Ah, Wilderness! by Eugene O’Neill
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Biography of Eugene O'neill
Biography of Eugene O’Neill Trevor M. Wise Eugene Gladstone O’Neill was born on October 16, 1888, at the Barrett hotel in New York city, New York, son of James o’Neill, a well-known matinee idol, and Mary Ellen (Ella) Quinlan. Much of O’Neill’s youth was spent in the wings of the theater as he toured the country with his parents and older brother Jamie, watching his father perform his most famous role—the Count of Monte Cristo. When not touring the country with his family, O’Neill attended Catholic boarding school at St. Aloysius Academy at Mount Saint Vincent in the Bronx borough of New York. he then spent four years at Betts Academy, a non-sectarian prep school in Stamford, Connecticut. O’Neill spent the summers with his family at the Monte Cristo Cottage in New London, Connecticut, the only permanent home O’Neill knew as a child. in 1903, at the age of fifteen, o’Neill became aware of his mother’s morphine addiction and was introduced to alcohol by his brother Jamie, setting him on a path of heavy drinking and alcohol abuse. in the fall of 1906, o’Neill enrolled in princeton University, only to be expelled in the following spring for his poor academic per- formance. in october 1909, o’Neill secretly married Kathleen Jenkins, his first of three wives. Shortly after the wedding, o’Neill set sail for honduras to prospect for gold, but found none. While abroad, O’Neill lived the life of a waterfront derelict, working odd jobs and drinking heavily, until he contracted malaria and was forced to return to the United States. -
O'neill and Nietzsche: the Making of a Playwright and Thinker
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 O'Neill and Nietzsche: The Making of a Playwright and Thinker Regina Fehrens Poulard Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Poulard, Regina Fehrens, "O'Neill and Nietzsche: The Making of a Playwright and Thinker" (1974). Dissertations. 1385. https://ecommons.luc.edu/luc_diss/1385 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Regina Fehrens Poulard 0 'NEILL AND NIEI'ZSCHE: THE MAKING OF A PI.A'YWRIG HT AJ.'JD THDl'KER by Regina Foulard A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 1974 ACKNOWLEIGMENTS I wish to thank the director of llzy" dissertation, Dr. Stanley Clayes, and llzy" readers, Dr. Rosemary Hartnett and Dr. Thomas Gorman, for their kind encouragement and generous help. ii PREFACE Almost all the biographers mention Nietzsche's and Strindberg's influence on O'Neill. However, surprisingly little has been done on Nietzsche and O'Neill. Besides a few articles which note but do not deal exhaustively with the importance of the German philosopher1 s ideas in the plays of O'Neill, there are two unpublished dissertations which explore Nietzsche's influence on O'Neill. -
Dance Company (3)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The original documents are located in Box 39, folder “Graham, Martha - Dance Company (3)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Some items in this folder were not digitized because it contains copyrighted materials. Please contact the Gerald R. Ford Presidential Library for access to these materials. W_® zo<((( ~~ Martha Graham Center for Contemporary Dance, Inc. 50th Anniversary Celebration Committee Martha Graham Dance Company Mr. and Mrs. Robert Bernstein Calvin Klein Ron Protas• First performance April 18, 1926 Patricia Birch Harold S. Klein Alexander E. Racolin• Mr. and Mrs. H. Gerard Dissinger II Mrs. Robert Korn• Lee Radziwill Mrs. Gerald R. Ford Mrs. Martin Blumenthal Mrs. Harold Landau Tony Randall Honorary Chairman Ray Bolger Hope Lange · Mrs. Harold Reed* Mrs. Aristotle Onassis Mr. and Mrs. Michael Brown Mrs. Leonard Lauder Molly Reinhart Miss Alice Tully Mrs. Walker 0. Cain Ming Cho Lee Mrs. Martin Revson Honorary Vice Chairmen Ralph M. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Lloyd Richards in Rehearsal
Lloyd Richards in Rehearsal by Everett C. Dixon A Dissertation submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy, Graduate Program in Theatre Studies, York University, Toronto, Ontario September 2013 © Everett Dixon, September 2013 Abstract This dissertation analyzes the rehearsal process of Caribbean-Canadian-American director Lloyd Richards (1919-2006), drawing on fifty original interviews conducted with Richards' artistic colleagues from all periods of his directing career, as well as on archival materials such as video-recordings, print and recorded interviews, performance reviews and unpublished letters and workshop notes. In order to frame this analysis, the dissertation will use Russian directing concepts of character, event and action to show how African American theatre traditions can be reformulated as directing strategies, thus suggesting the existence of a particularly African American directing methodology. The main analytical tool of the dissertation will be Stanislavsky's concept of "super-super objective," translated here as "larger thematic action," understood as an aesthetic ideal formulated as a call to action. The ultimate goal of the dissertation will be to come to an approximate formulation of Richards' "larger thematic action." Some of the artists interviewed are: Michael Schultz, Douglas Turner Ward, Woodie King, Jr., Dwight Andrews, Stephen Henderson, Thomas Richards, Scott Richards, James Earl Jones, Charles S. Dutton, Courtney B. Vance, Michele Shay, Ella Joyce, and others. Keywords: action, black aesthetics, black theatre movement, character, Dutton (Charles S.), event, Hansberry (Lorraine), Henderson (Stephen M.), Molette (Carlton W. and Barbara J.), Richards (Lloyd), Richards (Scott), Richards (Thomas), Jones (James Earl), Joyce (Ella), Vance (Courtney ii B.), Schultz (Michael), Shay (Michele), Stanislavsky (Konstantin), super-objective, theatre, Ward (Douglas Turner), Wilson (August). -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021
The Fellows Gazette Volume 84 Published by the College of Fellows of the American Theatre Spring 2021 Announcing The Fellows Webinar Weekend Mark Your Calendars Now! Dear Fellows, With the onset of 2021, the College of Fellows is continuing its joyous work of honoring artists and educators, like yourself, who have transformed our field through their expertise and distinguished service. This April we will not be able to gather together on site to honor new Fellows. However, we hope that you will join us by ZOOM WEBINAR, as we bring everyone together in a virtual community. Please join us to celebrate the Fellows for the Class of 2020 and the Class of 2021, to present the business of the College, to share in the Roger L. Stevens address and for the Orlin Corey toast. In two hours of virtual connection, we are combining the highlights of our normal meetings and gatherings at the annual meeting. The ZOOM WEBINAR will be recorded and available on our website. All Fellows are invited to participate. Please email administrative assistant [email protected] by April 1 to RSVP. You will be sent a link for the meeting prior to April 18, pre-sign in will begin at 11:45. Our virtual meeting with run from 12 Noon - 2 PM EST. We are in times of unprecedented change and challenges and I do hope that you can join us to celebrate the tradition and innovation of The College of Fellows. At this time, more than ever, we need to join together to rejoice in the power of the arts! Best, Gail Dr. -
Spring 2015 Issue of the Foundation’S Newsletter
April 2015 SOCIETY BOARD PRESIDENT Jeff Kennedy [email protected] VICE PRESIDENT J. Chris Westgate [email protected] SECRETARY/TREASURER Beth Wynstra [email protected] INTERNATIONAL SECRETARY – ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY – Provincetown Players Centennial, 4-5 The Iceman Cometh at BAM, 6-7 EUROPE: Marc Maufort [email protected] GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] Jackson Bryer [email protected] Michael Burlingame [email protected] Robert M. Dowling [email protected] Thierry Dubost [email protected] Eugene O’Neill puppet at presentation of Monte Cristo Award to Nathan Lane, 8-9 Eileen Herrmann [email protected] Katie Johnson [email protected] What’s Inside Daniel Larner President’s message…………………..2-3 ‘Exorcism’ Reframed ……………….12-13 [email protected] Provincetown Players Centennial…….4-5 Member News………………….…...14-17 Cynthia McCown The Iceman Cometh/BAM……….……..6-7 Honorary Board of Directors..……...…17 [email protected] The O’Neill, Monte Cristo Award…...8-9 Members lists: New, upgraded………...17 Anne G. Morgan Comparative Drama Conference….10-11 Eugene O’Neill Foundation, Tao House: [email protected] Calls for Papers…………………….….11 Artists in Residence, Upcoming…...18-19 David Palmer Eugene O’Neill Review…………….….12 Contributors…………………………...20 [email protected] Robert Richter [email protected] EX OFFICIO IMMEDIATE PAST PRESIDENT The Eugene O’Neill Society Kurt Eisen [email protected] Founded 1979 • eugeneoneillsociety.org THE EUGENE O’NEILL REVIEW A nonprofit scholarly and professional organization devoted to the promotion and Editor: William Davies King [email protected] study of the life and works of Eugene O’Neill and the drama and theatre for which NEWSLETTER his work was in large part the instigator and model. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
O'neill Society News
Boston Chosen as Site for Next International Conference in 2020 Fall 2018 O’Neill Society News The official newsletter of the Eugene O’Neill International Society Contents • O’Neill in New York and LA .............1 • Boston selected as the site of the 2020 conference .................................1 • Nancy, France Conference 2018....2 • ALA Conference May 2018 in San Francisco ................................................3 • “One Festival, Two Countries” in Danville, CA & New Ross, Ireland ..4 • News From Our Members ...............5 • ALA Conf 2019 Call for Papers .......5 • O’Neill One-Acts in Japan ................5 • Flock Theatre revives production of Long Day’s Journey into Night ....6 • Photos from O’Neill Events .............7 • Membership Renewals due Jan 1 .7 • MLA Conference participants ........8 • Rob Dowling tours China ................8 New York & Los Angeles Theatres • Upcoming Events in Society ..........8 filled with the sounds of O’Neill New York audiences were given the gift of two major productions of Boston Selected as plays by Eugene O’Neill in the spring of 2018. First, The Iceman Cometh the Site of the 2020 was given a Broadway staging with O’Neill Conference Denzel Washington in the lead role of Theodore “Hickey” Hickman and The membership of the O’Neill direction by George C. Wolfe. The play “laughed more often than I teared up,” Society voted at their May 26, 2018 opened at the Bernard Jacobs Theatre contrasting with other productions that business meeting that the site of the on April 26, and the cast featured some “tend to elicit adjectives like ‘searing’ next Eugene O’Neill International of Broadway’s most accomplished and ‘devastating’ (on the positive side) Conference will be Boston, MA. -
Examining the Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration
The New Deal Cometh: Examining The Iceman Cometh and Hughie in Relation to the Rhetoric of the Roosevelt Administration John Curry Eugene O'Neill Review, Volume 33, Number 1, 2012, pp. 91-109 (Article) Published by Penn State University Press For additional information about this article https://muse.jhu.edu/article/468307 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] THe NeW DeAL CoMetH: EXAMINING THE ICEMAN COMEtH AND HUGHiE IN ReLATION TO THe RHeTOrIC OF THe ROOSeVeLT ADMINISTrATION John Curry Wall Street got drunk. It got drunk and now it’s got a hangover. The question is, how long will it sober up and not try to do all these fancy financial instruments? —President George W. Bush, July 18, 2008 We can’t afford to let the same phony arguments and bad habits of Washington kill financial reform and leave American consumers and our economy vulnerable to another meltdown. —President Barack Obama, December 12, 2009 In 1939 Eugene O’Neill completed The Iceman Cometh, his powerful drama about the failed lives and sustaining pipe dreams of the unemployed alcohol- ics who inhabit a run-down tavern in New York. That same year saw a critical EUGeNe O’NeILL ReVIeW, VoL. 33, No. 1, 2012 COPYRIGHT © 2012 THE PENNSYLVANIA STATE UNIVERSITY, UNIVERSITY PARK, PA EOR 33.1_07_Curry.indd 91 16/02/12 10:48 PM change in American economics as the second-term government of Franklin Roosevelt struggled to reverse massive unemployment and faltering public confidence in the regulatory policies of the New Deal. -
The Maine Summer Eugene O'neill
The Maine Summer Eugene O'Neill ecause th e pJa}"\Tight Eugene 0 ' eill, hailed by many a th e be t American dramatist ofthe 20th century, spent the summer of 1926 at Belgrade Lake, hi Blife, and perhaps arguably, the literary worl d, wa changed forever. Had he not summered here in Maine that fateful yea r, dcep in the creation of trange Interlude, he may have not met a certain lady, and he may also have plunged back into a world of heavy drinking. 0' Tcill had only quit drinking a few month before and he was detennined as ever to continue to write. That certain lady, Carl otta Monterey, who would become his third wife, would one day fight to publish one of his grea test plays posthumou Iy, just as he wi hed it, without changes. Eugene stated that he couldn't have written it without her. The play, Long Day's loumey into ight, would eam 0 ' eill a fourth Pulitzer Prize. But we are ahead of our story. We must travel back to a hotel room in ew York City on October 16, 1888, where Eugcne 0 ' eill was bom. Ironica ll y, Portl and, Maine, wa nearly Eugene's birthplace, becau e hi father, th e great ri sh ac tor and matinee tar James 0 ' ei ll , along with his fam il y, had been in town here for extended performances of The Count of 10nte Cristo just weeks earlier. The elder 0 ' eill , who at the time was king th e stage with the great tragedian dwin Booth, had come to loathe his role of leading man Edmond MATTHEW JUDE BAR KE R MAy • PORTLAND MAGAZINE • 25 Dantes in Charl e echter' adaptati on of After yea rs of roaring fights with hi ia.