Guide to the Governor's Gallery Collection New Mexico Museum of Art Library and Archives
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INSIDE Santa Fe • Taos • Painters of Canyons and Deserts • Art of the Horse
INSIDE Santa Fe • Taos • Painters of Canyons and Deserts • Art of the Horse MAY 2019 141 Cover WAC141.indd 1 3/28/19 1:01 PM L ETTER FROM THE EDITOR MAY 2019 Monthly Preservation PUBLISHER Vincent W. Miller n the past three months I have participated in and listened to about EDITORIAL fi ve panels on Western art. One of the concerns that comes up every EDITOR Joshua Rose time is if successive generations will appreciate, and collect, Western [email protected] Iart as much as we do? This is a valid concern but I believe there are things MANAGING EDITOR Rochelle Belsito [email protected] we can do now to secure this art we love well into the future. DEPUTY EDITOR Michael Clawson I think concern should always be followed by action. And what are [email protected] these actions? I’ve been thinking about this a lot lately and I think the ASSISTANT EDITOR Alyssa M. Tidwell fi rst thing we can do is fi gure out ways to preserve the historical aspect of ASSOCIATE EDITOR Taylor Transtrum Western art. For example, last year the Couse-Sharp Historic Site in Taos, SANTA FE EDITOR John O’Hern New Mexico, purchased an old gallery space next door to them and they Francis Smith CONTRIBUTING PHOTOGRAPHER are currently raising money to turn it into a research center for all the EDITORIAL INTERN Maia Gelvin Taos Society of Artists. When I found out about this project, I immediately ADVERTISING (866) 619-0841 reached out to their director, Davison Koenig, and joined the development SENIOR ACCOUNT EXECUTIVE Lisa Redwine [email protected] committee because this is a history we need to have preserved. -
FJJMA-Bialac Native Art Collection
NEWS RELEASE March 26, 2010 FRED JONES JR. MUSEUM OF ART UNIVERSITY OF OKLAHOMA - NORMAN CONTACT MICHAEL BENDURE, Director of Communication, 405-325-3178, [email protected] FAX: 405-325-7696 www.ou.edu/fjjma FOR IMMEDIATE RELEASE WITH IMAGE OU Receives Major Gift of Native American Art NORMAN, OKLA. – University of Oklahoma President David L. Boren announced Thursday that the university has received one of the most important private collections of Native American art in the country. The gift comes to OU from the private collection of James T. Bialac of Arizona. The multimillion-dollar collection of more than 3,500 works represents indigenous cultures across North America, especially the Pueblos of the Southwest, the Navajo, the Hopi, many of the tribes of the Northern and Southern Plains and the Southeastern tribes. Included in the James T. Bialac Native American Art Collection are approximately 2,600 paintings and works on paper, 1,000 kachinas and 100 pieces of jewelry representing major Native artists such as Fred Kabotie, Awa Tsireh, Fritz Scholder, Joe Herrera, Allan Houser, Jerome Tiger, Tonita Pena, Helen Hardin, Pablita Velarde, George Morrison, Richard “Dick” West, Patrick DesJarlait and Pop Chalee. “The university community is deeply grateful to Jim Bialac for this important and generous gift,” said OU President David L. Boren. “This collection will expose our students and people all across the country to some of the most important works of Native American art ever created. It will provide new insight into Native American culture. In addition, the collection will be an important source for art history students, including graduate students in OU’s Ph.D. -
2020 Impact Report
20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner. -
Newsletter Fall 2011 DATED Decorative Arts Society Arts Decorative Secretary C/O Lindsy R
newsletter fall 2011 Volume 19, Number 2 Decorative Arts Society DAS Newsletter Volume 19 Editor Gerald W.R. Ward Number 2 Katharine Lane Weems Senior Curator Fall 2011 of American Decorative Arts and Sculpture The DAS Museum of Fine Arts, Boston The DAS Newsletter is a publication of Boston, MA the Decorative Arts Society, Inc. The pur- pose of the DAS Newsletter is to serve as a The Decorative Arts Society, Inc., is a not- forum for communication about research, Coordinator exhibitions, publications, conferences and Ruth E. Thaler-Carter in 1990 for the encouragement of interest other activities pertinent to the serious Freelance Writer/Editor in,for-profit the appreciation New York of,corporation and the exchange founded of study of international and American deco- Rochester, NY information about the decorative arts. To rative arts. Listings are selected from press pursue its purposes, the Society sponsors releases and notices posted or received Advisory Board meetings, programs, seminars, and a news- from institutions, and from notices submit- Michael Conforti letter on the decorative arts. Its supporters ted by individuals. We reserve the right to Director include museum curators, academics, col- reject material and to edit materials for Sterling and Francine Clark Art Institute lectors and dealers. length or clarity. Williamstown, MA The DAS Newsletter welcomes submis- Officers sions, preferably in digital format, submit- Wendy Kaplan President ted by e-mail in Plain Text or as Word Department Head and Curator, David L. Barquist attachments, or on a CD and accompanied Decorative Arts H. Richard Dietrich, Jr., Curator by a paper copy. -
Your Summer Guide to Buying Native American Art and Artifacts, Fine Western Art and Western Americana
THE OLD WEST Your Summer Guide To Buying Native American Art and Artifacts, Fine Western Art and Western Americana A SUPPLEMENT TO ANTIQUES AND THE ARTS WEEKLY | 5 CHURCH HILL RD | NEWTOWN, CONNECTICUT, 06470 | JULY 20, 2018 2 - THE OLD WEST Antiques and The Arts Weekly — July 20, 2018 THE OLD WEST • THE OLD WEST • THE OLD WEST • THE OLD WEST R. Scudder Smith, Publisher Laura Beach, Editor Cindie Niemiera, Advertising Manager Barb Ruscoe, Account Executive email: [email protected] Tel: 203-426-8036 or 426-3141 or Fax: 203-426-1394 Website: www.antiquesandthearts.com Published by The Bee Publishing Company, THE OLD WEST • THE OLD WEST • THE OLD WEST • THE OLD WEST Box 5503, Newtown Connecticut 06470 Moran’s Expands Its Curated, Biannual Art Of The American West Auctions A Navajo-style gold and turquoise squash blossom suite, signed for maker George Cofield ($10/15,000). porary Western sculpture and paintings at its previous auctions — for example, see Bill Worrell’s (b 1936, Texas) “The Healer,” a large-scale abstract bronze and stone A Navajo classic period child’s wearing blanket, mid- sculpture that tied up every available telephone bid line at Nineteenth Century, 5 feet 6 inches long by 3 feet 9 Moran’s November auction and realized $10,200 — these inches wide ($15/25,000). Hernando G. Villa (Los Angeles, 1881–1952), Indian catalogs have come to include all types of Western- and Na- Chieftain holding a feathered staff, 1947, oil on can- MONROVIA, CALIF. — John Moran Auctioneers tive American-genre works of art and objects in a range of vas ($10/15,000). -
Bachelor of Science in Art History and Theory Thesis Reframing Tradition
Bachelor of Science in Art History and Theory Thesis Reframing Tradition in Modern Japanese Ceramics of the Postwar Period Comparison of a Vase by Hamada Shōji and a Jar by Kitaōji Rosanjin Grant Akiyama Submitted in partial satisfaction of the requirement for the degree of Bachelor of Science in Art History and Theory, School of Art and Design Division of Art History New York State College of Ceramics at Alfred University Alfred, New York 2017 Grant Akiyama, BS Dr. Hope Marie Childers, Thesis Advisor Acknowledgements I could not have completed this work without the patience and wisdom of my advisor, Dr. Hope Marie Childers. I thank Dr. Meghen Jones for her insights and expertise; her class on East Asian crafts rekindled my interest in studying Japanese ceramics. Additionally, I am grateful to the entire Division of Art History. I thank Dr. Mary McInnes for the rigorous and unique classroom experience. I thank Dr. Kate Dimitrova for her precision and introduction to art historical methods and theories. I thank Dr. Gerar Edizel for our thought-provoking conversations. I extend gratitude to the libraries at Alfred University and the collections at the Alfred Ceramic Art Museum. They were invaluable resources in this research. I thank the Curator of Collections and Director of Research, Susan Kowalczyk, for access to the museum’s collections and records. I thank family and friends for the support and encouragement they provided these past five years at Alfred University. I could not have made it without them. Following the 1950s, Hamada and Rosanjin were pivotal figures in the discourse of American and Japanese ceramics. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Nordfeldt, B. J. O. and Margaret Doolittle, House____________________ Other names/site number: ____________________________________________________ Name of related multiple property listing: N/A _________________________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: 460 Camino de las Animas ____________________________________ City or town: Santa Fe State: NM County: Santa Fe Zip Code: 87505 Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation -
Gareth Mason: the Attraction of Opposites Focus the Culture of Clay
focus MONTHLY the culture of clay of culture the Gareth Mason: The Attraction of Opposites focus the culture of clay NOVEMBER 2008 $7.50 (Can$9) www.ceramicsmonthly.org Ceramics Monthly November 2008 1 MONTHLY Publisher Charles Spahr Editorial The [email protected] telephone: (614) 794-5895 fax: (614) 891-8960 editor Sherman Hall assistant editor Brandy Wolfe Ceramic assistant editor Jessica Knapp technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty editorial assistant Holly Goring Advertising/Classifieds Arts [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel Handbook Only advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Series $29.95 each Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production Electric Firing: Glazes & Glazing: production editor Cynthia Griffith design Paula John Creative Techniques Finishing Techniques Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Scott Bennett; Sculptor, Birmingham, Alabama Tom Coleman; Studio Potter, Nevada Val Cushing; Studio Potter, New York Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Jan Schachter; Potter, California Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by Ceramic Publications Company; a Surface Decoration: Extruder, Mold & Tile: subsidiary of The American Ceramic Society, 600 Cleveland Ave., Suite 210, Westerville, Ohio 43082; www.ceramics.org. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Ceramics Monthly Nov90 Cei11
November 1990 1 William C. Hunt.......................................Editor Ruth C. Butler...........................Associate Editor Robert L. Creager............................Art Director Kim Schomburg................... Editorial Assistant Shawn R. Hiller...........................Staff Assistant Mary Rushley...................Circulation Manager MaryE. Beaver................. Circulation Assistant Connie Belcher................ Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Professional Publications, Inc., 1609 North west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates:One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the maga zine address label and your new address to: Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in cluding 35mm slides), graphic illustrations, announcements and news releases about ceramics are welcome and will be consid ered for publication. Information may also be submitted on 3.5-inch microdiskettes readable with an Apple Macintosh™ com puter system. Mail submissions toCeramics Monthly, Box 12448, Columbus, Ohio 43212 or fax to (614) 488-4561. Writing and Photographic Guidelines:A booklet describing standards and proce dures for submitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Addition ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452. -
Visual Violence in the Land of Enchantment
VISUAL VIOLENCE IN THE LAND OF ENCHANTMENT A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Patricia Marroquin Norby IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Brenda Child Adviser, Jennifer Marshall Co-adviser June, 2013 © Patricia Marroquin Norby 2013 i Acknowledgements Simultaneously working full-time while raising a family and completing a doctoral program has been one of the most rewarding and challenging experiences of my life. Such an accomplishment would not have been possible without the generous support of numerous individuals. The following is a list of truly amazing people including colleagues, friends, and family who believed in this project and in me even when I suffered my own doubts. To my committee members Brenda Child, Jennifer Marshall, Patricia Albers, and Jane Blocker I thank you for your guidance and encouragement throughout the completion of this project. I am honored to have you as my professional mentors. To good friends and graduate colleagues at the University of Minnesota Twin Cities including Karissa White, Erik Redix, Scott Shoemaker, Kate Beane, and Rudy Aguilar, I cherish your friendship and the camaraderie we shared. Special thanks goes to Karissa White, Issac Lopit, and Kate Beane for offering a place to stay and providing a sense of warmth and family on so many cold Minnesota winter nights. You helped make the long-distance commute and time away from my own family much more bearable. My family and our home are so precious to me. I thank my husband Nathan Norby and our children Alejandro Marroquin, Derek Norby, and Madeline Marroquin-Norby for all your love.