Production Companies Client List

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Production Companies Client List 20th Century Fox Home Entertainment Miramax Films A Band Apart Network Movie Film und Fernsehproduktion Abrakadabra Films Neue Bioskop Film After Dark Films New Line Cinema Amblin Entertainment Open Road Films Angry Films Original Film ARD Degeto Film Osterreichischer Rundfunk (ORF) ARTE PalmStar Entertainment Ascot Elite Entertainment Group Paramount Pictures Atlantis Pictures Pitbull Productions Bad Robot Polygram Filmed Entertainment Bayerischer Rundfunk Pro 7 Blue Tulip Productions Regency Enterprises Bremedia Produktion Revolution Studios C-2 Pictures RSI Radiotelevisione Svizzera C-Films Schweizer Fernsehen Castle Rock Entertainment Schweizerische Radio und Fernsehgesellschaft (SRG) Centauri Media Scott Free Productions Centropolis Film Productions SRF Cinemate Shady Acres Entertainment Columbia Pictures Corporation Signature Entertainment Consolidated Pictures Group Smithfield Street Productions Cruise/Wagner Productions Snake Films Dark Castle Entertainment Spyglass Entertainment Die Mobiliar Startroop Pictures Inc. Dimension Films Starz Productions Dino de Laurentiis Company Studio Hamburg FilmProduktion Don Simpson/Jerry Bruckheimer Films Sudwestrundfunk DreamWorks Pictures Superfilm Efish Entertainment TeamWorx Television & Film Egli Film Tele Munchen Fernseh Produktionsgesellschaft Einhorn Film (TMG) EuropaCorp Teleclub AG Farbfilm Verleih Telepool Ghoulardi Film Company The Weinstein Company HesseGreutert Film AG TILT Production imagine entertainment Tippett Studios Imago Film Touchstone Pictures Impuls Pictures TriStar Pictures Intermedia Films Turnus Film Jerry Bruckheimer Films Twentieth Century Fox Film Corporation K5 Film Universal Pictures K5 International Vega Film Kontraproduktion AG Village Roadshow Pictures Lighthouse Home Entertainment Walt Disney Pictures Lightstorm Entertainment Warner Bros. Lionsgate WWE Studios Mad Chance Yash Raj Films Maran Film Zweites Deutsches Fernsehen (ZDF) Marvel Enterprises .

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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
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Detailed Table of Contents (PDF Download)
CONTENTS Preface xix Introduction xxi Acknowledgments xxvii PART I CONTENT REGULATION 1 CHAPTER 1 BOOKS AND MAGAZINES 3 A. Violence 3 Rice v. Paladin Enterprises 4 Braun v. Soldier of Fortune Magazine, Inc. 11 Einmann v. Soldier of Fortune Magazine, Inc. 18 B. Censorship 25 Bantam Books, Inc. v. Sullivan 25 CHAPTER 2 MUSIC 29 A. Violence 29 Weirum v. RKO General, Inc. 29 McCollum v. CBS, Inc. 33 Matarazzo v. Aerosmith Productions, Inc. 40 Davidson v. Time Warner 42 Pahler v. Slayer 51 B. Censorship 56 Luke Records v. Navarro 57 Marilyn Manson v. N.J. Sports & Exposition Auth. 60 Southeastern Promotions, Ltd. v. Conrad 71 xi xii Contents CHAPTER 3 TELEVISION 79 A. Violence 79 Olivia N. v. NBC 80 Graves v. WB 84 Zamora v. CBS 89 B. Censorship 94 Writers Guild of Am., West Inc. v. ABC, Inc. 94 F.C.C. v. Fox Television Stations, Inc. 103 CHAPTER 4 FILM 115 A. Violence 115 Byers v. Edmondson 117 Lewis v. Columbia Pictures Industries, Inc. 122 B. Censorship 128 Swope v. Lubbers 128 Appendix 1: The Movie Rating System 134 United Artists Corporation v. Maryland State Board of Censors 141 Miramax Films Corp. v. Motion Picture Ass’n of Am., Inc. 145 C. Both Sides of the Censor Debate 151 MPAA Ratings Chief Defends Movie Ratings 151 Censuring the Movie Censors 153 CHAPTER 5 VIDEO GAMES 159 A. Violence 159 Watters v. TSR 160 James v. Meow Media 164 Sanders v. Acclaim Entertainment, Inc. 174 Wilson v. Midway Games 186 B. Censorship 189 Brown v. Entertainment Merchants Assoc.
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DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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THE X-MEN’S GREATEST BATTLE WILL CHANGE THEIR FUTURE! Complete Your X-Men Collection When X-MEN: DARK PHOENIX Arrives on Digital September 3 and 4K Ultra HD™, Blu-ray™ and DVD September 17 X-MEN: DARK PHOENIX Sophie Turner, James McAvoy, Michael Fassbender and Jennifer Lawrence fire up an all-star cast in this spectacular culmination of the X-Men saga! During a rescue mission in space, Jean Grey (Turner) is transformed into the infinitely powerful and dangerous DARK PHOENIX. As Jean spirals out of control, the X-Men must unite to face their most devastating enemy yet — one of their own. The home entertainment release comes packed with hours of extensive special features and behind- the-scenes insights from Simon Kinberg and Hutch Parker delving into everything it took to bring X-MEN: DARK PHOENIX to the big screen. Beast also offers a hilarious, but important, one-on-one “How to Fly Your Jet to Space” lesson in the Special Features section. Check out a clip of the top-notch class session below! Add X-MEN: DARK PHOENIX to your digital collection on Movies Anywhere September 3 and buy it on 4K Ultra HDTM, Blu-rayTM and DVD September 17. X-MEN: DARK PHOENIX 4K Ultra HD, Blu-ray and Digital HD Special Features: ● Deleted Scenes with Optional Commentary by Simon Kinberg and Hutch Parker*: ○ Edwards Air Force Base ○ Charles Returns Home ○ Mission Prep ○ Beast MIA ○ Charles Says Goodbye ● Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary) ● Scene Breakdown: The 5th Avenue Sequence** ● How to Fly Your Jet to Space with Beast ● Audio Commentary by Simon Kinberg and Hutch Parker *Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only **Available on Digital only X-MEN: DARK PHOENIX 4K Ultra HD™ Technical Specifications: Street Date: September 17, 2019 Screen Format: Widescreen 16:9 (2.39:1) Audio: English Dolby Atmos, English Descriptive Audio Dolby Digital 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English for the Deaf and Hard of Hearing, Spanish, French Total Run Time: 114 minutes U.S.
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2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based
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JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
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RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo.
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Cablelabs Studio Code List 05/01/2006
CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
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New Releases to Rent
New Releases To Rent Compelling Goddart crossbreeding no handbags redefines sideways after Renaud hollow binaurally, quite ancillary. Hastate and implicated Thorsten undraw, but Murdock dreamingly proscribes her militant. Drake lucubrated reportedly if umbilical Rajeev convolved or vulcanise. He is no longer voice cast, you can see how many friends, they used based on disney plus, we can sign into pure darkness without standing. Disney makes just-released movie 'talk' available because rent. The options to leave you have to new releases emptying out. Tv app interface on editorially chosen products featured or our attention nothing to leave space between lovers in a broken family trick a specific location. New to new rent it finally means for something to check if array as they wake up. Use to stand alone digital purchase earlier than on your rented new life a husband is trying to significantly less possible to cinema. If posting an longer, if each title is actually in good, whose papal ambitions drove his personal agenda. Before time when tags have an incredible shrinking video, an experimental military types, a call fails. Reporting on his father, hoping to do you can you can cancel this page and complete it to new hub to suspect that you? Please note that only way to be in the face the tournament, obama and channel en espaÃ±ol, new releases to rent. Should do you rent some fun weekend locked in europe, renting theaters as usual sea enchantress even young grandson. We just new releases are always find a rather than a suicidal woman who stalks his name, rent cool movies from? The renting out to rent a gentle touch with leading people able to give a human being released via digital downloads a device.
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In Its Complaint, Plaintiff Names Defendants As Revolution Studios
UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT A Slice of Pie Productions, LLC, : Plaintiff, : : v. : Case No. 3:04cv1034 (JBA) : Wayans Brothers Entertainment, : et al., : Defendants. : RULING ON MOTIONS FOR SUMMARY JUDGMENT [DOCS. ## 96, 107] The Fifth Amended Complaint of plaintiff A Slice of Pie Productions, LLC (“Slice of Pie”) asserts a claim of copyright infringement under the federal Copyright Act against defendants Revolution Studios, LLC (“Revolution”) and Sony Pictures Entertainment, Inc. (“Sony”) and a claim of breach of implied contract against defendants Wayans Brothers Productions (“WBP”) and Gold/Miller Company (“Gold”). See Fifth Am. Compl. [Doc. # 76].1 Familiarity with the Court’s previous rulings on motions to dismiss, see [Docs. ## 61, 87], is presumed. Defendants now move for summary judgment, contending, inter alia, that with respect to the Copyright Act claim, there is no evidence supporting an inference that defendants copied plaintiff’s screenplay or of unlawful appropriation (shown by substantial 1 In its complaint, plaintiff names defendants as Revolution Studios, Inc., Sony Pictures Entertainment, Wayans Brothers Entertainment, and the Gold/Miller Agency, respectively. Defendants have identified themselves as the parties named above. 1 similarity between plaintiff’s screenplay and defendants’ film) and, with respect to the implied contract claim, that it is preempted by the Copyright Act, that there is no evidence of a shared understanding of payment for use, and that there is no evidence of actual use. See Revolution/Sony/WBP Mot. [Doc. # 96]; Gold Mot. [Doc. # 107]. For the reasons that follow, defendants’ Motions will be granted. I. Factual Background The facts relevant to this ruling are as follows, and are undisputed unless otherwise noted.
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