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Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter
Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Possibility-Space and Its Imaginative Variations in Alice Munro’S Short Stories
POSSIBILITY-SPACE AND ITS IMAGINATIVE VARIATIONS IN ALICE MUNRO’S SHORT STORIES Ulrica Skagert . Possibility-Space and Its Imaginative Variations in Alice Munro’s Short Stories Ulrica Skagert Stockholm University ©Ulrica Skagert, Stockholm 2008 ISBN 978-91-7155-770-4 Cover photograph: Edith Maybin. Courtesy of The New Yorker. To the memory of my father who showed me the pleasures of reading. Abstract Skagert, Ulrica, 2008. Possibility-Space and Its Imaginative Variations in Alice Munro’s Short Stories. Pp.192. Stockholm: ISBN: 978-91-7155-770-4 With its perennial interest in the seemingly ordinary lives of small-town people, Alice Munro’s fiction displays a deceptively simple surface reality that on closer scrutiny reveals intricate levels of unexpected complexity about the fundamentals of human experience: love, choice, mortality, faith and the force of language. This study takes as its main purpose the explora- tion of Munro’s stories in terms of the intricacy of emotions in the face of commonplace events of life and their emerging possibilities. I argue that the ontological levels of fiction and reality remain in the realm of the real; these levels exist and merge as the possibilities of each other. Munro’s realism is explored in terms of its connection to possibilities that arise out of a particu- lar type of fatality. The phenomenon of possibility permeates Munro’s stories. An inves- tigation of this phenomenon shows a curious paradox between possibility and necessity. In order to discuss the complexity of this paradox I introduce the temporal/spatial concept of possibility-space and notions of the fatal. -
The Enigma of Development: Building a Reflexive Point of View
The Enigma of Development: Building a Reflexive Point of View Across Remote Contexts James Macfarlane Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature, Language and Linguistics at the University of Newcastle January 2016 Supervisors: Dr Andrew Crumey and Dr James Procter i I would like to thank my supervisors Dr Andrew Crumey and Dr James Procter for their guidance during the writing of this thesis. Further, I would like to express my appreciation for the work undertaken by my examiners Dr Will Buckingham and Professor Bill Herbert in following my research to its conclusion. Finally I dedicate this thesis to my wife Michelle and those from whom I have most come to appreciate the value of knowledge: my sons Ruairidh, Gregor and Alasdair. ii Abstract This thesis singles out point of view (POV) as the governing technical choice in creative writing. As such it integrates creative practice with an essay on the theoretical basis for a POV across remote contexts. The methodology follows Mikhail Bakhtin’s call for a new story telling position through an enquiry into Western literary history, Classical Chinese novels and Gao Xingjian’s partitioning of POV by narrative angle. Part One Chapter one establishes the importance of POV to motives in my own creative work and sets out the case for Bakhtin over normative theorists, calling for a reconfiguration of POV to withstand contextual aberrations arising from cultural or historical differences, or from the boundaries of what Bakhtin refers to as Small Time presentism. Further, it argues against Tzvetan Todorov’s generic view of the novel as a property of discourse, an ahistorical constant, by considering Bakhtin’s meta-historic survey of Western literature with periods of intensified novelistic discourse in given contexts. -
The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures
THE PRESENT ELSEWHERE: THEORIZING AN AESTHETICS OF DISPLACEMENT IN CONTEMPORARY AFRICAN AMERICAN AND POSTCOLONIAL LITERATURES Mary Alice Kirkpatrick A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2010 Approved by: Minrose Gwin William L. Andrews Pamela Cooper Rebecka Rutledge Fisher Trudier Harris © 2010 Mary Alice Kirkpatrick ALL RIGHTS RESERVED ii ABSTRACT Mary Alice Kirkpatrick: The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures (Under the direction of Minrose Gwin) “The Present Elsewhere” investigates the aesthetic traits and political implications of displacement in contemporary African American, Caribbean, and Canadian works. Arguing that displacement resonates textually, I interrogate the degree to which artists purposely leave their works in states of flux. Framed through the lens of nomadic, transitional figures (including diasporic cultural orphans, child clairvoyants, and reincarnated ghosts), this project develops the notion of an aesthetics of displacement – that is to say, an aesthetics informed by political urgency. Writers such as Michael Ondaatje, Toni Cade Bambara, and Octavia Butler rearrange customary geographic and chronological placements, unsettle narrative lines, and challenge shared histories of oppression. Propelled into active engagement, readers are encouraged to adopt new roles as migrants and witnesses. The political significance of works that displace radiates externally, as readers are directed toward sites of change well beyond the confines of individual texts. By bringing together seemingly divergent traditions, “The Present Elsewhere” examines the specific historical conditions, cultural backgrounds, and geographic contexts that produce sites of displacement within the Caribbean island, U. -
2O16 a Journal of the Romanian Society of English and American Studies
2O16 A Journal of the Romanian Society of English and American Studies Editor HORTENSIA PÂRLOG Executive Editors PIA BRÎNZEU MIRCEA MIHÃIEª LOREDANA PUNGÃ Advisory Board ªTEFAN AVÃDANEI University of Iaºi ANDREI AVRAM University of Bucharest ALEXANDRA CORNILESCU University of Bucharest MARCEL CORNIS-POPE Virginia Commonwealth University LUMINIÞA FRENÞIU University of Timiºoara FERNANDO GALVÄN University of Alcalá UAH, Madrid MAURIZIO GOTTI University of Bergamo MARIA-REGINA KECHT Webster University, Vienna J. LACHLAN MACKENZIE Vrije Universiteit, Amsterdam ªTEFAN OLTEAN University of Cluj-Napoca ISTVÁN D. RÁCZ University of Debrecen VIRGIL STANCIU University of Cluj-Napoca STEPHEN TAPSCOTT MIT, Cambridge, MA Publisher THE DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE, UNIVERSITY OF TIMIªOARA The language of the journal is English. Contributions from both Romania and abroad are welcome. Articles for publication should be sent to Prof. Hortensia Pârlog, Department of English Language and Literature, 4, Bd. Vasile Pârvan, 300223, Timisoara, Romania. They should be supplied both as a hard copy, and electronically at [email protected] © British and American Studies, vol. XXII, 2016 BAS. British and American Studies is indexed in the following data bases: CEEOL, MLA, Erich Plus, Ulrich's (ProQuest) ISSN 1224-3086 e-ISSN 2457-7715 Publisher ADRIAN BODNARU Cover Design DAN URSACHI Cover llustration IOSIF O. STROIA Câmpul universal al corpului de luminã Layout DRAGOª CROITORU 300127, ROMÂNIA, TIMIªOARA str. Lorena 2B, ap. 13 Tel.: +40 356 -
WG Triennial Report (2018-2021)
The following is a list of names of features that were approved between the 2018 Report to the IAU GA and the 2021 IAU GA (features named between 1/24/2018 and 03/17/2021). Mercury (49) Craters (16) Angelou Maya, American author and poet (1928 – 2014). Bellini Giovanni; Italian painter (1430‐1516). Berry Charles Edward Anderson "Chuck": American singer and songwriter (1926‐ 2017). Bunin Ivan, Russian author of prose and poetry; first Russian to win the Nobel Prize in Literature, in 1933. (1861 – 1941). Canova Antonio, marchese d’Ischia; Italian sculptor (1757‐1822). Carleton William; Irish writer (1794‐1869). Gordimer Nadine (1923‐2014), South African writer; recipient of the Nobel Prize in Literature (1991) and the Booker Prize (1974). Jiménez Juan Ramón, Spanish poet and author (1881 – 1958). Josetsu Taikō, Japanese ink painter (1405 – 1496). Kirby Jack, American illustrator (1917 – 1994). Martins Maria, Brazilian sculptor (1894‐1973). Rizal José, Filipino writer (1861 – 1896). Strauss Strauss family of musicians. Travers Pamela Lyndon (born Helen Lyndon Goff); Australian‐born British writer best known for Mary Poppins series of children’s books (1899‐1996). Vazov Ivan, Bulgarian poet (1850‐1921). Wen Tianxiang Wen Tianxiang; Chinese writer and poet (1236‐1283). Faculae (25) Abeeso Facula Somali word for snake. Agwo Facula Igbo (Southeastern Nigeria) word for snake. Amaru Facula Quechua word for snake. Bibilava Faculae Malagasy (Madagascar) word for snake. Bitin Facula Cebuano (S. Philippines) word for snake. Coatl Facula Aztec (Nahuatl) word for snake. Ejo Faculae Yoruba (Nigeria) word for snake. Gata Facula Fijian and Samoan word for snake. Havu Facula Kannada (SW India) word for snake. -
Report No Pub Date
DOCUMENT RESUME ED 384 916 CS 215 000 AUTHOR Christenbury, Leila, Ed.; And Others TITLE Books for You: An Annotated Booklist for Senior High Students. 1995 Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0367-7; ISSN-1051-4740 PUB DATE 95 NOTE 448p.; For the 11th edition, see ED 350 614. Foreword by Jerry Spinelli. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 03677-3050: $15.95 members, $21.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC18 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Fiction; High Schools; High School Students; Independent Reading; *Nonfiction; Reading Interests; *Reading Material Selection; *Recreational Reading IDENTIFIERS Multicultural Materials; *Reading Motivation; *Trade Books ABSTRACT Designed to help teachers, students, and parents identify engaging and insightful books for young adults, this book presents annotations of over 1,000 books published between 1990 and 1994. The book begins with a foreword by award-winning author Jerry Spinelli that tells students why they should read. Annotations in the book are grouped by subject into 36 thematic chapters, including: "Adventure and Survival"; "Dating and Sexual Awareness"; "Family Relationships"; "Inspiration and Religion"; "Science and Technology"; "Humor and Satire"; "Poetry"; "Short Stories"; and "War and War Stories." More than 150 titles with a multicultural focus are highlighted in one of the chap*ers entitled "Multicultural Themes." Annotations in the book provide full bibliographic information, a concise summary, and a notation about any awards the book has won. -
Novel) and Crafting a Novel (Exegesis)
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2011 Death's laughter (novel) and crafting a novel (exegesis) Fémi A. Adédínà Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Creative Writing Commons Recommended Citation Adédínà, F. A. (2011). Death's laughter (novel) and crafting a novel (exegesis). https://ro.ecu.edu.au/ theses/388 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/388 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Journal of the Short Story in English, 52 | Spring 2009, « General Issue » [En Ligne], Mis En Ligne Le 01 Juin 2011, Consulté Le 03 Décembre 2020
Journal of the Short Story in English Les Cahiers de la nouvelle 52 | Spring 2009 General issue Édition électronique URL : http://journals.openedition.org/jsse/935 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 juin 2009 ISSN : 0294-04442 Référence électronique Journal of the Short Story in English, 52 | Spring 2009, « General issue » [En ligne], mis en ligne le 01 juin 2011, consulté le 03 décembre 2020. URL : http://journals.openedition.org/jsse/935 Ce document a été généré automatiquement le 3 décembre 2020. © All rights reserved 1 SOMMAIRE Foreword Linda Collinge-Germain et Emmanuel Vernadakis Dangerous Similitude in Charles Dickens’ “To Be Read at Dusk” Kimberley Jackson A History of the American Mind: "Young Goodman Brown" Steven Olson 'The Half Shall Remain Untold': Hunilla of Melville's Encantadas K. M. Wheeler Linguistic Structure and Rhetorical Resolution in Katherine Mansfield "The Garden Party" Stephen E. Severn La tentation mélancolique dans One Warm Saturday de Dylan Thomas Claude Maisonnat Identity is a Slippery Fish – the Discovery of Identity in Elizabeth Bowen's Short Story "The Demon Lover" Zuzanna Zarebska Sanches Cultural In-Betweenness in "L'expulsé"/"The Expelled" by Samuel Beckett Linda Collinge-Germain Index Nominorum, Issues 41-51 Index Nominum personarum, Issues 41-51 “Echo's Bones": Samuel Beckett's Lost Story of Afterlife José Francisco Fernández Samuel Beckett's maternal passion or hysteria at work in company/compagnie Pascale Sardin Raymond Carver's "Myers trio" Robert Miltner Saroyan's lonely fruitcakes, and other goofs: strategies of resistance to the culture of abundance Mauricio D. -
Returning Euphronios, Elgin and Nefertiti Value Attribution in the Debate on Cultural Restitution and Ownership
Returning Euphronios, Elgin and Nefertiti Value attribution in the debate on cultural restitution and ownership Keywords: cultural restitution, ownership, heritage value, stakeholders, antiquities, Euphronios Krater, Elgin Marbles, Bust of Nefertiti, historical value, aesthetic value, cultural/symbolic value, scientific value, economic value, preservation, accessibility. Master’s Thesis Research Master Ancient Studies, University of Utrecht Author: Sophie van Doornmalen Thesis Supervisor: Prof. dr. Leonard Rutgers Second Reader: Dr. Rolf Strootman Date: January 23, 2017 Word amount: 40.818 Abstract In the last decades, the question ‘Who owns antiquity’ has often been debated, as source nations such as Italy, Greece and Egypt have pursued the return of artefacts originating from their nation’s territory and that have ended up in museums in Western countries, such as the USA, the UK and Germany. This master’s thesis examines why different stakeholders in the cultural restitution debate want to own these antiquities and does so by examining which heritage values, namely historical, aesthetic, cultural/symbolic, scientific and economic values, are attributed to the ancient artefacts, as well as looking at arguments of preservation and accessibility. Through a comparative approach of three case studies; the Euphronios Krater, the Elgin Marbles and the Bust of Nefertiti, this thesis scrutinizes how these values are connected to ideas of ownership, by examining how the values attributed by different stakeholders are used to argue for or against their repatriation. This research shows that the cultural restitution debate differs considerably among the cases and the stakeholders. The era and the way in which an object was removed from its source nation are determinative for the type of debate that is being held.