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Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man
Issue Hero Villain Place Result Avengers Spotlight #26 Iron Man, Hawkeye Wizard, other villains Vault Breakout stopped, but some escape New Mutants #86 Rusty, Skids Vulture, Tinkerer, Nitro Albany Everyone Arrested Damage Control #1 John, Gene, Bart, (Cap) Wrecking Crew Vault Thunderball and Wrecker escape Avengers #311 Quasar, Peggy Carter, other Avengers employees Doombots Avengers Hydrobase Hydrobase destroyed Captain America #365 Captain America Namor (controlled by Controller) Statue of Liberty Namor defeated Fantastic Four #334 Fantastic Four Constrictor, Beetle, Shocker Baxter Building FF victorious Amazing Spider-Man #326 Spiderman Graviton Daily Bugle Graviton wins Spectacular Spiderman #159 Spiderman Trapster New York Trapster defeated, Spidey gets cosmic powers Wolverine #19 & 20 Wolverine, La Bandera Tiger Shark Tierra Verde Tiger Shark eaten by sharks Cloak & Dagger #9 Cloak, Dagger, Avengers Jester, Fenris, Rock, Hydro-man New York Villains defeated Web of Spiderman #59 Spiderman, Puma Titania Daily Bugle Titania defeated Power Pack #53 Power Pack Typhoid Mary NY apartment Typhoid kills PP's dad, but they save him. Incredible Hulk #363 Hulk Grey Gargoyle Las Vegas Grey Gargoyle defeated, but escapes Moon Knight #8-9 Moon Knight, Midnight, Punisher Flag Smasher, Ultimatum Brooklyn Ultimatum defeated, Flag Smasher killed Doctor Strange #11 Doctor Strange Hobgoblin, NY TV studio Hobgoblin defeated Doctor Strange #12 Doctor Strange, Clea Enchantress, Skurge Empire State Building Enchantress defeated Fantastic Four #335-336 Fantastic -
Wavebid > Buyers Guide
Auction Catalog April25-May 2 Auction 2021 - Date Posted is When Online Auction Date: Sunday, Apr 25 2021 Bidding Starts: 10:00 AM EDT Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 04/26/2021 05:10 PM Lot Title & Description Number 1 1994 Florence Limited Ed. Walt Disney's Ariel Figurine by Giuseppe Armani - made in Italy #1623/1500 (great condition) {in house shipping available} Mixed Metal Los Castillo Taxco Mexico Tipping Inlaid Hard Stone Bird Pitcher - 6 1/4" tall, 4 1/2" wide with handle, maker mark on 2 bottom, {in house shipping available} Franklin Mint Star Trek Starship Enterprise Ship - pewter ships on stands, authorized by Paramount Pictures (one arm of ship has 3 started to pull away from ship and both arms are bent down) {in house shipping available} Spectacular 1998 Vincent Trabucco Art Glass Paperweight - beautiful detailed floral design on white lace - signed on bottom {in house 4 shipping available} Mt Washington Peachblow JIP Tulip and Enameled Blue Glass Victorian Vases - 8" rib optic Victorian blue glass vase with black 5 cartouche enamel decoration surrounding raised gold bird scenic and additional floral decorations, 9" slender tulip lip vase with classic Mt Washington soft white to blush satin body - in house shipping available 6 Lalique Satin Finish Sparrow and Accented Filicaria vase - 4.5" Filicaria with fern like leaf cuttings in original box and 3" x 4.5" sparrow (no box) - in house shipping available Steiff Quality European Construction Vintage Mohair Stuffed 3 Piece Showroom Size Deer Family - 36" high buck with head raised and sewn leather 10 point antler rack, 20" tall momma deer with big eye lashes and head lowered to the side, and 13" fawn with head 7 raised to nuzzle with momma - European construction, they all have beautiful mohair coats over sturdy frame, tan underbellies and air brushed spotted coats, leather hooves and glass eyes. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
God Only Knows: Historia Zespołu the Beach Boys Oraz Albumu Pet Sounds I Ich Wpływ Na Współczesną Muzykę Rozrywkową
Maciej Smółka God Only Knows: historia zespołu The Beach Boys oraz albumu Pet Sounds i ich wpływ na współczesną muzykę rozrywkową Wstęp W 1966 roku miało miejsce wiele znaczących wydarzeń dla muzyki rozrywko- wej. Spośród nich można wymienić m.in. powstanie The Jimi Hendrix Experien- ce, premierę debiutanckiego albumu Franka Zappy i The Mothers of Invention pt. Freak Out!, ostatni koncert The Beatles czy słynny wypadek motocyklowy Boba Dylana. W tym samym roku, pewnego majowego dnia stała się rzecz, która do dzisiaj kształtuje gusta muzyczne kolejnych pokoleń i odciska na nich piętno – swoją premierę miał wtedy album Pet Sounds zespołu The Beach Boys. Przez wielu zapomniany, mimo to oddziaływujący podświadomie na urozmai- canie nowych nurtów we współczesnej muzyce rozrywkowej na całym świecie. Dzisiaj uznawany za jedno z największych osiągnięć artystycznych, wtedy za niepotrzebny wybryk maszynki do tworzenia przebojów. Obecnie coraz więcej krytyków muzycznych zaczyna badać ogrom zjawiska, którym jest powszechne czerpanie wzorców z The Beach Boys, lecz charakter naukowy stanowi niewielki procent tego procederu. Widoczne inspirowanie się tym zespołem istniało już od kilku dekad, lecz stało się jeszcze bardziej po- pularne po długo oczekiwanym wydaniu w 2004 roku albumu Smile autorstwa głównego kompozytora i założyciela The Beach Boys Briana Wilsona. Płyta została wydana po 37 latach od stworzenia i przez ten okres zdążyła osiągnąć status legendarnej1. Krążek, zaraz po premierze, uzyskał ogólnoświatowe uzna- 1 J. Robinson, Beach Boys to Release Legendary ‘Smile’ Album, Ending 44 Year Wait, http:// ultimateclassicrock.com/beach-boys-smile-album-release/ (27.11.2012). 141 142 MACIEJ SMÓŁKA nie, i to pośrednio dzięki niemu świat muzyczny przypomniał sobie o istnieniu kalifornijskiego zespołu. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Lilms Perisllecl
Film History, Volume 9, pp. 5-22, 1997. Text copyrig ht © 1997 David Pierce. Design, etc. copyright© John libbey & Company. ISSN: 0892-2 160. Pri nted in Australia l'lle legion of file conclemnecl - wlly American silenf lilms perisllecl David Pierce f the approximately 1 0 ,000 feature print survives for most silent films, usually therewere films and countless short subjects re not many copies lo begin with . While newspapers leased in the United States before or magazines were printed and sold by the thou O 1928, only a small portion survive . sands, relatively few projection prints were re While so me classics existand are widelyavailable, quired for even the most popular silent films . In the many silent films survive only in reviews, stills, pos earliest days of the industry, producers sold prints, ters and the memories of the few remaining audi and measured success bythe number ofcopies sol d. ence members who saw them on their original By the feature period, beginning around 1914, release. 1 copies were leased lo subdistributors or rented lo Why did most silent films not survive the pas exhibitors, and the owners retained tight control. sage of time? The curren! widespread availability The distribution of silent features was based on a of many tilles on home video, and the popularity of staggered release system, with filmgoers paying silent film presentations with live orchestral accom more lo see a film early in its run. Films opened in paniment might give the impression that silent films downtown theatres, moved lo neighbourhood had always been held in such high regard . -
City Church, Tallahassee, Blurring the Lines of Sacred and Secular Katelyn Medic
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 City Church, Tallahassee, Blurring the Lines of Sacred and Secular Katelyn Medic Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC CITY CHURCH, TALLAHASSEE: BLURRING THE LINES OF SACRED AND SECULAR By KATELYN MEDIC A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester 2014 Katelyn Medic defended this thesis on April 11, 2014. The members of the supervisory committee were: Margaret Jackson Professor Directing Thesis Sarah Eyerly Committee Member Michael McVicar Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS Make a joyful noise to the Lord, all the earth! Serve the Lord with gladness! Come into his presence with singing! (Psalm 100:1–2, ESV) I thank the leaders and members of City Church for allowing me to observe their worship practices. Their enthusiasm for worship has enriched this experience. I also thank the mentorship of the members of my committee, Margaret Jackson, Sarah Eyerly, and Michael McVicar. iii TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... vi ABSTRACT -
Tonight's Listings
(S) = In Stereo (N) = NewProgramming For a guide to channel numbers on cable and satellite, look in the (HD) = High Definition Television (PA) = Parental Advisory Movies shaded Tonight’s listings (R) = Restricted Under 17 (NR) = Not Rated Listings subject to change TV Week magazine in Sunday’s Spokesman-Review. Sep. 16 5 pm 5:30 6 pm 6:30 7 pm 7:30 8 pm 8:30 9 pm 9:30 10 pm 10:30 11 pm KREM KREM 2 News at CBS Evening KREM 2 News at Access Holly- The Doctors (N) 4 New Adv.-Old Gary Unmarried Criminal Minds: ... And Back. (S) 5 CSI: NY: Pay Up. (S) 5 (HD) KREM 2 News at 2.1 5 (N) News-Couric 6 (N) wood (N) 4 Christine (S) 5 (HD) (HD) 11 (N) KXLY KXLY 4 News at 5 World News-Gib- KXLY 4 News at KXLY 4 News at Entertainment The Insider (N) Wipeout (N) (S) 4 (HD) (:02) Crash Course (N) (S) 4 (:01) Primetime: The Outsiders (N) KXLY 4 News at 4.1/4.3 (HD) son 6 (HD) 6:30 (HD) Tonight 4 (S) (HD) (S) (HD) 11 (HD) KXMN Star Trek: The Next Generation: Seinfeld (S) 4 Seinfeld (S) 4 KXLY 4 News at KXLY 4 News at World’s Funniest Moments (S) Magic’s Biggest Secrets Finally Re- Entertainment The Insider (N) The Man in the 4.2 The Naked Now. (S) 4 (HD) (HD) 6 6:30 (HD) vealed (S) (HD) Tonight 4 (S) (HD) Iron Mask ›› KHQ News (N) 3 NBC Nightly News (N) 3 Who Wants to Be Jeopardy! (N) 3 Wheel of For- America’s Got Talent: Winner is revealed; Susan Boyle. -
SEBASTIAN VISCONTI Supervising Sound Editor
SEBASTIAN VISCONTI Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS THE WALKING DEAD: WORLD BEYOND Scott Gimple/Matthew AMC Studios Negrette MOONBASE 8 Fred Armisen/Tim A24/Showtime Heidecker BROCKMIRE Joel Church-Cooper Funny or Die/IFC BASKETS Louis CK/Zach Galifianakis Pig Newton/FX DOCUMENTARY NOW! Fred Armisen/Bill Hader Broadway Video/IFC CORPORATE Pat Bishop/Matt Comedy Central Ingebretson AMERICAN VANDAL Dan Perrault/Tony Yacenda 3 Arts Entertainment KITTENS IN A CAGE Jillian Armenante (director) Stoic Entertainment SOUND DESIGNER | SELECT TELEVISION CREDITS STAN AGAINST EVIL Dana Gould Radical Media/IFC THE MICK Dave Chernin/John Chernin 3 Arts Entertainment WHAT ABOUT BARB? Joe Port/Joe Wiseman ABC Studios THE MUPPETS Bob Kushell/Bill Prady Bill Prady Productions SOUND EFFECTS EDITOR | SELECT TELEVISION CREDITS & AWARDS THE FLASH Greg Berlanti/Geoff Johns Berlanti Productions/WBTV SEAL TEAM Benjamin Cavell East 25C/CBS Lisa Joy/Jonathan Nolan Bad Robot/HBO WESTWORLD (2017) THE WALKING DEAD: RED MACHETE Avi Youabian (director) Legion of Creatives/AMC THE MAYOR Jeremy Bronson Jeremy Bronson Productions/ABC MINORITY REPORT Max Borenstein Amblin TV HEROES REBORN: DARK MATTERS (mini-series) Tanner Kling (director) 20th TV CONSTANTINE Daniel Cerone/David Goyer DC Comics/HBO Max BELIEVE Alfonso Cuaron/Mark Bab Robot/NBC Friedman Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS . -
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka ■ Abstract The history of sound recording started with the "Phonograph," the machine invented by Thomas Edison in the USA in 1877. Following that invention, Oberlin Smith, an American engineer, announced his idea for magnetic recording in 1888. Ten years later, Valdemar Poulsen, a Danish telephone engineer, invented the world's frst magnetic recorder, called the "Telegraphone," in 1898. The Telegraphone used thin metal wire as the recording material. Though wire recorders like the Telegraphone did not become popular, research on magnetic recording continued all over the world, and a new type of recorder that used tape coated with magnetic powder instead of metal wire as the recording material was invented in the 1920's. The real archetype of the modern tape recorder, the "Magnetophone," which was developed in Germany in the mid-1930's, was based on this recorder.After World War II, the USA conducted extensive research on the technology of the requisitioned Magnetophone and subsequently developed a modern professional tape recorder. Since the functionality of this tape recorder was superior to that of the conventional disc recorder, several broadcast stations immediately introduced new machines to their radio broadcasting operations. The tape recorder was soon introduced to the consumer market also, which led to a very rapid increase in the number of machines produced. In Japan, Tokyo Tsushin Kogyo, which eventually changed its name to Sony, started investigating magnetic recording technology after the end of the war and soon developed their original magnetic tape and recorder. In 1950 they released the frst Japanese tape recorder.