Cashbok Program for New Product

Total Page:16

File Type:pdf, Size:1020Kb

Cashbok Program for New Product Editorial: Some Personal Business ... See ATV Victory In Northern Takeover .... National General Enters Music Scene; Al Kasha VP . Labels Commended, Scored By Deal- er Association... Stax-Volt Confab Orders Hit $2 Million ...Tetra's $250,000 Ad mCashBoK Program For New Product... Katzel Gen. Mgr. Of Avco Embassy Label. ..RCA Pubs Sizzle. Led Zeppelin THE AGE OF THE FIFTH DIMENSION Int’l Section Begins on Pg. 75 We’re so pleased, we’ve decided to release them as - the new Blood, Sweat &Tears single: “Spinning Wheel’4 4487i and “More and More.’’ Released from the album. On Columbia Records® 1 « -COIUMBIA, B M*RC»S REG PSINTtO IN U SJl THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL XXX-Number 44/May 31, 1969 Publication Office / 1780 Broadway, New York. New York 10019 /Telephone: JUdson 6-2640 /Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher AAARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL AURV GOODMAN Assoc. Editor DANIEL BOTTSTEfN JOHN KLEIN ALLAN RINDE BOB COHEN EDITORIAL ASSISTANTS MIKE AAARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Some Persona! Director of Advertising ACCOUNT EXECUTIVES STAN SOI PER, New York BILL STUPER, New York Business HARVEY GELLER, Hollywood WOODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager BEN JONES, Editor CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. CHICAGO HOLLYWOOD CAMILLE COMPASIO HARVEY GELLER 29 E. Madison St. 6290 Sunset BKrd. The music business has had the Praising the industry for its part in Chicago 2, III. Hollywood, Calif. 90028 rare opportunity over the past several “erasing the color line” in America's Phone: (312) FI 6-7272 Phone: (213) 465-2129 weeks to hear the voices of two dedi- entertainment world, Sen. Javits visu- ENGLAND cated men among the ranks of distin- alized its participation in recruiting DORRIS LAND 3 Cork Street guished politicians speak at two in- talent from the ghettos and helping London, W1, England dustry gatherings. Senator Javits of form new record companies owned Tel: 01-734-2374 New York, addressed an RIAA award and operated inside the ghettos. This dinner (of which he was the first reci- dual purpose, of course, gives youth ITALY HOLLAND AAARIO PANVINI ROSATI PAUL ACKET pient) and Julian Bond, who was pro- in the ghettos a chance to achieve Galleria Passarella 2 Theresiastraat 59-63 pelled to national prominence from his economic strength on a creative level Milan (Italy) The Hague Tel: 790990 Tel: 837700 base as a representative in the Geor- and also provides employment in all GERMANY FRANCE gia legislature, spoke to guests at the types of skills required of any busi- /4AL SONDOCK CHRISTOPHE IZARD Stax/Volt sales convention in Memphis. ness enterprise within the ghetto Josef Raps Strasse 1 24, Rue Octave Feuillet Munich, Germany Paris XVI Tel: 870-9358 Sen. Javits' address was geared di- structure. Putting new economic vigor Tel: 326410 AUSTRALIA rectly for music business consump- into the ghetto is one thing, we may BRAZIL RON TUDOR tion, while Rep. Bond spoke to his add, but it's also important that the PEDRO FRAZAO 8 Francis St., DE VASCONCELOS Heathmont, Victoria audience not in their capacity as mu- music business find employment and Rua Frei Caneca, 11, Apt. 13 Tel: 870-5677 sic men, but as concerned Americans. opportunity for the disadvantaged out- Sao Paulo, S.P., Brazil MEXICO Tel: 239.40 18 side of the ghetto, too. SALVADOR ARREGUIN Both, however, presented a strong ARGENTINA What Sen. Javits has proposed in ANTONIO SENS case for greater involvement in the up- MIGUEL SMIRNOFF Tiber 100 — 7 y 8 Pisos direct relationship to the music busi- Rafaeia 3978 Mexico 5, D.F. lifting of the economic standard of ness and Rep. Bond in more general Buenos Aires Tel: 25-39-52 11-62-96 those victimized by the repression with- Tel; 69-1538 terms has not totally been denied JAPAN in ghetto life. Rep. Bond pointed to CANADA Adv. Mgr. to some extent, both through cooper- WALT GREALIS SHOICHI KUSANO the fact that the gains the Negro has ative industry ventures and the actions RPM Editorial Mgr. made in the area of integration into 1560 Bayview Ave. MORIHIRO NAGATA of individual companies and people. public facilities Toronto 17, Ontario 466 Higfashi-OIzumi (e.g. buses, restau- But, “to some extent” is surely not Tel: (416) 389-2166 Neirimaku rants) has not been matched by all- Tokyo enough in a struggle to improve SCANDINAVIA important progress on the economic the SVEN G. WINQUIST BELGIUM lives of millions upon millions. And level. And he armed with dev- Kaggeholmsvagen 48, JOS BAUDEWIJN came “to some extent” is not enough for an Stockholm-Enskede, Lindestratt 19 astating statistics to support his thesis. Sweden, Tel: 59-56 85 Lokeren industry that owes much of its present 122 40 Tel: 09 78 31 76 Sen. Javits relied less on the statis- prosperity (and excitement) to creativ- SUBSCRIPTION RATES $25 per year anywhere in the U.S.A. tical approach, but on the moral ques- ity that has its origins in the ghetto. Published weekly by Cash Box, 17B0 Broadway, New York, N.Y. 10019. Second class postage paid at Hartford, Conn. 06105 tion of what role the record industry Yes, the role of the music business U.S.A. can play to improve the economic lot in this area is one of personal concern, Copyright © 1969 by The Cash Box Publishing Co., Inc. All rights reserved. Copyright under Universal Copyright Convention. of the disadvantaged. not to mention a patriotic one. 1 CoshBox CashBoxTOP100 \C\J 1 GET BACK If) If) 34 CISSY STRUT 68 I THREW IT ALL AWAY Beatles With Billy Preston-Apple 2490 1 3 Meters-Josie 1005 38 42 Bob Dylan-Columbia 44826 71 2 LOVE CAN MAKE YOU HAPPY 35 ITS NEVER TOO LATE I TURNED YOU ON Mercy-Sundi 6811 2 5 Steppenwolf-Dunhill 4192 40 48 Isley Bros.-T-Neck 902 — — I LOVE 1 OH HAPPY DAY BLACK PEARL BABY YOU • Edwin Hawkins Singers-Pavilion 20001 6 10 Checkmates Ltd. with Sonny Charles-A&M 1053 44 54 Andy Kim-Steed 716 79 86 THESE EYES LET ME WITHOUT HER • Guess Who-RCA Victor 0102 5 6 Paul Revere & Raiders Columbia 44854 47 59 Herb Alpert-A&M 1065 81 5 HAIR 38 MEDICINE MAN 72 TRUCK STOP Buchanan Cowsills-MGM 14026 3 1 Brothers-Event 3302 42 51 Jerry Smith-ABC 11162 75 82 6 AQUARIUS/LET THE SUNSHINE GOOD MORNING STARSHINE COLOR HIM FATHER Oliver-Jubilee 5659 55 78 IN MEDLEY Winstons-Metromedia 117 87 — 5th Dimension-Soul City 772 4 2 40 I COULD NEVER LIE TO YOU THE POPCORN New Colony Six-Mercury 72920 45 50 7 GITARZAN James Brown-King 6240 — — Ray Stevens-Monument 1131 8 9 41 (I WONNA) TESTIFY Johnny Taylor-Stax 0033 46 55 SO I CAN LOVE YOU Emotions-Volt 4010 — GRAZIN’ IN THE GRASS 42 SEATTLE • Friends Of Distinction-RCA Victor 0107 11 12 Perry Como-RCA 9722 48 49 WITH PEN IN HAND 9 ATLANTIS Vikki Carr-Liberty 56092 88 100 Donovan-Epic 10434 10 25 43 HAWAII FIVE-0 Ventures-Liberty 56068 20 11 77 YOU DON’T NEED ME FOR MORE TODAY THAN YESTERDAY 44 I’M A DRIFTER ANYTHING, ANYMORE Spiral Starecase-Columbia 44741 12 13 Brenda Lee-Decca • Bobby Goldsboro-United Artists 50525 49 53 32491 82 IN THE GHETTO THE APRIL FOOLS 78 IMAGINE THE SWAN 0 Elvis Presley-RCA Victor 9741 19 24 Dionne Warwick-Scepter 12249 54 69 Zombies-Date 1644 77 84 TOO BUSY THINKING ABOUT SPECIAL DELIVERY MOODY WOMAN 0 MY BABY 1910 Fruitgum Co.-Buddah 114 57 67 Jerry Butler-Mercury 72929 — — Marvin Gaye-Tamla 54181 14 17 LOVE ME TONIGHT MY CHERIE AMOUR — 13 WHERE’S THE PLAYGROUND SUSIE Tom Jones-Parrot 40038 59 Stevie Wonder-Tamla 5418 — — Glen Campbell-Capitol 2494 13 19 DON’T LET THE JONESES 81 SOME VELVET MORNING — 14 HEATHER HONEY GET YOU DOWN Vanilla Fudge-Atco 6667 85 Tommy Roe-ABC 11211 15 18 Temptations-Gordy 7086 58 68 82 TOO EXPERIENCED 15 PINBALL WIZARD 49 THE CHOKIN’ KIND Eddie Lovette-Steady 124 89 91 Joe Simon-Sound Stage 7 2628 14 The Who-Decca 32465 16 16 28 RUNNING BEAR 16 RIVER IS WIDE 50 PROUD MARY Sonny James-Capitol 2486 93 95 Solomon Burke-Bell 783 56 60 Grassroots-Dunhill 4187 17 20 SPINNING WHEEL TOMORROW. TOMORROW Blood, Sweat & Tears-Columbia 44781 — 17 GOODBYE Bee Gees-Atco 6682 61 — Mary Hopkin-Apple 1806 18 28 85 GOOD MORNING STARSHINE »r, 52 SWEET CHERRY WINE strawberry Alarm Clock-Uni 55125 91 BAD MOON RISING Tommy James & Shondells-Roulette 7039 23 15 • Creedence Clearwater Revival-Fantasy 622 24 46 NO MATTER SIGN ARE 86 LISTEN TO THE BAND WHAT YOU Monkees-Colgems 5004 92 19 THE BOXER Diana Ross & 1 he Supremes-Motown 1 148 66 Simon & Garfunkel-Columbia 44785 7 4 54 GIMME LOVIN’ MY PLEDGE OF LOVE GIMME GOOD - ROMEO & JULIET THEME Crazy Elephant-Bell 763 29 26 Joe Jeffrey Group-Wand 112 Henry Mancini-RCA Victor 0131 53 77 • ITS MY THING PART I 55 BORN TO BE WILD — 21 ITS YOUR THING Wilson Pickett-Atlantic 2631 50 56 Marva Whitney-King 6229 Isley Brothers-T Neck 901 9 7 WHAT DOES IT TAKE 89 LET ME LOVE YOU 22 EVERYDAY WITH YOU GIRL Jr. Walker & All Stars-Soul 35062 65 74 Ray Charles-ABC 11213 90 92 Classics IV-Imperial 66378 26 35 LOVE MAN 90 I CAN’T QUIT HER MORNING GIRL Otis Redding-Atco 6677 67 79 100 Arbors-Date 1645 97 • Neon Philharmonic-Warner Bros./7 Arts 7261 27 33 58 SORRY.
Recommended publications
  • Shoosh 800-900 Series Master Tracklist 800-977
    SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount
    [Show full text]
  • Alkymisten En Studie Av Åge Aleksandersens Musikk
    Emnekode: MUS5013 Navn: Fanny Louise Wullum Fahsing Alkymisten En studie av Åge Aleksandersens musikk Dato: 21.mai 2019 Totalt antall sider: 91 Alkymisten En studie av Åge Aleksandersens musikk Fanny Louise Wullum Fahsing Mastergradsoppgave i musikkvitenskap, Fakultet for lærerutdanning, kunst og kulturfag NORD UNIVERSITET LEVANGER 21.05. 2019 Sammendrag Hensikten med å skrive denne oppgaven ikke vært å skrive en ny biografi om Åge, men å prøve å få et innblikk i hvordan Aleksandersen jobber når han skriver musikk, hva det er som inspirerer han til å skrive, og hvordan han jobber sammen med musikerne sine for å utvikle ideer han har til ferdige sanger. Tittelen på oppgaven; Alkymisten, har jeg valgt fordi det er en selvbiografisk sang, der Åge beskriver sin karriere med sine oppturer og nedturer. I første del av oppgaven har jeg skrevet om populærmusikk som kategori, om «trønderrock» som begrep og som identitet for musikere fra Namdalsregionen, samt om musikkproduksjon som fagfelt. Jeg har også skrevet om valg av metode og valg av kilder. I andre del av oppgaven gjennomgår jeg Åge Aleksandersens karriere gjennom en beskrivelse av barndom og oppvekst i Namsos, hans «læretid» i Prudence, og deretter kommer en historisk oppsummering hans solokarriere. I tredje del kommer jeg inn på Åges rolle som låtskriver og produsent, blant annet sett i forhold til hvordan fonogrambransjen har operert de siste årene, samt hvordan Åges musikalske praksis i studio arter seg. Jeg sier også noe om musikere han har samarbeidet med; spesielt om musikere med folkemusikalsk bakgrunn. I fjerde del sier jeg noe om hvordan Åge og Sambandet jobber sammen i dag, før jeg avrunder med å si noe om perspektivene Åge har på hvordan han kommer til å jobbe med musikk i fremtiden.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Music & Entertainment Auction
    Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • Interview with Paul Jones by Gianni Franchi, May 2016
    Interview with Paul Jones by Gianni Franchi, May 2016 SB: The first news that I've found about your career see you as a young harmonica player hangin' around London blues clubs with Brian Jones. Can you tell us something about those times? PJ: I was more of a singer than harmonica-player in those days; I had a job singing with a dance- band. I had bought a harmonica after hearing Junior Wells playing on a T-Bone Walker track – but I couldn’t get anywhere near the sounds Junior was making. Brian showed me how to play ‘cross- harp’, or as it’s called these days, 2nd position. SB: How did you learn to play the harmonica, how you did you passionate about blues music, and who was your favourite harp player ? PJ: I had been a jazz enthusiast since I was 14, but after hearing Lonnie Donegan’s record of ‘Rock Island Line’, I quickly became immersed in the blues – the more you hear, the more you love. Once Brian’s lesson had sunk in to my thinking, I listened to all harmonica blues, and Muddy Waters’ harpman at the time, James Cotton, became my favourite. But the more I studied, the more I loved and followed the great Little Walter – with Sonny Boy Williamson II close behind. SB: In 1962 you became the singer and harp player of the Manfred Mann , a fantastic band that mixed blues, R & B with jazz instrumental songs. What can you tell us about that experience and why at a certain point you decided to leave the band? PJ: People never ask why I joined those guys in the first place – only why I left.
    [Show full text]
  • The Righteous Brothers by Jerry Bfay At
    The Righteous Brothers B yJerry Bfayat •— —■ a d i o , w i t h o u t a d o u b t , is t h e m o s t i m p o r - and “Leaving It All lip to You,” which years later tant vehicle for a recording artist. How became a Number One hit for Dale & Grace. Two- many times did y o u turn on your radio part harmony was not unique then - but a pair of and hear a great song b y a great a r t i s t s ! white boys emulating the great black two-part-har­ Rmaybe Johnny Otis singing “Willie and thm e Hand on y sound? That w as new. Jive,” the Magnificent Men doing “Peace of Mind,” or For Bobby Hatfield and Bill M edley (bom a m onth the Soul Survivors performing “Expressway (To Your apart in 1940), it began separately. Both started Heart)” - not realizing these were white performers, singing at Orange County, California, clubs as ones who had the soul and the ability to sound teenagers. In the early 1960s, Bobby had his group, black? Conversely, did you ever lis­ the Variations, and Bill his, the ten to an artist like Ella Fitzgerald, Paramours. In 1962, Bobby’s group Carmen McRae or Nancy Wilson incorporated with the Paramours. and say to yourself, “Wow, what a One of their first big shows together fantastic performer,” and assume was at the Rendezvous Ballroom, in she was white? That’s the wonder­ Balboa, California, a famous haunt ful thing about music: The great during the big-band era.
    [Show full text]
  • Preowned 1970S Sheet Music
    Pre­owned 1970s Sheet Music. PLEASE NOTE THE FOLLOWING FOR CONDITION AND PRICES PER TITLE Offers Not priced – Offers please. ex No marks or deteriation Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside. Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered.. Year Year of print. Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover STAMP OUT FORGERIES. Warning: It has come to our attention that there are sheet music forgeries in circulation. In particular, items showing Elvis Presley, Cliff Richard, The Beatles and Gene Vincent have recently been discovered to be bootleg reprints. Although we take every reasonable precaution to ensure that the items we have for sale are genuine and from the period described, we urge buyers to verify purchases from us and bring to our attention any item discovered to be fake or falsely described. The public can thus be warned and the buyer recompensed. Your co­operation is appreciated. 1970s Title Writer and composer condition Photo year Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a © 1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and small Johnny Pearson good sheep grazing 1977 All I ever need is you J.Holiday/E.Reeves ex Sonny & Cher 1972 All I think about is you Harry Nilsson ex Harry Nilsson 1977 Amanda Brian Hall ex Stuart Gillies 1973 Amarillo (is this the way to) N.Sedaka/H.Greenfield ex Tony Christie 1971 Amazing grace Trad.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Wavelength (June 1983)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio.
    [Show full text]
  • Sites of Arthur: Mythic Quests for Cultural Identity and Value
    Sites of Arthur: Mythic quests for cultural identity and value Benjamin Earl Cardiff School of Journalism, Media and Cultural Studies Cardiff University March 2007 A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy UMI Number: U584114 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584114 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Declaration This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A 39-page bibliography is attached. I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date .. For William Edmund Richardson and Thomas Charles Earl.
    [Show full text]
  • Dal 25 Al 31 Agosto Una Settimana Di Blues in Città Concerti › Teatro › Letteratura Arte › Cinema › Enogastronomia
    Comune di Pordenone Regione Autonoma Friuli Venezia Giulia Provincia di Pordenone Ass. Cult. Pordenone Giovani ServiziEventi Machine DAL 25 AL 31 AGOSTO UNA SETTIMANA DI BLUES IN CITTÀ CONCERTI › TEATRO › LETTERATURA ARTE › CINEMA › ENOGASTRONOMIA INGRESSO GRATUITO Ore 20.45 grandi idoli come Lunedì 25 AGOSTO Bobby Blue Bland, MINI CONFERENZA EX CONVENTO DI SAN FRANCESCO Sam Cook e B.B. King. Alla fine de- PIAZZA DELLLA MOTTA IL BLUES IN ITALIA gli anni ’50 arriva in Ore 18.00 E IN EUROPA Inghilterra e inizia Breve chiacchierata sui vari aspetti della musica afroame- a collaborare con ricana nel vecchio continente: ha ancora senso suonare alcuni dei maggiori DAL 25 AL 31 AGOSTO 2014, UNA SETTIMA- INAUGURAZIONE la musica dei neri, produrre dischi, organizzare concerti, esponenti della na- in presenza delle autorità serate, scrivere recensioni? scente scena blues NA DI GRANDI EVENTI PER ASSAGGIARE IL Saranno presenti: Le 12 battute riescono ad avvicinare il Friuli e la Sicilia? britannica. Dopo la Ci sono nuovi sviluppi a livello europeo per questa forma Chris Barber Jazz BLUES ATTRAVERSO CONCERTI, PROIEZIONI, - Davide Grandi redattore della rivista Il Blues - Keeping d’arte e di cultura “povera” ma immediata e istintiva? Band infatti appro- da nei Blues Incorporated di Alexis Korner, considerato CONFERENZE, IN OGNI ANGOLO DELLA CIT- The Blues Alive Award - Print Media 2009 - Membro A cura di Davide Grandi (redattore della rivista Il Blues e del board dell’European Blues Union - Organizzatore Membro del board dell’European Blues Union) il padre del british blues. Nella sua band militeranno delle selezioni italiane per l’European Blues Challenge moltissimi artisti divenuti poi famosissimi nei gruppi TÀ SORSEGGIANDO VINI MUSICALI, ASCOL- rock come Jack Bruce e Ginger Baker (Cream), Charlie - Cesare Coletti coordinatore del “1° Blues Music Day”, 0re 21.15 Watts (Rolling Stones) e molti altri.
    [Show full text]