The Hidden Cameras Youtube
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Sinbad in the Rented World
Sinbad in the Rented World Sinbad in the Rented World JOEL GIBB ANDREW HARWOOD JEREMY LAING AND WILL MUNRO IAN PHILLIPS THE ENSEMBLE OF TOPS ‘N’ BOTTOMS SCOTT TRELEAVEN Ian Phillips Untitled Found Object, 2003 [detail] Sinbad in the Rented World WITH AN ESSAY BY R.M. VAUGHAN AND A STORY BY DEREK MCCORMACK ART GALLERY OF YORK UNIVERSITY TORONTO Jeremy Laing and Will Munro Pavilion of Virginia Puff-Paint, 2004 [detail] ON THE OTHER HAND Sinbad in the Rented World With the title, Sinbad in the Rented World, I pay homage to the legacy of the legendary underground filmmaker and performer Jack Smith, referring to one of his unfinished film projects. Not that I suspect Smith’s legacy to be fulfilled by the artists in the exhibition—or even his amazing achievements in film, experimental theatre, and installation necessarily to be known. What I want to explore is a queer aesthetic in Toronto art but as applied to social function. Is this a new phenomenon? Perhaps, if we are willing to stretch our understanding of the parameters of visual culture—or queer art. One might not think that glamour or the superficial excess of glitter could have a social function, but Smith adamantly believed so saying: “Could art ever be useful? Ever since the desert glitter drifted over the burnt-out ruins of Plaster Lagoon thousands of artists have pondered and dreamed of such a thing, yet, art must not be used anymore as another elaborate means of fleeing from thinking because of the multiplying amount of information each person needs to process in order to come to any kind of decision about what kind of planet one wants to live on before business, religion, and government succeed in blowing it out of the solar system.”* The environmental costuming of the gallery (to extend a phrase of Charles Ludlam’s) that takes place here can be considered co-extensive with social practices in the world, even if the works herein contained seem too playful. -
Wm- F*Ac*Mi*I J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77K HEY MIGHT E GIANTS Flilagess-Vogcte! SPINE on the HIGHWAY TOUR
;&;..—,>'• r..- :y „o Wm- F*Ac*Mi*i J I AUGUST 12 AUGUST 161 AUGUST 19 FRIDAY AUGUST 201 77k HEY MIGHT E GIANTS flilAGESS-VOGCte! SPINE ON THE HIGHWAY TOUR RY DJS PANDEMONH MALEflCENT - AND HSR BAND I RICHARD'S ON RICHARDS I I COMMODORE BALLROOM | | COMMODORE BALLROOM FRIDAY SEPTEMBER 31 1 SFPTEMBERTI I SEPTEMBER 7 BURJNI1NG factfto face SPEAR TOOTS AND THE- PINCH ^l»W&t* I I •COVE [TOUNTERFIT AND GUESTS MY CHEMICAL ROMANCE Conce. itember 51 BETA FACTOR B IS TICKETS ALSO AT SATURDAYS ZULU AND SCRATCH MALKIN BOWL, DOORS 7PM, SHOW 8PM t<Pr^ I ALL AGES IC8MMIIDME BSLLBOOM | IAN CULTURAL CEN I SEPTEMBER!?! fsiEPTEMBER2B| ^^MoJ^^^^^^Sy. momGRum TJLl m>J!'Z ev£~*4%S0i WmMMi ITHOUTYOU I mmmxtmn I CROATIAN CULTURAL CENTRE 1 I COMMODORE BALLROOM I WKBm SNOWj "*sarah IHSIDEIJUDOMMY^I ATR PI Jrarmer ECOBIBING with Josh ritter limp*: SEPTEMBER 28 ->mm October 16 RICHARD'S SEPTEMBER 27 ON RICHARDS COMMODORE OCTOBER 18 BALLROOM COMMODORE BALLROOM TICKETS ALSO AT ZULU PURCHASE TICKETS SQQGOO AT hob,com OR ticketmaster.ca ticUetmaster604-280-44427y SCREW THE REST, THIS IS THE REAL DEAL THAT "WHY YOU DIDN'T MIL ME?"MAGAZINE FROM CiTR 101.9FM EDITglX i-M Siddle ADMAN Jason Bennet FEATURES Attention all bands, PRODUCTION MANAGER BaserrlffiiT Sweets p.9 musicians, drumming monkeys! Blimp.10 ART DIRECTOR Fake Cops p. 11 Dale Davies ^^pder the Volcano pvl2 EDITORIAQKSSISTANT ^S^ei^^cording p. 13 TA EDITOR r^3j|^^pyra DraciMfic!/'"^ REGULARS FroT*rM®£) lsk of... S^ JI^EDITOR t mm ^;^uckj|(g|BlwIls1nit pjife |? LAYOUT & DESIGN -Dale Davies fff^iff I^Hp ^t^Saeme Worthy '^'|rextUal^^tjve p.8 ^^^on ^iisflliiif&b Underlf^^^vsf p^^" l^^^py^Draculem §||f|§y & rat (big tim|| Real Live Action p. -
The Promise and Uncertainty of Pre-Exposure Prophylaxis
FREE 36,000 AUDITED CIRCULATION TORONTO’S GAY & LESBIAN NEWS FEB 6–19, 2014 FEB 6–19, #764 CAN THIS PILL PREVENT @dailyxtra facebook.com/dailyxtra facebook.com/dailyxtra HIV? The promise and uncertainty of dailyxtra.com pre-exposure prophylaxis E14 More at More 2 FEB 6–19, 2014 XTRA! TORONTO’S GAY & LESBIAN NEWS COMING SOON AT YONGE WITH DIRECT ACCESS TO WELLESLEY SUBWAY A series of illuminated boxes, carefully stacked. Spaces shifted gently left and right, geometry that draws the eye skyward. Totem, a building that’s poised to be iconic, is about great design and a location that fits you to a T. When you live here, you can go anywhere. Yonge Street, Yorkville, the Village, College Park, Yonge- Dundas Square, the Annex, University of Toronto and Ryerson are just steps away. IN FACT, TOTEM SCORES A PERFECT 100 ON WALKSCORE.COM! Plus, you’ve got sleek, modern suites, beautiful rooftop amenities and DIRECT ACCESS TO YOUR OWN SUBWAY ENTRANCE. THIS IS TOTEM. FROM THE MID $200’S SHIFT YOUR LIFESTYLE. get on it. REGISTER. totemcondos.com 416.792.1877 17 dundonald st. @ yonge street RENDERINGS ARE AN ARTIST’S IMPRESSION. SPECIFICATIONS ARE SUBJECT TO CHANGE WITHOUT NOTICE. E.&O.E. EXCLUSIVE LISTING: BAKER REAL ESTATE INCORPORATED, BROKERAGE. BROKERS PROTECTED. MORE AT DAILYXTRA.COM XTRA! FEB 6–19, 2014 3 XTRA Published by Pink Triangle Press SHERBOURNE HEALTH CENTRE PUBLISHER & EDITOR-IN-CHIEF Brandon Matheson 333 SHERBOURNE STREET TORONTO, ON M5A 2S5 EDITORIAL ADVERTISING MANAGING EDITOR Danny Glenwright ADVERTISING & SALES DIRECTOR Ken Hickling -
The Cord Weeklythe Tie That Binds Since 1926 GETTING the GRAD(E) HOLIDAY SURVIVAL Looking to Apply to Grad School? Find How to Maintain Your Christmas
The Cord WeeklyThe tie that binds since 1926 GETTING THE GRAD(E) HOLIDAY SURVIVAL Looking to apply to grad school? Find How to maintain your Christmas out how in our feature ... PAGES 16-17 spirit next month ... PAGES 19-21 Volume 48 Issue 16 WEDNESDAY NOVEMBER 28,2007 www.cordweekly.com Hawk rock round two The second round of Last Band Standing results in the victory of uncreative Hedley imposters REBECCA VASLUIANU almost like Tool's, Phineas Gage's STAFF WRITER poor vocals and unkempt gui- tar-work made the group sound Another battle between bands left more like radio-rejects Three Days the audience feeling unimpressed, Grace. energized and then just confused. Yet the low of Phineas Gage's Taking place at Wilf's last Thurs- sloppy performance came during day, the second round of Tast Band their second song, when Matthias Standing proved to be an enjoyable and bassist Aaron Schwab attempt- night alternating between great in- ed a vocal harmony at which even genuity and a few lame attempts at the most tone-deaf listener would have cringed. Competing for the title of Tast Despite this harsh critique, Band Standing were Phineas Gage, Phineas Gage showed buds of po- Crown and Coke and Music Box. tential through their interesting Heading up the night, Kitchener intros and solos, which displayed natives Phineas Gage delivered a lot more instrumental depth than an entirely subpar performance the rest of their material and were of depressing alternative rock, free from interference from Matth- which left the audience thoroughly ias's second-rate vocal stylings. -
Adult Depot Calgary Men's Chorus Need Help?
December 2004 Issue 14 FREE of charge AAdultdult DDepotepot RReflectingeflecting bbackack oonn 2255 yyearsears CCalgaryalgary MMen’sen’s ChorusChorus UUnitingniting voicesvoices fforor 1100 yyearsears NNeedeed HHelp?elp? MMap,ap, PPlaceslaces aandnd EEventsvents ooff CCalgary’salgary’s GGayay CCommunityommunity iinn eeveryvery iissuessue CCalgary’salgary’s resourceresource fforor BBusiness,usiness, Tourism,Tourism, EEvents,vents, BBarsars aandnd EEntertainmentntertainment fforor tthehe GGay,ay, LLesbian,esbian, BBii aandnd GGayay FFriendlyriendly CCommunity.ommunity. http://www.gaycalgary.com 2 gaycalgary.com magazine 8 Established originally in January 1992 as Men For Men BBS by MFM Communications. Named changed to GayCalgary.com in 1998. Stand alone company as of January 2004. First Issue of GayCalgary.com Magazine, November 12 2003. Publisher Steve Polyak & Rob Diaz Marino Editor Rob Diaz Marino Table of Contents Original Graphic Design Deviant Designs 4 Taboos and Thank-Yous Advertising Steve Polyak [email protected] Letter from the Publisher Contributors 5 Just ask Nina Steve Polyak, Rob Diaz Marino, Nina Tron, Stephen Lock, M. Zelda, Jason Clevett and The Dish who dishes advice the Gay and Lesbian Community of Calgary 6 The Heterosexualizing of Photographer 16 Steve Polyak and Rob Diaz Marino History Videographer Steve Polyak and Rob Diaz Marino 8 Calgary Men’s Chorus Please forward all inquiries to: Uniting voices for 10 years. GayCalgary.com Magazine Suite 403, 215 14th Avenue S.W. Calgary, Alberta T2R 0M2 12 Adult Depot Phone (403) 543-6960 or toll free (888) Reflecting back on 25 years 543-6960 Fax (403) 703-0685 16 Map & Event Listings E-mail [email protected] Mapping Calgary’s core Print Run Monthly, 12 times a year 23 Queer Eye - for the Calgary guy (or gal) 23 Copies Printed Monthly, up to 10,000 copies. -
Cruising "Alexander: the Other Side of Dawn" "Can We Talk" 31 Mins. By
CANADIAN LESBIAN AND GAY ARCHIVES Moving Images Cruising •"Different from the others", starring Conrad Veidt Theme(s): Homophobia (German, 1919) Credits: Jerry Weintraub. USA 1980 video/VHS •)"Respect", music video by Erasure (1989) Accession: 2007-119 Theme(s): •Film •Music England video/Beta Accession: "Alexander: The other Side of Dawn" Theme(s): Gay Youth "Family Secrets" Eps#1 "Birth Mothers Never Forget" USA 1977 video/VHS Theme(s): Families Remarks: Taped from Television. TV-movie sequel to Credits: Makin' Movies Inc. Canada 2003 video/VHS•22:45 "Dawn: Portrait of a Teenage Runaway" with Accession: 2006-008 Leigh J. McCloskeyas a youth trying to escape the sordid world of male prostitution. Eve Plumb, Earl Holliman, Alan Feinstein, Juliet Mills. "I Believe in the Good of Life" West Wing footage. Accession: 2006-155 Dec. 2001. From West Wing Art Space. Many Art Fags including the debut of The Hidden Cameras. "Can We Talk" 31 mins. By Norman Taylor for the Theme(s): •Art Coalition for Lesbian/ Gay Rights in Ontario. •Parties Credits: Norman Taylor. video/VHS•30:55 Credits: Shot by Guntar Kravis. Canada Dec. 2001 video/VHS Remarks: Item is a slideshow video which discusses and Accession: 2006-053 debunks myths in the gay and lesbian community. Myths include the following: "Gay "Is He. ." can be spotted a mile away", "Homosexuals Theme(s): •Coming Out are known by the type of work they do", •Comedy "Homosexual is a sickness", "Homosexuals are Credits: Director: Linda Carter•Writer: Charlie David•Actor: Charlie child molesters", :Homosexuality is David. Canada 2004 other (see Form Details field)•Mini DV•9 min. -
Volume CXXII, Number 10, January 21, 2005
LAWRENCE UNIVERSITY'S STUDENT NEWSPAPER SINCE 1884 □ 2 The Law rentian FRIDAY • JANUARY 21, 2005 • VOL. CXXVM, N O . 10 • W W W .LAW RENTIAN.COM Two’s the crowd in cutting* £ edge “Bash” / Passe 7 LUCC Students celebrate MLK with day of service approves Jinglin Huang the 2004-2005 academic year. Assistant Dean of Students for Fox Valley Literacy Coalition. The Staff Writer f With this change, the usual three- Multicultural Affairs Rod Bradley, and Lawrence campus also hosted elemen day midterm reading period on the Professors Karen Hoffmann, Patricia tary school students, who students and Thursday, Friday, and Monday at the end Vilches, and Jane Yang. members of faculty taught about diversi rec, halo, For the first time, Lawrentians cele of the sixth week of the term is reduced. So how did the Lawrence communi ty and tolerance. brated Martin Luther King Jr. Day with 'We took the Monday break and moved ty do on Martin Luther King Jr. Day? Other students chose to remember a day off the academic calendar. This day upgrades it to Martin Luther King, Jr. Day so that About 90 students signed up to volunteer the day by raising awareness through commemorates the birth of the great we would not reduce the number of class at various locations around Appleton, the window campaign. Students were American civil-rights leader Dr. Martin William Datsen days in the term," wrote Dean of Faculty including the Fox Valley Emergency given posters in their mailboxes, which Luther King Jr., who fought for equality, Kathleen Murray, in an e-mail interview. -
Layout 1 10/8/13 9:24 AM Page 5 WILL MUNRO: HISTORY GLAMOUR MAGIC
WILL MUNRO_176pp_PRESS oct8_Layout 1 10/8/13 9:24 AM Page 5 WILL MUNRO: HISTORY GLAMOUR MAGIC Curated by Philip Monk & Emelie Chhangur Texts by Luis Jacob, Emelie Chhangur & Philip Monk, Leila Pourtavaf, and Bruce LaBruce Art Gallery of York University WILL MUNRO_176pp_PRESS oct8_Layout 1 10/8/13 9:33 AM Page 50 WILL MUNRO_176pp_PRESS oct8_Layout 1 10/8/13 12:54 PM Page 102 ROTATE THIS, Sketch WILL MUNRO_176pp_PRESS oct8_Layout 1 10/8/13 9:38 AM Page 103 STITCH THAT, PASTE Right from the start, Will Munro established a theme: underwear. Yet he constantly varied it across media. Consistency and variation, though, THIS, tell us very little about his practice. POSTER THAT Emelie Chhangur & Philip Monk WILL MUNRO_176pp_PRESS oct8_Layout 1 10/8/13 12:58 PM Page 104 104 EMELIE CHHANGUR & PHILIP MONK There was nothing theoretical about Will’s practice but thoroughly practical. It was practical in two ways: the way his work was put together and the e=ect it was to have. The >rst was technical, the second organizational. By this we do not mean that his artwork was formally self-contained, the >rst referring to its style and the second to its form. Technique and organization were connected within another framework in both their ethos and principles: a social framework. The >rst was a means to identify; the second was a means to form community. It was Will’s achievement, in so short a span of time — only a decade — to fuse these two forms of identi>cation for himself. In the process, he created a community around him, both implied within and extending beyond his artwork, knitting the strands of many into a collective collaboration. -
Read Excerpt (PDF)
ArmyOfLovers.v10_Layout 1 13-07-23 3:32 PM Page 1 SARAH LISS ARMY OF LOVERS A COMMUNITY HISTORY OF WILL MUNRO, THE ARTIST, ACTIVIST, IMPRESARIO AND CIVIC HERO WHO BROUGHT TOGETHER TORONTO’S CLUB KIDS, ART FAGS, HARDCORE BOYS, DRAG QUEENS, ROCK’N’ROLL QUEERS, NEEDLEWORK OBSESSIVES, LIMP-WRISTED NELLIES, STONE BUTCHES, NEW WAVE FREAKS, UNABASHED PERVERTS, PROUD PRUDES AND BEAUTIFUL DREAMERS COACH HOUSE BOOKS, TORONTO ArmyOfLovers.v10_Layout 1 13-07-23 3:32 PM Page 2 copyright © Sarah Liss, ustv first edition Published with the generous assistance of the Canada Council for the Arts and the Ontario Arts Council. Coach House Books also acknowledges the support of the Government of Canada through the Canada Book Fund and the Government of Ontario through the Ontario Book Publish- ing Tax Credit. fc\l[lq [h^ [l]bcp_m ][h[^[ ][n[fiaocha ch jo\fc][ncih Liss, Sarah, author Army of lovers : a community history of Will Munro, the artist, activist, impresario and civic hero who brought together Toronto's club kids, art fags, hardcore boys, drag queens, rock'n'roll queers, needlework obsessives, limp-wristed nellies, stone butches, new wave freaks, unabashed perverts, proud prudes and beautiful dreamers / written by Sarah Liss. (Exploded views) Issued in print and electronic formats. cm\h |z{-t-xxuwx-uzz-y (pbk.).-- cm\h |z{-t-zzsxy-vxv-z (epub) t. Munro, Will, t|zx-usts. u. Gay activists--Ontario--Toronto--Biog- raphy. v. Artists--Ontario--Toronto--Biography. w. Disc jockeys--Ontario- -Toronto--Biography. x. Gay men--Ontario--Toronto--Biography. y. Toronto (Ont.)--Biography. I. -
Great Aunt Idas
October 2006 That motownphilly magazine from CITR 101.9 FM GREAT AUNT IDAS BRIAN JONESTOWN SHINDIG ffi »MASSACRE VIG09IAIV3S ROCK YOURBODY WORLDS 3 ^? OWN ADVENTIJRESTENCILLINGO PANURGE MIXTAPE MIXED APE$ •_% CITR LIMITED EDITION APPAREL_2 I 3510VUVM SNV3CAMT FIS HSlffil HAVEN E svuiiim NiaaiHiiu1 ISLANDS we art? BESNARD LAKES Wmm VANGAALEN WITH GUEST LEEROY STAGGER „. , LADVHAWK CALIFONE /ftU.A6ES\ I GENERAL J V^ISSHJN/ CATFISH HAVEN (FROM CHICAGO) SATURDAY NOVEMBER 4 my!gay!husband! UBC SUB BALLROOM TICKETS AT ZULU, SCRATCH, ._-_,*„. SATURDAY OCTOBER 21 RED CAT, THE OUTPOST (UBC) EVWrl THE COLUMBIA (303 COLOMBIA ST) DECEMBER 10 FRIDAY £. K© CROATIAN OCTOBER 20 CULTURAL CENTRE w w w.sea Ied w i thakisspresents Srt®cwS>@9t the Gentle Art of Editing ALLOWEEN CAME EARLY FOR ME this year. I them and cleanse their bodies of Bad Grammar OCTOBER'2006 H usually fail to plan my hallowed alter-ego Thetans. When everyone has been properly until the last minute, and then join the hordes purged, we'll all fly on a great shining spaceship in a frenzied rush down to Dressew in search of to a Linguistic Utopia and five forever and never be Editor something even mildly original. But this year I wrong or semantically ambiguous DAVID RAVENSBERGEN opted for a new approach, and laid my plans way Assistant Editor The Gentle Art of Editing 3 back in the early days of summer. I decided to dress What are the highlights of this issue? MARLO CARPENTER 1 David Ravensbergen . Art Director up as a Volunteer Coordinator, complete with my I love the Great Aunt Ida piece. -
34827105.Pdf
A Welcome Welcome to the 20th annual SummerWorks Theatre Festival. Toronto’s Indie Theatre and Arts Festival. Over the past three years, SummerWorks has evolved from an indie-theatre festival to an indie-arts festival. I believe that it’s important to continue to explore the necessity and relevance of the theatrical form: how can it contribute, reflect and parallel the world we’re living in? I became interested in what happens to the form when directly paralleled with other forms. Call it a social experi- ment, if you will – a laboratory on relevance and learning. Where do our forms intersect, and how can we use this to our advantage? We’ve been really excited by the results of this evolution, and this year’s Festival continues to build on these principles. Our Theatre line-up is very exciting. The work is strong, diverse, and brave. We also welcome four very impressive shows from outside Ontario in our National Series. See them all if you can. You won’t be disappointed. What are the ingredients that enable certain musicians to fill rooms and create that rare, emotional electricity? There are some obvious answers like: alcohol and rowdy behaviour – but there are also layers to this question that are connected to the visceral nature of the form. This year’s Music Series is the best yet. I hope you’ll take it in. The new Performance Bar brings three different art forms together on the same stage nightly over the course of the Festival. The glue? The National Theatre of the World. -
Contemporary Sound Art and Popular Music by Nathan Heuvingh
Sampling Beyond Sound: Contemporary Sound Art and Popular Music by Nathan Heuvingh Submitted to OCAD University in partial fulfillment of the requirements for the degree of Master of Arts in Contemporary Art, Design and New Media Art Histories Toronto, Ontario, Canada, April, 2014 © Nathan Heuvingh, 2014 I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions, as accepted by my examiners. I authorize OCAD University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. I further authorize OCAD University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Signature __________________________________________________ ii Abstract It is increasingly evident that popular music is utilized or appropriated as a point of reference in the works of various contemporary sound artists. Not only are artists sampling visual, material and sonic elements of popular music culture, they are doing so with an unprecedented awareness of issues within the sonic realm. To analyze the use of popular music materials in sound-based art, this MRP examines works by Dave Dyment, Laurel Woodcock and Christof Migone, three contemporary artists currently based in Toronto. In addition to negotiating critical issues in the field of sound, the artists represent the audible through various media and modes of perception. Dyment, Migone and Woodcock employ practices of sampling, appropriation and assemblage to probe popular music’s visual, material, textual and sonic composition, as well as to raise questions regarding issues of consumerism, identity and affect in culture at large.