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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Biography of Eugene O'neill
Biography of Eugene O’Neill Trevor M. Wise Eugene Gladstone O’Neill was born on October 16, 1888, at the Barrett hotel in New York city, New York, son of James o’Neill, a well-known matinee idol, and Mary Ellen (Ella) Quinlan. Much of O’Neill’s youth was spent in the wings of the theater as he toured the country with his parents and older brother Jamie, watching his father perform his most famous role—the Count of Monte Cristo. When not touring the country with his family, O’Neill attended Catholic boarding school at St. Aloysius Academy at Mount Saint Vincent in the Bronx borough of New York. he then spent four years at Betts Academy, a non-sectarian prep school in Stamford, Connecticut. O’Neill spent the summers with his family at the Monte Cristo Cottage in New London, Connecticut, the only permanent home O’Neill knew as a child. in 1903, at the age of fifteen, o’Neill became aware of his mother’s morphine addiction and was introduced to alcohol by his brother Jamie, setting him on a path of heavy drinking and alcohol abuse. in the fall of 1906, o’Neill enrolled in princeton University, only to be expelled in the following spring for his poor academic per- formance. in october 1909, o’Neill secretly married Kathleen Jenkins, his first of three wives. Shortly after the wedding, o’Neill set sail for honduras to prospect for gold, but found none. While abroad, O’Neill lived the life of a waterfront derelict, working odd jobs and drinking heavily, until he contracted malaria and was forced to return to the United States. -
O'neill and Nietzsche: the Making of a Playwright and Thinker
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill. -
Ah, Wilderness! by Eugene O’Neill
By Eugene O’Neill Directed by Douglas C. Wager Spring 2002 Guthrie on Tour Study Guides are made possible by STUDY GUIDE T H E G U T H R I E T H E A T E R J O E D O W L I N G Artistic Director The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from the National Endowment for the Arts. ============================================================================================================ Ah, Wilderness! by Eugene O’Neill With this production, the Guthrie honors the generosity of Target, Marshall Field's Project Imagine and the National Endowment for the Arts with support from the Heartland Arts Fund. =============================================================================================================== A S T U D Y G U I D E published by The Guthrie Theater Senior Editor: Michael Lupu Editor: Belinda Westmaas Jones Research: Dramaturg: Michael Maletic Kate Bredeson Jason Brown Sam Chase Produced with the support of: Jo Holcomb Jo Holcomb Belinda Westmaas Jones Sheila Livingston Michael Lupu Catherine McGuire Michael Maletic Julie McMerty Shane R. Mueller Carla Steen Patricia Vaillancourt Website Layout and Maintenance: Patricia Vaillancourt All rights reserved. No part of this Study Guide may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model. -
Remember We Had Just Had Some Argument Worried He Had Got Involved in Producing Side the Bed, and Sitting There, Me in My Underwear,’ He Said.”
nouncement, I’ve just written, said; and when he bent over to “Part of a Long Story,” by Ag- ‘The curtain falls’ as he finishes! kiss me good night, he kissed the nes Boulton, just published by “The Straw”. Some of the pages little black head, too, and I saw a Doubleday Company, has creat- of “Part of a Long Story” reflect real tenderness in his eyes.” ed a great stir in Provincetown. the happiness of the days when Everywhere people are reading the O’Neills lived in the John The book has released a torrent and talking about it, and no won- Francis building at the East End, of “remembrance of things past,’’ der. For the book captures the and at Peaked Hill, in the old life and this week we talked to Mary living, breathing atmosphere of saving station which Mabel I Heaton Vorse and Harry Kemp the old days” here, when the Dodge had previously owned and who were among the closest genius of the Provincetown Play- turned into a jewel of a house. friends of the O’Neill’s. Mrs. ers first burst upon the world, and Vorse had this revealing comment revolutionized the American thea- The Bad Days on O’Neill’s drinking and that of tre. The great and the near-great Some of the pages, too, reflect some others at the time. “Almost are alive in these pages, and most the bad days when O’Neill was on everybody drank too much during of all, of course, Eugene O’Neill, one of his drinking bouts; and Prohibition,” she said, “but there to whom Miss Boulton was mar- Miss Boulton is to be admired for was another side to it, so far as ried. -
Arthur Miller's Contentious Dialogue with America
Louise Callinan Revered Abroad, Abused at Home: Arthur Miller’s contentious dialogue with America A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy at St Patrick’s College, Dublin City University Supervisor: Auxiliary Supervisor: Dr Brenn a Clarke Dr Noreen Doody Dept of English Dept of English St Patrick’s College St Patrick’s College Drumcondra Drumcondra May 2010 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has-been cited and acknowledged within the text of my work. Signed: Qoli |i/U i/|______________ ID No.: 55103316 Date: May 2010 ACKNOWLEDGEMENTS I am forever indebted to Dr. Brenna Clarke for her ‘3-D’ vision, and all that she has so graciously taught me. A veritable fountain of knowledge, encouragement, and patient support, she- has-been a formative force to me, and will remain a true inspiration. Thank you appears paltry, yet it is deeply meant and intended as an expression of my profound gratitude. A sincere and heartfelt thank you is also extended to Dr. Noreen Doody for her significant contribution and generosity of time and spirit. Thank you also to Dr. Mary Shine Thompson, and the Research Office. A special note to Sharon, for her encyclopaedic knowledge and ‘inside track’ in negotiating the research minefield. This thesis is an acknowledgement of the efforts of my family, and in particular the constant support of my parents. -
Pam Mackinnon Announces Inaugural Season As Artistic Director of American Conservatory Theater
FOR IMMEDIATE RELEASE Media Contact: Kevin Kopjak, Charles Zukow Associates |415.296.0677 | [email protected] Press photos and kits: act-sf.org/press PAM MACKINNON ANNOUNCES INAUGURAL SEASON AS ARTISTIC DIRECTOR OF AMERICAN CONSERVATORY THEATER The 2018–19 season includes Lynn Nottage’s 2017 Pulitzer Prize–winning drama, SWEAT; Jaclyn Backhaus’s ingenious and provocative telling of 19th-century American explorers, MEN ON BOATS; Edward Albee’s wildly imaginative and satirical Pulitzer Prize–winning comedy, SEASCAPE; Mfoniso Udofia’s achingly poignant drama, HER PORTMANTEAU; Lauren Yee’s exploration of cultural identity, global politics, and basketball, THE GREAT LEAP; and Kate Hamill’s rollicking new stage adaptation of William Thackeray’s classic novel, VANITY FAIR The final production of the 2018–19 season to be announced at a later date A Christmas Carol returns after another successful run in 2017 SAN FRANCISCO (April 3, 2018)—Tony, Obie, and Drama Desk Award winner Pam MacKinnon, the incominG artistic director of American Conservatory Theater (A.C.T.), has unveiled her inaugural season at the helm of San Francisco’s premier nonprofit theater company. The 2018–19 season includes Lynn NottaGe’s 2017 Pulitzer Prize–winninG drama, SWEAT; Jaclyn Backhaus’s inGenious and provocative tellinG of 19th-century American explorers, MEN ON BOATS; Edward Albee’s wildly imaGinative and satirical Pulitzer Prize–winninG comedy, SEASCAPE; Mfoniso Udofia’s achinGly poiGnant drama HER PORTMANTEAU; Lauren Yee’s exploration of cultural identity, global politics, and basketball, THE GREAT LEAP; and Kate Hamill’s rollickinG new staGe adaptation of William Thackeray’s classic novel, VANITY FAIR. -
Jewel Theatre Audience Guide Addendum: James Tyrone, Jr
Jewel Theatre Audience Guide Addendum: James Tyrone, Jr. Character Description directed by Joy Carlin by Susan Myer Silton, Dramaturge © 2019 JAMES TYRONE, JR. James Tyrone, Jr., played by Rolf Saxon, is an actor and gambler, and the landlord of the property where Phil Hogan has his pig farm. The character is the son of James Tyrone and Mary Cavan Tyrone and the brother of Edmund Tyrone, all of whom call him Jamie. All four are characters in A Long Day's Journey Into Night. He is ten years older in A Moon for the Misbegotten. James Tyrone, Jr., is possibly the most tragic figure in O’Neill’s canon. If O’Neill is “America’s Shakespeare,” so called by Patrick Murfin in his article, “The Sailor Who Became America’s Shakespeare, James Tyrone and Josie Hogan are the Irish- American Romeo and Juliet, enmeshed in a doomed love. James Tyrone, Jr., or Jim as he is called by the Hogans, is modeled on James O’Neill, Jr., who was called Jamie by his family. Jamie was born on September 10, 1878 (A Moon For the Misbegotten is set in September 1923, his 45th birthday month), the first of three sons of James and Ella O’Neill, both of whom emigrated from Ireland. Edmund, the second son, died while he was a baby. Jamie died at 45 on November 8, 1923, having spent the previous two months in a sanitorium in New Jersey— alone, nearly blind and in the terminal stages of alcoholism. Eugene “had been unable to forgive his brother's outrageous behavior during the months before his death, and would not visit him at the sanitarium” (Barbara Gelb, “A Second Look, and a Second Chance to Forgive”. -
Hughie Page 3
A publication of the Shakespeare Theatre Company ASIDES 2012|2013 SEASON • Issue 3 Richard Schiff and Doug Hughes talk Hughie page 3 Eugene O’Neill’s creative process SHAKESPEARE THEATRE COMPANY page 7 A publication of the Shakespeare Theatre Company ASIDES Dear Friend, Hughie is a deceptively simple play. With 3 A Shared Fascination two characters and a single setting, the play is intimate. In a short period of 6 Hughie—Stripping the Soul Naked time, Eugene O’Neill manages to turn by Dr. Yvonne Shafer two nobodies in a late-night hotel lobby into sympathetic characters. As in all of his plays, O’Neill 10 Eugene O’Neill’s New York by Theresa J. Beckhusen makes us question how our own lives are shaped by the people we meet. 12 The Real American Gangster: Arnold Rothstein by Laura Henry Buda When undertaking O’Neill, the devil is in the details. The playwright conveys one layer of the story, the private 14 Play in Process and worlds of the Night Clerk and Erie Smith, solely through Hughie Cast and stage directions. Director Doug Hughes has taken on the Artistic Team formidable task of making these secret worlds just as 15 Coming, Going and palpable as the stage the two men share. Standing Still by Hannah J. Hessel In this issue of Asides, we have included an interview with 17 Drew’s Desk two of our talented artists, Broadway veteran Hughes by Drew Lichtenberg and star of stage and screen Richard Schiff. Also within this issue, Yvonne Shafer, a member of the Eugene O’Neill 19 Hero/Traitor Repertory Society, discusses O’Neill’s creative process, as well as 20 Performance Calendar and Hughie’s unique place within his body of work. -
Eugene O‟Neill: the Constant Presence April 2017
Eugene O‟Neill: The Constant Presence April 2017 SOCIETY BOARD PRESIDENT IN THE U.S., ON STAGE IN IRELAND J. Chris Westgate [email protected] 10th International Conference VICE PRESIDENT July 19-22, pp. 10-13 Robert M. Dowling 1 Central Connecticut State University National University of SECRETARY/TREASURER Ireland, Galway 2 Beth Wynstra [email protected] INTERNATIONAL SECRETARY — ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY — EUROPE: Marc Maufort [email protected] 5 GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] 3 Jackson Bryer [email protected] Eugene O’Neill: Michael Burlingame [email protected] Ireland, the Constant Presence Robert M. Dowling [email protected] Thierry Dubost 4 [email protected] Kurt Eisen Photos: [email protected] 1. Chris Whitaker 2. A. Vincent Scarano Eileen Herrmann 3. Eugene O‘Neill Fdtn. [email protected] 4. Carol Rosegg 5. Stephanie Berger Katie Johnson [email protected] Daniel Larner [email protected] 1. Long Day’s Journey Into Night, Geffen Playhouse, pp. 17-18. Cynthia McCown 2. Long Day’s Journey Into Night, Monte Cristo Cottage, [email protected] pp. 19-20. Anne G. Morgan 3. Shell Shock & The Rescue, Playwrights‘ Theatre, Danville, [email protected] REMEMBERING pp. 28-29. David Palmer THE GELBS 4. The Emperor Jones, Irish Rep, pp. 21-22. [email protected] pp. 3-9 5. The Hairy Ape, The Armory, pp. 14-16. Robert Richter [email protected] EX OFFICIO What‟s Inside IMMEDIATE PAST PRESIDENT Jeff Kennedy Honorary board, special members . .24 President‘s Message . .2 [email protected] Conference Panels . -
Cast Announcement of Inaugural Musical “A Chorus Line” at Broadway Under the Stars in Wine Country
MEDIA CONTACTS: Publicist: Kim Taylor Email: [email protected] | Office: 415-897-7772 Co-Executive Director: Stephan Stubbins Email: [email protected] | Cell: 917-684-8083 Cast Announcement of Inaugural Musical “A Chorus Line” at Broadway Under the Stars in Wine Country Presented by Transcendence Theatre Company in Northern California’s Wine Country from June 14 to June 30, 2019 SONOMA, CALIF – Broadway comes to Northern California’s Wine County with the professional production of “A Chorus Line” presented by the award-winning Transcendence Theatre Company – based in Sonoma, located just north of San Francisco. Transcendence Theatre Company opens its 2019 “Broadway Under the Stars” summer season with “A Chorus Line,” featuring a cast of Broadway and touring professionals performing the Tony Award and Pulitzer Prize winning music in an outdoor production at Jack London State Historic Park in Sonoma County, Calif. Evening performances of “A Chorus Line” are presented on weekends from June 14 to June 30, 2019. After seven seasons of award-winning Broadway concerts presented in Wine Country, this production of “A Chorus Line” marks Transcendence Theatre Company’s first Broadway musical presentation as part of its annual “Broadway Under the Stars” season. “A Chorus Line” is directed by Amy Miller, with choreography and associate direction by Jim Cooney and musical direction by Daniel Weidlein. Transcendence Theatre Company announces the cast will feature Kristin Piro (“An American in Paris,” “Charlie and the Chocolate Factory”) playing the role of Cassie Ferguson; Matthew Rossoff (“Jesus Christ Superstar”) as Zach; Natalie Gallo (“Jersey Boys,” “Mamma Mia!”) as Diana Morales; and Alicia L.