UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
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UMG V Veoh 9Th Opening Brief.Pdf
Case: 09-56777 04/20/2010 Page: 1 of 100 ID: 7308924 DktEntry: 11-1 No. 09-56777 ____________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________ UMG RECORDINGS, INC.; UNIVERSAL MUSIC CORP.; SONGS OF UNIVERSAL, INC.; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC.; RONDOR MUSIC INTERNATIONAL, INC.; UNIVERSAL MUSIC—MGB NA LLC; UNIVERSAL MUSIC—Z TUNES LLC; UNIVERSAL MUSIC—MBG MUSIC PUBLISHING LTD., Plaintiffs-Appellants v. VEOH NETWORKS, INC., Defendant-Appellee. _______________________________ On Appeal from the United States District Court for the Central District of California, Western Division—Los Angeles Honorable A. Howard Matz, District Judge __________________________________ APPELLANTS’ BRIEF _____________________________________ Steven Marenberg, Esq. State Bar No. 101033 Brian Ledahl, Esq. State Bar No. 186579 Carter Batsell State Bar No. 254396 IRELL & MANELLA, LLP 1800 Avenue of the Stars Suite 900 Los Angeles, California 90067 Telephone: (310) 277-1010 Facsimile: (310) 203-7199 ATTORNEYS FOR APPELLANTS 2221905 Case: 09-56777 04/20/2010 Page: 2 of 100 ID: 7308924 DktEntry: 11-1 TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT................................................ 2 JURISDICTIONAL STATEMENT ................................................................. 3 ISSUES PRESENTED ..................................................................................... 4 STATEMENT OF THE CASE ........................................................................ 6 FACTS ........................................................................................................... -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites
European Scientific Journal November 2017 edition Vol.13, No.33 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Investigating the Network Characteristics of Two Popular Web-Based Video Streaming Sites Dr. Feras Mohammed Almatarneh University of Tabuk Department of Computer Science, College Duba Saudi Arabia Doi: 10.19044/esj.2017.v13n33p305 URL:http://dx.doi.org/10.19044/esj.2017.v13n33p305 Abstract The determinants of the strategies to be employed by video streaming sites are application (mobile devices or web browsers) and container of the video application. They affect video streaming network characteristics, which is often the traffic flow, and its quality. It is against this background that studies on streaming strategies suggested the need to investigate and identify the relationship between buffer time, video stream protocol, packet speed and size, upload time, and waiting period, specifically to aid network administrative support in case of network traffic bottlenecks. In view of this, this study investigates the network characteristics of YouTube and Vimeo, using experimental methodology, and involving WireShark as network analyzer. Google Chrome and Firefox are the web browsers employed, while packet size, protocols, packet interval, TCP window size and accumulation ratio are the metrics. Short ON-OFF, Long ON-OFF, and No ON-OFF cycles are the three streaming strategies identified. It is further shown that both Vimeo and YouTube employ these strategies but the choice depends on the container of the video streamed. Keywords: Network characteristics, streaming strategies, video streaming sites, traffic flow Introduction Video streaming is one of the techniques for video distribution over the internet. It helps in lecture and news broadcast, and allows users’ access, without any geographical constraints (Karki, Seenivasan, Claypool, & Kinicki, 2010; Tan & Zakhor, 1999). -
The Impact of the Veoh Litigations on Viacom V. Youtube, 10 N.C
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 10 Article 7 Issue 2 Spring 2009 3-1-2009 Click Here to Share - The mpI act of the Veoh Litigations on Viacom v. YouTube Phong Dinh Follow this and additional works at: http://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Phong Dinh, Click Here to Share - The Impact of the Veoh Litigations on Viacom v. YouTube, 10 N.C. J.L. & Tech. 447 (2009). Available at: http://scholarship.law.unc.edu/ncjolt/vol10/iss2/7 This Notes is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 10, ISSUE 2: SPRING 2009 CLICK HERE TO SHARE! THE IMPACT OF THE VEOH LITIGATIONS ON VIACOM V. YOUTUBE Phong Dinh' In the high-bandwidth Internet age, video sharing websites such as YouTube and Yahoo! Video are growing in popularity. The ease with which such sharing is accomplished has aided users in illegally uploading copyrighted movies, TV shows, and music. In a recent lawsuit, Viacom and its copyright-owning affiliates sought one billion dollars in damages against YouTube, one of the Web's most popular video-sharing websites, for copyright infringement. In response, YouTube invoked the affirmative defense of the Digital Millennium Copyright Act's safe harbor provisions, codified at § 512. The Act states that a service provider is not liable for hosting copyrighted information on its own system for a prolonged period of time as long the service provider has met the threshold requirementsfor these provisions and the specific requirements for at least one of the four safe harbors. -
Watch Deadman Wonderland Online
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ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Stap 3 Stap 4 Interactieve TV Voorbereiding Aansluiten Tv-Ontvanger Activeren Interactieve TV Dagelijks Gebruik
Stap 1 Stap 2 Stap 3 Stap 4 Interactieve TV Voorbereiding Aansluiten tv-ontvanger Activeren Interactieve TV Dagelijks gebruik Om Interactieve TV aan te sluiten moet je een • Sluit de tv-ontvanger aan op Ethernetpoort [3] van • Plaats de batterijen in de afstandsbediening. Stel je nieuwe tv-ontvanger en afstandsbediening af Basis digitale tv-ontvanger – Motorola 1910 werkende KPN Experia Box hebben. Indien je de KPN Experia Box met de kabel met gele stekkers.** • Zet je tv-toestel aan. op jouw type tv. Zie paragraaf 4.4 in de handleiding nog geen werkende KPN Experia Box hebt, Verwijder, indien aanwezig, het tv-plugje wat in deze • De tv-ontvanger start zich nu op. Wacht op de voor het instellen van de juiste beeldverhouding. • Installeren begin dan met het aansluiten daarvan. poort zit. instructies op het scherm. Dit kan enkele minuten Zie bijlage A voor het afstemmen van de afstands- • Dagelijks gebruik • Zet de KPN Experia Box uit met de knop • SCART-kabel: Verbind poort [TV] van de tv-ontvanger duren (Scherm 1). bediening op je tv. • Problemen oplossen achterop, wacht 30 seconden en zet hem met je tv-toestel. • Voer je Abonnements nummer en Pincode in weer aan, dit is om het Interactieve TV HDMI-kabel (niet meegeleverd): Voor HD-kwaliteit ver - (Scherm 2). Lees de handleiding of kijk op www.kpn.com/helpitv signaal op te pakken. bind je poort [HDMI] van de tv-ontvanger met je HD-TV. voor uitleg over de mogelijkheden van Interactieve TV. • Ga verder als de lampjes ‘Power’ [ ] en • Pak de AC adapter en steek de voedingskabel hierin. -
Gimme-Shelter-Complete-LR.Pdf
Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 1 of 49 FOR PUBLICATION UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT UMG RECORDINGS, INC., a Delaware corporation; UNIVERSAL MUSIC CORP., a New York corporation; SONGS OF UNIVERSAL, INC., a California corporation; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC., a Delaware corporation; RONDOR MUSIC INTERNATIONAL, INC., a California corporation; UNIVERSAL MUSIC-MGB NA LLC, a California Limited Liability Company; UNIVERSAL MUSIC-Z TUNES LLC, a New York Limited Liability Company; UNIVERSAL MUSIC-MBG MUSIC PUBLISHING LTD., a UK Company, Plaintiffs-Appellants, v. SHELTER CAPITAL PARTNERS LLC, a Delaware Limited Liability Company; SHELTER VENTURE FUND LP, a Delaware Limited Partnership; SPARK CAPITAL LLC, a Delaware Limited Liability Company; SPARK CAPITAL, L.P., a Delaware Limited Partnership; 21055 Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 2 of 49 21056 UMG RECORDINGS v. SHELTER CAPITAL PARTNERS TORNANTE COMPANY, LLC, a Delaware Limited Liability Company, No. 09-55902 Defendants-Appellees, D.C. No. and 2:07-cv-05744- VEOH NETWORKS, INC., a California AHM-AJW corporation, Defendant. UMG RECORDINGS, INC., a Delaware corporation; UNIVERSAL MUSIC CORP., a New York corporation; SONGS OF UNIVERSAL, INC., a California corporation; UNIVERSAL-POLYGRAM INTERNATIONAL PUBLISHING, INC., a Delaware corporation; RONDOR MUSIC INTERNATIONAL, INC., a California corporation; UNIVERSAL MUSIC-MGB NA LLC, a California Limited Liability Company; UNIVERSAL MUSIC-Z TUNES LLC, a New York Limited Liability Company; UNIVERSAL MUSIC-MBG MUSIC PUBLISHING LTD., a UK Company, Plaintiffs-Appellants, v. VEOH NETWORKS, INC., a California corporation, Defendant-Appellee, Case: 09-55902 12/20/2011 ID: 8006118 DktEntry: 39-1 Page: 3 of 49 UMG RECORDINGS v. -
Inhoud Pagina 1. Inleiding 1 2. Scenarioplanning En De Scenario's
Inhoud pagina 1. Inleiding 1 2. Scenarioplanning en de scenario’s 4 3. Televisie: een medium in beweging 8 Televisual revolution 8 Push, pull en flow 9 Liveness 10 4. MTV Networks in het nieuwe medialandschap 13 De organisatie MTV Networks 13 MTV: oorsprong in muziek, toekomst in…? 14 5. De scenario’s 16 5.1 Snack 16 MTV Networks in het Snackscenario 19 5.2 Picknick 23 MTV Networks in het Picknickscenario 27 5.3 Lopend buffet 29 MTV Networks in het Lopend buffetscenario 31 5.4 Hollandse pot 35 MTV Networks in het Hollandse potscenario 38 6. Conclusie 41 7. Bronnen 43 Bijlage Aristoteles Voorbij, Het medialandschap in 2015 1. Inleiding Commerciële televisie is voor het grootste gedeelte van haar inkomsten afhankelijk van reclamebestedingen. De kijkers worden als het ware verkocht door de televisiezenders aan de adverteerders. Verschillende technologische ontwikkelingen zorgen er echter voor dat deze kijkers steeds minder reclameblokken zien. Sinds de komst van de videocassetterecorder in de jaren zeventig werd het voor de kijker namelijk mogelijk om programma’s op te nemen en de reclames door te spoelen. Voor de kijker is het sindsdien steeds makkelijker geworden om reclameblokken te ontwijken, want tegenwoordig is het door de komst van de harddiskrecorder zelfs niet meer nodig om te wachten tot de opname afgelopen is om de uitzending te bekijken. Daarnaast verplaatsen steeds meer kijkers zich naar het internet, 1 waar de kijker helemaal geen reclames hoeft te zien of waarbij de reclames beperkt worden tot een enkele advertentie voorafgaande aan de uitzending. Naast de mogelijkheden die nieuwe technologieën de televisiegebruiker bieden, zijn er ook andere redenen waarom televisiekijkers minder reclame zien: ze ontwijken de reclames door naar andere zenders te zappen tijdens reclameblokken en gaan andere dingen doen zoals koffie zetten. -
Cloud TV Munich-S-Version 2017.Pptx
6/8/17 Into the 3rd Generaon of Presentaon Outline Video: Cloud TV • 1. 3rd Generaon TV--Overview • 2. Media Industry Structure of 3rd Generaon TV – Content Creators Eli Noam – Content Online Aggregators Columbia University, Columbia – Cloud Plaorms Ins9tute for Tele-Informaon – Content Distribu9on Networks – Internet Service Providers/Transmission Networks Speaker Background Notes – Consumer Devices • 3. Policy and Societal Issues of 3rd Munich 2017 1 Generaon TV • This presentaon is about television. • It is therefore important to understand that • But it iss really much more than that we are on the verge of one of humanity’s • There are few ques9ons with more long-term greatest leaps in media communicaons, and implicaons than the way we shape our consequently also of one of its major communicaons system. disrup9ons of social, cultural, poli9cal, and • If the medium is indeed the message, and if these economic arrangements. messages influence people and ins9tu9ons, then tomorrow’s media, and today’s media policies, will govern future society, culture, and economy. • Television has come a long way, and has an • If Moore’s law is a rate of change of about even longer way to go. 40% a year for the IT sector, , then the what • What runs through its history is myopia. we can call Sarnoff’s 2nd law , aer David • In each of its generaons, most users did not Sarnoff, head of RCA a for decades, would be perceive a need for anything more advanced about 4% per year. X than they already had. • And in each of these generaons people did not eXpect the impact of the new medium when it emerged -- by a wide margin. -
995 Final COMMISSION STAFF WORKING DOCUMENT
EUROPEAN COMMISSION Brussels,23.9.2010 SEC(2010)995final COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod2007-2008 (PromotionofEuropeanandindependentaudiovisual works) COM(2010)450final EN EN COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod20072008 (PromotionofEuropeanandindependentaudiovisual works) EN 2 EN TABLE OF CONTENTS ApplicationofArticles 4and5ineachMemberState ..........................................................5 Introduction ................................................................................................................................5 1. ApplicationofArticles 4and5:generalremarks ...................................................5 1.1. MonitoringmethodsintheMemberStates ..................................................................6 1.2. Reasonsfornon-compliance ........................................................................................7 1.3. Measures plannedor adoptedtoremedycasesofnoncompliance .............................8 1.4. Conclusions -
SKO Jaarrapport 2011
SKO Jaarrapportage 2011 Jaarrapport 2011 SKO Jaarrapportage 2011 Jaarrapport 2011 18-01-2012 Pagina 2/78 SKO Jaarrapportage 2011 Noot Dit rapport heeft betrekking op het jaar 2011. Regelmatig wordt in dit jaarrapport een vergelijking gemaakt met 2010. Vanaf maandag week 1 2008 is het uitgesteld kijken (via bijvoorbeeld video, dvd- en harddisk recorder) geïntegreerd in de kijkcijfers. In de resultaten die in dit rapport worden gepresenteerd, is uitgesteld kijken binnen zes dagen na de dag van uitzending meegenomen. Een aantal zenders heeft niet heel 2011 uitgezonden. TMF is per 4 april 2011 gestopt met uitzenden. De zenders TeenNick, Kindernet en TLC zijn respectievelijk per 14 febuari, 4 april en 4 juli gestart. Voor deze zenders is de periode waarin zij niet hebben uitgezonden, voor resultaattypen zoals kijkdichtheid, marktaandeel en absolute aantallen, gelijkgesteld met 0. De zender Animal Planet is per 1 maart 2010 opgenomen in de Full Audit. Een aantal digitale zenders heeft niet heel 2010 of 2011 in de rapportering gezeten, hieronder volgt een overzicht van deze zenders. • De zender Eredivisie 3 zit in de rapportering sinds februari 2010. • De zender Hallmark zit in de rapportering sinds maart 2010. • De zender Misdaadnet zit in de rapportering sinds juni 2010. • De zender Het Gesprek heeft in de rapportering gezeten van maart tot en met juli 2010. • De zender Fan TV is per juni 2010 uit de rapportering. • De zender Car Channel is per 13 december 2010 uit de rapportering • De zender Out TV zit in de rapportering sinds 1 september