad categories within which all of the parameters could be identified.
    [Show full text]
  • September Cover.Qxp:SID August 2008 Cover
    OLED Displays Issue September 2008 Vol. 24, No. 9 Official Monthly Publication of the Society for Information Display • www.informationdisplay.org OLEDs - Never Too Rich or Too Thin • Manufacturing Large-Sized AMOLED TVs • Oxide-TFT Backplanes for AMOLED Displays • Challenges Facing Flexible AMOLED Displays • Evolution of Projection Displays. Part II • Journal of the SID September Preview We Build the OLED Future FromFrom EvolutionEvolution toto RevolutionRevolution Moisture Sorption Metal Deposition Mass production with DryFlex® dryers Boosting OLED performances with AlkaMax® sources Performance, stability, reliability: the key ingredients for OLED success Purity, ease of control, environmental friendliness: all OLED manufacturing can desire Evolution for large size & Top Emission, with an eye over flexible applications Alkali metal sources for any production environment we support your innovation www.saesgetters.com [email protected] SEPTEMBER 2008 Information VOL. 24, NO. 9 DISPLAY COVER: It is an exciting time for the AMOLED industry as manufacturers ramp up their production lines and impressive product prototypes are shown 2 Editorial at major consumer-electronics shows. OLED Development Follows the Familiar Pattern. Stephen P. Atwood 3 Industry News Mike Morgenthal 4 Guest Editorial AMOLED Product Innovations Begin to Differentiate this Technology from the Pack. Julie Brown 6 President’s Corner A Good Display Is Hard to Find – Enter SID. Paul Drzaic OLEDs - Never Too Rich 8 The Business of Displays or Too Thin LED Backlights: Good for the Environment, but Can They Also Be Good Business? Sweta Dash CREDIT: Cover design by Acapella Studios, Inc. 14 The Outstanding Potential of OLED Displays for TV Applications Despite all the buzz surrounding Sony’s launch of the first commercial OLED TV in December 2007, the company is not resting on its laurels.
    [Show full text]
  • Uricchio, William – “Television's First Seventy-Five Years: the Interpretive Flexibility of a Medium in Transition”
    CHAPTER 9 TELEVISION'S FIRST SEVENTY -FIVE YEARS: THE INTERPRETIVE FLEXIBILITY OF A MEDIUM IN TRANSITION WILLIAM URICCHIO Television's early history has tended to be overwritten by two factors: assumptions regarding the primacy of film as a moving-image medium, and thus the notion of television as a mix of film and radio; and the coordinated efforts of the electronics industry and governments in the late 1940s and early 1950s, each with their own agendas, to stabilize the medium. The result has been a certain "taken-for-grant­ edness" regarding television's history that is strikingly at odds with the complicated and reasonably well-documented developmental histories of other media ranging from the book to film. But more than simply impoverishing our notion of tele­ vision as a medium, this view has also had an impact on our understandings of sister media such as the telephone and film, and it has deprived us of a poten­ tially useful model through which to consider aspects of media development and 286 TELEVI S ION' S FIRST SEVENTY-FIVE YEARS 287 convergence. If we look back to television's first decades, before it achieved its conceptual and institutional stability and its culturally dominant definitions, we might better assess the medium's potentials and thus be in a position to learn from, to paraphrase Carolyn Marvin, an old medium when it was new. 1 Among the benefits of such an approach, this essay argues, are the opportunities it af­ fords to reflect on the horizon of expectations facing the film medium's early developers, and to rethink of some of our historiographic assumptions regarding media genealogies.
    [Show full text]
  • ABSTRACT Title of Thesis: TELEVISING the SPACE AGE: a DESCRIPTIVE CHRONOLOGY of CBS NEWS SPECIAL COVERAGE of SPACE EXPLORATION
    ABSTRACT Title of Thesis: TELEVISING THE SPACE AGE: A DESCRIPTIVE CHRONOLOGY OF CBS NEWS SPECIAL COVERAGE OF SPACE EXPLORATION FROM 1957 TO 2003 Alfred Robert Hogan, Master of Arts, 2005 Thesis directed by: Professor Douglas Gomery College of Journalism University of Maryland, College Park From the liftoff of the Space Age with the Earth-orbital beeps of Sputnik 1 on 4 October 1957, through the videotaped tragedy of space shuttle Columbia’s reentry disintegration on 1 February 2003 and its aftermath, critically acclaimed CBS News televised well more than 500 hours of special events, documentary, and public affairs broadcasts dealing with human and robotic space exploration. Much of that was memorably anchored by Walter Cronkite and produced by Robert J. Wussler. This research synthesizes widely scattered data, much of it internal and/or unpublished, to partially document the fluctuating patterns, quantities, participants, sponsors, and other key details of that historic, innovative, riveting coverage. TELEVISING THE SPACE AGE: A DESCRIPTIVE CHRONOLOGY OF CBS NEWS SPECIAL COVERAGE OF SPACE EXPLORATION FROM 1957 TO 2003 by Alfred Robert Hogan Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2005 Advisory Committee: Professor Douglas Gomery, Chair Mr. Stephen Crane, Director, Capital News Service Washington Bureau Professor Lee Thornton. © Copyright by Alfred Robert Hogan 2005 ii Dedication To all the smart, energetic, talented people who made the historic start of the Space Age an unforgettable reality as it unfolded on television; to my ever-supportive chief adviser Professor Douglas Gomery and the many others who kindly took time, effort, and pains to aid my research quest; and to my special personal circle, especially Mother and Father, Cindy S.
    [Show full text]
  • Virtual Rear Projection: Improving the User Experience with Multiple Redundant Projectors
    VIRTUAL REAR PROJECTION: IMPROVING THE USER EXPERIENCE WITH MULTIPLE REDUNDANT PROJECTORS A Thesis Presented to The Academic Faculty by Jay W. Summet In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the College of Computing Georgia Institute of Technology December 2007 VIRTUAL REAR PROJECTION: IMPROVING THE USER EXPERIENCE WITH MULTIPLE REDUNDANT PROJECTORS Approved by: Professor Gregory D. Abowd Professor Gregory M. Corso College of Computing School of Psychology Georgia Institute of Technology Georgia Institute of Technology Professor James M. Rehg Dr. Jeffrey S. Pierce College of Computing Almaden Research Center Georgia Institute of Technology IBM Professor Elizabeth Mynatt Dr. Claudio Pinhanez College of Computing T.J. Watson Research Center Georgia Institute of Technology IBM Date Approved: 31 July 2007 To my parents, who made sure I had everything I needed to succeed, and to my sister, le Petit Chaperon rouge. iii ACKNOWLEDGEMENTS Many people have helped me along the way, but my advisers, Jim and Gregory, have always been in the forefront. I am thankful to Jim for introducing me to an exciting research topic and guiding the technical development and Gregory for his advice on evaluation and the PhD program in general. I am especially grateful for the time and effort my external committee members, Claudio Pinhanez and Jeff Pierce spent working with me on my research and the document. Other professors at Georgia Tech have helped me both with my thesis and with other interests. Greg Corso encouraged and improved my user evaluations even before he was on my committee. Beth Mynatt provided guidance on balancing the technology and human side of the research, as well as encouragement throughout.
    [Show full text]
  • View Sample Seminar
    Do These Factories Calibrate? Sharp Sakai City - $11 Billion Panasonic Amagasaki $2.11 Billion Introductions… Name - Experience – Personal Reference Quality Disc? Have you ever calibrated an UHDTV? Quality in Taking Pictures? . Canon G10 had 14.7 MP – The next models G11 and G12 had 10 MP? Which created better quality pictures?? What is the Most Important Part of a Camera? What Will You See on Your Screen With A Higher Quality Lens? Canon 50mm 1.4 - $399 Leica 50mm 1.4 - $3999 Quality In Printing pictures Which of these magazines deliver superior image quality? Why? 21st Century HDTV Quality? The Perception….. The Reality………….. The Old HD Number everyone knew?… The Marketing………..LED TV? The Blacks?…………… 1080p? – Did it make it to the HDTV? 1080p To Be? Or 1080p Not To Be? Vast majority of HDTVs – “Not To Be” Overscan, aspect ratios and keystone WHY IS THE FACTORY PRESET WRONG? What has changed in UHD 4K? Overscan / Resolution Tools BBC Test Card ISF 4K 2011 1080p Bit Mapped Right Looks Better UHD Can Have Bit Mapping Errors Too What else can we make look better? What is “better”? Where did “better” come from? STANDARDS Why must we all know about Standards? Who Here Owns an AVR? Who here has set audio levels on their AVR? Who used the built in set up process and mikes? Who used a superior equipment for their set up? What percent of buyers have their AVRs set up to MEET STANDARDS? What percent of clients have UHDTVs set up for them? What is the ISF? We are a Standards Organization, We: Represent Standards Deploy Standards Train Professionals to Understand Standards Help develop UHDTVs that calibrate to Standards Help Write Standards for CTA, InfoComm and CEDIA What are C.T.A.
    [Show full text]
  • Space Shuttle Visual Simulation System Design Study
    f I REPORT MSC 06742 ISSUED 30 MARCH 1973 4 ! ~/\ g-/C !9 /L v JNASA-CRo1289,0) SPACE SHUTTLE VISUAL N73-24265 SIMULATION SYSTEM DESIGN STUDY Final Analytical Report (McDonnell Douqlas Electronics Co., Sto) 4-5 p HC $9°75 Unclas • - C L-1CSCL-AB G3L1-- C4302 SPACE SHUTTLE VISUAL SIMULATION SYSTEM DESIGN STUDY FINAL ANALYTICAL REPORT MICDONNELL CORPORATION COPY NO. SPACE SHUTTLE VISUAL SIMULATION SYSTEM DESIGN STUDY FINAL ANALYTICAL REPORT 30 MARCH 1973 REPORT MSC 06742 Prepared by McDonnell Douglas Electronics Company Submitted in accordance with the Data Requirements List, line item number 5 and data description item number 5, contained in Contract Number NAS 9-12651. MICDONNELL DOUGLAS ELECTRONICS COCMPANY 2600 N Thira,,St., Samt Charles, Missouri, 63301 (314) 232 0232 / A DIVISION OF MCDONNELL DOUGL&A CORPORATION( TABLE OF CONTENTS Section Page 1.0 INTRODUCTION AND SUMMARY ................... 1-1 2.0 PERCEPTIBILITY IN THE SHUTTLE VISUAL SYSTEM . 2-1 . 2.1 Summary of Applicable Visual Processes . : , ., : . 2-1 2.2 A "High Quality" Image . 2-3 2.3 Perceptibility in Contemporary Visual Systems . 2-4 2.4 Color in the Shuttle Visual System . : , : . 2-8 3.0 VISIBILITY IN THE SHUTTLE VISUAL SYSTEM . 3-1 3.1 General . : : . ., . 3-1 3.2 Zonal Visibility . 3-6 3.3 SRM and Fuel Tank Visibility . 3-11 3.4 Tank Visibility ................ 3-14 3.5 SRM Visibility ................ 3-15 3.6 SRM and Tank Summary . 3-16 4.0 SCENE ELEMENTS AND APPLICABLE IMAGE GENERATION AND DISPLAY TECHNIQUES . 4-1 4.1 Overview . 4-1 4.2 Closed Circuit Television in the Shuttle Visual System ..
    [Show full text]