SHIKAO SUGA - TRANSLATIONS Cultural Backgrounds and an Explanation of the Order
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February 2020 Ajet
AJET News & Events, Arts & Culture, Lifestyle, Community FEBRUARY 2020 Riding the Jiu-Jitsu Wave Working for the Kyoryokutai The Changing Colors of the Red and White Singing Battle Journey Through Magic Embarrassing Adventures of an Expat in Tokyo The Japanese Lifestyle & Culture Magazine Written by the International Community in Japan1 In response to ongoing global news, the team at Connect Magazine would like to acknowledge the devastating impact of the 2019-2020 bushfires in Australia. Our thoughts and support are with those suffering. 2 Since September 2019, the raging fires across the eastern and southeastern Australian coastal regions have burned over 17.9 million acres, destroyed over 2000 homes, and killed least 27 people. A billion animals have been caught in the fires, with some species now pushed to the brink of extinction. Skies are reddened from air heavy with smoke— smoke which can be seen 2,000km away in New Zealand and even from Chile, South America, which is more than 11,000km away. Currently, massive efforts are being taken to tackle the bushfires and protect people, animals, and homes in the vicinity. If you would like to be a part of this effort, here are some resources you can use to help: Country Fire Authority Country Fire Service Foundation In Victoria In South Australia New South Wales Rural The Australian Red Cross Fire Service Fire recovery and relief fund World Wildlife Fund GIVIT Caring for injured wildlife and Donating items requested by habitat restoration those affected The Animal Rescue Collective Craft Guild Making bedding and bandaging for injured animals. -
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
"Grammaticality Judgment"
Prosodic Influence on Syntactic Judgments * Yoshihisa Kitagawa and Janet Dean Fodor Indiana University Graduate Center, CUNY We argue for the importance of controlling prosody in soliciting syntactic judgments. Through the analyses of a variety of complex Wh-constructions in Japanese, we first attempt to reveal that a construction which requires a non-default prosody is vulnerable to misjudgments of syntactic well- formedness when it is presented to the subjects in writing. We then report on our pilot experiments on the comparison of grammaticality judgments of written and spoken sentences in both English and Japanese, which supports our claim. Keywords: implicit prosody, default prosody, parsing, Wh-questions in Japanese, long-distance scrambling, 1. Introduction It appears that there is a rebellion in the making, against the intuitive judgments of syntacticians as a privileged database for the development of syntactic theory. Such intuitions may be deemed inadequate because they are not sufficiently representative of the language community at large. The judgments are generally few and not statistically validated, and they are made by sophisticated people who are not at all typical users of the language. Linguists are attuned to subtle syntactic distinctions, about which they have theories. However, our concern in this paper is with the opposite problem: that even the most sophisticated judges may occasionally miss a theoretically significant fact about well- formedness. In the 1970‟s it was observed that in order to make a judgment of syntactic well- formedness one must sometimes be creative. It was noted that some sentences, such as (1), are perfectly acceptable in a suitable discourse context, and completely unacceptable otherwise (e.g., as the initial sentence of a conversation; see Morgan (1973). -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
W"' Ounci^Bwvinter Peace Festival I
lbs Influence Drug Al:^se? pts Replace 'Group' As^^een ounci^BWVinter Peace Festival I ub Januar ist Rockf Top Year Rolf Harris iN BEGINS ON PAGE 57 H U »{. i-' W" ' V. < , - One day Father Flanagan, of Boys’ and soon enough it was a hit. Town, saw one of his little boys carrying a So far, the story has spread to the much bigger boy in his arms, a crippled following towns, and “He Ain’t Heavy, boy. Father Flanagan asked the little boy He’s My Brother” is a hit in all of them: if that wasn’t an awfully heavy load. Houston, Spartanburg, S.C., Columbus, “He ain’t heavy,” the little boy San Diego, Seattle, Denver, Washington, replied. “He’s my brother.” The Hollies’ Minneapolis, San Antonio, Raleigh, song is based on this story. Omaha, San Francisco, Portland, Fresno, Just recently a Jesuit priest, who knew Providence, Des Moines, Mobile, the Boys’ Town story, heard the song on Chicago, Los Angeles, Sacramento, I the radio. He called the D.J. and told him Spokane, New York, Detroit, Atlanta, about it. In turn, the D.J. began to tell the Louisville. story every time he played the record, On Epic Records HlIPIC Special thanks to three heavy brothers—Gary Schaffer, Gary Taylor, Dan Walker. ®''EPIC''. Marea Re|. T.M. PBINIEB IN U.SJ». THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 26/January 24, 1970 Publication Office / 1 780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice Presiden t IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
Appendix B: Transcript Bravely Default
Appendix B: Transcript Bravely Default Applied JGRL usage tagging styles: Gender-conforming Gender-contradicting Gender-neutral (used to tag text which is easily confusable as JGRL) Gender-ambiguous Notes regarding preceding text line Finally, instances of above tagging styles applied to TT indicate points of interest concerning translation. One additional tagging style is specifically used for TT tagging: Alternate translations of ‘you’ 『ブレイブリーデフォルトフォーザ・シークウェル』 [BUREIBURII DEFORUTO FOOZA・ SHIIKUWERU]— —“BRAVELY DEFAULT” 1. 『オープニングムービー』 [Oopuningu Muubii] OPENING CINEMATICS AIRY anata, ii me wo shiteru wa ne! nan tte iu ka. sekininkan ga tsuyo-sou de, ichi-do kimeta koto wa kanarazu yaritoosu! tte kanji da wa. sonna anata ni zehi mite-moraitai mono ga aru no yo. ii? zettai ni me wo sorashicha DAME yo. saigo made yaritokete ne. sore ja, saki ni itteru wa. Oh, hello. I see fire in those eyes! How do I put it? They’ve a strong sense of duty. Like whatever you start, you’ll always see through, no matter what! If you’ll permit me, there’s something I’d very much like to show you. But… First, I just need to hear it from you. Say that you’ll stay. Till the very end. With that done. Let’s get you on your way! ACOLYTES KURISUTARU no kagayaki ga masumasu yowatte-orimasu. nanika no yochou de wa nai deshou ka. hayaku dou ni ka shimasen to. The crystal’s glow wanes by the hour. It’s fading light augurs a greater darkness. Something must be done! AGNÈS wakatteimasu. Leave all to me. AGNÈS~TO PLAYER watashi no namae wa, ANIESU OBURIIJU. -
January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 Photo by John Lauener Haircuts by Children
Presented in association with the PuSh International Performing Arts Festival, Western Gold Theatre and Theatre at UBC Honoré de Balzac’s Adapted and Directed by James Fagan Tait Music Composed and Directed by Joelysa Pankanea Associate Director: Sarah Rodgers January 17–26, 2008 TELUS Studio Theatre, Chan Centre for the Performing Arts PUSH AD 7.5X10 11/13/07 1:03 PM Page 1 photo by John Lauener Haircuts by Children VENUES ALL OVER THE CITY. ARTISTS FROM ALL OVER THE WORLD. LET YOUR HAIR DOWN WITH LIVE PERFORMANCE. January 16–February 3, 2008 Vancouver • Canada www.pushfestival.ca Full program available November 22 Honoré de Balzac’s OLD GORIOT January 17 to 26, 2008 Starring: Stephen Aberle TELUS Studio Theatre Patti Allan Mary Black Anna Hagan Adapted and Directed by David Mackay James Fagan Tait Richard Newman Music Composed and Directed by Gina Stockdale Joelysa Pankanea Alec Willows Associate Director: Sarah Rodgers Sarah Afful Spencer Atkinson Wil Carlos Jocelyn Gauthier Costume Design: Mara Gottler Max Gilbert Scenography: Robert Gardiner Kevin Kraussler Jameson Parker Stage Manager: Robin Richardson Cecile Roslin Becky Shrimpton Kevin Stark Western Gold Theatre Society wishes to thank the following for their generous donations: TELUS Vancouver Community Board Honoré de Balzac’s OLD GORIOT Honoré de Balzac (1799–1850) is called the Shakespeare of the novel and his Le Père Goriot is both a landmark in world literature and his most universally loved work. The novel was written 1834-1835 when Balzac was 35 years old. It first appeared in serialized form in Revue de Paris in the Fall of 1834 and in completed book form in 1835. -
Unseen Femininity: Women in Japanese New Wave Cinema
UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics. -
Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shôsetsu Genre, 1920-1931
DETECTING JAPANESE VERNACULAR MODERNISM: SHINSEINEN MAGAZINE AND THE DEVELOPMENT OF THE TANTEI SHÔSETSU GENRE, 1920-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kyoko Omori * * * * * The Ohio State University 2003 Dissertation Committee: Professor William J. Tyler, Adviser Approved by Professor Richard Torrance Professor Mark Bender Adviser Department of East Asian Languages and Literatures ABSTRACT The post-war discourse on modern Japanese literature has presented the binary opposition between “pure” versus “popular” literature as a historical fact, configuring popular literature as the disposable “other” of “pure” literature. Consequently, Japanese literary studies have paid relatively little attention to popular forms such as mystery fiction, samurai “period” fiction, the romance novel, and “nansensu” humor. This dissertation examines the discursive formation of the Japanese modernist popular genre known as “tantei shôsetsu” or “detective fiction.” Focusing on the popular monthly magazine Shinseinen and several of its writers, it discusses the theoretical and practical dimensions of “tantei shôsetsu” as a vernacular form of modernist literary production. In doing so, it situates the genre within contemporaneous debates about the meaning of both modernity and literature in Japan during the 1920s. Chapter One establishes the theoretical terms for “vernacular modernism” by illuminating the ways in which popular literary production engaged with the forces of commercialism and Westernization that also shaped the development of canonical Japanese literature during the early twentieth century. Chapter Two surveys established critical views of Modernism in Japan and shows that they fail to account for the significance of vernacular expression. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI Bell & Howell Information and Learning 300 North Zeeb Road, Ann Aibor, Ml 48106-1346 USA 800-521-0600 3D VIRTUAL WORLDS AND LEARNING: AN ANALYSIS OF THE IMPACT OF DESIGN AFFORDANCES AND LIMITATIONS IN ACTIVE WORLDS, BLAXXUN INTERACTIVE, AND ONLIVE! TRAVELER; AND A STUDY OF THE IMPLEMENTATION OF ACTIVE WORLDS FOR FORMAL AND INFORMAL EDUCATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michele D. -
18483 19 18486 Ai 2017 Ai 18319 Ai 2031 Aiko 18580 Alan 18485
ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA 18483 19 ANO KAMI HIKOHKI KUMORIZORA WATTE 18424 ABE SHIZUE MIZU IRO NO TEGAMI 18486 AI BELIEVE 2017 AI STORY 18319 AI YOU ARE MY STAR 5103 AI JOHJI & SHIKI CHINAMI AKAI GLASS 5678 AIKAWA NANASE BYE BYE 5815 AIKAWA NANASE SWEET EMOTION 5645 AIKAWA NANASE YUME MIRU SHOJYOJYA IRARENAI 2031 AIKO KABUTO MUSHI 2015 AKIKAWA MASAFUMI SEN NO KAZE NI NATTE 2022 AKIMOTO JUNKO AI NO MAMA DE 2124 AKIMOTO JUNKO AME NO TABIBITO 2011 AKIMOTO JUNKO MADINSON GUN NO KOI 18233 AKIMOTO JUNKO TASOGARE LOVE AGAIN 18562 AKIOKA SHUJI AIBOH ZAKE 2296 AKIOKA SHUJI OTOKO NO TABIJI 18432 AKIOKA SHUJI SAKE BOJO 18580 ALAN KUON NO KAWA 18485 ALAN NAMONAKI KOI NO UTA 5117 ALICE FUYU NO INAZUMA 2266 ALICE IMA WA MOH DARE MO 18279 AMANE KAORU TAIYOH NO UTA 5658 AMI SUZUKI ALONE IN MY ROOM 2223 AMIN MATSU WA 5340 AMURO NAMIE CAN YOU CELEBRATE 5341 AMURO NAMIE CHASE THE CHANCE 18536 AMURO NAMIE FIGHT TOGETHER 5711 AMURO NAMIE I HAVE NEVER SEEN 5766 AMURO NAMIE NEVER END 5798 AMURO NAMIE SAY THE WORD 5294 AMURO NAMIE STOP THE MUSIC 5820 AMURO NAMIE THINK OF ME 5300 AMURO NAMIE TRY ME (WATASHI O SHINJITE) 5838 AMURO NAMIE WISHING ON THE SAME STAR 18425 AN CAFÉ NATSU KOI NATSU GAME 18574 ANGELA AKI HOME 18296 ANGELA AKI KAGAYAKU HITO 18211 ANGELA AKI KISS ME GOODBYE 18224 ANGELA AKI RAIN 18552 ANGELA AKI SAKURA IRO 2360 ANGELA AKI TEGAMI ~ HAIKEI JUHGO NO KIMI E 2040 ANGELA AKI THIS LOVE 18358 ANGELA AKI WE'RE ALL ALONE 2258 ANN LEWIS GOODBYE MY LOVE 5494 ANN LOUISE WOMAN 2379 ANRI OLIVIA