Tokyo University and the War
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Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
Chamberlain's “Bashō and the Japanese Poetical Epigram.”(Leonard)
Chamberlain's “Bashō and the Japanese Poetical Epigram.”(Leonard) Chamberlain's “Bashō and the Japanese Poetical Epigram.” Julian LEONARD Introduction Despite the current popularity of haiku, and the status it enjoys within world literature, the early translators of Japanese literature did not see it as a pre-eminent literary form or as quintessentially representative of the indigenous culture. Basil Hall Chamberlain (1850-1935), who was one of the foremost of the early British Japanologists, was typical in this respect. Chamberlain had established his academic reputation with translations of the Japanese classics. His translation of the Kojiki was published by the Asiatic Society of Japan (ASJ) in 1878 and this was followed in 1880 by Classical Poetry of the Japanese, published by Truebner as part of their series of Oriental literature. However, this anthology of classical literature did not include any mention of haiku. Instead, it included only selections from the Manyōshū and Kokinshū, as well as four Noh plays, which Chamberlain referred to as Lyric Dramas. The omission of haiku (then most commonly referred to as hokku or haikai) can be put down to two factors: one was that haiku was generally seen by the Japanese themselves as having a lower literary status than tanka or kanbun (Yamashita 124); the other was its extreme brevity, consisting of only 17 syllables. George Aston (1840-1920) another eminent British Japanologist and member of the ASJ put the matter in a nutshell as early as 1877 in his A Grammar of the Japanese Written Language. In this work Aston offered a brief description of haikai uta (haiku) together with three examples of verse, but he was highly skeptical of the genre’s literary worth. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Constitutional Adjudication in Japan: Context, Structures, and Values
Washington University Law Review Volume 88 Issue 6 Decision Making on the Japanese Supreme Court 2011 Constitutional Adjudication in Japan: Context, Structures, and Values John Owen Haley Vanderbilt University Follow this and additional works at: https://openscholarship.wustl.edu/law_lawreview Part of the Comparative and Foreign Law Commons, and the European Law Commons Recommended Citation John Owen Haley, Constitutional Adjudication in Japan: Context, Structures, and Values, 88 WASH. U. L. REV. 1467 (2011). Available at: https://openscholarship.wustl.edu/law_lawreview/vol88/iss6/4 This Symposium is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. CONSTITUTIONAL ADJUDICATION IN JAPAN: CONTEXT, STRUCTURES, AND VALUES JOHN O. HALEY Judicial decision making in Japan has become a topic of considerable interest for at least the cadre of comparative lawyers whose primary concern is constitutional law. Such interest is to be applauded. Comparisons with Japan are always beneficial, in that they require a departure from the prevailing focus on the United States and Western Europe. Broadening the scope of comparison to include Japan, the premier non-Western industrial democracy for over a century, avoids at least some of the significant pitfalls of Eurocentric analyses that too often tend to mislead as much as to edify. The inclusion of Japan in comparative legal analyses forces explicit recognition of assumptions and premises related to legal systems that are frequently left unstated and merely, mistakenly, assumed as universally valid. -
Hirohito the Showa Emperor in War and Peace. Ikuhiko Hata.Pdf
00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page i HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page ii General MacArthur and Emperor Hirohito photographed in the US Embassy, Tokyo, shortly after the start of the Occupation in September 1945. (See page 187) 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iii Hirohito: The Sho¯wa Emperor in War and Peace Ikuhiko Hata NIHON UNIVERSITY Edited by Marius B. Jansen GLOBAL ORIENTAL 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iv HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE by Ikuhiko Hata Edited by Marius B. Jansen First published in 2007 by GLOBAL ORIENTAL LTD P.O. Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Ikuhiko Hata, 2007 ISBN 978-1-905246-35-9 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the Publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Garamond 11 on 12.5 pt by Mark Heslington, Scarborough, North Yorkshire Printed and bound in England by Athenaeum Press, Gateshead, Tyne & Wear 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page vi 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page v Contents The Author and the Book vii Editor’s Preface -
Growing Democracy in Japan: the Parliamentary Cabinet System Since 1868
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Asian Studies Race, Ethnicity, and Post-Colonial Studies 5-15-2014 Growing Democracy in Japan: The Parliamentary Cabinet System since 1868 Brian Woodall Georgia Institute of Technology Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Woodall, Brian, "Growing Democracy in Japan: The Parliamentary Cabinet System since 1868" (2014). Asian Studies. 4. https://uknowledge.uky.edu/upk_asian_studies/4 Growing Democracy in Japan Growing Democracy in Japan The Parliamentary Cabinet System since 1868 Brian Woodall Due to variations in the technical specifications of different electronic reading devices, some elements of this ebook may not appear as they do in the print edition. Readers are encouraged to experiment with user settings for optimum results. Copyright © 2014 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Woodall, Brian. -
Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940
lieven ameel Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Lieven Ameel Helsinki in Early Twentieth- Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Finnish Literature Society · SKS · Helsinki Studia Fennica Litteraria 8 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. -
Article Title: Edward Said and the Japanese: British
ISSN: 1500-0713 ______________________________________________________________ Article Title: Edward Said and the Japanese: British Representations of Japan in the Years Before the Sino-Japanese War Author(s): Stephen Smith Source: Japanese Studies Review, Vol. XV (2011), pp. 109 - 127 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xv-2011/smith-edward- said-and-the-japanese-ii.pdf ______________________________________________________________ EDWARD SAID AND THE JAPANESE: BRITISH REPRESENTATIONS OF JAPAN IN THE YEARS BEFORE THE SINO-JAPANESE WAR Stephen Smith Sheffield Hallam University, UK Japan is a great empire with a most ancient and elaborate civilization, and offers as much novelty perhaps as an excursion to another planet!1 Emphasizing the novelty of Japan whilst simultaneously praising the country and its people was a recurrent feature in many of the texts written by British travelers to Japan in the years before the Sino-Japanese War. Authors never seemed to tire of providing diverting, and often amusing, examples of the ways in which the two countries differed. In an entry on “Topsy-turvydom” in his miniature encyclopedia of Things Japanese, the eminent Japanologist Basil Hall Chamberlain clearly relished imparting such amusing facts as “[w]hen building a house, the Japanese construct the roof first” and “strangest of all, after a bath the Japanese dry themselves with a damp towel!”2 For some authors, it was their avowed intention to record for posterity the peculiarities -
ACADEMIC ENCOUNTER the American University in Japan and Korea R
ACADEMIC ENCOUNTER The American University in Japan and Korea r ACADEMIC ENCOUNTER The American University in Japan and Korea By Martin Bronfenbrennet THE FREE PRESS OF GLENCOE, INC. A division of the Crowell-Collier Publishing Co. New York t BUREAU OF SOCIAL AND POLITICAL RESEARCH Michigan State University f East Lansing, Michigan I Copyright@ 1961 BY THE BOARD OF TRUSTEES OF MICHIGAN STATE UNIVERSITY East Lansing, Michigan Library of Congress Catalog Card Number: 61-63703 i t , PREFACE • This study of some 18 American university affiliations with Japanese and Korean institutions is a small part of a larger study of the American university overseas. The larger study l is undertaken by the Institute for Research on Overseas Pro grams at Michigan State University. What is said here about programs in Japan and Korea can be compared with what other staff members of the Institute have saidabout programs in other countries, particularly other Asian countries such as India and !t Indonesia. , Many believe with ex-President Eisenhower that the American university should expand its foreign affiliations as a contribution t to economic and cultural reconstruction and development over seas, and to better international understanding between America and other countries. In this view, university affiliations are an j important type of "people to people" contacts across national boundaries. Others believe that the American university should f concentrate its limited manpower and resources on the domestic job it does best, and reduce the scale of its commitments abroad. Part of the decision (or compromise) between these viewpoints should be based on a knowledge of what the existing international programs are in fact attempting or accomplishing. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
Law in the Allied Occupation of Japan
Washington University Global Studies Law Review Volume 8 Issue 2 Law in Japan: A Celebration of the Works of John Owen Haley 2009 The Good Occupation? Law in the Allied Occupation of Japan Yoshiro Miwa University of Tokyo J. Mark Ramseyer Harvard Law School Follow this and additional works at: https://openscholarship.wustl.edu/law_globalstudies Part of the Comparative and Foreign Law Commons Recommended Citation Yoshiro Miwa and J. Mark Ramseyer, The Good Occupation? Law in the Allied Occupation of Japan, 8 WASH. U. GLOBAL STUD. L. REV. 363 (2009), https://openscholarship.wustl.edu/law_globalstudies/vol8/iss2/13 This Article & Essay is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Global Studies Law Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE GOOD OCCUPATION? LAW IN THE ALLIED OCCUPATION OF JAPAN YOSHIRO MIWA J. MARK RAMSEYER∗ They left Japan in shambles. By the time they surrendered in 1945, Japan’s military leaders had slashed industrial production to 1930 levels.1 Not so with the American occupiers. By the time they left in 1952, they had rebuilt the economy and grown it by fifty percent.2 By 1960 the economy had tripled, and by 1970 tripled once more.3 For Japan’s spectacular economic recovery, the American-run Allied Occupation had apparently set the stage. The Americans had occupied, and the economy had boomed. The Americans had ruled, and Japan had thrived. -
Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Spring 5-5-2012 Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton Benjamin O. Rollins Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Rollins, Benjamin O., "Carnival's Dance of Death: Festivity in the Revenge Plays of KYD, Shakespeare, and Middleton." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/79 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CARNIVAL’S DANCE OF DEATH: FESTIVITIY IN THE REVENGE PLAYS OF KYD, SHAKESPEARE, AND MIDDLETON by BENJAMIN ROLLINS Under the Direction of Paul Voss ABSTRACT Through four hundred years of accumulated disparaging comments from critics, revenge plays have lost much of the original luster they possessed in early modern England. Surprisingly, scholarship on revenge tragedy has invented an unfavorable lens for understanding this genre, and this lens has been relentlessly parroted for decades. The all-too-familiar generic approach that calls for revenge plays to exhibit a recurring set of concerns, including a revenge motive, a hesitation for the protagonist, and the revenger’s feigned or actual madness, imply that these plays lack philosophical depth, as the appellation of revenge tends to evoke the trite commonalities which we have created for the genre. This dissertation aims to rectify the provincial views concerning revenge tragedies by providing a more complex, multivalent critical model that makes contemporary outmoded approaches to this genre.