July 1, 2009–June 30, 2010 Annual Report

1 COntents

3 Board of Trustees 4 Trustee Committees 7 Message from the Director 10 Message from the President and Chairman 14 Renovation and Expansion 20 Collections 77 Exhibitions 91 Performing Arts, Music, and Film 100 Philanthropy and Community Support 159 Education and Public Programs 177 Staff List 184 Financial Report 185 Treasurer d hfor c Bri d Cover: Trusses for the Right: The large atrium roof are lifted bronze Marcus hfor d

into place in the spring Aurelius is installed c

of 2010 as the galleries of Bri ancient art take Cover photo: Davi photo: Cover 2 d Davi shape Board of Trustees

Officers Standing Trustees Alfred M. Rankin Jr. Reverend Dr. Otis Moss Jr. Honorary Trustees Alfred M. Rankin Jr. N. Barbato James A. Ratner William R. Robertson Joyce G. Ames President Frederick E. Bidwell Dr. Eugene T. W. Sanders Elliott L. Schlang June Salle Antoine Michael J. Horvitz April Miller Boise David M. Schneider Michael Sherwin Dr. Harvey Buchanan Chairman Charles P. Bolton Mark Schwartz Richard T. Watson Penelope Buchanan* Sarah S. Cutler Sarah S. Cutler Dr. Jerry Sue Thornton Helen Collis Vice President Life Trustees Terrance C. Z. Egger Maxeen Flower* Ellen Stirn Mavec Ex Officio Elisabeth H. Alexander Vice President Richard H. Fearon Mrs. Robert I. Gale Jr. Marianne Bernadotte, Quentin Alexander James A. Ratner Helen Forbes-Fields Mrs. John T. Hildt Womens Council Leigh Carter Vice President Robert W. Gillespie Ward Kelley Jr. Deborah Gribbon, James H. Dempsey Jr.* Janet G. Ashe Interim Director Malcolm E. Kenney Treasurer Jon A. Lindseth Michael J. Horvitz (beginning on 9/21/2009) Carolyn Lampl Edward W. Bauer Morton M. Mandel Cynthia Ames Huffman , Director Charlotte Rosenthal Assistant Treasurer (ending on 9/21/2009) Mrs. Alfred M. Rankin Charles S. Hyle Kramer Stephen J. Knerly Jr. Donna S. Reid Secretary Susan Kaesgen Trustees Emeriti Eleanor Bonnie McCoy Edwin M. Roth Roberto A. Prcela Nancy F. Keithley James T. Bartlett John C. Morley Frances P. Taft Assistant Secretary R. Steven Kestner James S. Berkman Elizabeth Mulcahy Mrs. Edward A. Kilroy Jr. William P. Madar George Gund III Lucia S. Nash Dr. Paul J. Vignos Jr.* Milton Maltz Adrienne Lash Jones Jane Nord Alton W. Whitehouse Ellen Stirn Mavec Robert M. Kaye James S. Reid Norman W. Zaworski S. Sterling McMillan III Peter B. Lewis Barbara S. Robinson hfor d Laura Alvin Siegal c Scott C. Mueller Alex Machaskee Bri Cara Stirn Stephen E. Myers d Davi Frederick R. Nance Dr. Evan Hopkins Turner Anne Hollis Perkins Iris Wolstein

*deceased

3 Trustee Committees

Standing Committees Scott C. Mueller Finance Audit Stephen E. Myers Charles S. Hyle David M. Schneider Executive Mark Schwartz Chair Chair Alfred M. Rankin Jr. Richard H. Fearon Frederick E. Bidwell Chair Alfred M. Rankin Jr. ex officio Vice Chair Robert W. Gillespie Michael J. Horvitz Virginia N. Barbato Vice Chair Stephen E. Myers Compensation April Miller Boise Virginia N. Barbato Alfred M. Rankin Jr. Alfred M. Rankin Jr. Michael J. Horvitz ex officio Sarah S. Cutler Chair Nancy F. Keithley Richard H. Fearon Michael J. Horvitz Director Search William P. Madar Helen Forbes Fields Charles S. Hyle R. Steven Kestner Milton Maltz Charles S. Hyle Chair Committee on Scott C. Mueller Sarah S. Cutler Nancy F. Keithley Trustees James A. Ratner Agnes Gund R. Steven Kestner Sarah S. Cutler Alfred M. Rankin Jr. Michael J. Horvitz Ellen Stirn Mavec Chair ex officio James A. Ratner Charles P. Bolton Nancy F. Keithley Vice Chair Investment Ellen Stirn Mavec Collections Helen Forbes Fields Michael J. Horvitz Alfred M. Rankin Jr. Nancy F. Keithley Robert W. Gillespie Chair James A. Ratner Chair R. Steven Kestner Richard H. Fearon Charles P. Bolton Robert W. Gillespie Special Legal Vice Chair Ellen Stirn Mavec S. Sterling McMillan III Michael J. Horvitz Virginia N. Barbato Scott C. Mueller Chair James A. Ratner Marianne Bernadotte Michael J. Horvitz Deborah Gribbon ex officio David M. Schneider Frederick Bidwell Alfred M. Rankin Jr. Alfred M. Rankin Jr. Alfred M. Rankin Jr. Helen Forbes Fields ex officio ex officio ey nl Michael J. Horvitz Elliott L. Schlang Susan Kaesgen Advisor to the committee ory M. Do g Ellen Stirn Mavec Gre

4 Advisory Committees Charlotte Rosenthal African American Kramer Helen Forbes Fields Accessions Karen Krause Chair Nancy F. Keithley Jon A. Lindseth June Sallee Antoine Chair Ellen Stirn Mavec Emma Benning Charles P. Bolton Vice Chair Tamar Maltz Alfred Bright Elisabeth H. Alexander Scott Mueller Margot Copeland Quentin Alexander Stephen E. Myers Gisselle Green Virginia N. Barbato Mrs. Alfred M. Rankin Bert Laurelle G. Holt Marianne Bernadotte Donna S. Reid Bracey Lewis Frederick E. Bidwell Edwin M. Roth Franklin Martin Leigh Carter Elliott L. Schlang Rev. Martin McMickle Helen Collis Mark Schwartz A. Grace Lee Mims George Gund III Dr. Eugene T. W. Steve Minter Sanders Helen Forbes Fields Greg Reese Frances P. Taft Joan Alfred M. Rankin Jr. Nancy West ex officio Kenneth Hegyes Iris Wolstein Mrs. John T. Hildt Building Oversight Dr. Paul J. Vignos Jr.* Karen Hinkle Michael J. Horvitz Neil Viny Michael J. Horvitz Chair Dr. Norman Zaworski Marguerite Humphrey James A. Ratner Alfred M. Rankin Jr. Vice Chair Robert H. Jackson ex officio Frederick E. Bidwell Susan Kaesgen Scott C. Mueller Robert M. Kaye Donna S. Reid Mrs. Edward A. Kilroy Jr. *deceased Alfred M. Rankin Jr. Dr. Robert Kiwi ex officio ey nl

Educator Seema Rao ory M. Do

talks with visitors in g

the Byzantine gallery Gre

5 Development Susan W. MacDonald Legislative Affairs Ellen Stirn Mavec Nancy-Clay Marsteller Michael J. Horvitz Chair S. Sterling McMillan III Chair R. Steven Kestner Dr. Eugene T. W. Robert W. Gillespie Vice Chair Sanders Jon A. Lindseth Marianne Bernadotte Frances P. Taft Milton Maltz Frederick E. Bidwell Dr. Mark Tebeau Barbara S. Robinson Sarah S. Cutler Dr. Jerry Sue Thornton David M. Schneider Robert W. Gillespie James Zull Alfred M. Rankin Jr. Michael J. Horvitz Alfred M. Rankin Jr. ex officio William P. Madar ex officio Library Scott C. Mueller Marketing Stephen E. Myers David M. Schneider Mark Schwartz Chair Alfred M. Rankin Jr.

Chair Joanne Eustis ti ex officio s Dennis Barrie Malcolm E. Kenney rie Ag

Frederick E. Bidwell Mary Ann Liljedahl ar d

Education w o Virginia N. Barbato Larry Bloomenkrantz Jon A. Lindseth H Chair Scott Chaikin Dr. Richard Rubin Susan Kaesgen Elizabeth T. Fowler Alfred M. Rankin Jr. Vice Chair David M. Geyer ex officio Hedy Adler John Norman Marianne Bernadotte W. Allen Shapard Leigh Carter Sarah S. Cutler Dr. Brendan Foreman Dr. Carol S. Franklin Dr. Karen Clark Keyes

6 From the Director

One year ago Debbie Gribbon was the ’s interim director. While her years of experience at the Getty Museum and the Isabella Stewart Gardner Museum were invaluable, her steady good humor and wisdom were just as important to the wonderful success of her interim directorship. Her leadership during a key year in the museum’s history was marked by many accomplishments. We are all greatly in her debt for her brief but decisive service to the museum. Looking forward, the coming years will be absolutely transformative for the museum. The expansion and renovation project is moving toward completion in 2013, and the potential of these physical changes should be realized as the museum approaches its 100th anniversary in 2016. All of this comes at an exciting time for the city of ey nl hfor d c ri b ory M. Do g d avi d Gre

7 and the broader northeast region. Despite periods of economic difficulty, the region is focusing on coming together to make the most of its natural advantages of location, its enviable cultural and intellectual assets, and the quality and determination of its people. With the museum’s ambitious renovation and expansion project well on the way to completion, it is time to concentrate on ways to bring its

remarkable to life—from helping visitors ey find joy and meaning to inspiring the scholarship nl

that deepens art historical understanding and forms ory M. Do g

the basis of new exhibitions, acquisitions, and Gre publications. Whatever else the museum may do, it ideal for this museum because the architecture all starts with the art object. focuses the visitor experience not just on the When I talk about the importance of the building itself, but also on the works of art. This art object, I do not mean only the work and is what it means when we say the museum is all its installation and presentation, but also the about the object. The opportunity to appreciate broader visitor experience. Because the collection a work of art in a gallery grounds us in reality. In embodies such richness and the museum’s doors that way a museum is a rare kind of civic space. It are open to everyone, concepts of variety and gathers all these different kinds of people in order plurality and even ideas of free speech are part of to share a contemplative, moving experience. that experience. As the objects teach us to value Contemplative and moving does not mean diversity, to respect beauty, they teach us how to lacking in energy, however. Here you walk feel and how to appreciate new things. through the galleries and there’s a palpable sense The potential of the museum to bring people of excitement and pride, an atmosphere of change together with great works of art in this physical and hope for the future. The museum’s prestige space translates into a benefit for the local and reputation should have an influence on the community in a number of ways. Architect Rafael community’s perception of itself. If you have a Viñoly’s belief in demystification and clarity are collection of works of art that are on a par with the

8 ti s rie Ag ar d w o H

British Museum or the Louvre, that says something That aspect is important. We can be a force not about the quality of your community. only for understanding and appreciation, but also The role of the CMA has evolved significantly for expanded possibilities, for adventure. The in the nearly 100 years since its founding. In some is in a primary position ways Cleveland’s cultural industries have taken the to be a leader in innovation. place of the heavy industries of the past as leaders David Franklin of the community’s aspirations. It’s an important role for us. And while a museum can be a great civilizing influence, it can also be very subversive.

9 From the president and Chairman

During the 2009–2010 fiscal year, the board of trustees diligently pursued the search that brought David Franklin, the museum’s ninth director, to Cleveland. A specialist in Renaissance and Baroque art, with a wide range of administrative and programming experience, Dr. Franklin previously served as deputy director and chief at the National Gallery of Canada. We warmly welcome him. The board pressed forward with the museum’s transformative expansion and renovation project by giving final approval to the two remaining elements of the project not yet under contract. The board authorized contracts in December of hfor d c

2009 to proceed with the completion of the outer Bri

New director David d Davi Franklin arrived in September 2010. shell of the west wing and atrium, and on June 14, 2010, with the proceeds of a new bond issue in hand, the board authorized the final contracts to complete the project. At this point, nearly two-thirds of the work is complete. The end of ti

s the construction is in sight, and Dr. Franklin is rie

Ag hard at work planning for this new chapter for ar d

w the museum. o H

10 and a new development department organization structure. We will be asking not just for support, but also, and just as important, for participation in the life of the museum. We look forward to establishing and sustaining relationships with a wider circle of donors and volunteers. When the museum began this project some years ago it was, by any measure, a bold and ambitious undertaking. However, the museum embarked on the renovation and expansion for the right reasons: to provide for the ideal display and

ey protection of the museum’s great art collection; to nl provide the best possible experience for visitors; ory M. Do g Gre To date, the museum has raised more than $225 million to fund the building project. While another $130 million must still be raised to pay off the project bonds, this is an exceptional accomplishment. The museum is grateful for the community’s support, and we are confident that the museum will raise the remaining funds needed. We also are gratified to know that many, many people value the museum and what it offers to individuals, the city, and the region. During the next phase of the capital campaign the

museum plans to significantly increase its capacity ey to engage both old and new friends by building nl on the capabilities of our new director, our new ory M. Do g

head of institutional advancement, Augie Napoli, Gre

11 ways in which the museum and its collections will enrich the quality of life in this region and throughout the world. Meanwhile, from acquisitions to exhibitions to educational programs that serve visitors and students throughout Northeast Ohio and beyond, the members of the museum’s staff are planning for the future even as they focus on designing and reinstalling new galleries, educational facilities, and public spaces. The next few years will see the completion of

hfor d more galleries, including those housing the famed c

Bri Asian collections, important visitor amenities d Davi and to maintain the museum’s position as one of the world’s foremost art and a great cultural and civic landmark for Cleveland. It is easy—and it is important—to focus on construction, but during the course of the last year the museum has been engaged in the equally important work that will make the CMA an even greater resource and source of excellence for generations to come. A new long-range plan, in the works for the past two years, has been completed. The plan articulates four broad goals that will guide the museum in the coming years as it approaches its 100th anniversary: engaging the ti community, activating the collection, connecting s rie

with visitors, and developing resources. These Ag ar d w

goals embody the multifaceted and dynamic o H

12 D 3 e n Spi

Architect’s rendering such as the museum store and restaurant, and the new building. The museum proudly holds a great of the new atrium. central atrium—the key to improved circulation collection in trust for the public as a dynamic throughout the museum, and what we believe will resource that will invite and reward visitors for be the most spectacular civic space in Cleveland. generations to come. Beautiful installations of the many collections still Alfred M. Rankin Jr. Michael J. Horvitz in storage, exciting temporary exhibitions, and President Chair engaging educational programs will animate the

13 renovation and Expansion ey nl ory M. Do g

Gre 14 The latest section of the museum to open to the public, on June 27, was half the size of the main floor of the original 1916 building, and half the size of the gallery level of the new east wing. Yet, when it opened, the number of works of art on view in the entire museum increased by about 60 percent in a single day. The math is simple: a

Lee Krasner is a lot bigger than a Roman ey coin. So while about 485 works of art filled the nl

east wing to capacity, the new galleries in the ory M. Do g

eastern half of the 1916 building’s level 1 provide Gre ample space for more than 900 objects. What these Beginning with art from the lands that gave works lack in size they more than make up for in rise to the oldest cities on earth—the region potency. stretching from present-day Iraq north to the Black

Director of design Sea—and following the growth of civilization and architecture and the evolution of art through ancient Egypt, Jeffrey Strean (left) classical Greece and Rome, and into the early discussed case design with consulting Christian and medieval world and Africa, these curator Holger galleries tell their stories with extraordinary Klein of Columbia eloquence. University (center) and the museum’s The new galleries are organized not as an curator of medieval unbroken chronology, but thematically, around art Stephen Fliegel the ideas that tie together groups of works. The hfor d

(right). c

Bri scope of their contents is suggested by three

d Davi striking masterworks installed in the lower lobby

15 portable objects that exemplify the art of migratory societies, such as a gold Scythian plaque in the form of a stag, are juxtaposed against a wall-sized stone relief of a protective spirit made in what is now Iraq. From here the progression is from Greece to Rome by way of Etruscan and South Italian art that predated the arrival of Greek influence on the Italian peninsula. Early Christian and follows, and a circuit of the galleries around the perimeter culminates in a dramatic room devoted to the 11th-century Guelph Treasure and related works of medieval Europe. The museum’s collection of African art, most of it from much more recent years, is for the first time installed hfor d c adjacent to the collection of Egyptian art, unifying Bri these works produced on the African continent. d Davi just outside the galleries: the 3000 bc Stargazer from what today is the Turkish region of Anatolia, the bronze statue Apollo Sauroktonos, attributed to Praxiteles in Greece between 350 and 275 bc, and the large painted wood Crucifix with Scenes of the Passion, made in Pisa, Italy, in the early 1200s. At the center of the new group of galleries is a large room titled The Gift of the River—home to the Egyptian collection that inspired the great 1992 exhibition Egypt’s Dazzling Sun: Amenhotep III ti s

and His World. Entering the galleries to the far left, rie

visitors first encounter the space titled Ancient Art: Ag ar d w o

Asia Minor and the Fertile Crescent, where small, H

16 hfor d c Bri d Davi

The installation provided challenges and mounts, each designed to hold its work of art in a excitement for the who had to decide way that is both extremely secure and unobtrusive what to exhibit and emphasize. Displaying enough to show off the work’s great qualities. 900 mostly three-dimensional objects required The crew then installed every single fabricating well over 600 handmade custom object, one at a time. The gallery and lighting

17 ey nl hfor d c Bri ory M. Do g d Davi Gre designers made sure each room would bring out system of text panels, gallery cards, and new the best in the works on view there—sometimes labels, as well as a special audio tour sponsored by incorporating arched doorways and other elements the Womens Council, designed to help visitors to evoke a particular setting, other times creating understand and appreciate these works that span more neutral spaces. 5,000 years of art and culture. Meanwhile, curators and educators worked The museum’s second annual summer solstice together to develop a comprehensive interpretive party celebrated the gallery opening with a

18 trucks. As these graceful structural members were lifted into their high arching positions, passersby could easily envision the future space that will be central to the museum experience. Once the glass roof is sufficiently far along, a temporary enclosure will be built around the east wing escalators so that the shed roof that had been sheltering that part of the east wing could be removed and replaced by a much lighter interim structure, which in turn will be removed once the atrium space is fully enclosed. Construction on the north galleries and west wing are proceeding on schedule, which means that temporary enclosure should be removed hfor d

c by 2012 and the atrium can begin to fulfill its

Bri role as the museum’s central gathering place and d Davi starting point for gallery exploration. The planned memorable lineup of performances and activities sequence of gallery openings is as follows: the on the third Saturday in June. During the same remaining portion of the 1916 building (level 1, week in June when these galleries of the museum’s late medieval and Renaissance art and textiles), oldest holdings were opening, construction then Japan and Korea plus art of the ancient cranes were at work far above, installing the first Americas, then the remainder of the Asian roof trusses to support the new atrium’s curving collection, with these milestones occurring during glass roof. Engineered by the German glass- 2012 and 2013. The museum staff is particularly roof specialists Gartner (whose building credits excited about an earlier milestone: by the fall of include the new atrium 2011, the remainder of the museum staff who in Washington, D.C., that spans the formerly have been working in a downtown Cleveland exterior space between the National Portrait office building since 2005 will move into brand Gallery, the Old Patent Office, and the American new spaces in the new museum, thus reuniting Art Museum) the pieces were fabricated in Ohio the entire staff at one location for the first time in before being delivered to the museum on flatbed more than six years.

19 collections auer b Brichfor d

d Davi 20 Gary Kirchen Previous page and Conceived as a resource for the entire right: Installers and art handlers use a community and committed to maintaining combination of brute free admission to its permanent collections, strength, mechanical assiatance, and the Cleveland Museum of Art is a place where utmost care in placing works in the visitors can explore both the art of their time and galleries of ancient the cultural achievements of distant times and art. places. Looking back on fiscal year 2009–2010, we celebrate the third chapter in the sequence of openings that have marked the return of the museum’s permanent collection to refurbished galleries, in this case on the first level of the 1916 building. As familiar works of art returned to public view in new spaces, the addition of new objects to the collection testified to the museum’s ongoing efforts to strengthen its holdings across four millennia of art history. The expansion of the collection through significant purchases and gifts remains a fundamental expression of the museum’s mission and reaffirms the primacy of in the life of the institution. Selective acquisition of works of art attests to the values of

excellence, rarity, and quality that are an essential Brichfor d d Davi

21 Streams and part of the museum’s legacy and reputation. The Although founded as a general art museum, Mountains without End, 1100–1150. museum’s permanent collection is its core asset, with collections stretching from Asia to America China, late Northern the source of its personality, the engine of its and spanning ancient to contemporary, the Song or Jin dynasty. Handscroll, ink and visitor experience, and the source of many of its Cleveland Museum of Art cannot properly be slight color on silk; 35.1 x 1103.78 cm. Gift programs, exhibitions, and publications. called an encyclopedic collection, but rather a of the Hanna Fund In reviewing notable acquisitions of 2009– selective survey of the history of art, with an 1953.126 2010, we examine the challenges of building emphasis on works of the highest aesthetic quality a collection that remains both internationally and historical significance. Over the course of significant and locally relevant. the past several decades, especially as the art

22 market has exploded, the museum has sought to build on its traditional strengths rather than begin to collect in entirely new or significantly underrepresented areas. The fields in which the museum presently collects are already supported by its library, conservation, and curatorial resources, and the days when the museum could expect to launch new collections that match the quality of its current holdings are likely past. By matching collection strengths with core research and preservation competencies, the museum can expect to capitalize on the specialized knowledge, professional networks, and market experience that

Curator of Greek and Roman art Michael Bennett tests the ey placement of Roman l bronzes as part of the reinstallation ory M. Don of the galleries of g

ancient art. Gre

Conservation are critical to securing noteworthy acquisitions. In projects included deciding to focus acquisition resources on building x-raying every square inch of Monet’s upon the present strengths of the collection, the Water Lilies in preparation for a museum also acknowledges an ongoing obligation “reunion” exhibition to use special exhibitions as a means of covering bringing together the set of three large those historic periods, geographic areas, or media the artist that are absent from or not adequately represented created as a suite. in the collection. The spring 2010 exhibition of ey l Native American works from the Thaw collection is a perfect example. ory M. Don g Gre

23 should also feed the museum’s exhibition, research, and publication efforts, which collectively help to advance the museum’s reputation as one of the great collecting institutions in the country. Although we continue a long-standing practice of collecting broadly across a range of world cultures and art historical periods, we also aspire to make a significant and sustained commitment to expanding our holdings of contemporary art, defined as work produced after 1960. Even as we accept that there are major gaps in this part of the collection, the growth of the contemporary holdings should ideally mirror the geographic scope of the collection as a whole. Consequently, the acquisition of contemporary art should not be limited—as it has been in the past—largely to works of European and American origin, but rather be much broader in scope, encompassing East Asia, the Indian subcontinent, and the Islamic Nepcetat (One- Considerations of aesthetic quality, historical world. Our efforts in these areas increasingly That-Sticks- to-the- Face) Mask, about significance, and typological importance demand an engaged, creative dialogue between 1840–60. Central are paramount. In addition, the museum our contemporary and “historic” collections. Yu’pik artist, probably lower Yukon River, remains committed to developing a broad and While the criteria of aesthetic quality, historic Alaska. Thaw Collection, Fenimore representative survey of the history of art. This significance, and typological importance should Art Museum, has historically included a commitment to the be applied with equal rigor to decisions about the Cooperstown, New York T0231. art of the region as well as art from distant times acquisition of contemporary art, we recognize that Photograph by John and places. The character of the collection, which the considerations used for judging such art may Bigelow Taylor remains selective and small relative to our peers, sometimes differ considerably from those outlined continues to serve as the guiding principle of our for other parts of the collection. Indeed, the acquisition program. Additions to the collection strategies employed by artists working today often

24 and not limit ourselves to established “blue chip” artists. This approach entails greater risk, but also ensures we actively collect in areas of the market where prices could expand beyond our reach as emerging and mid-career artists gain status. For this reason, the museum’s collectin g activities in contemporary art are generally governed by the assumption that the museum should review the collection on a regular basis and be prepared to deaccession those works that fail to meet the test of time. Given our continued emphasis on artistic excellence, and the increased competition for significant acquisitions, purchase funds could well be concentrated on a relatively small number of objects, especially in those areas where prices are set by the rarity of works available on the market.

defy categorization according to traditional terms. High Rolling, 1998. The museum should also be willing to collect The choices we make regarding contemporary Monique Prieto against the grain of market trends and to seek acquisitions are guided by an understanding of (American, born acquisitions at auction, especially if significant 1962). Acrylic on contemporary art’s relationship to the art of the canvas; 182.8 x 208.2 economies can be achieved. This requires us to act past, its relationship to the salient issues of our cm. Gift of Scott decisively when such opportunities arise, which is time, and our assessment of the achievement and Cutler 2009.436 why strategic alignment between staff and trustees vision of individual artists. The criteria used in the on major acquisition priorities is so essential. selection of contemporary art for the collection are While many museums have dedicated funds also guided by a sense of the “future’s past,” which for collecting in specific areas, Cleveland has means that it is essential to anticipate the historical always used a general acquisitions fund as the significance of the art of our time. Broadly primary resource for the purchase of works of speaking, this means that we should be willing to art. This philosophy is based on the assumption acquire works by emerging and mid-career artists that competition among acquisitions proposed by

25 Albert Wolff in His curators and the ability to allocate a significant Mapa estelar en less active. The cultivation and stewardship of Study, 1881. Jules árbol, 2009. Gabriel Bastien-Lepage portion of the museum’s acquisition endowment collectors capable of making significant gifts Orozco (Mexican, (French 1848–1884). to the purchase of a relatively small number of born 1962). Calcium to the museum is especially important now, as Oil on panel; 32 x 27 cm. Bequest of objects has had a positive impact on the quality of sulfate (plaster), the museum enters the final stage of its capital Muriel Butkin 2010.22 the collection and will continue to do so in the animal glue, campaign and approaches its centennial celebration graphite, and mango future. With purchasing power limited by market tree trunk; 72.6 x 69.7 in 2016. prices, relationships with private collectors are x 40 cm. Severance This fiscal year, Paola Morsiani, curator increasingly important. Indeed, the knowledge and Greta Millikin of contemporary art, pursued acquisitions by Purchase Fund that significant gifts will eventually come to the 2009.343 established artists not represented among the museum allows the curatorial staff to concentrate museum’s holdings. Selected acquisitions were attention on areas where collectors have been made directly from artists in the wake of studio

26 visits. A more recent addition to the collection is part of a new body of work produced by the Mexican artist Gabriel Orozco, whose and installations have marked a change from the pop-influenced, high-end production artworks of the 1980s in both Europe and the . Orozco’s Mapa estelar en árbol (2009) was created from a fallen mango tree found in the state of Morelos, in the south of , where remnants of century-old mango trees are used by indigenous inhabitants for cooking and heating. Early last year, the museum was fortunate to be offered a painting by , who began exploring painting as a visual field in the 1960s. Interested in articulating space and rendering painting as an actual, tangible presence, Whitten devised a very personal way to apply paint with a solution that, in his words, would “expand the gesture while taking my hand out of it” and make it impersonal, as opposed to the dramatic abstract expressionist brushwork. Rho I is part of Whitten’s Greek Alphabet Series consisting primarily of black-and-white paintings, and its purchase strengthened the museum’s ability to Rho I, 1977. Jack Whitten (American, offer visitors a more in-depth consideration of the born 1939). Acrylic on role of abstraction in contemporary painting. In canvas; 182.8 x 213.2 Rho I, the canvas was first painted in white and cm. Purchase from the J. H. Wade Fund stapled to a platform on the floor. Thin objects, 2010.1 such as cotton strings, were thrown onto and adhered to the canvas. A layer of acrylic gray paint,

27 obtained by mixing black with graphite and silica, Jackie Curtis and Ritta Redd, 1970. Alice Neel was then poured over the entire canvas. Finally, (American, 1900– Whitten ran a long metal rod regularly notched 1984). Oil on canvas; at eighth-inch intervals across the length of the 154.3 x 108.9 cm. Leonard C. Hanna Jr. canvas, exposing the underlying white paint. This Fund 2009.345 intricate process confers an unusual vibrancy of the painting’s overall surface, where the pure order of the dense linear pattern plays with the pure chance of the traces embedded under the gray layer. Rho I embodies a unique blend of sensual physicality and cool formal composition. Alice Neel’s Jackie Curtis and Ritta Redd (1970), acquired at auction in New York, is an especially welcome addition to the collection. On loan to the museum from a private collection in northeast Ohio, this painting offered visitors to the inaugural installation of the contemporary galleries a glimpse of the complex interconnections among styles and ideas during the fertile decades of the 1950s and 1960s in the United States. When the owners decided to sell the work at auction, the museum organized an aggressive bid in order to ensure that it would remain in Cleveland for future generations of visitors. Now part of the museum’s collection, Neel’s painting offers a significant parallel to Andy Warhol’s Marilyn x 100 (1962), resonates strongly with earlier figurative works and portraiture represented in the collection, and further strengthens the representation of work by women artists at a seminal moment in American art.

28 The suite of new photography galleries in the east wing, which opened in late June 2009, underscores the museum’s commitment to photography as a form of visual expression and fueled the further growth of the collection through purchase and gift. Under the direction of Tom E. Hinson, curator of photography, additions to the collection covered the full scope of the medium— from its origins in the mid 19th century to the present day. Especially notable among early works are images by Étienne-Jules Marey, Carlo Naya, and Louis-Pierre-Théophile Dubois de Nehaut. Acquired works by major photographers of the 20th century include images by Shelby Lee Adams, Henri Cartier-Bresson, Sharon Core, and Larry Clark. The collection also gained a number of important images by Cleveland photographers, including Christopher Pekoc and Douglas Lucak, as well as striking imagery of northeast Ohio by Brian Ulrich.

Firewood, Christmas Eve, Scanno, Italy, 1852. Henri Cartier- Bresson (French, 1908–2004). Gelatin silver print; 35 x 24 cm. Norman O. Stone and Ella A. Stone Memorial Fund 2009.278

29 as the Star of David. Such surviving brooches number fewer than 30, and of these the CMA’s acquisition is among the finest in quality, materials, Brooch in the Form and execution. In the realm of illuminated of a Six-Pointed Star, late 700s–early manuscripts, the museum also added a remarkable 800s. Frankish, Early Carolingian. Gold of hours that serves as an important with repoussé and benchmark in the shift from the handmade filigree decoration; copper backplate; of the Middle Ages to the printed texts of the h. 7.7 cm overall. early modern period. Produced around 1520 Severance and Greta Millikin Purchase by Guillaume Le Rouge after the advent of the Fund 2009.344. printing press, the book features printed text pages interspersed with hand-colored illuminations. A hybrid work that stands between two epochs of the art of the book, this work will be displayed in rotating installations of the museum’s collection of illuminated manuscripts. Stephen Fliegel also capitalized on the In anticipation of the debut of the new opportunity to add an important devotional icon galleries of medieval art, Stephen Fliegel, curator to the museum’s collection of Byzantine art. of medieval art, acquired an exceptional example The monumental icon, from a private European of Frankish metalwork, a brooch featuring a collection, is attributed to the Cretan icon painter fantastical animal turning back to grasp its own tail Angelos Akotantos (died c. 1450). Akotantos has in its mouth. Produced in the late eighth or early been the subject of intense research by numerous ninth century and designed to be worn on the specialist scholars over the past 15 to 20 years. body, this brooch adds a distinctive and rare object He signed as many as 30 of his icons and an to the museum’s small collection of European additional 20 are reliably attributed to his hand. migration jewelry. The brooch belongs to a small Akotantos had a workshop in Candia, the capital subset of Frankish jewels conforming to a form of Crete, from which he supplied icons to Greek that takes its inspiration from a hexagram motif churches and monasteries on Crete, Patmos, and known as the Seal of Solomon, and later known Rhodes at a time when the

30 was increasingly pressed by the Ottomans, who captured Constantinople in 1453. Despite the fact that icons were (and remain) an essential element of the devotional culture of Orthodox Christianity, the museum’s Byzantine

Icon of the Mother collection has always lacked a major painted icon. of God and Infant Although several icons have been considered Christ (Virgin Eleousa), about for purchase over the years, the museum elected 1425–50. Attributed to Angelos Akotantos to eliminate them from consideration because (Greek). Tempera and they failed to meet the standards of excellence gold on wood panel; 96 x 70 cm. Leonard established by its Byzantine collection. The C. Hanna Jr. Fund newly acquired painting, executed in tempera on 2010.154 panel, meets or exceeds the quality of other icons by Akotantos. The treatment of the faces and draperies is handled with great fluency and skill, revealing Akotantos to be a painter of great talent. This acquisition not only places the museum firmly on the map in an international arena—few museums have recently succeeded in acquiring icons of similar importance and significance—but also establishes a strong connection to northeast Ohio’s Orthodox Christians, who are familiar with the powerful visual language represented by this tradition. In achieving these two objectives, the icon strikes the perfect balance between international significance and local relevance.

31 Brocaded Velvet Louise Mackie, curator of textiles and Islamic Cushion Cover, 1500s. , Bursa, art, also made several notable acquisitions, Ottoman Period. deepening the museum’s already distinguished Brocaded velvet; 4/1 satin with every third holdings of textiles produced in the Islamic world, warp binding wefts a collection that is internationally recognized in 1/4 twill order (S direction); Silk, for its breadth, quality, and variety. Perhaps gilt-metal thread, silver-metal thread, most impressive among the acquired textiles is cotton; 127 x 66 cm. a 16th-century Ottoman Velvet Cushion Cover, a (mounted). Purchase from the J. H. Wade sumptuous work of velvet brocaded with gilt metal Fund 2009.282 thread.

32 Poppies, 1978. Helena In 2010, the museum’s collection of textiles testifies to the impressive revival of a historic art Hernmarck (Swedish, born 1941). benefited from an unexpected gift brokered by form by a contemporary artist. The two spectacular weave with weft- Louise Mackie. Two monumental by the tapestries feature Texas wildflowers rendered on a bundle floats; wool, linen, silk(?), gold renowned fiber artist Helena Hernmarck, Poppies grand scale in a semi-photorealistic style in 1978 metal thread; 389.9 x 594.4 cm. Gift of and Bluebonnets, were offered to the museum in the and 1979. They were designed as complementary the Trammel Crow wake of a smaller gift, a study for Poppies, accepted images rather than as a pair and display a radiance Family 2010.186 last year. The addition of these works dramatically rarely seen since 16th-century European tapestries.

33 Hernmarck is one of the most prominent and successful artists working in the field of fiber in the past 50 years, during which time textiles developed into a new art form. She is known for corporate commissions of public textiles designed and woven on a grand scale. A photograph of poppies in and out of focus that Hernmarck had received as a Christmas card became the model for one tapestry. She asked the same photographer, John Simle, to photograph bluebonnets with her; she ultimately cut up and rearranged the images so that they were somewhat similar to the poppy image. These two tapestries are outstanding additions to the collections that enrich the museum’s small but distinguished European tapestry collection, but can equally hold their own in the contemporary galleries. Stephen Harrison, curator of decorative arts and design, was fortunate to acquire an extremely rare pair of neoclassical candelabra Pair of Candelabra, late 18th century. Catherine the Great, during produced in Tula, a center for arms manufacture about 1790–95. whose reign these candelabra were produced, Russia, Tula. Cut and in Russia established by Peter the Great in 1705. polished steel with was so enamored of the virtuoso displays of cut Their acquisition offers a shining example of the gold and silvered steel, gilt bronze, silver, and gold showcased by serendipitous alignment of curatorial expertise and decoration; 40.7 x Tula craftsmen that she bestowed these wares 24.8 cm. Leonard a dealer’s eagerness to place a significant treasure C. Hanna Jr. Fund as diplomatic gifts, thereby conveying her pride in an important public collection. The Tula 2010.2.1–2 (detail in their distinctively Russian contribution to candelabra significantly enhance the museum’s p. 35). metalworking. renowned collection of neoclassical decorative arts The most recognizable characteristic of Tula by adding masterworks from Russia, a seminal was the use of multifaceted cabochons and beads of center of production and commission in the steel that replicated faceted diamonds and crystals.

34 No other region surpassed the brilliance of this that approaches diamond and crystal, achieving technique in cut steel. Works produced in Tula a stunning combination of artistic ingenuity and primarily remain in the former imperial collections technical virtuosity. Their dark, shimmery tones in Russia or in select museums in northern Europe invite close inspection. The fact that the top of the as the result of diplomatic , and rarely table acquired by the Metropolitan Museum of Art appear on the art market. In the United States, has been replaced makes these objects that much only the Metropolitan Museum in New York more remarkable as exceptionally intact examples and the Legion of Honor in own of the highest achievements of Tula craftsmen. single examples from this seminal period in Tula The most remarkable addition to the Asian production. Comparison of these works with collection came in the final meeting of 2009, when those acquired by the CMA highlights the ways in the museum acquired a Yuan dynasty triptych which the museum insists that acquisitions should through private sale. Depicting the historic distinguish its collections from those of its peers. Buddha Shakyamuni flanked by two attending Most works in Tula steel that left Russia during bodhisattvas, Manjushri (the Bodhisattva of the period and later in the 19th century were small Wisdom) and Samantabhadra (the Bodhisattva precious objects such as inkstands, bobbin holders, of Universal Virtue), the set of three hanging buttons, footstools, or single candlesticks. The scrolls is a rare survivor of Buddhist painting of acquisition of the small table at the Metropolitan the 13th and 14th centuries and reaffirms the Museum of Art was especially noteworthy in museum’s status as holder of one of the preeminent 2001 because it was the most significant piece of collections of early Buddhist paintings in the Tula known to exist in private hands outside of country. Russia. Compared with the table in New York, In American art, there were a number of Cleveland’s candelabra are packed with finely significant additions to the collection of works by wrought details and, with the exception of a artists with ties to Cleveland. The establishment few minor missing elements, have survived in in the east wing of a dedicated gallery for art remarkably pristine condition. With their chased, produced in Cleveland marked the museum’s inlaid, and applied decoration of classical trophees, commitment to a regular rhythm of exhibitions incorporation of iconic swags and geometric forms, and installations featuring the work of local artists, and patinated surfaces of mixed metal, especially both now and in the past. Especially notable was steel, these candelabra shimmer with a luster the purchase of a remarkable narrative

35 36 Tashiko Takezu were especially welcome additions to the collection. Mark Cole, associate curator of American art, also addressed the collection’s long-standing priority to expand the representation of American artists active outside the country’s major artistic centers. Raymond Jonson’s Rock at Sea (1920–22), a highly stylized representation of the coast of Ogunquit, Maine, presented a rare opportunity to acquire a seminal work by an artist who developed his modernist aesthetic in the American Southwest and on the West Coast. Practicing his craft first in and then in Albuquerque, Jonson is best known for co-founding the Transcendental Painting Group, a consortium based in New Mexico and that constituted a West Coast correlative to the Abstract American Artists organization in New York. The painting

by entitled Jonah (1937). Shakyamuni Triad: is a visually striking, impressively scaled, and Jonah, 1937. Viktor Buddha Attended Schreckengost Schreckengost’s narrative subjects are his most stylistically rich example of early by by Manjushri and (American, one of America’s leading avant-garde painters. complex and highly regarded sculptures; this Samantabhadra, 1906–2008). Glazed acquisition represents the first narrative sculpture 1200s–1300s. China, While many additions to the collection were earthenware; 29.10 Yuan dynasty (1279– x 18.80 cm. Purchase by the artist to enter the collection. featured in exhibitions and permanent collection 1368). Triptych of from the J. H. Wade galleries during 2010, other notable acquisitions Several gifts by Cleveland artists were three hanging scrolls, Fund 2010.3 precipitated by the museum’s decision to stage an ink and color on will take their place in installations slated to debut installation in celebration of the 50th anniversary silk; 106.9 x 46.4 cm upon completion of the museum’s north galleries. each. Purchase from Over the course of 2010, Sue Bergh, Curator of of the Cleveland Arts Prize, featuring works by the J. H. Wade Fund winners of the prize drawn from the museum’s 2009.342.1–3 (p. 36). Pre-Columbian and Native North American Art, permanent collections. Gifts of important works continued her efforts to expand the museum’s by Brent Kee Young, Laurence Channing, and holdings of works of art from the Central Andes.

37 The year 2010 also brought the addition of a number of important works on paper, recommended for purchase by the museum’s associate curator of drawings, Heather Lemonedes. Remarkable among these is a stunning exhibition watercolor by William Turner of Oxford (1789– 1862), A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris. William Turner was born in rural Oxfordshire. His artistic ability manifested itself early, and in 1804 he was sent to to take lessons with the watercolorist John Varley. In 1808, at age 18, Turner was elected an associate of the Society of Painters in Watercolor, making him the group’s youngest member. Turner’s early promise was noted in that year by a critic who observed that two of his watercolors displayed “the wide range of a veteran landscape painter.” Like many of his contemporaries, his large, highly finished exhibition watercolors were typically derived from studies made during summer sketching tours. He traveled to Wales in 1817, and in later years to Scotland, the Wye Valley, the Lake District, and Derbyshire. Turner’s range extended beyond Rock at Sea, 1920– The museum’s Pre-Columbian collection is one 1922. Raymond of the most refined and comprehensive of its size the conventionally picturesque to include many Jonson (American, outside of Latin America, but its Central Andean detailed panoramic views, remarkable for their 1891–1982). Oil on breadth and delicacy. By his 1838 visit to Scotland, canvas; 88.90 x holdings, where many of the hemisphere’s most 104.20 cm; Severance complex cultures took root, is small in relation to the mystery and power of the uncultivated and Greta Millikin regional importance and artistic production. landscape had become a theme in his work. His Purchase Fund 2009.269

38 39 time in Scotland may have prompted Turner to return to Wales as a subject late in his career. A View from Moel Cynwich describes the dramatic mountain scenery of north Wales. The view in this drawing is seen from the steep slopes of Moel Cynwich, along what is now known as the Precipice Walk, overlooking the River Mawddach. The Cader Idris, a famous mountain in Snowdonia, and Barmouth Bay can be seen in the far distance. The close-up view of the hillside and sheep in the left foreground with its details of ferns and foliage juxtaposed with the sweeping vista of the background invites a comparison of the minute with the infinite. The inclusion of the shepherd by the dead fir trees calls up feelings of awe and infinity: the result is a meditative sense of man’s

A View from Moel insignificance in the face of the vast world. Indeed, Cynwich: Looking this drawing will hold its own among Cleveland’s Over the Vale of most prized British watercolors by artists such Afon Mawddach and Toward Cader as John Robert Cozens, John Martin, J. M. W. Idris (detail), about Turner, and Samuel Palmer. 1850. William Taking advantage of a new space in the Turner of Oxford (British, 1789–1862). contemporary galleries devoted to the display of Watercolor with prints and drawings, Lemonedes also collaborated scratching out, with Contemporary curator Paola Morsiani to heightened with white; 48.9 x 70.3 acquire several contemporary drawings. These cm. Purchase from acquisitions were guided by the understanding the J. H. Wade Fund that the museum would seek out works by 2010.147 (entire image, p. 39). contemporary artists whose principal means of expression consists of works on paper. Perhaps the

40 most significant among these is ’s Codex Artaud XXI (1972), a drawing from the artist’s most important body of work, the so-called Codex Artaud, made between 1971 and 1972 in New York. The series of drawings unite texts of Codex Artaud XXI, 1972. Nancy Antonin Artaud, the French actor, playwright, Spero (American, and poet of highly allusive writings, with Spero’s 1926–2009). Cut and pasted papers, decidedly personal imagery. Other acquired printed text, watercolor, metallic contemporary drawings include works by the paints, pen and Cuban artists known as Los Carpinteros. stamped ink; 173.4 x 52.6 cm; Severance Under the leadership of Jon Seydl, curator and Greta Millikin of European painting and sculpture, in the area Purchase Fund 2009.270 of Italian Renaissance art, the museum acquired Mino da Fiesole’s Julius Caesar (about 1455–60)

41 providing the museum with a major work of 15th-century Florentine sculpture exemplifying many of the innovations that characterize a seminal moment in art history. Mino is one of a handful of great Italian sculptors of monumental objects working in the 1400s between Donatello and Michelangelo. He trained under Desiderio da Settignano and carved the first portrait bust since antiquity (Piero de’ Medici, 1453). Working for many of the era’s key patrons in Rome and Florence, Mino made monumental tomb sculptures, portrait busts, and refined reliefs. The addition of his Julius Caesar to the collection makes key connections to extant strengths, including the museum’s Italian Renaissance medals and plaquettes, as well as one of the museum’s great

Julius Caesar, about sculptures, and Child (also by Mino)—a 1455–60. Mino da marvelous religious counterpoint to Julius Caesar. Fiesole (Italian, about In 2010, the bequest of Muriel Butkin 1430–1484). Marble with traces of gilding continued to ensure that important gifts added and limestone depth to the museum’s renowned holdings of with traces of European easel paintings. Eugène Boudin’s View polychromy; 83 x 84 x 25 cm. John of the Port of Saint-Valéry-sur-Somme, which was L. Severance Fund recommended as a gift by William Robinson, 2009.271 curator of modern European painting and sculpture, depicts Saint-Valéry-sur-Somme, located in Picardy at the mouth of the Somme where the river empties into the English Channel. Boudin was an important landscape painter and a major influence on and the

42 43 Impressionists. During his early years, Monet painted with Boudin along the Normandy coast and credited Boudin with teaching him to observe nature closely. The view looks north toward the sea, which can be seen along the distant horizon. Sailboats, one of Boudin’s favorite subjects, are docked along the east bank of the river with their sails rolled up. The opposite side of the river is deserted except for rocks, grass, and trees. The sky is heavy with gray clouds, and a strip of sunlight d er in the distance illuminates a slice of the east riverbank, suggesting late afternoon. The museum d ean yo View of the Port of currently has an interesting collection of five oil Jim George and Steve In 2009–2010, the Conservation Department Saint-Valèry-sur- Fix unwrap a newly Somme, 1891. Eugène paintings by Boudin, including two early scenes of acquired icon from continued to play an essential role in acquisitions, Boudin (French, Crete in the paintings exhibitions, and loans, and in treating and 1824–1898). Oil on figures on the beach dating from the 1860s, a large lab. Protective canvas, 45.20 x view of Bordeaux harbor from 1874, and a late facing tissues were preparing works of art for re-installation in the 64 cm. Bequest of applied by Painting Muriel Butkin 2010.23 view of Deauville harbor from 1891. As a group, Conservator Dean new galleries. This year the lower level of the 1916 (p.43) these paintings provide an important context Yoder in Rome prior building galleries and the permanent galleries to transporting the for understanding the development of plein-air icon, which will for rotating works of art on paper were opened. receive treatment The ongoing work of the department included painting in 19th-century . before entering the The growth of the collections across the Byzantine galleries. examination and survey of more than 4,000 full scope of the museum’s holdings serves as a works of art; more than 1,000 received major vital reminder that the current capital project is and minor treatment, and more than 1,000 were about much more than creating a state-of-the-art prepared for storage, display, or loan. In addition, building. It is fundamentally driven by the broader the department accomplished research and other ambition of creating a museum that aspires to the special projects. marriage of international significance and local Paper Conservator Moyna Stanton published relevance, and thus serves as a source of inspiration her research on Mabel Hewit’s printing techniques for the city and the region. in the exhibition catalogue Midwest Modern: The Color Woodcuts of Mabel Hewit. In addition to caring

44 cleaning the CMA panel painting from the 1500s titled Christ with Joseph of Arimathea by Giovanni Savoldo. In May, Dean attended an international conference in Valencia titled “New Insights into the Cleaning of Paintings.” In the paintings lab, 14 paintings received major treatment. Highlights include four tondi titled Scenes with Witches by Salvator Rosa (1615–1673) and A Windmill Near Fields by Jacob van Ruisdael (1628/29–1682). Associate Conservator of Asian Paintings Jennifer Perry worked with the facilities department to outfit the lab for Asian painting conservation with cabinetry and equipment while she continued to treat and properly house the collection of hanging scrolls. In addition, Jennifer was invited to lecture d er in Tokyo for an international symposium on the

d ean yo conservation of Asian paintings and gave a talk entitled “The Conservation of East Asian Paintings Jennifer Dennis, a for the prints and drawings collections, Moyna third-year graduate worked closely with contract conservators for at the Cleveland Museum of Art: Preserving the intern from the Legacy.” Buffalo State the collections of furniture, portrait miniatures, College conservation Conservator of Objects Shelley Paine, program, put some manuscripts, and photographs for re-installation final as well as special projects. Over the past year assistant conservators Samantha Springer and touches on an Rachael Penniman, and intern Jennifer Dennis Egyptian stele in a numerous major treatments were carried out in gallery light setting the paper lab. Of special note was the treatment of were focused on treating and preparing three- recreated in the dimensional artwork for the reinstallation of the objects lab. The an important large-scale watercolor titled Bolton treatment required east side of the lower level of the 1916 building. continued discussion Abbey by British artist David Cox (1783–1859) with the curator accomplished by Amy Crist, Andrew W. Mellon Shelley’s work included close collaboration with to accomplish the Curator of Ancient Art Michael Bennett on desired balance for Fellow in Paper Conservation. the areas of fill and Painting Conservator Dean Yoder worked at the re-stringing of a bronze Greek necklace. A inpainting. the J. Paul Getty Museum for short periods of time necklace of this type has no known reference for

45 its appearance and research was vital to its present display. Shelley also worked closely with Arthur Heuer, Case Western Reserve University professor, and Jaques Castaing, scientist from the Louvre Museum, on the analysis of glazes on the CMA Palissyware collections. Samantha and Jennifer worked on an ancient Assyrian relief sculpture, Saluting Protective Spirit (883–859 bc), and an Egyptian stele. These lengthy treatments focused on reintegrating the appearance of these previously damaged and repaired objects. d er Associate Conservator of Textiles Robin Hanson

examined textiles being considered for acquisition; d ean yo

examined, treated, and mounted textiles for display Shelley Paine cleans Chief Conservator Marcia Steele co-authored at CMA in the galleries of French decorative art, a marble head of “The Series Paintings of F. H. Lane: From Field a prophet for the early Christian and Byzantine art, African art, and newly designed Sketch to Studio Painting” in Emil Bosshard, western medieval art as well as the special exhibitions medieval gallery. She (1945–2006) Essays by Friends delicately removes Art of the American Indians: The Thaw Collection and surface dirt to safely and Colleagues. Additional technical examination achieve the final Midwest Modern: The Color Woodcuts of Mabel Hewit. aesthetic desired by of Lane was published on the Terra Foundation Utilizing the talents of interns and volunteers, the the curator. website: www.terraamericanart.org. textile lab completed numerous storage projects Conservation technicians Jim George, Joan including re-housing a portion of the museum’s Neubecker, Steve Fixx, and Elizabeth Wolfe, sampler collection and extensive lace collection. as well as Administrative Assistant Joan Bewley Two graduate interns from the conservation training continued to provide essential support for the program at Buffalo State College completed their work carried out in the department, including third-year training in the objects and paintings lab. tracking the ongoing activities of the department, Eileen Sullivan was awarded a Kress Fellowship to preparation of artwork for exhibition, loan, continue for an additional year in the paintings lab and storage, as well as photo documentation for and Jennifer Dennis will be working part time on examination and loan. special projects in the objects lab.

46 Acquisitions

American Art Art of the Ancient Americas Ancient Art Beaver-Shaped Bowl, about Rock at Sea, 1920–22. Raymond Beaver-Shaped Bowl, about 1890– Ribbed Bowl, 100 bc–ad 100. Roman. 1890–1920. Jonson (American, 1891–1982). Oil on 1920. North America, Northwest Glass; h. 6.5 cm. Gift from Norman W. North America, canvas; 88.90 x 104.20 cm; Severance Coast, Tlingit? people. Wood; 11.3 x Zaworski 2009.474. Northwest Coast, and Greta Millikin Purchase Fund 27 x 18.7 cm. Gift of Barry Bradley Tlingit? people. Wood; 11.3 x 27 2009.269. 2009.434. Chinese Art x 18.7 cm. Gift Jonah, 1937. Viktor Schreckengost Bowl with Trophy Heads, about ad Shakyamuni Triad: Buddha Attended of Barry Bradley (American, 1906–2008). Glazed 100–650. Central Andes, South Coast, by Manjushri and Samantabhadra, 2009.434 earthenware; 29.10 x 18.80 cm. Nasca people, Early Intermediate 1200s–1300s. China, Yuan dynasty Purchase from the J. H. Wade Fund period. Ceramic, slip; 10.2 x 10.2 cm. (1279–1368). Triptych of three hanging 2010.3. Gift of Barry Bradley 2009.435. scrolls, ink and color on silk; 106.9 x Feline Vessel, about ad 1–800. Central 46.4 cm each. Purchase from the J. H. Andes, North Coast, Moche people, Wade Fund 2009.342.1–3. Early Intermediate period. Ceramic; 17 x 14 x 19.8 cm. John L. Severance Fund 2010.4.

47 Contemporary Art Flow, 1971. Julian Stanczak (American, born 1928). Acrylic on canvas; 121.9 x 91.4 cm. Bequest of Shuree Abrams 2009.295. High Rolling, 1998. Monique Prieto (American, born 1962). Acrylic on canvas; 182.8 x 208.2 cm. Gift of Scott Cutler 2009.436. Humming Gold, 1971. (American, born 1928). Acrylic on canvas; 205.7 x 274.2 cm. Bequest of Dennis Sherwin 2009.294. Jackie Curtis and Ritta Redd, 1970. Alice Neel (American, 1900–1984). Oil on canvas; 152.4 x 106.4 cm. Leonard C. Hanna Jr. Fund 2009.345. Mapa estelar en árbol, 2009. Gabriel Orozco (Mexican, born 1962). Calcium sulfate (plaster), animal glue, graphite, and mango tree trunk; 72.6 x 69.7 x 40 cm. Severance and Greta Millikin Purchase Fund 2009.343. Mirrors & Eyes, 1994. John L. Moore (American, born 1939). Oil on canvas; 203.2 x 172.7 cm. Gift of Jane Farver 2009.437. Rho I, 1977. Jack Whitten (American, born 1939). Acrylic on canvas; 182.8 x 213.2 cm. Purchase from the J. H. Wade Fund 2010.1.

Mirrors & Eyes, 1994. John L. Moore (American, born 1939). Oil on canvas; 203.2 x 172.7 cm. Gift of Jane Farver 2009.437

48 Decorative Art and Design by Consolidated Lamp and Glass Cup and Saucer, about 1880–1900. Bar Spoon, after 1928. Kalo Shop Company (United States, Coraopolis, France. Enamel, silver; 6.5 x 8.5 x (United States, Chicago, established Pennsylvania, established 1894). Glass; 6.5 cm. Bequest of Muriel Butkin 1900). Silver; 36 x 3.8 cm. Gift of Barry 19 x 24.1 cm. Gift of Barry Bradley 2009.366.a–b. Bradley 2009.455. 2009.451. Deserted Throne, 1990. Stanislav Bottle, about 1979. Claude Conover Cigarette Box, about 1895–1910. House Libensky (Czech, 1921–2002) and (American, Cleveland, 1907–1994). of Fabergé (Russia, St. Petersburg, Jaroslavá Brychtova (Czech, born Stoneware; 52 x 26 cm. Gift in 1842–1918), workmaster Mikhail 1924). Cast glass; 86.4 x 71.1 x 35.6 cm. memory of Allan Joseph MacDonald Perkhin (Russian, 1860–1903). Rock Gift of Helen Kangesser 2010.17. 2009.379. crystal, enamel, gold, sapphire, Dress Clip, about 1920–30. Maison diamond; 1.8 x 8 x 5.7 cm. Bequest of Cartier (France, , established Bowl, designed 1931. René Lalique Muriel Butkin 2009.365. (French, Paris, 1860–1945). Glass; 10.5 x 1847). Enamel, turquoise, lapis, 25 cm. Anonymous Gift 2009.457. Cigarette Urn, about 1963. Kenneth diamonds, gold, platinum; 2.3 x 3.1 Bates (American, Cleveland, 1904– x 1.1 cm. Bequest of Muriel Butkin Bowl, about 1950–60. Reed & 1994). Enamel, gold; 7.9 x 9.8 cm. Gift 2009.364. Barton (United States, Taunton, of Barry Bradley 2009.454. , established 1840). Figure of Earth and Figure of Water, Silver plate; 7.6 x 34.3 cm. Gift of Barry Cigarette Urn, about 1950–60. 1755. Bow Porcelain Factory (England, Bradley 2009.446. Unknown maker. Copper, walnut established 1747). Porcelain; 28.5 x 12.5 knob; 14.6 x 7.6 cm. Gift of Barry x 10 cm; 27.5 x 11.7 x 11.5 cm. Gift of Deserted Throne, Bread Plate, about 1850. Augustus Bradley 2009.453.a–b. Henry Hawley 2009.375, 2009.376. Welby Northmore Pugin (English, 1990. Stanislav 1812–1852). Stoneware; diam. 33 cm. Closed Form, about 1958–64. Toshiko Fruit Bowl, 1911. Designed by Libensky (Czech, Gift in memory of Mr. and Mrs. Orrel Takaezu (American, born 1922). Wilhelm Süs (German, 1861–1933), 1921–2002) and A. Parker 2009.377. Stoneware; 27 x 21 cm. Gift of Barry manufactured by Grossherzogliche Jaroslavá Brychtova Bradley 2009.456. Majolika-Manifaktur (, (Czech, born 1924). Brooch, about 1890–1910. United Covered Urn, 1962. Designed by established 1901). Earthenware; 15 x Cast glass; 86.4 x States, . Diamonds, pearls, 29 x 24.5 cm. Gift of Henry Hawley 71.1 x 35.6 cm. Gift enamel, gold, platinum; 5.3 x 3.7 x George Thompson (American, active 1936–74), manufactured by Steuben 2009.371. of Helen Kangesser 1.8 cm. Bequest of Muriel Butkin 2010.17. 2009.361. Glass, Inc. (United States, Corning , Handbag, about 1900. Attributed to New York, established 1903). Glass; Marcus & Co. (United States, active Pair of Candelabra, about 1790–95. 18 x 17.5 x 14 cm. Gift of Barry Bradley New York, 1892–1941). Gold mesh Russia, Tula. Cut and polished steel 2009.444.a–b. bag and frame, faceted stones of with gold and silvered decoration; Covered Vase, 1901. Taxile Doat amethyst, diamonds, and demantoid 40.7 x 24.8 cm. Leonard C. Hanna Jr. garnets; 13.4 x 11.5 x 1.8 cm. Gift of Fund 2010.2.1&.2. (French, 1851–1939). Sèvres National Manufactory (France, established Andi and Larry Carlini in memory of Ceiling Globe (Ruba Rombic 1738). Porcelain; 17.5 x 8 x 8 cm. Gift of Lois F. Cohen 2009.458. Pattern), designed 1928, produced Henry Hawley 2009.374. Handbag, about 1920–30. Van Cleef & 1928–32. Designed by Reuben Haley Arpels Firm (France, Paris, established (American, 1872–1933), manufactured 1906). Gold, enamel, diamonds,

49 sapphires, silk, cotton; 21.1 x 16 x 2.5 Mantle Clock, 1901. Lenzkirch Clock mixed metals; 7.5 x 3 x 3 cm. Bequest cm. Gift of Mr. and Mrs. Lee Lyon Factory (Germany, Lenzkirch, of Muriel Butkin 2009.368.1–2. 2009.378. 1849–1920), retailed by Tiffany & Co. Salver, about 1910. Goldsmiths’ & Inkwell, about 1940–50. Designed by (United States, New York, established Silversmiths’ Company (England, Angus McDougall (American, born 1837). Mahogany, brass; 40 x 22.9 x 8.9 London, 1898–1952). Silver; 4.5 x 35 cm. England, 1906–1978), manufactured cm. Gift of Barry Bradley 2009.443. Bequest of Muriel Butkin 2009.369. by Steuben Glass, Inc. (United States, Matrix Series: Catenary Ellipsoid…Bi, Dorothy C. Thorpe (American, Corning, New York, established 1903). 2010. Brent Kee Young (American, 1904−1989). Candy Jar, about 1950– Glass; 12.5 x 15.3 cm. Gift of Barry Cleveland, born 1946). Lampwork 65, glass; 16.5 x 15.5 cm (2009.449.a– Bradley 2009.445.a–b. glass; 88.9 x 55.9 x 28 cm. Gift of Linda b). Tazza, about 1950–60, glass; 21 KPM (Königliche Porzellan- Burwasser Schneider 2010.156. x 20.5 cm (2009.450). Gift of Barry Manufaktur, Berlin Germany), shape Necklace, about 1900–1920. United Bradley. designed by Trude Petri (German, States. Topaz, diamonds, pearl, gold, Vase, about 1920–24. Josef Hoffmann 1906–1998), medallion designed by platinum; 24 x 3 x .5 cm. Bequest of (Austrian, 1870–1956). Glass; 15.9 x 21 Siegmund Schütz (German, 1906– Muriel Butkin 2009.362. cm. Gift of Barry Bradley 2009.452. 1998), all about 1938: Ashtray (Arkadia Pendant Brooch, about 1890–1910. Vase, about 1900. Bernard Moore Pattern, Comedy & Tragedy), porcelain; United States. Pink tourmaline, 2.2 x 14.6 cm (2009.442). Boullion (English, 1850–1935). Porcelain; 13 x diamonds, gold, platinum; 6 x 3 x 1 cm. 7.8 x 7.8 cm. Gift of Henry Hawley Cup and Stand (Arkadia Pattern, Bequest of Muriel Butkin 2009.359. Bacchante), porcelain; cup: 5.4 x 14.4 2009.370. cm; stand: diam. 7.5 cm (2009.439.a– Pendant Watch, about 1890–1910. Vase, 1926. Moorecroft Pottery b). Coffee Pot (Arkadia Pattern, Maison Cartier (France, Paris, (England, established 1897). Matrix Series: Catenary Galatea), porcelain; 17.1 x 21.6 cm established 1847). Diamonds, rubies, Earthenware; 31 x 15 x 15 cm. Gift of Ellipsoid…Bi, 2010. (2009.440.a–b). Salad Bowl (Arkadia pearl, gold, platinum; 6 x 2.5 x 2 cm. Henry Hawley 2009.373. Brent Kee Young Bequest of Muriel Butkin 2009.360. Pattern, Diana Hunting), porcelain; Vase, 1927. Sèvres Porcelain Factory (American, born 1946). 8.7 x 23 x 21.2 cm (2009.438). Tea Pot Ring, about 1910. Potter & Mellen (France). Porcelain; 22.2 x 12.2 x 12.2 Lampwork glass; 88.9 (Arkadia Pattern, Judgement of Paris), (United States, Cleveland, established cm. Gift of Henry Hawley 2009.372. x 55.9 x 28 cm. Gift porcelain; 15.2 x 22.9 cm (2009.441.a– 1900). Enamel, gold, yellow stone; 2.1 x of Linda Burwasser b). Gift of Barry Bradley. 2.1 x 2.7 cm. Bequest of Muriel Butkin Vase, about 1925–30. France. Glass; h. Schneider 2010.156 2009.363. 33.2 cm. Gift of the Geismer Family Libbey Glass Company (United in memory of Eugene and Mollie States, Toledo, established 1892), Salt Cellar, about 1890–1900. Marius Geismer 2010.157. designed by A. Douglas Nash Hammer (Norwegian, 1847–1927). (American, 1885–1940). Candy Jar Enamel, gilt silver; 6 x 10.3 x 3.5 cm. (Knickerbocker Pattern), 1933, glass; Bequest of Muriel Butkin 2009.367. 15.5 x 17 cm (2009.448.a–b). Compote Salt and Pepper Shakers, about 1875– (Knickerbocker Pattern), 1933, glass; 85. Gorham Mfg. Co. (United States, 5.5 x 11 cm (2009.447). Gift of Barry Providence, established 1852). Silver, Bradley.

50 Table Knives (Cuchillo Drawings 50.3 x 41.6 cm. Bequest of Muriel Bayeux Cathedral, 1923 (2009.462). de Mesa), 2007. Butkin 2009.313. Five pen and black ink drawings: A Seated Shepherdess, 1800s. Jules Los Carpinteros: Renaissance, Blois, France, 1923; 43.5 Dupré (French, 1811–1889). Black chalk John Taylor Arms (American, Dagoberto x 21.1 cm (2009.471). Untitled, 1919 with white heightening and white 1887–1953). Eight graphite drawings: Rodríguez Sánchez (2009.469). Cutting In, 1925; pen pastel on brown paper laid down on Chapelle St. Ave-en-Bas, 1928; 26.6 (Cuban, born 1969) and black ink and colored pencil board; 61.1 x 47.6 cm. Bequest of Muriel x 27.9 cm (2009.465). English Series and Marco Antonio (2009.466). Spanish Church Series Butkin 2009.314. No. 7: Miniature Series No. 24: Wilby Castillo Valdés No. 9: Puerta del Obispo, Zamora, Church, Northamptonshire, England, (Cuban, born 1971). A View from Moel Cynwich: Looking 1933; pencil and black pen and black 1940; graphite (2009.463). Goshawk Watercolor with Over the Vale of Afon Mawddach and ink wash (2009.470). Spanish Church on Cupsuptic Stream, 1919; 29 x 24.1 cm graphite on two Toward Cader Idris, about 1850. William Series No. 10: Stone Tapestry San (2009.467). Mexican Church, 1940; 23.3 sheets of paper; 70.9 Turner of Oxford (British, 1789–1862). Isidoro, Leon, 1933 (2009.460). Gift of x 17.2 cm (2009.468). Miniature Series x 199.9 cm. Dudley P. Watercolor with scratching out, Carole W. and Charles B. Rosenblatt. heightened with white; 48.9 x 70.3 cm. No. 27, Yucatan Series No. 1: Plumed Allen Fund 2009.275 Purchase from the J. H. Wade Fund Serpent, Chichén Itzá, 1940 (2009.464). Antoine-Louis Barye (French, 1796- 2010.147. Ship Series No. 1: The Golden Galleon, 1875). Landscape (recto), watercolor 1921 (2009.461). Spanish Church Series with gouache, and graphite; 15.5 x Armenian Gypsy, 1800s–1900s. Edgar No. 3: Segovia, 1924 (2009.472). Tower, 23.1 cm. Studies of Animals (verso), Chahine (French, 1874–1947). Graphite;

51 graphite; 15.5 x 23.1 cm. Bequest of Muriel Butkin 2010.168.a–b. François Bonvin (French, 1817–1887). Portrait of a Woman, 1800s; pastel on tan paper; 29.2 x 17.4 cm (2010.170). Study for The Blacksmith’s Shop: Remembrance of Le Tréfort (Les Forgerons), 1854; watercolor with gouache and iron gall ink; 26.4 x 22.2 cm (2010.160). The Stretcher Bearer (Study for “Le Couvreur tombé”), 1876; black and red chalk with colored chalks, stump work, and graphite accents, squared for transfer in red chalk; 33.9 x 20.2 cm (2010.158). Woman at the Spinet, 1860; fabricated black chalk with touches of brown and red chalk and stumping; 42 x 30.5 cm (2010.166). Bequest of Muriel Butkin. Cleveland Urban Series: Promise/ Protected?, 2009. Thomas R. Roese Exit to Ashland, 1994. (American, born 1948). Graphite and Laurence Channing acrylic; 55.9 x 73.7 cm. Carole W. and (American, born 1942). Charles B. Rosenblatt Endowment Charcoal; 101.6 x 127 Fund 2010.155. cm. Gift of Wilbur Costume Study for Opera Singer, 1781. Markstrom in honor of Jean Michel Moreau le Jeune (French, the artist 2010.176 1741–1814). Watercolor on white laid paper; 26.1 x 17.8 cm. Bequest of Muriel Butkin 2009.309. Achille Devéria (French, 1800–1857). Two drawings: Study for Four Stained Glass Windows “Généalogie d’Abraham,” 1844; black and brown ink, watercolor with graphite; 32.5 x 23.8 cm (2010.169). Young Woman Combing Her Hair, 1800s, before

52 25.5 x 19.4 cm (2010.165). Bequest of heightening on tan wove paper Muriel Butkin. pasted down on cream wove Head of a Young Girl, about 1857. paper—a page from an ; 20.8 Alexandre (French, 1806–1879). x 24.6 cm (2009.305). Portrait of his Black chalk, sanguine, brown wash Mother, 1851; graphite with slight red with white chalk heightening on chalk on cream wove paper pasted coarse gray paper; 34.9 x 26.4 cm. down on heavy-weight cream wove Bequest of Muriel Butkin 2009.306. paper; page from album; 25.3 x 32.3 cm (2009.307). Bequest of Muriel Butkin. Hunstman with Trophies, 1800s. Two Women Sketching Hippolyte Lequeutre (French, 1793– Seymour Lipton (American, 1903- a Sculpture, 1878. 1877). Watercolor and gouache over 1986); Ten black crayon on white Gabriel von Hackl graphite, partly varnished, on woven paper drawings; 21.6 x 28 cm: Study for (German, 1843–1926). paper, pasted down; 28.9 x 21.5 cm. Achilles, 1975 (2009.387); Study for an Pen and black ink; 40.3 Bequest of Muriel Butkin 2009.341. unrealized sculpture, 1973 (2009.386); Study for Archangel, 1970 (2009.385); x 32.2 cm. Norman Charles-Émile Jacque (French, 1813– O. Stone and Ella A. Study for Bond, 1986 (2009.390); Study 1894). Three drawings: Bringing in the for Eternal Light, 1978 (2009.389); Stone Memorial Fund Sheep, 1800s; black chalk heightened 2010.148 Study for Jungle Bloom, 1952 with white chalk; 40.9 x 31.6 cm (2009.382); Study for Prophet, 1959 (2010.167). Étretat, 1854; brown ink, (2009.383); Study for Rebirth, 1976 brown wash, graphite, touches of (2009.388); Study for Voyager, 1964 blue, red, and gray watercolor and (2009.384); Study for Winter Solstice, gouache; 16 x 26.5 cm (2010.174). The 1951 (2009.381). Gift of Alan Lipton. Truffle Gatherers, about 1849; brown ink heightened with black and white Morning Mist, Heath Township (value chalk; 15.1 x 27.3 cm (2010.159). Bequest drawing), 2008. Micah Schwaberow of Muriel Butkin. (American, born 1948). Value drawing; 1857; graphite and brown wash on x 36.83 cm (2009.300). Bequest of 28 x 21.3 cm. Gift of The Print Club of Alphonse Legros (French, 1837–1911). off-white wove paper; 22.6 x 17.5 cm Muriel Butkin. Cleveland 2009.327.4. Two drawings: Les Glaneuses, 1800s; (2009.303). Bequest of Muriel Butkin. Exit to Ashland, 1994. Laurence sepia ink and wash on off-white My Houses (Dining Room with Horse Eugène François Marie Joseph Devéria Channing (American, born 1942). paper, pastel down; 19 x 16.8 cm Painting), 2006. Julia Jacquette (French, 1805–1865). Two drawings: A Charcoal; 101.6 x 127 cm. Gift of Wilbur (2009.308). Portrait of Sir Frederick (American, born 1964). Watercolor; Concert: Laura Devéria Singing, 1831; Markstrom in honor of the artist W. Burton, Director of the National 40.6 x 50.8 cm. Gift of The Print Club watercolor with black and brown 2010.176. Gallery, London, 1881; graphite on of Cleveland 2010.175. ink, some pastel and lead white on Jean-Léon Gérôme (French, 1824– laid paper; 28.8 x 19.3 cm (2010.161). Aesculapius. Pierre-Paul Prud’hon off-white heavy-weight wove paper 1904). Two drawings: Portrait Head of Bequest of Muriel Butkin. (French, 1758–1823). Brown ink wash, mounted to heavy white cream wove a Woman, 1800s; graphite; 24 x 21.1 Henri Lehmann (French, 1814- white paint, black chalk, and possibly paper; 23.2 x 18.5 cm (2009.301). Head cm (2010.163). Study for “The Reception 1882). Two drawings: Portrait of a charcoal and white chalk; 56.7 x of a Man, charcoal heightened with of the Siamese Ambassadors at Child, 1800s; graphite with white 41.8 cm; Bequest of Muriel Butkin sanguine on white cardboard; 48.26 Fontainebleau,” 1861–64; black chalk; 2009.298.

53 Nymphe et Faune, 1800s. Octave Tassaert (French, 1800–1874). Red chalk heightened with white chalk on off- white wove paper, pasted down; 33.8 x 25.1 cm. Bequest of Muriel Butkin 2009.302. Dominque Louis Papety (French, 1815– 1849). Three drawings: La Saltarelle, 1800s; watercolor and gouache with selective gum glazing over a faint graphite underdrawing; 25.4 x 35.7 cm (2010.171). Seated Italian Woman, 1800s; watercolor with gold paint with traces of graphite underdrawing; 29.7 x 21 cm (2010.164). Sleeping Field Worker, 1842; graphite; 25.7 x 39.7 cm (2010.173). Bequest of Muriel Butkin. Pink Ball, 2009. Mark Fox (American, born 1963). Ink, watercolor, acrylic, marker, gouache, graphite pencil, colored pencil, and crayon; 58.2 x 43.8 cm. Severance and Greta Millikin Purchase Fund 2009.274. Portrait of an Infant, 1800s–1900s. Henri Cros (French, 1840–1907). Sanguine on off-white laid paper; 27.7 x 28.6 cm. Bequest of Muriel Butkin 2009.304. Portrait of a Young Man, 1837. Louis Léopold Boilly (French, 1761–1845). Black La Saltarelle, 1800s. chalk heightened with white chalk; Scène de Carnaval. Philibert Louis 1851–1934). Charcoal; 29.2 x 22.7 cm. Debucourt (French, 1755–1832). Pen Gift from Samuel and Paul Josefowitz Dominque Louis 41.9 x 28 cm. Bequest of Muriel Butkin Papety (French, 2009.296. and black ink and watercolor; 30.6 in tribute to Jane Glaubinger and x 44.5 cm. Bequest of Muriel Butkin Heather Lemonedes 2009.380. 1815–1849). Watercolor Reclining Nude, 1900s. André Lhote 2009.299. and gouache with (French, 1885–1962). Graphite on off- Sheer Frost Orchestra, 2009. Marina selective gum glazing white woven paper; 27.8 x 36 cm. Seaweed Gatherers, Yport Rosenfeld (American, born 1968). over a faint graphite Bequest of Muriel Butkin 2009.297. (Ramasseuses de Varech, Yport), Xerox on mylar with additions in nail underdrawing; 25.4 1889. Emile Schuffenecker (French, polish; 27.9 x 43.2 cm. Gift of the Artist x 35.7 cm. Bequest of 2009.473. Muriel Butkin 2010.171.

54 Nancy Spero (American, 1926–2009). Marco Antonio Castillo Valdés (Cuban, Two drawings: Chinese Bomb and born 1971). Watercolor with graphite Victims, from The War Series, 1967; on two sheets of paper; 70.9 x 199.9 gouache and ink on paper; 86.4 x 69.2 cm. Dudley P. Allen Fund 2009.275. cm; Purchase from the J. H. Wade Tree Study, 1800s. Jules Coignet Fund 2009.273. Codex Artaud XXI, (French, 1798–1860). Graphite with 1972; cut and pasted papers, printed white heightening; 26.7 x 21.8 cm. Gift text, watercolor, metallic paints, pen of John Bonebrake 2009.459. and stamped ink; 173.4 x 52.6 cm; Severance and Greta Millikin Purchase Two Women Sketching a Sculpture, Fund 2009.270. 1878. Gabriel von Hackl (German, 1843–1926). Pen and black ink; 40.3 x Théophile Alexandre Steinlen (Swiss, 32.2 cm. Norman O. Stone and Ella A. 1859–1923). Two drawings: Three Stone Memorial Fund 2010.148. Figures, 1900s; black and colored crayons; 19.6 x 26.8 cm (2010.162). European Painting and Sculpture Two Men Working, Rear View, 1905; charcoal on heavy grey woven paper; Beggars by a Door, 1870. Mariano 48.3 x 33 cm (2009.310). Bequest of Fortuny y Carbó (Spanish, 1838–1874). Muriel Butkin. Oil on panel, 22.90 x 18.30 cm. Bequest of Muriel Butkin 2010.21. Watercolor, 1900s. André Dunoyer de Segonzac (French, Jules Bastien-Lepage (French, 1848– 1884–1974). Pencil, pen, black ink, and 1884). Two paintings: Albert Wolff watercolor on white woven paper; in His Study, 1881. Oil on panel; 32 x 33.4 x 47 cm. Bequest of Muriel Butkin 27 cm. Marie Samary of the Odéon 2009.312. Theater, about 1881. Oil on canvas; 52 x 44.80 cm. Bequest of Muriel Butkin Study for the Magician in “Conte de 2010.22 & 2010.25. Fée” (Story of a Fairy), 1800s. Jehan- Georges Vibert (French, 1840–1902). Julius Caesar, about 1455–60. Mino Black ink (pen and wash); 20.4 x 12.1 da Fiesole (Italian, about 1430–1484). cm. Bequest of Muriel Butkin 2010.172. Marble with traces of gilding and limestone with traces of polychromy; Study of a Plaster Cast (a la bosse), 83 x 84 x 25 cm. John L. Severance 1806. Frederic Millet (French, 1786– Fund 2009.271. 1859). Black chalk with graphite; 46.3 x 38.2 cm. Bequest of Muriel Butkin Landscape with Rider on White Horse, 2009.311. 1846. Jean Achille Benouville (French, Portrait of a Man heightened with 1815–1891). Oil on canvas; 35.50 x 53.30 Holding a Glass, late gum arabic; 12.7 x Table Knives (Cuchillo de Mesa), 2007. cm. Bequest of Muriel Butkin 2010.19. 1700s. Joseph Daniel 10.1 cm. Leonard C. Los Carpinteros: Dagoberto Rodríguez (British, 1760–1803). Hanna Jr. Fund 2010.5 Sánchez (Cuban, born 1969) and Watercolor on ivory,

55 Mounted Dragoon Officer, 1876. cm (sheet). Bequest of Muriel Butkin Edouard Detaille (French, 1848–1912). 2009.317. Oil on canvas; 23.50 x 13.20 cm. Portrait of a Prince with a Hawk, Bequest of Muriel Butkin 2010.24. 1700s. India, Mughal school. Opaque Portrait of a Man Holding a Glass, late watercolors on paper; 17.7 x 11.8 cm 1700s. Joseph Daniel (British, 1760– (image only), 44 x 28.7 cm (sheet). 1803). Watercolor on ivory, heightened Bequest of Muriel Butkin 2009.316. with gum arabic; 12.7 x 10.1 cm. Victorious Army Entering City After Leonard C. Hanna Jr. Fund 2010.5. Siege, 1700s–1800s?. India, Mughal Ruined Church, about 1840. Adrien school. Opaque watercolors on paper; Dauzats (French, 1804–1868). Oil on 41.5 x 27.4 cm (image only), 48.1 x 32.8 panel; 46.60 x 33.20 cm. Bequest of cm (sheet). Bequest of Muriel Butkin Muriel Butkin 2010.18. 2009.319. View of the Port of Saint-Valèry-sur- Somme, 1891. Eugène Boudin (French, 1824–1898). Oil on canvas; 45.20 x 64 cm. Bequest of Muriel Butkin 2010.23. The Veteran, 1870. Marie-François Firmin Girard (French, 1838–1921). Oil on canvas, 43.00 x 30.30 cm. Bequest of Muriel Butkin 2010.20.

Indian and Southeast Asian Art Royal Couple Distributing Meals, 1700s. India, Pahari, Guler school. Opaque watercolors on paper; 30.4 x 21.9 cm (image). Bequest of Muriel Royal Couple Butkin 2009.315. Distributing Meals, Princess Smoking a Hookah (as 1700s. India, Pahari, Salabhanjika), 1700s. India, Mughal Guler school. Opaque school, Kulu influence. Opaque watercolors on paper; watercolors on paper; 13.4 x 10.2 cm 30.4 x 21.9 cm (image). (image only); 30.5 x 21 cm (sheet). Bequest of Muriel Bequest of Muriel Butkin 2009.318. Butkin 2009.315 Lady after a Bath, 1700s. India, Mughal school. Opaque watercolors on paper; 12.6 x 7.1 cm (image only), 21.1 x 20.4

56 Medieval Art 37.6 x 47.4 cm (2009.322). The Rice A. Brooch in the Form of a Six-Pointed Hershey Jr. Trust. Star, late 700s–early 800s. Frankish, August Giraudon’s Artist (French, Early Carolingian. Gold with repoussé 1800s). Five albumen prints from wet and filigree decoration; copper collodion negatives, late 1870s: Dog backplate; h. 7.7 cm overall. Severance and Puppy in Barrel, 10.5 x 16.2 cm and Greta Millikin Purchase Fund (2010.9). French Country Study: Two 2009.344. Boys Climbing a Tree, 17.0 x 11.6 cm Icon of the Mother of God and (2010.6). Man with Walking Stick, 17.1 x Infant Christ (Virgin Eleousa), about 11.2 cm (2010.7). Two Female Peasants 1425–50. Attributed to Angelos Standing, Doing Laundry, 12.4 x 17.1 cm Akotantos (Greek); Crete, Cretan (2010.10). Two Shepherdesses Resting School, Byzantine period. Tempera with Two Sheep, 11.2 x 17 cm (2010.8). and gold on wood panel; 96 x 70 cm Purchase from the J. H. Wade Fund. (unframed). Leonard C. Hanna Jr. Fund Carl Chiarenza (American, born 2010.154. 1935). Fourteen gelatin silver prints: Printed Book of Hours (Use of Rome), Acropolis 58, 1989, 48 x 37.6 cm 1510. Printed by Guillaume Le Rouge, (2009.391). Albers Unhinged 164, 1998, France, Paris. 112 printed folios on 47.9 x 38.2 cm (2009.392). Arlington 2, parchment, bound; 15 x 9.6 cm. 1979, 33.3 x 47.4 cm (2009.393). Boxer- Purchase from the J. H. Wade Fund Window Poster, West End, , 2009.276. 1958–59, 46 x 33 cm (2009.404). Grotte 132, 1999, 33.4 x 26.3 cm Photography (2009.394). Menotomy 349, 1983, 34 x 44 cm (2009.395). Peace Warrior Shelby Lee Adams (American, born (Samurai) 446, 2003, 37.8 x 49.2 1950). Two gelatin silver prints: Napier cm (2009.396). Samurai 328, 1999, Printed Book of Hours Family with Dogs, 1988, 37.3 x 48 cm 48.2 x 37.6 cm (2009.397). Untitled (Use of Rome), 1510. (2009.320). Self-Rising, 1993, 37.6 x 127, 1990, 48.2 x 37.7 cm (2009.403). Printed by Guillaume 48.2 cm (2009.321). Gift of Wilbur Le Rouge, France, Untitled 253, 1994, 37.8 x 47.8 cm Paris. 112 printed Markstrom in memory of Rice A. (2009.400). Untitled 295, 1994, 91.9 x folios on parchment, Hershey Jr. 123.5 cm (2009.401). Untitled Diptych bound; 15 x 9.6 cm. Shelby Lee Adams (American, born 129/136, 1994, 48 x 75.8 cm (2009.398). Purchase from the J. H. Wade Fund 1950). Four gelatin silver prints: Untitled Triptych 88/86/82, 1993, 32.7 2009.276 Banks Family Porch, 1987, 37.5 x 48 x 75.3 cm (2009.399). Untitled Triptych cm (2009.323). Driving Straight to 300/296/292, 1997, 47.4 x 110.3 cm Hell, 1998, 36.1 x 47.9 cm (2009.325), (2009.402). Gifts of Dr. and Mrs. Napier’s with Puppies, 1993, 35.9 x William Tsiaras. 48.5 cm (2009.324). The Yard, 1993,

57 Chronophotograph of a Flying Heron, about 1905. Étienne-Jules Marey (French, 1830–1904). Gelatin silver print, printed about 1905–15; 8.3 x 9.4 cm. Dudley P. Allen Fund 2009.349. The Cleveland Portfolio, all Untitled, about 1980. Various artists: Herbert Untitled (Ceremony of Thanksgiving), Ascherman Jr. (American, born 1856. Louis Pierre 1947), gelatin silver print; 27.2 x 26.8 Théophile Dubois cm (2009.414.1). Gail Schaffer Berg de Nehaut (Belgian, (American, born 1939), gelatin silver 1799–1872). Salted print; 19.8 x 30.1 cm (2009.414.7). Carol paper print from wet collodion Calabrese (American, 1900s), inkjet negative; 22.7 x 31.8 print; 18.8 x 23.8 cm (2009.414.6). cm. Purchase from Barbara Canfield (American, born the J. H. Wade Fund 1948), gelatin silver print, hand- 2009.347 colored; 9 x 27.2 cm (2009.414.8). Patrick Corrigan (American, born 1951), gelatin silver print; 25.3 x 20.1 cm (2009.414.21). Robert E. Dorksen (American, born 1944), gelatin silver print; 26.9 x 21.4 cm (2009.414.5). C. J. Elfont (American, 1900s), gelatin silver print; 34.1 x 26.7 cm (2009.414.22). Father James Flood (American, 1900s), chromogenic process color print; 15.3 x 42.2 cm (2009.414.2). Joel Hauserman Kaufman (American, born 1937), gelatin silver print; 20.5 x 31 cm Chromogenic process color print; (American, born 1950), gelatin silver gelatin silver print; 20.3 x 30.9 cm (2009.414.9). Emily Rosen (American, 709.6 x 200.2 cm. Gift of Diane and print; 22.8 x 29.6 cm (2009.414.20). (2009.414.11). Glenn Kotnik (American, 1958–2007), gelatin silver print; 21.9 x Arthur Stupay 2010.177. Evelyn Hayes (American, 1900s), born 1952), gelatin silver print; 21.8 x 32.5 cm (2009.414.10). Richard Smith Days Hotel (Near Randall Park Mall gelatin silver print; 23.6 x 18.3 29.9 cm (2009.414.15). David Krauss (American, 1900s), chromogenic and Thistledown), 2009. Brian Ulrich cm (2009.414.17). Rebecca Huryn (American, 1900s), gelatin silver print; process color print; 17.3 x 14.6 cm (American, born 1971). Inkjet print; (American, born 1954), gelatin silver 23.2 x 32.5 cm (2009.414.12). Sal Lopes (2009.414.4). Robert Trostle (American, 101.5 x 126.8 cm. Gift of Friends of print with applied color; 23.9 x 32.5 cm (American, born 1943), platinum 1900s), silver dye bleach process print; Photography 2009.293. (2009.414.16). Bill Jerden (American, print; 26.4 x 25.5 cm (2009.414.19). 26.7 x 34.1 cm (2009.414.3). Gift of Early American, Melon and Pitcher, 1900s), gelatin silver print; 17.2 x Joseph (American, Herbert Ascherman Jr. 2009.414.1–22. 2009. Sharon Core (American, born 23.2 cm (2009.414.14). Daryl Jones born 1952), silver dye bleach process Corporate Music, about 1986. 1965). Chromogenic process color (American, 1900s), platinum print; 15.5 print; 20 x 25.2 cm (2009.414.13). Michael Clegg (Irish, born 1957) and print; 45.6 x 59.4 cm. Jo Hershey x 23.3 cm (2009.414.18). Delores Glover Renee Psiakis (American, born 1951), Martin Gutmann (Israeli, born 1957). Selden Fund 2010.12

58 NY, 1950, 28 x 35.6 cm (2009.486). , 2004 (printed 2007); Barnum & Bailey Dressing Rooms, 38.1 x 47.5 cm (2009.422). Red Hat, , 1950, 28 x 35.6 cm 2006 (printed 2007); 41.9 x 54.9 cm (2009.485). City of Sin, 1950, 28 x 35.6 (2009.423). Gift of William V. Levy. cm (2009.481). New York, NY (Four Sal Lopes (American, born 1943). Three Men at Door Cab), about 1950, 28 x platinum prints: Brothers, late 1970s, 35.6 cm (2009.478). New York, NY 26.3 x 24.8 cm (2009.419). Lucky, (Smoothing Toupee), about 1948–49; late 1970s, 26.1 x 25.3 cm (2009.417); 28 x 35.6 cm (2009.482). New York, NY Mother and Daughter, late 1970s, 25.7 (Three Godfathers), about 1948–49, x 24.7 cm (2009.418). Gift of Herbert 28 x 35.6 cm (2009.482). , Ascherman Jr. PA, 1937, 28 x 35.6 cm (2009.488). Ritz Bar, New York, NY, 1947–48, 28 x 35.6 Douglas Lucak (American, born cm (2009.487). San Genaro Festival, 1959). Ten gelatin silver prints, toned, New York, NY, 1950, 28 x 35.6 cm 1999; 8.7 x 8.6 cm (each): Clark- (2009.480). Social Patron, 1947–51, 28 Fulton (2009.424), Detroit-Shoreway x 35.6 cm (2009.484). Times Square, (2009.426), Detroit-Shoreway and NY (Home of the Brave), 1950, 28 x Clark-Fulton (2009.425), Downtown, 35.6 cm (2009.489). Gift of Howard (2009.427), Goodrich-Kirtland Park Greenberg. (2009.429), Hough (2009.432), Industrial Valley (2009.428), North Firewood, Christmas Eve, Scanno, Italy, (2009.430), Ohio City 1852. Henri Cartier-Bresson (French, (2009.431), Ohio City (2009.433). The 1908–2004). Gelatin silver print; 35 x George Gund Foundation Collection Mum in her Bathtub, East Fork, de Chelly River, Arizona, 24 cm. Norman O. Stone and Ella A. in honor of David Bergholz, The Washington, D.C., 1879–81. John K. Hillers (American, Stone Memorial Fund 2009.278. Cleveland Museum of Art. 2002 (printed 1843–1925). Albumen print from wet From 509 Madison Ave., After Paul Maurer (French, born 1951); 2009). Sage Sohier collodion negative; 32.4 x 24.4 cm. Stieglitz’s, 1946. Dorothy Norman Nine gelatin silver prints: Palace and (American, born Purchase from the J. H. Wade Fund (American, 1905–1997). Gelatin silver Grounds of Versailles, 1986; 28.2 x 28.5 1954). Chromogenic 2010.213. print; 9.6 x 5.8 cm. Gift of David process color cm (2009.409). Palace and Grounds Ezekiel, 1995. Keith Carter (American, Raymond 2009.476. print; 44.3 x 55.7 of Versailles, 1981; 19.4 x 24.5 cm born 1948). Gelatin silver print, toned; cm Gift of Friends Jade Beason, age 15, Madisonville, Ohio, (2009.410). Palace and Grounds of 37 x 36.9 cm. The Rice A. Hershey Jr. of Photography June 25, 2004, from “It’s Complicated: Versailles, 1983; 8.3 x 8.5 cm (2009.411). Trust 2009.326. 2009.287 The American Teenager,” 2004. Robin Palace and Grounds of Versailles, Louis Faurer (American, 1916–2001). Bowman (American, born 1960). 1983; 27.5 x 27.9 cm (2009.412). Paris Twelve gelatin silver prints: 42nd Gelatin silver print (printed 2009); by Night, 37.9 x 38.8 cm (2009.413). Street , New York, NY (Rat Race), 43.2 x 32.9 cm. Gift of Friends of The River Seine, Paris, 1992; 20.9 x 1946–49, 50.8 x 40.6 cm (2009.479). Photography 2009.283. 21.8 cm (2009.408). View of Egypt, Barnum & Bailey Circus Performers, Michael Levy (American, born 1960). 1986; 28.3 x 28.9 cm (2009.405). Old Madison Square Garden, New York, Two inkjet prints: Easter Morning

59 View of Egypt, 1986; 27.1 x 28.0 cm Sam Walsh, age 13, Shaker Heights, (2009.406). View of Egypt, 1986; 27.2 Ohio, September 28, 2002, from x 28.1 cm (2009.407). Gift of Herbert “It’s Complicated: The American Ascherman Jr. Teenager,” 2002. Robin Bowman Maud Bows to the Virginia Creeper, (American, born 1960). Gelatin silver Green Cove, Virginia, 1957. O. Winston print (printed 2009); 41.8 x 32.8 cm. Link (American, 1914–2001). Gelatin Gift of the Artist and Catherine silver print (printed later); 26.7 x 34.2 Edelman Gallery, Chicago 2009.284. cm. Gift of Marilyn and Michael Sage Sohier (American, born 1954). Lapides in honor of Virginia Mae Three chromogenic process color O’Keeffe Lapides 2009.490. prints; Bleaching Ritual, Washington, Muybridge in Motion, 1979. Mark D.C., 2003 (printed 2004); 44.7 x 55.6 Schwartz (American, born 1956). cm (2009.285). Mum in her Bathtub, Gelatin silver print, gold-toned; 24.2 x Washington, D.C., 2002 (printed 38.8 cm. Gift of Herbert Ascherman Jr. 2009); 44.3 x 55.7 cm (2009.287). 2009.420. Self-Portrait with Mum, Washington, D.C., 2000 (printed 2003); 44.5 x Louis Pierre Théophile Dubois de 55.7cm (2009.286). Gift of Friends of Nehaut (Belgian, 1799–1872). Three Photography. salted paper prints on wet collodion negatives; Untitled (Ceremony of The Sphinx, about 1853. John Beasley Thanksgiving), 1856; 22.7 x 31.8 cm Greene (American, 1832–1856). Salted (2009.347). Untitled (Construction of paper print from waxed paper Temple of Abu Simbel, 1856. Robert Corporate Music, Commemorative Fountain), 1856; 26.3 negative; 23.2 x 29.6 cm. Norman Murray (British, 1822–1893). Salted about 1986. x 28.2 cm (2009.348). Untitled (Man O. Stone and Ella A. Stone Memorial paper print from paper negative; 18.2 Michael Clegg (Irish, and Woman Relaxing), about 1854; 21.1 Fund 2009.277. x 23.2 cm. Norman O. Stone and Ella A. born 1957) and x 25.3 cm (2009.346). Purchase from Street Cleaners, 1947. Ilse Bing Stone Memorial Fund 2009.351. Martin Gutmann (Israeli, born 1957). the J. H. Wade Fund. (American, 1899–1998). Gelatin silver Temple of Jupiter Olympius, about Chromogenic process print; 35.6 x 28 cm. Gift of David 1853. James Robertson (British, about Quentin with Thorns, 1992. color print; 709.6 Raymond 2009.477. 1813–after 1865). Albumen print; 31.9 Christopher Pekoc (American, born x 200.2 cm. Gift of x 25 cm. Gift of Paula and Robert 1941). Photo-based mixed media; 123.4 Maggie Taylor (American, born Diane and Arthur Hershkowitz in honor of Tom Hinson x 90.4 cm. Gift of Wilbur Markstrom 1961). Four pigmented inkjet prints; Stupay 2010.177 in memory of Rice A. Hershey Jr. 20.4 x 20.4 cm: Fading Away, 2004 2009.421. 2010.178. (printed 2005) (2009.291). Gardener, Untitled #32, 1993. Viktor Groschedl Reclining Nude with Slave, about 1905– 2006 (printed 2008) (2009.289). (Austrian, 1954–2006). Gelatin silver 10. Marcel Meys (French, died 1900s). Great Puzzle, 2006 (2009.288). print; 45.1 x 45.4 cm. Gift of Herbert Full-plate autochrome; 9.9 x 14.6 cm. Philosopher’s Daughter, 2000 (printed Ascherman Jr. 2009.415. 2009) (2009.290). Gift of Friends of Gift of Charles Isaacs and Carol Nigro Untitled (Beach Scene), early 1970s. Photography. 2009.475. William E. Williams (American, born

60 Untitled, from “Tulsa,” 1971. Larry cm; Curtis & Prouté 25, state II/II Clark (American, born 1943). Gelatin (2009.501). Environs of Carqueronne silver print; 20.4 x 14.6 cm. Severance (Environs de Carqueronne), 1882; and Greta Millikin Purchase Fund 19.9 x 28.2 cm; Curtis & Prouté 60 2009.279. (2009.502). Fishing Boat/Coastal Untitled, 1989. Robert Bergman Shipping Boat (Italian Coast) (Barque (American, born 1944). Chromogenic de Pecheurs/Barque de Cabotage process color print; 94 x 62.2 cm. (Côtes d’Italie), 1874; 15.6 x 22.8 cm; Purchase from the J. H. Wade Fund Prouté 40, state IV/IV (2009.509). Gift 2010.11. of John Bonebrake : St. Mark’s Looking Toward John Taylor Arms (American, 1887– Santa Maria della Salute in Moonlight, 1953). Eighteen etchings: Croquis, 1926; about 1870. Carlo Naya (Italian, 1816– 8 x 5.7 cm; Fletcher 183 (2009.676). A 1882). Albumen print; 42.3 x 53.7 cm. Fifteenth Century House, Rouen, 1919; Dudley P. Allen Fund 2009.350. 16.4 x 9.1 cm; Fletcher 35, state II/II? (2009.702). Gothic Magic, A.D. 1941, Prints 1941; 39.3 x 45 cm; Fletcher 364, state II/II (2009.684). Lace, Place Victor The Alchemical Properties of Metal: Hugo, Lisieux, 1919; 17.8 x 24.3 cm; Mercury; Vulcan and the Alchemist in Fletcher 20, state III/III (2009.693). the Cave, 1530s. Domenico Beccafumi The Market Place, Honfleur, 1919; (Italian, 1486–1551). Woodcut; 17.6 x 20.8 x 11.5 cm; Fletcher 33, state II/II 11.6 cm; Passavant 19; Purchase from (2009.633). Mexican Series No. 2: Light the J. H. Wade Fund 2010.153. and Shade, Taxco, 1946; Fletcher 394, Edmond François Aman-Jean (French, trial proof i/iv of state I (2009.697). 1858–1936). Three prints: Girl with Millstone Cottage, Greenfield Hill, Long Hair (Jeune fille à la Chevelure Fairfield, Conn., Christmas Card, 1921, Longue), about 1898; color lithograph; 1921; 7.5 x 11.9 cm; Fletcher 109, state 38.2 x 46.7 cm (2009.529). Under II/II (2009.703). Normandy Noon, 1936; Ezekiel, 1995. Keith 1950). Gelatin silver print; 39 x 39.9 the Flowers (Sous les fleurs), 1897; 6.5 x 18.2 cm; Fletcher 304, state III/III Carter (American, cm. Gift of Herbert Ascherman Jr. color lithograph; 35.1 x 27 cm; (2009.707). The Old Exe Bridge (Vieux born 1948). Gelatin 2009.416. Français 120 (2009.564). Venice Pont à Exeter), 1920; 11.7 x 16.2 cm; silver print, toned; 37 (Venise), 1892; lithograph on chine Fletcher 61; (2009.635). Old Samur, x 36.9 cm. The Rice Untitled (Billboard), Elizabeth, collé; 13 x 18.2 cm; Fonds Français Houses in Rue Dacier, 1916; 25.4 x A. Hershey Jr. Trust New Jersey, 2008. Nathan Harger p. 120 (2009.584). Gift of John 15.5 cm; Fletcher 8 (2009.710). The 2009.326 (American, born 1976). Digital Bonebrake. Oldest Settler, Bayeux, France, 1917; chromogenic process color print; Adolphe Appian (French, 1818–1898). 38.8 x 24.1 cm; Fletcher 13, state II/ 27.9 x 38.6 cm. Gift of Friends of II (2009.637). Piazza Del Commune, Photography 2009.292. Three etchings: At Valromey (Ain) (Au Valromey [Ain]), 1868; 13.7 x 23.8 Carbognano, 1919; Fletcher 18, trial proof i/ii of state V (2009.659). The

61 Pig Pen (La Parcherie), 1920; 11.9 x Two, 1919; color etching and aquatint; Boston, Mass., 1925; 27.9 x 29.2 cm; I/III (2009.738). No. 105: The Grolier 30.2 cm; Fletcher 83 (2009.638). 13.3 x 15.1 cm; Fletcher 22, state III/ Fletcher 170, trial proof i/ii of state II Club Library (Sketch), 1941; 10 x 15.1 Rural Scene, 1914; 11.5 x 15.3 cm; not III (2009.713). Scandinavian Series (2009.622). The Herbert Lowell Dillon cm; Fletcher 353 (2009.631). No. 143; in Fletcher (2009.730). The Sign, Au No. 1: Stockholm, 1940; etching and Gymnasium, Princeton, N.J., 1947; 20.1 English Series No. 13: Warwick (Sketch), Bon Café, 1919; 17 x 7.5 cm; Fletcher aquatint; 19.3 x 34.6 cm; Fletcher 346, x 23.3 cm; Fletcher 406 (2009.632). 1948; 10 x 15.1 cm; Fletcher 410, state 17, state VI/VI (2009.639). Sixteenth state III/III (2009.611). Still Waters, 1919; Lescure, A Tour of the Ramparts II/II (2009.654). No. 150: Church of Century Tower, Lisieux, 1919; 16.4 x 9.5 color etching and aquatint; 15.4 x 10.2 (Lescure, Une Tour Des Remparts), 1928; Saint Aignan, Chartres (Sketch), 1950; cm; Fletcher 34, state II/II (2009.660). cm; Fletcher 28, state IV/V (2009.610). 16.3 x 10 cm; Fletcher 217 (2009.696). 15.2 x 10.1 cm; Fletcher 421, state II/ Somewhere in France, 1919; 30.9 x 15.3 Gift of Carole W. and Charles B. Man-O-War, 1921; etching, aquatint, II (2009.671). No. 153: Cordes Sketch, cm; Fletcher 32, state II/IV (2009.739). Rosenblatt. and mezzotint; 43.2 x 47 cm; Fletcher 1951; 15.1 x 10 cm; Fletcher 425, state The Valley of the Savery, , John Taylor Arms (American, 1887– 98, state IV/IV (2009.700). Old Corner, II/II (2009.673). Gift of Carole W. and 1934; 35.8 x 19.7 cm; Fletcher 276, state 1953). Nine etchings: Christmas Card Rouen, 1925; 15.5 x 10.3 cm; Fletcher 163 Charles B. Rosenblatt. III/III (2009.642). Gift of Carole W. and Series: No. 4: Merry Christmas from (2009.708). Old Rouen, 1927; 17.5 x 9.7 John Taylor Arms (American, 1887– Charles B. Rosenblatt. Dorothy and John Arms, 1919, 1919; 10.2 cm; Fletcher 203 (2009.709). Gift of 1953). Eleven etchings: English Series: John Taylor Arms (American, 1887– x 13.9 cm; Fletcher 36A (2009.701). No. Carole W. and Charles B. Rosenblatt. No. 1: Miniature Series No. 20; Anglia 1953). Twelve prints: Ausable Lakes, 7: Our Studio Door, 1922; 13.1 x 9.5 cm; John Taylor Arms (American, Antiqua, West Walton, 1937; 13.8 x 7.5 1921; etching and aquatint; 5.3 x Fletcher 125 (2009.715). No. 10: Dorothy 1887–1953). Fourteen etchings: cm; Fletcher 310, state II/II (2009.634). 10.1 cm; Fletcher 112 (2009.655). The and John Taylor Arms M.D. MCMXXV, Demonstration Series: No. 8: St. Albans No. 2: Reflections at Finchingfield, Butterfly,1920; color etching and 1925; 15 x 8.6 cm; Fletcher 171, state I/ (Sketch), 1922; 14.9 x 9.9 cm; Fletcher England, 1938; 18.1 x 43.9 cm; Fletcher aquatint; 25.6 x 18.5 cm; Fletcher 48, II (2009.681). No. 11: Miniature Series 129, artist’s proof (2009.608). No. 311, state II/II (2009.726). No. 3: state II/II (2009.621). Castles in the No. 14: Chapiteau Gothique, Dorothy 13 or No. 115: Holy Cross, Sarratt (and Afterglow, 1938; 8.3 x 14 cm; Fletcher Air, 1921; lithograph; 39.3 x 26.2 cm; et John Taylor Arms, A.D. MCMXXVI, Albury), Hertfordshire “To F.L.M.G.,” 315, state II/II (2009.615). No. 4: Fletcher 436 (2009.667). Crystal and 1926; 16.1 x 9.2 cm; Fletcher 185A, state 1940; 15 x 9.9 cm; Fletcher 345, state Lavenham, England, 1939; 19 x 9.9 cm; Jade, 1940; etching and aquatint; I/II (2009.670). No. 12; Miniature Series II/II (2009.686). No. 15: Rouen (Sketch), Fletcher 322, state III/III (2009.694). 18.9 x 16.9 cm; Fletcher 301, state VI/ No. 15: A Saint, Chartres, 1927; 13.1 x 2.7 1926; 17.7 x 12.7 cm; Fletcher 173 No. 6: Stanwick Churchyard, 1939; 6 x VII (2009.677). The Full Moon, 1920; cm; Fletcher 199 (2009.606). No. 13: (2009.728). No. 17: Venice (Sketch), 1927; 8.3 cm; Fletcher 324 (2009.609). No. 7: etching and aquatint; 20.1 x 15.1 cm; From the Tower, Bayeux, 1928; 13.8 x 17.7 x 12.6 cm; Fletcher 188 (2009.649). Miniature Series No. 24: Wilby Church, Fletcher 44, trial proof state II/II 7.6 cm; Fletcher 216 (2009.682). No. 16; No. 20: Rouen (Sketch), 1928; 15.1 x 10 Northamptonshire, England, 1940; (2009.626). A Hong Kong Canal Boat Italian Series No. 25; Miniature Series cm; Fletcher 213 (2009.729). Nos. 33 10.9 x 6.1 cm; Fletcher 335, state III/III (2 prints), 1919; Fletcher 23, state IV/ No. 17: The Tower, Cáorle, 1932; etching and 35: Amalfi (Sketch), 1933; 17.6 x 12.5 (2009.657). No. 8: Miniature Series No. IV. Etching and aquatint; 20.7 x 14.3 on chine collé; 9.1 x 5 cm; Fletcher 251 cm; Fletcher 256; (2009.624). No. 51: 25: Stranger in England; St. Lawrence; cm (2009.722). Color etching and (2009.640). No. 22; Miniature Series Rocamadour (Sketch), 1934; 17.4 x 12.5 West Wycombe; Buckinghamshire, aquatint; 20.5 x 14.3 cm (2009.731). No. 33: , 1944; 3.4 x 6.1 cm; cm; Fletcher 277 (2009.727). No. 64: 1940; 14.2 x 7.1 cm; Fletcher 336, state New York Skyline, Sketch, 1921; Fletcher 384, state III/III (2009.650). Isola Superiore (Sketch), 1936; 12.5 x 17.4 III/III (2009.616). No. 10: Cavendish lithograph; 17.3 x 12.7 cm; Fletcher 435 Gift of Carole W. and Charles B. cm; Fletcher 296 (2009.688). No. 66: Commons, 1942; 16.5 x 37.3 cm; (2009.706). On Lake Como, Number Rosenblatt. San Gimignano (Sketch), 1936; 17.4 x Fletcher 370, state II/II (2009.669). One, 1919; etching and aquatint; John Taylor Arms (American, 1887– 12.6 cm; Fletcher 298 (2009.732). No. No. 11: Cavendish Church, 1942; 24 x 14 25.2 x 11.3 cm; Fletcher 21, state IV/IV 1953). Six etchings: Commission: 93: Shadows in Mexico (Sketch), 1940; cm; Fletcher 381, state II/II (2009.668). (2009.714). On Lake Como, Number The Christian Science Temple, 12.6 x 17.5 cm; Fletcher 340A, state No. 14: Commission: “The Old Order,”

62 1948; 13.5 x 20.1 cm; Fletcher 412, state II/II (2009.636). No. 15: “This England” (Fairford, Gloucestershire), 1952; 16.4 x 29 cm; Fletcher 426, state II/II; 2009.643. Gift of Carole W. and Charles B. Rosenblatt. John Taylor Arms (American, 1887– 1953). Nine etchings: Gable Series; No. 1: Sunlight and Shadow, 1915; 15.2 x 10 cm; Fletcher 1; printer’s proof (2009.619). No. 2: Lisieux: Gable in the Grande Rue (2 prints), 1916; Fletcher 3. etching; 13.8 x 7.7 cm (2009.698). Color etching; 13.7 x 7.6 cm (2009.699). No. 3: Veterans (2 prints), 1916; Fletcher 6. Color etching; 15.2 x 9.8 cm (2009.652). Etching on green paper; 15.1 x 9.9 cm (2009.651). No. 4: Old Sign Compiègne, 1916; 14.9 x 10 cm; Fletcher 7; (2009.712). No. 6: A Corner in Old Lisieux, 1916; 27.3 x 16.3 cm; Fletcher 9 (2009.683). No. 7: A Gable in Thiers, 1921; 19.5 x 11.7 cm; Fletcher 113 (2009.711). No. 8: The Twins, 1922; 26.9 x 14.9 cm; Fletcher 119 (2009.641). Gift of Carole W. and Charles B. Rosenblatt John Taylor Arms (American, 1887– 1953). Seventeen etchings: Miniature Series: No. 3; Demonstration Series No. 2: At Chinon, 1919; etching; 7.6 x 5 Game of Bowls (Jeu cm; Fletcher 39 (2009.644). No. 9: A de Boules), 1934. Doorway in Thiers, 1921; 10.5 x 5.8 cm; Lill Tschudi (Swiss, 1911–2004). Color Fletcher 117 (2009.692). No. 11: Place linocut; 25.6 x 36.9 Plumereau, Tours, 1925; 4.7 x 7.9 cm; cm. Dudley P. Allen Fletcher 160, trial proof (2009.720). Fund 2010.13 No. 16: A Breton Calvary (3 prints), 1932. Fletcher 247A, state II/III; 14.2 x 2.9 cm (2009.665). Fletcher 247B, B.A.T., trial proof iv/viii of state II; 14.1

63 x 7.9 cm; (2009.658). Fletcher 247B, 11.2 cm; Fletcher 155 (2009.672). No. John Taylor Arms (American, 1887– John Taylor Arms (American, 1887– state III/III; 13.2 x 7.9 cm (2009.674). 4: Holder, Princeton; 17.3 x 11.4 cm; 1953). Eighteen etchings: Spanish 1953). Four prints: U.S. Navy Series: No. 19: Nativity, 1936; 15.1 x 10.9 cm; Fletcher 156 (2009.685). No. 5: ’79, Church Series; No. 1: Lèon, 1923; Fletcher No. 1: Battle Wagon–U.S.S. Alabama Fletcher 302, state II/II (2009.705). No. Princeton; 17.2 x 11.2 cm; Fletcher 157 140 (2009.695). No. 3: Segovia (4 Outfitting at Norfolk Navy Yard, Crane 21: Jewelry: Choir Stalls of the Cathedral (2009.605). No. 6: The Dean’s Office, etchings), 1924; Fletcher 143. 34.5 x 43.7 Ship Kearsage Alongside–1943, 1943; of St. Cecelia, Albi, 1938; 5.4 x 3.1 cm; Princeton; 11.4 x 17.3 cm; Fletcher 158 cm; trial proof i of state I; 2009.734. etching and aquatint; 30.4 x 45.6 cm; Fletcher 316B, state II/III (2009.689). (2009.679). Gift of Carole W. and 34.2 x 43.9 cm; trial proof state I Fletcher 376, state VI/VI (2009.662). No. 27; Yucatán Series No. 1: Plumed Charles B. Rosenblatt. (2009.735). 34.4 x 43.7 cm; edition No. 2: Destroyers in Wet Basin at Serpent, Chichén Itzá, 1940; 5 x 6.3 cm; John Taylor Arms (American, (2009.737). 34.4 x 43.5 cm; trial proof i/ Federal Shipbuilding and Drydock Fletcher 344, state II/II (2009.719). 1887–1953). Twelve prints: Ship Series: viii of state I; printed 1938 (2009.736). Company, South Kearney, N.J. U.S.S. No. 28: Triangular Bridge, Crowland, No. 1: The Golden Galleon (4 prints), No. 4: La Giralda, Seville, 1924; 31.3 x Radford, Quick, Mervine–1942, 1943; England (2 prints); Fletcher 362, state 1921; Fletcher 114. 2 color etchings 19.5 cm; Fletcher 145 (2009.691). No. etching; 25.7 x 44.3 cm; Fletcher 377, II/II. 10.5 x 13.1 cm; (2009.645). 11.3 x and aquatint; state IV/IV; 32.7 x 25.6 7: Virgen Del Pilar, Zaragoza, 1928; 27.1 state III/III (2009.680). No. 3: U.S.S. 19 cm (2009.646). No 29; Christmas cm (2009.629-630). Two etchings; x 39.2 cm; Fletcher 209 (2009.653). Columbia Under Construction at the Card Series No. 21; Mexican Series No. trial proof 1 of state I; 32.7 x 25.3 cm No. 8: Study in Stone, Cathedral of New York Shipbuilding Corporation, 2: Pátzcuaro, Michoacan, Mexico, 1941; (2009.627) and trial proof ii of state Orense (2 prints), 1933; Fletcher 257. Camden, N.J.–1942, 1945; etching and 14.2 x 18.9 cm; Fletcher 363, state II/ II; 33 x 25.6 cm (2009.628). No. 2: The 19.1 x 14.4 cm; trial proof ii/viii of drypoint; 31.7 x 44.3 cm; Fletcher 390, II (2009.718). No. 30; English Series No. Dragon Ship (2 prints), 1922; Fletcher state II (2009.617). 18.7 x 14.2 cm; state II/II (2009.647). No. 4: U.S.S. 9: Stokesay Castle, 1942; 5.8 x 7.6 cm; 121. Color etching and aquatint; 33.4 x state II/II (2009.618). No. 9: Puerta del Haddo, Portrait of a Submarine–1942, Fletcher 369, state II/II (2009.612). 25.9 cm; state III/III (2009.623). Etching Obispo, Zamora, 1937–38; 32 x 18.4 cm; 1947; etching and aquatint; 24.8 x 46.1 No. 31: Hotel De Ville, Abbeville, 1943; and aquatint; trial proof i/ii of state III; Fletcher 266, state II/II; (2009.724). No. cm; Fletcher 405, trial proof vi/viii of 9 x 4.6 cm; Fletcher 378, state III/III; (2009.625). No. 3: The American Clipper 10: Stone Tapestry, San Isidoro, Léon (2 state III (2009.648). Gift of Carole W. (2009.687). No. 32; English Series No. Ship, 1922; color etching and aquatint; prints), 1933; Fletcher 267. 29.5 x 17.8 and Charles B. Rosenblatt. 12: Corbel on Gate House, Stokesay 31.4 x 33.8 cm; Fletcher 124, state II/II cm; trial proof xvi/xviii (2009.613). 29.5 George Auriol (French, 1863–1938). Castle, 1944; 8.1 x 4.1 cm; Fletcher 382, (2009.620). No. 4: Where the Junk Sails x 17.8 cm (2009.614). No. 11: Puerta Two prints: Larousse Universal: Cover state II/II (2009.675). No. 36: Portrait Lift, 1922; color etching and aquatint; Principal de la Iglesia de San Pablo, (Le Larousse Universel), 1922; color of a Romanesque Capital, 1946; 6.7 31.4 x 33.8 cm; Fletcher 130, state II/ Valladolid, 1934; 12.4 x 8.4 cm; Fletcher woodcut; 28.7 x 19.5 cm; Leroy- x 6.9 cm; Fletcher 397, state IV/IV II (2009.656). No. 5: Brig “Oleander” (2 278 (2009.725). No. 12: La Colegiata, Crevecoeur 268 (2009.514). “Myrane” (2009.721). No. 37: Precious Stones, prints), 1923; Fletcher 131. Etching and Toro, 1935; 24.7 x 32.3 cm; Fletcher 284, et “Les Chapons” (Program for Théâtre 1946; 8.3 x 4.8 cm; Fletcher 398, state aquatint; printed 1937–38?; 22.2 x 25.6 state II/II (2009.690). No. 13: Santa Libre), 1889; color lithograph; 21.6 II/II (2009.723). Gift of Carole W. and cm; trial proof iii of state II (2009.666). Maria Major, Ronda, 1935; 20.3 x 13.6 x 30.9 cm; Leroy-Crevecoeur 33 Charles B. Rosenblatt. Color etching and aquatint; 22 x 25.7 cm; Fletcher 288, state II/II (2009.733). (2009.515). Gift of John Bonebrake. No. 14: Oviedo, The Holy (2 prints), John Taylor Arms (American, 1887– cm; state II/II (2009.664). No. 6: Bark The Basin of the Tuileries (Le Bassin des 1953). Six etchings: Princeton Series, “Metis” Making Harbor, 1923; color 1937; Fletcher 306. 31.2 x 11.4 cm; trial proof v/v of state I (2009.306). 31.1 x Tuileries), 1906. Eugène Bejot (French, 1925; No. 1: Nassau Hall; 17.6 x 11.5 cm; etching and aquatint; 31.5 x 46.5 cm; 1867–1931). Etching; 13.5 x 17.7 cm; Fletcher 153 (2009.704). No. 2: Blair Fletcher 133; (2009.661). No. 7: Cutting 11.2 cm; state III/III (2009.717). No. 15: “Spanish Profile,” Palencia, 1948–50; Fonds Français 251, state II/II; Gift of Arch, Princeton; 11.3 x 17.3 cm; Fletcher In, 1925; color etching and aquatint; John Bonebrake 2009.512. 154 (2009.663). No. 3: Cleveland Tower, 33 x 41.5 cm; Fletcher 172, state II/ 34.8 x 17.3 cm; Fletcher 418, state III/ Graduate College, Princeton; 17.3 x II (2009.678). Gift of Carole W. and III (2009.607). Gift of Carole W. and Émile Bernard (French, 1868–1941). Charles B. Rosenblatt. Charles B. Rosenblatt. Two prints: Lord (Seigneur), 1955;

64 photomechanical reproduction lithograph; 25.7 x 20.1 cm; Fonds Français 30:802-805. Gift of John (Sergent D’Infanterie); 30.6 x 21 cm; de of Go Kill My Husband (Perfidious Français 5 (2009.556). Gift of John Bonebrake 2009.586. La Combe 111 (2009.576). Gift of John Woman)(Va tuer mon mari [La femme Bonebrake. Eugène Carrière (French, 1849–1906). Bonebrake. perfide]),1892; lithograph; 33.2 x 19.8 Auguste Brouet (French, 1872–1941). Three prints: Edmond de Goncourt, Nicolas Toussaint Charlet (French, cm; Morane 34 (2009.520). Small Three prints: [Landscape with Bridge 1896; lithograph on chine collé; 1792–1845). Four lithographs: The Flowers of Saint Francis (Les petites and Child], etching; 21.3 x 15.7 cm 53.5 x 41.1 cm; Delteil 25 (2009.500). French Soldier (Le Soldat français), fleurs de Saint-François), 1928; color (2009.550). [Merchant in his stall with Newborn in a Bonnet (Le nouveau-né 1818; 46.8 x 34 cm; de La Combe 74 woodcut; 31.1 x 23.9 cm; Morane 100 children playing], etching; 14.9 x 19.2 au bonnet), 1890; lithograph; 25.5 x (2009.519). Lithographic Sketches (2009.524). Gift of John Bonebrake. cm (2009.516). The Night’s Round (La 19.2 cm; Delteil 9 (2009.495). Puvis by Charlet: No. 5, Form before Color Eugène Bléry (French, 1805–1886). Ronde de Nuit), roulette; 14.7 x 13.1 cm; de Chavannes, 1897; lithograph on (Croquis lithographique par Charlet: Four prints: The Laundresses (Les Geffroy 139 (2009.510). Gift of John chine collé; 54.8 x 39.5 cm; Delteil 32 No. 5, La forme avant la couleur), Laveuses), 1838; etching on chine Bonebrake. (2009.492). Gift of John Bonebrake. 1823; 16.7 x 18.7 cm; de La Combe 520 collé; 25.9 x 18.5 cm; Le Blanc 152, Félix Buhot (French, 1847–1898). Three Edgar Chahine (French, 1874–1947). (2009.573). Moral and Philosophical state II/III (2009.567). The Mill and prints: Geese (Les Oies), 1887; etching; Two prints: Portal of St. Germain Alphabet for the Use of Little and Waterfall of Grésy near Aix-les-Bains 15.2 x 25.3 cm; Goodfriend 166, state L’Auxerrois (Portail de Saint-Germain- Big Children: Miseries of War (1812) (Le moulin et la cascade de Grésy- V/V (2009.523). Letters from My L’Auxerrois), 1902; etching and (Alphabet moral et philosophique à sur-Aix (Savoie), 1856; etching on Windmill: The Diligence of Beaucaire aquatint; 29.5 x 18.8 cm; Tabanelli l’usage des petits et des grand enfants chine collé; 45.6 x 36.5 cm; Fonds (Lettres de Mon Moulin: La Diligence 103, state VII/VII (2009.540). Study (Misères de la guerre [1812]), published Français 139 (2009.491). Plant Study de Beaucaire), 1880; drypoint; roulette, of Trees (First Plate) (Étude d’abres 1835; 46.8 x 34 cm; de La Combe 855:13 from Group of Various Plants Drawn and aquatint; 17.2 x 10.3 cm; Boucard [Ière Planche]), 1914; etching; 21.9 x (2009.545). Sketch Book for the Use of and Lithographed after Nature 110; state II–III/V (2009.527). Reading 32.1 cm; Tabanelli 327, trial proof I/VII Small Children: The Young Amateurs (Groupes de Plantes varies dessinées Room in Japan (Cabinet de Lecture au (2009.513). Gift of John Bonebrake. (Recueil de Croquis à l’usage des sur Nature et lithographiées), 1848; Japon), 1872; etching; 6.9 x 13.7 cm; petits enfants: Les jeunes amateurs), lithograph on chine collé; 31.6 x 46.7 Nicolas Toussaint Charlet (French, 1822; 46.8 x 34 cm; de La Combe 505 Boucard 58, state II/II (2009.525). Gift 1792–1845). Six lithographs: Allocution cm; Fonds Français 202 (2009.493). of John Bonebrake. (2009.532). Gift of John Bonebrake. Studies Drawn and Engraved after (July 28; 1830) L’Allocution (28 Juillet (American, 1904–1999). 1830), 1830; lithograph; 25 x 33 cm; Jules Cheret (French, 1836–1932). Two Nature: The Beach, Fontainbleau color lithographs: The Aura of Noon (Études dessinées et Gravées D’après Five etchings: Arabesque, 1947; 17.2 de La Combe 333 (2009.518). x 16.8 cm; Davenport 47 (2009.597). Costumes (Costumes Militaires) (5 (L’Auréole du Midi), 1893; 30.3 x 19.8 nature: Le hêtre; Fontainebleau), 1840; cm; Broido 975 (2009.544). Masters lithograph on chine collé; 25.9 x 18.9 Nude #1; 2; 3 (Nudo #1; 2; 3), 1984; prints), 1817–18: Carabiners Sargent, Davenport 57, state I/II. Nude #1; 23.1 General Guide (Sergent de Carbiniers; of the Poster: Plate 13, Saxoléine (Les cm; Fonds Français 22 (2009.494). Maitres de L’Affiche: Pl. 13, Saxoléine), Gift of John Bonebrake. x 20.3 cm (2009.593). Nude #2; 22.9 Guide Général); 30.1 x 20.5 cm; de La x 20.3 cm (2009.594). Nude #3; 23 x Combe 114 (2009.579). Cavalry Man 1895; 28.1 x 20.6 cm; Broido 953, Pl. 47 (French, 1867–1947). 20.3 cm (2009.595). Youth with Kite, (Cuirassier); 28.9 x 21.4 cm; de La (2009.555). Gift of John Bonebrake. Two prints: Donkey Ride (Promenade 1941; 26.2 x 13.7 cm; Davenport 46 Combe 121 (2009.578). Grenadier of the Cleveland Flower, 2009. Steven Ford à âne), 1893; lithograph; 9 x 23.8 (2009.596). Gift of Barry Bradley. Royal Guard (Grenadier de la, Garde (American, born 1964). Color linocut cm; Bouvet p. 26; no. 16 (2009.583). Cap St. Mathieu, 1846. Eugène Cicéri Royale); 31.1 x 21.1 cm; de La Combe 117 hand-colored with watercolor; 20.1 x Masters of the Poster: Pl. 38, La Revue (2009.577). Infantry Sapper (Sapeur 25.2 cm. Gift of the University Print Blanche (Maitres de l’Affiche: Pl. (French, 1813–1890). Lithograph on chine collé; 23.7 x 40 cm; Fonds d’Infanterie); 29.6 x 18.9 cm; de La Club 2009.602 38, La Revue Blanche), 1894; color Combe 115 (2009.575). Infantry Sargent

65 Charles François Daubigny (French, 1817–1878). Two prints: Apple Trees at Auvers (Pommiers à Auvers), 1877; etching; 19 x 27.3 cm; Delteil 126, state IV/IV (2009.551). The Shepherd and Shepherdess (Le Berger et la Bergère), 1874; etching on chine collé; 28.8 x 22.7 cm; Delteil 122, state II or III/VIII (2009.566). Gift of John Bonebrake. Honoré Daumier (French, 1808–1879). Two prints: Ancient History (Histoire Ancienne), 1842; Pl. 22, The Baptism of Achilles (Pl. 22, Le Baptême d’Achille); lithograph sur blanc; 25.2 x 19.7 cm; Daumier Register 946, state III/IV (2009.587). Pl. 27, Telemachus Ravaged by Love (Pl. 27, Télémaque ravagé par l’amour); lithograph; 25.1 x 19.8 cm; Daumier Register 951, state II/III (2009.507). Gift of John Bonebrake. Honoré Daumier (French, 1808– 1879). Three prints: Caricaturana: Pl. 14; Robert Macaire Bookseller (Caricaturana: Pl. 14; Robert Macaire Libraire), 1836; lithograph sur blanc; 25.8 x 21.9 cm; Daumier Register 367, state II/II (2009.508). Exposition of Animals: Pl. 5, The Cow-Elephant, New Hell: The Street (Die Variety (L’Exposition des Animaux: Pl. Hölle: Die Strasse), 5, Le boeuf-éléphant, nouvelle variété), 1919. 1856; lithograph sur blanc; 21.7 x 26 (German, 1884–1950). cm; Daumier Register 2832, state II/ Lithograph; 67.6 x II (2009.505). Parisians Sketches: Pl. 34; 53.4 cm; Hofmaier It’s Nothing Eleanor (Croquis Parisiens: 141; Norman O. Stone Pl. 34; Ça n’est rien Éléanor), 1857; and Ella A. Stone lithograph; 20.4 x 26 cm; Daumier Memorial Fund Register 2946, state II/II (2009.504). 2009.355 Gift of John Bonebrake.

66 Honoré Daumier (French, 1808–1879). Festival Menton: Trial Proof for Festival Satan (Les Artistes Anciens et Moderne: Studies of Horses (Études de Chevaux Two prints: La Caricature: Pl. 314, Comte of Music Poster (Festival Menton: Essai Satan), about 1854; lithograph on Lithographies), 1822: Pl. 3, Chevaux de Keratry, 1833; lithograph; 28.1 x pour L’Affiche du Festival de Musique), chine collé; 21.1 x 17.8 cm; Armelhault d’Auvergne (Pl. 3, Chevaux d’Auvergne); 20.7 cm; Daumier Register 70, state 1956. (French, 1889– and Bocher 1671 (2009.530). 19 x 23.2 cm; Delteil 48, state I / II/III (2009.506). Pl. 454, Athenians 1963). Color lithograph; 49 x 32.3 cm. Baliverneries Parisiennes: Pl. 15, Ah! IV (2009.535). Pl. 7, Horse from the Beware of Phillip! (Demosthenes to the Gift of John Bonebrake 2009.554. Mosieu Radiguet, 1847; lithograph; Caen Plain (Pl. 7, Cheval de la Plaine Athenians (Pl. 454, Atheniens prenex Five Series of Repetition: Moving Cloud 19.2 x 16.3 cm; Armelhault and Bocher de Caen); 19.1 x 22.7 cm; Delteil 52, garda a Phillippe! [Demosthenes aux (Yi-yun), 1985. Xu Bing (Chinese, born 1018, state II/II (2009.528). Émile state II /V (2009.585). Pl. 12, Egyptian Atheniens]), 1835; lithograph sur blanc; 1955). Woodcut; 51.9 x 71.6 cm. Dudley Forgues (Old Nick), about 1835–40; Mare (Jument Égyptienne); 18.1 x 23.5 20.3 x 25.5 cm; Daumier Register 102, P. Allen Fund 2010.152. lithograph on chine collé; 19.8 x 17 cm; cm; Delteil 57, state I or II or IV/IV state II/II (2009.503). Gift of John Armelhault and Bocher 33 (2009.582). (2009.537). Gift of John Bonebrake. Fleeting Time, Thou Hast Left Me Bonebrake. Masques et Visages: Par-ci; Par-la, Henri Charles Guérard (French, Old, 1845. Ivan Albright (American, 1850s; lithograph on chine collé; 19.1 Eugène Delâtre (French, 1864–1938). 1897–1983). Lithograph; 34.9 x 24.6 1846–1897). Two prints: Duquesne Two prints: Moulin de la Galette, x 16 cm; Armelhault and Bocher 1826 Basin (Dieppe), Effect of the Moon cm; Grayson 11; Gift of Barry Bradley (2009.531). Parisian Physiognomy: etching in brown; 8.2 x 11.6 cm 2009.592. (Bassin Duquesne [Dieppe], effet de (2009.511). On Sentry Duty (En Street Sweeper (Physionomes lune), before 1889; color aquatint and Sentinelle), about 1905; color aquatint; Jean Louis Forain (French, 1852–1931). Parisiennes: Le Cantonnier), 1857–58; etching; 29.6 x 47.5 cm; Bertin 224 25.5 x 7.6 cm (2009.569). Gift of John Four prints: At the Stock Exchange, lithograph; 29.1 x 19.1 cm; Armelhault (2009.553). Head of an Old Man (Tête Bonebrake. about 1900; lithograph; 30.3 x 43.4 and Bocher 1870, state II/II (2009.534). de Vieillard), 1872; etching; 12.2 x 9.9 cm (2009.568). The Café of the Gift of John Bonebrake. cm; Bertin 31 (2009.574). Gift of John Agnes Denes (American, born Hungary, New Athens (Le Café de la Nouvelle 1938). Suite of five lithographs printed Lucien Gautier (French, 1850–1925). Bonebrake. Athènes), about 1876; etching; 15.9 2 etchings: Le Quai Jemmapes, 1881; in blue, 1994. Fish Pyramid—A Floating x 11.9 cm; Guérin 8 (2009.548). The Hector Berlioz, His Life and His City; 29.9 x 85.3 cm (2009.280.1). Flying 24.7 x 39.7 cm; Béraldi 9 (2009.541). Works: Fantastic Symphony—A Ball Folies-Bergère (First Plate) (Les Folies- La rue du Haut Pavé, 1881; 38.7 x 24.4 Bird Pyramid for the 22nd Century; 54.6 Bergère [1ère planche)], about 1880- (Hector Berlioz, sa vie et ses oeuvres: x 74.7 cm (2009.280.4). Flying Half Bird: cm; Béraldi 10 (2009.543). Gift of John Symphonie Fantastique—Un bal), 86; etching; 9.8 x 15 cm; Guérin 17 Bonebrake. An Organic Space Station; 53.3 x 85 cm (2009.546). The Walker (L’Ambulante), 1888. Henri Fantin-Latour (French, (2009.280.3). The Pyramids as They 1880–86; etching; 15 x 9.8 cm; Guérin Théodore Géricault (French, 1791– 1836–1904). Lithograph on chine collé; Were; 52.5 x 72.5cm (2009.280.2). When 18 (2009.547). Gift of John Bonebrake. 1824). Two lithographs on chine 23.7 x 15.5 cm; Hédiard 78; Gift of John the Pyramid Awakens; 59.3 x 68.3 cm collé, 1823: Horse Devoured by a Lion Bonebrake 2009.539. (2009.280.5). Purchase from the Karl B. Frederick Douglass, 1965. Thomas (Cheval Dévoré par un lion); 19.3 x Cornell (American, born 1937). Etching; Hell: The Street (Die Hölle: Die Strasse), Goldfield Trust. 23.8 cm; Delteil 67 (2009.533). Suite 1919. Max Beckmann (German, 1884– 49.3 x 37.7 cm. Gift of Barry Bradley of Eight Small Works: Postman or Achille Devéria (French, 1800–1857). 2009.598. 1950). Lithograph; 67.6 x 53.4 cm; Two prints: Henri Herz, Pianist (Henri Two Harnessed Horses (Suite de Huit Hofmaier 141; Norman O. Stone and Herz, pianiste), 1832; lithograph on Game of Bowls (Jeu de Boules), 1934. Petites Pièces: Un Postillon ou Les Deux Ella A. Stone Memorial Fund 2009.355 Lill Tschudi (Swiss, 1911–2004). Color Chevaux Harnachés); 12.8 x 17 cm; chine collé; 38.3 x 29 cm; Béraldi 23 Hercules and the Nemean Lion, about (2009.522). Madam Pauline Garcia- linocut; 25.6 x 35.7 cm. Dudley P. Allen Delteil 61, state II /III (2009.536). Gift Fund 2010.13 of John Bonebrake. 1898. Henri-Arthur Lefort des Ylouses Viardot, 1840; lithograph; 29.3 x 24.3 (French, 1846–1912). Gypsograph; 59.6 cm; Béraldi 220 (2009.521). Gift of John Paul Gavarni (French, 1804–1866). Five Théodore Géricault (French, 1791– x 25.7 cm; Fonds Français 27 or 28; Gift Bonebrake. prints: Ancient and Modern Artists: 1824). Three lithographs: Lithographed of John Bonebrake 2009.526.

67 Mabel A. Hewit (American, 1903– 1984). 109 lithographs: Abandoned Lighthouse, 1939; 27.8 x 20.3 cm (2010.41). Across the Lagoon, 1945; 17.8 x 24.2 cm (2010.52). Across the Valley, 1940; 22.3 x 30.9 cm (2010.63). Along the Bay; Acapulco, 1953; 25.9 x 20.4 cm (2010.37). Along the Beach; Acapulco, 1953; 25.8 x 20.4 cm (2010.74). Along the L agoon, 1938; 33.1 x 22.7 cm (2010.85). As I Remember, 1946; 16.2 x 19.8 cm (2010.96). At the Greenhouse, 1940; 22.1 x 31.7 cm (2010.107). At the Mooring, 1950; 19 x 22.4 cm (2010.118). At the River’s Mouth, 1944; 22.3 x 30.5 cm (2010.129). Barns on the Hillside, 1941; 16.7 x 23 cm (2010.42). Barnyard, 1941; 16.4 x 22.8 cm (2010.43). Bell Tower, 1950; 18.6 x 21.2 cm (2010.44). Boat House, 1942; 22.3 x 30.3 cm (2010.31). By the River, 1944; 22.8 x 30.2 cm (2010.46). Cabins, 1941; 16.9 x 23.4 cm (2010.47). Carnival, 1949; 18.2 x 25.7 cm (2010.48). Cemetery, Saugatuck, 1952; 19 x 23.7 cm (2010.49). Chicken Yard, 1942; 22.4 x 30.3 cm (2010.50). Christine, 1946; cm (2010.58). Farm, 1939; 14.7 x 17.9 cm From the River Road, 1946; 28.7 x 21.6 Wiston River, 1911. 28.4 x 22.7 cm (2010.134). Church on (2010.59). Farm and Fields, 1939; 18.7 (2010.71). The Gallery, 1939; 17.6 x 12.9 Frank Morley the Hill, 1900s; 32.7 x 22.8 cm (2010.27). x 26.6 cm (2010.60). Farm Buildings, cm (2010.116). The Gallery; Oxbow, Fletcher (British, City Hall; Parma, 1900s; 23.6 x 18.2 1941; 19.7 x 23.6 cm (2010.61). Farm 1938; 33 x 23 cm (2010.117). Garden in 1866–1949). Color cm (2010.26). Cleo, 1947; 30.6 x 19.3 House, 1939; 14.3 x 16.4 cm (2010.62). the Valley, 1940; 20 x 27.3 cm (2010.72). woodcut; 21.3 x 36.9 cm (2010.51). Cleveland Skyline, 1947; Farm Near Bedford, 1940; 21.9 x 29.5 Grounds at Oxbow, 1949; 18.5 x 26.1 cm. Bequest of Dr. 19.6 x 25.1 cm (2010.53). Cornfield, cm (2010.64). Ferry Store, 1938; 22.7 x cm (2010.73). The Haystack, 1941; 19.7 Willard Steck by 1941; 14.8 x 19.3 cm (2010.54). Cottage 32.2 cm (2010.65). Fishing Nets Drying, x 24.1 cm (2010.119). Hillside Farm, Exchange 2009.358 in the Woods, 1944; 22.3 x 30.7 cm 1943; 22.5 x 30.4 cm (2010.66). Fishing 1941; 20 x 25.3 cm (2010.75). Hinkley (2010.55). The Crap Game, 1937; 20.4 Shack, 1938; 12.7 x 20.3 cm (2010.67). Lake, 1947; 19.5 x 24.2 cm (2010.76). x 29.6 cm (2010.115). Cross Lots to From the Highway, Bedford, 1940; Homeward Bound, 1946; 19.9 x 17.6 cm Euclid, 1945; 18.2 x 23.3 cm (2010.56). 29.4 x 29.3 cm (2010.69). From the Hill, (2010.77). House in the Hollow, 1945; Deserted Mansion, 1944; 22.3 x 30.4 1937; 14.6 x 20.2 cm (2010.68). From 22.8 x 29.9 cm (2010.78). House on the cm (2010.57). Factories, 1938; 22.8 x 32.7 the Hill, 1939; 25.2 x 19.7 cm (2010.70). Hilltop, 1940; 15.6 x 18.5 cm (2010.79).

68 House’s Farm, 1952; 18.7x 24.3 cm the Kalamazoo, 1947; 30.1 x 20.3 cm Gabriel Huquier (French, 1695–1772). (2009.589); 16.2 x 22.2 cm (2009.590). (2010.81). Houses, Douglas, 1938; 22.7 (2010.102). The Skipper, 1942; 21.7 x Two prints after Boucher: The Senses: Gift of Thomas R. Roese. x 33 cm (2010.80). In Bedford, 1940; 16.7 cm (2010.33). Street, Olmsted Touch (Les sens: Le Toucher), 1700s; Léon Cogniet, 1881. Léon Bonnat 19.5 x 28.9 cm (2010.82). Lagoon from Falls, 1949; 18.9 x 26.2 cm (2010.103). etching; 38 x 27.7 cm; Fonds Français (French, 1833–1923). Etching; 17.3 x 12.3 the New Patio, 1950; 20.9 x 18.5 cm Studio, Oxbow, 1938; 22.9 x 30.6 cm 624 (2010.15). Etching and engraving; cm; Fonds Français 3; Gift of John (2010.83). Late Summer Garden, 1940; (2010.104). Summer Afternoon, 1943; 37.9 x 27.4 cm (2010.16). Gift of Friends Bonebrake 2009.563. 21.4 x 28.2 cm (2010.84). Lazy Days, 22.5 x 30.4 cm (2010.105). Summer of the Department of Prints and 1943; 22.2 x 30.6 cm (2010.35). Main at the Lighthouse, 1945; 22.8 x 30.2 Drawings. Marie Laveau, 2009. Renée Stout Street, Saugatuck, 1937; 14.7 x 19.6 cm (2010.106). Summer Cottage, (American, born 1958). Color In the Brambles (Dans les ronces), 1898. lithograph; 53.6 x 53.6 cm. Purchase cm (2010.86). Mid Summer, 1942; 1900s; 22.5 x 30.5 cm (2010.108). Henri Detouche (French, 1854–1913). 22.5 x 30.3 cm (2010.87). Morning Summer Day, 1942; 22.4 x 30.2 cm from the Karl B. Goldfield Trust Color lithograph; 34.9 x 24.5 cm. Gift 2009.353. Beach, Acapulco, 1950; 20.4 x 29.7 cm (2010.109). Summer Gossip, 1945; 22.7 of John Bonebrake 2009.559. (2010.36). Mud Pies, 1952; 23.5 x 18.3 x 30.5 cm (2010.110). Summer on the Landings, 2003. Michael Loderstedt cm (2010.39). Near the Tracks, Olmsted River; 1946; 20.9 x 16.3 cm (2010.111). In the Square (Au Square), 1897. Henri (American, born 1958). Book with Falls, 1949; 18.8 x 26.1 cm (2010.88). Summer Shadows; 1943; 22.3 x 30.5 Evenpoel (Belgian, 1872–1899). Color 16 photo-aquatints; 9 relief prints; New Homes, Parma, 1951; 19.5 x 24.7 cm; 2010.112. Sunny Afternoon, 1943; lithograph; 33 x 23.1 cm. Gift of John 8 screenprints; and screenprinted cm (2010.89). Old Blacksmith Shop, 22.4 x 30.3 cm (2010.113). Swimming Bonebrake 2009.558. text; 28.5 x 37.9 cm. The Sarah Stern Douglas, Michigan, 22.9 x 33 cm Hole at the Lighthouse, 1945; 24 x 18 Julia Jacquette (American, born Michael Fund 2010.151 (2010.45). Old Covered Bridge, 1941; 19.7 cm (2010.114). To Market, To Market, 1964); Two prints: My Houses: Dining J. B. Lankes (American, 1915–2010) and x 24.1 cm (2010.29). Old Farm, 1940; 1951; 19.2 x 24.3 cm (2010.32). To Room with Horse Painting, 2008; The Julius J. Lankes (American, 1884–1960). 18.6 x 26 cm (2010.90). Old Gravel Pit, Market, To Market, 1951; 19.2 x 24.5 Print Club of Cleveland Publication Two prints: Nightfall (after Charles 1900s; 23.3 x 29 cm (2010.91). Old Man, cm (2010.123). Trash Cans, 1950; 23.5 Number 88, 2010. Aquatint; 40 x 50 E. Burchfield), 1925. Wood engraving 1937; 19 x 14.3 cm (2010.34). Old Maple x 19.6 cm (2010.124). Trees, 1941; cm (2010.181). BAT; 40.4 x 50.4 cm printed in red and orange; 13.2 x Tree, 1940; 14 x 18.5 cm (2010.92). The 20 x 15.2 cm (2010.125). Trees and (2010.182). Gift of the Print Club of 20.3 cm (2010.179). Wood engraving Old Picnic Grounds, 1943; 20.5 x 30.4 Roofs, 1950; 20.5 x 18.3 cm (2010.126). Cleveland. printed in red and black; 13.2 x 20.4 cm (2010.120). The Old Post Office, Twilight at Oxbow, 1944; 30.1 x 25.6 Eugen Kirchner (German, 1865–1938). cm (2010.180). Gift of the Print Club of 1942; 22.6 x 30.5 cm (2010.30). Oxbow cm (2010.127). Untitled 3, 1942; 29.5 x Three prints: Interior with Young Cleveland. Lagoon, 1951; 23.4 x 18.8 cm (2010.93). 20.2 cm (2010.40). Unwanted, 1944; Woman in Walking Costume (Interieur Les Maitres de L’Affiche: Pl. 103, Café Pent House, Mexico City, 1953; 19.7 x 22.4 x 30.3 cm (2010.128). Up from mit junger frau i. ausgehkostuem), 25.5 cm (2010.94). Picket Fence, 1950; the Beach, Acapulco, 1953; 24.8 x 19.2 Riche.“Where do they take her? To the 1895; etching and aquatint; 13 x ” (Où la menent-ils? Au Violin”), 20.3 x 23.9 cm (2010.95). Rancho Lelsa; cm (2010.130). Up the Kalamazoo 9.4 cm; Dennerlein 645 (2009.571). Taxco, 1954; 19.9 x 26.1 cm (2010.38). River, 1939; 27.8 x 22.8 cm (2010.131). 1897. Jules-Alexandre Grün (French, November, 1896; etching and aquatint 1868–1934). Color lithograph; 27.9 x Riding Academy Entrance, 1940; 22.5 The Water Tower, 1941; 16.5 x 22.4 printed in brown; 32.3 x 19.9 cm; x 31.8 cm (2010.97). River Landscape, cm (2010.121). on the 20.4 cm; Marx p. 23; Pl. 102. Gift of Dennerlein 1110 (2009.570). The Tennis John Bonebrake 2009.557. 1942; 22.4 x 30.3 cm (2010.98). River Hill, 1941; 19.9 x 24.5 cm (2010.133). Player (Der Tennisspieler), 1896; etching Shacks, 1939; 14.6 x 17.1 cm (2010.99). White Buildings, 1942; 22.3 x 30.4 cm and aquatint; 19.6 x 24 cm (2009.572). London Flats No 2, about 1930. Cyril River Vista, 1942; 22.1 x 30.3 cm (2010.132). The Willows, 1957; 18.2 x Gift of John Bonebrake. Edward Power (British, 1872–1951). (2010.100). Rocky River, 1937; 20.5 x 23.3 cm (2010.122). Gift of Mr. and Mrs. Color monotype; 27.7 x 20.1 cm. 25.3 cm (2010.101). Roof Tops, 1900s; William Jurey in memory of Mabel A. Legacy Village, 2009. Glenn Purchase from the Karl B. Goldfield 19.3 x 28.8 cm (2010.28). Shacks along Hewit. Ratusnik (American, born 1975). Two Trust 2009.354. etchings and aquatint; 16.2 x 22.1 cm

69 Year of the Dog #10, 2008. Judy Pfaff (American, born 1946). Color woodcut, digital, and collage, with hand painting; 97.7 x 219.7 cm. Purchase from the Karl B. Goldfield Trust 2009.281

Lutèce, 1898. Adolphe Giraldon Merry-Go-Round (Les Manèges), 1908. lithograph; 24.5 x 32.9 cm; Fonds Dan Rizzie (American, born 1951). (French, 1855–1933). Color lithograph; Edgar Chahine (French, 1874–1947). Français 1; Gift of John Bonebrake 3 color woodcuts with chine collé, 35.8 x 19.2 cm. Gift of John Bonebrake Etching and drypoint printed in 2009.562. 2009: Blackberry Thieves I (Green); 2009.560. brown ink; 42.7 x 56.2 cm; Tabanelli Paris Scenes and Murderers. Adolphe 103.5 x 85.8 cm (2010.183.1). Blackberry James McBey (British, 1883–1959). Two 280; Gift of Elizabeth Carroll Shearer Willette (French, 1857–1926). Lithograph Thieves II (Yellow); 103.8 x 85.8 cm; etchings: The Doorway, 1930; 21 x 16.4 in memory of Robert Lundie Shearer printed in black and red; 23.9 x 27.4 cm. (2010.183.2). Blackberry Thieves III cm; Hardie 244 (2009.603). The White 2009.591. Gift of John Bonebrake 2009.552. (Blue); 103.8 x 85.6 cm (2010.183.3). Gift Palace, 1930; 36.8 x 21.6 cm; Hardie Northern City (Ville septentrionale), of Flatbed Press, Dan Rizzie, Katherine Phantom, 2007. Richard Dupont Brimberry, Mark L. Smith, and Pat 246 (2009.604). Gift of Dr. and Mrs. 1984. Erik Desmazières (French, born (American, born 1968). Etching and William L. Huffman. 1948). Etching; 41.3 x 59.5 cm; Fitch 77; Masterson in honor of Norma Lerner aquatint; 90.4 x 151.1 cm. Purchase from and in memory of Alfred Lerner. Masters of the Poster: Poster for Gift of John Bonebrake 2009.580. the Karl B. Goldfield Trust 2009.357. Sailing Provincetown, 1916. William Exhibition of Artistic Posters of Paragrand, 2008. Peter Doig (Scottish, The Return (La Retour), 1897. Georges Wilhelm Söborg (Les Maîtres de born 1959). Etching and aquatint; 50.3 Zorach (American, born Lithuania, de Feure (French, 1868–1943). Color 1887–1966). Linocut; 27.2 x 21.9 cm; l’Affiche: Reklame Plakater), about x 40.2 cm. Purchase from the J. H. lithograph; 32.6 x 25.4 cm; Millman 1895. Paul Gustav Fischer (Danish, Wade Fund 2010.150. Burk App. II, p. 372; Purchase from the pp. 124-25; Gift of John Bonebrake Karl B. Goldfield Trust 2009.356. 1860–1934). Color lithograph; 27.6 x The Park (Le Parc), 1897. Gaston de 2009.561. 20 cm; Marx p. 22, Pl. 84. Gift of John Latenay (French, 1859–1943). Color Bonebrake 2009.581.

70 Micah Schwaberow (American, born Untitled (opposite Dog Talk); 11.3 x 7.5 Micah Schwaberow (American, shaded connected hooks, 2007. James 1948). Five prints: Keiko Mizushima cm (2009.338.10). Untitled (opposite born 1948). Shell Fragments, Book I, Siena (American, born 1958). Etching Keyes, 1989; woodcut printed in black Fault Lines); 11.3 x 7.5 cm (2009.338.11). 1989; 5 color woodcuts: Shell 1; 5.8 with chine collé; 35.5 x 27.9 cm. The and gray; 15.8 x 9.7 cm (2009.333). Untitled (opposite The Great Parent x 5.8 cm (2009.332.1). Shell 2; 5.8 x Sarah Stern Michael Fund 2010.149. March Buds, 1985; woodcut printed Gods); 11.3 x 7.5 cm (2009.338.12). 5.8 cm (2009.332.2). Shell 3; 5.6 x 5.7 Sheet of Six Antique Coins (Feuille de in brown; 14.9 x 23.7 cm (2009.329). Untitled (opposite Vacancy); 11.3 x 7.5 cm (2009.332.3). Shell 4; 5.8 x 5.9 cm Six Médailles Antiques), 1825 (published Sweet Light, Nicasio, 1993; color cm (2009.338.13). Untitled (opposite (2009.332.4). Shell 5; 5.8 x 5.8 cm 1865). Eugène Delacroix (French, woodcut; 15.3 x 25.3 cm; (2009.335). Denver); 11.3 x 7.5 cm (2009.338.14). (2009.332.5). Gift of Roger Keyes in 1798–1863). Lithograph with tint stone; Untitled, 1987; color woodcut; 7.7 x Untitled (opposite Child); 11.2 x 7.5 memory of Keiko Keyes. 19.2 x 25.3 cm; Delteil & Strauber 44, 7.6 cm (2009.330). Winter Self, 1984; cm (2009.338.15). Untitled (opposite Micah Schwaberow (American, born state III/IV; Gift of John Bonebrake woodcut; 27.5 x 18.8 cm (2009.328). Body Man; 11.3 x 7.4 cm (2009.338.16). 1948). The Sue Poems, 1989; book 2009.538. Gift of Roger Keyes in memory of Untitled (opposite Friends); 11.3 with 8 color woodcuts: Frontispiece Six Episodes/Monarch, printed 1979, Keiko Keyes. x 7.4 cm; 2009.338.17. Untitled (flower);4.2 x 5.5 cm (2009.337.1). (opposite Come Softly); 11.2 x 7.5 cm hand-coloring added 2002. Ellen Micah Schwaberow (American, born Untitled Page 7; 4.9 x 4.5 cm Lanyon (American, born 1926). Hand- 1948). Hat Creek & The McCloud, 1988; (2009.338.18). Gift of Roger Keyes in (2009.337.2). Untitled Page 15; 4.8 x 2.9 memory of Keiko Keyes. colored lithograph on black paper; 56.2 book with six color woodcuts; 5.1 x 5.1 cm (2009.337.3). Untitled Page 29; 3.6 x 64.7 cm. Gift of the artist 2010.184. cm each: Untiled Page 13 (2009.336.2). Micah Schwaberow (American, x 4.1 cm (2009.337.4). Untitled Page Untitled Page 18 (2009.336.3). Untitled born 1948). Three prints: Morning 41; 4.6 x 5.4 cm (2009.337.5). Untitled Théophile Alexandre Steinlen (Swiss, Page 22 (2009.336.4). Untitled Mist, Heath Township, 2008; 15.3 x Page 57; 5.2 x 5.5 cm (2009.337.6). 1859–1923). Five prints: The Dream Page 27 (2009.336.5). Untitled Page 15.2 cm; The Print Club of Cleveland Untitled Page 69; 4.6 x 2.5 cm (Le Rêve), 1890; color lithograph; 33 (2009.336.6). Untitled Page 42 Publication Number 87, 2009. Color (2009.337.7). Untitled Page 79; 4.5 x 3.5 76.8 x 59.7 cm; Crauzat 529; Bargiel (2009.336.7). Gift of Roger Keyes in woodcut; (2009.327.1). BAT; 15.2 x 15.2 cm (2009.337.8). Gift of Roger Keyes in and Zagrodski 10 (2009.517). Gil memory of Keiko Keyes. cm (2009.327.2). Proof; 15.3 x 15.2 cm memory of Keiko Keyes. Blas Illustré: At the Water’s Edge (A l’Eau), 1896; color lithograph; 33.3 Micah Schwaberow (American, (2009.327.3). Gift of the Print Club of Micah Schwaberow (American, born Cleveland. x 17.4 cm; Crauzat 43 (2009.497). born 1948). Image on Image, 1990; 1948). Five color woodcuts: Tuolumne Hellé, 1896; color lithograph; 26.9 book with eighteen color woodcuts: Micah Schwaberow (American, born Yosemite, Book I, 1988: Afternoon, x 20.3 cm; Crauzat 497 (2009.499). Frontispiece; 11.4 x 7.4 cm (2009.338.1). 1948). Point Reyes, Book I, 1990: Five Tuolumne Meadow; 7.1 x 7.1 cm Wandering Dogs (Chiens errants), 1915; Untitled (opposite Glen Ellen); 11.3 x 7.5 color woodcuts: Afternoon, Limantour (2009.331.3). Dawn, Lyell Fork; 7.7 x 7.7 lithograph; 45.4 x 29.1 cm; Christophe cm (2009.338.2). Untitled (opposite Spit; 9 x 16.6 cm (2009.334.3). Day’s cm (2009.331.1). Day’s End, Lembert 44 (2009.496). Workers Leaving the Winter); 11.3 x 7.4 cm (2009.338.3). End, Limantour Bluff; 8.9 x 16.6 Dome; 7.7 x 7.7 cm (2009.331.4). Factory (Ouvriers Sortant de L’Usine), Untitled (opposite Man/Child); 11.3 x cm (2009.334.5). Dusk, Esterode Morning, Tuolumne River; 7.8 x 7.7 cm 1903; lithograph; 21.4 x 30.1 cm; 7.4 cm; 2009.338.4. Untitled (opposite Limantour; 9 x 16.6 cm (2009.334.6). (2009.331.2). Twilight, Unicorn Park; Crauzat 254 (2009.498). Gift of John Reflections); 11.3 x 7.6 cm (2009.338.5). Midday, Abbotts Lagoon; 8.9 x 16.6 7.1 x 7.2 cm (2009.331.5). Gift of Roger Bonebrake. Untitled (opposite First Love); 11.2 x 7.5 cm (2009.334.4). Morning, Limantour Keyes in memory of Keiko Keyes. James Surls (American, born 1943). cm (2009.338.6). Untitled (opposite Marsh; 8.9 x 16.5 cm (2009.334.2). Gift Seated Woman. Charles Marie Dulac Mothers); 11.2 x 7.5 cm (2009.338.7). of Roger Keyes in memory of Keiko Heartland Suite, Five prints on chine (French, 1865–1898). Lithograph on collé: Body Knowing, 2008; gravure; Untitled (opposite Be Careful); 11.3 x 7.5 Keyes. chine collé printed in sanguine ink; cm; (2009.338.8). Untitled (opposite 27.6 x 36.4 cm (2010.14.4). Head of 28.9 x 18.6 cm. Gift of John Bonebrake Knot Snake, 2008; photogravure; 27.5 Music Man); 11.3 x 7.6 cm (2009.338.9). 2009.542.

71 x 34.9 cm (2010.14.1). Seeing Far and XXe Siècle: Cup 2 Picasso, 1973. Near, 2006; photogravure; 27.6 x 36.2 (American, born 1930). cm (2010.14.2). Skin Casting, 2007; Lithograph; 29.5 x 24.1 cm; ULAE no. gravure; 27.7 x 34.6 cm (2010.14.5). 123; Field 168; Sparks p. 383; no. 113; Start to Finish, 2008; gravure; 27.4 Gift of John Bonebrake 2009.565. x 35.6 cm (2010.14.3). Bequest of Year of the Dog #10, 2008. Judy Pfaff Marjorie Alge by exchange. (American, born 1946). Color woodcut, The Temptation of Saint Anthony: digital, and collage, with hand Flowers Fall and the Head of a Python painting; 97.7 x 219.7 cm. Purchase Appears (Tentation de Saint-Antoine: from the Karl B. Goldfield Trust Des fleurs tombent, et la tête d’un 2009.281. python parait), 1896. (French, 1840–1916). Lithograph; 26 Textiles x 19.8 cm; Mellerio 138; Gift of Barry Backyard Garden, about 1940. Mabel Bradley 2009.599. A. Hewit (American, 1903–1984). Plain Types Mauresques, 1875. Norbert weave, woodblock printed rayon(?), Goeneutte (French, 1854–1894). black ink; 134.93 x 85.41 cm. Gift of Mr. Etching; 15.8 x 11.7 cm. Gift of John and Mrs. William Jurey in memory of Bonebrake 2009.549. Mabel A. Hewit 2010.187. Untitled, 1966. Judy Blum (American, Bluebonnets, 1979. Helena Hernmarck born 1943). Color etching and (American, born Sweden, 1941). Wool, aquatint; 24.3 x 39.4 cm. Gift of linen, cotton, and novelty yarns, Thomas R. Roese 2009.588. tapestry weave with weft-bundle Woman Sitting Reading (Femme floats; 335.3 x 586.7 cm. Gift of the assise lisant), 1905. Trammell Crow Family 2010.185. (Belgian, 1865–1916). Etching; 12.1 x 16 cm; Cardon 41; Purchase from the Karl B. Goldfield Trust 2009.352. Wild Pilgrimage, 1932. Lynd Ward (American, 1905–1985). Two wood Chaparral, 1980. engravings: 16.5 x 11.4 cm (2009.600); Richard Landis 16.4 x 11.3 cm (2009.601). Gifts of Barry (American, born Bradley. 1931). Double weave, mercerized Wiston River, 1911. Frank Morley cotton thread; Fletcher (British, 1866–1949). Color 46.4 x 32.4 cm. Gift woodcut; 21.3 x 36.9 cm. Bequest of the Textile Art of Dr. Willard Steck by Exchange Alliance 2009.339 2009.358.

72 Brocaded velvet cushion cover, mid 1500s. Turkey, Bursa, Ottoman period. Brocaded velvet, 4/1 satin with wefts bound in 1/4 twill order; silk, gilt-metal thread, silver-metal thread, cotton; 127 x 66 cm. Purchase from the J. H. Wade Fund 2009.282. Chaparral, 1980. Richard Landis (American, born 1931). Double weave, mercerized cotton thread; 46.4 x 32.4 cm. Gift of the Textile Art Alliance 2009.339. Door Rug (Ensi), about 1900. Central Asia, Turkmen people, Yomud tribe. Wool, knotted pile, 117 asymmetrical knots psi; 183 x 142 cm. Gift of E. B. and Joan C. Long 2010.191. Fragment of a Shawl, 1790–1810. India, Kashmir. Wool, 2/2 twill tapestry (S), double interlocked; 66.6 x 90.1 cm. Gift of Arlene C. Cooper 2010.143. Geometric Forms, about 1950. Mabel A. Hewit (American, 1903–1984). Plain knots psi; 291 x 158 cm. Gift of E. B. interlocked, pieced; 195.6 x 185.4 cm. Main Carpet, mid weave, woodblock printed (2 blocks), and Joan C. Long 2010.190. Gift of Arlene C. Cooper 2010.136. 1800s. Central Asia, rayon(?), green and mustard-color ink; Turkmen people, Poppies, 1978. Helena Hernmarck Shawl, 1848–51. , England, Yomud tribe. Wool, 304.6 x 90.48 cm. Gift of Mr. and Mrs. (American, born Sweden, 1941). Wool, France, or Scotland. Silk, knotted pile, 128-136 William Jurey in memory of Mabel A. silk, and metal thread, tapestry weave supplementary weft pattern bound in symmetrical knots Hewit 2010.189. psi; 291 x 158 cm. Gift with weft-bundle floats; 389.9 x 594.4 twill; 200.7 x 171.5 cm. Gift of Arlene C. of E. B. and Joan C. Luna Lumiere, 1969. Gwen-lin Goo cm. Gift of the Trammell Crow Family Cooper 2010.137. Long 2010.190 (American, born 1940). Two screen- 2010.186. Shawl, 1855–62. France, Paris. Silk?, printed layers of silk organza above Presence/Absence: Gather, 1998. Lia supplementary weft pattern; 355.7 screen-printed opaque cotton; 104.14 Cook (American, born 1942). Cotton, x 165.1 cm. Gift of Arlene C. Cooper x 153.67 cm. Gift of Gwen-lin Goo rayon, handwoven on computerized 2010.138. 2010.194. loom; 121.9 x 121.9 cm. Gift of the Shawl, 1880s. India, Kashmir. Wool, 2/2 Main Carpet, mid 1800s. Central Asia, Textile Art Alliance 2009.340. twill tapestry (S), double interlocked, Turkmen people, Yomud tribe. Wool, Shawl, 1867–75. India, Kashmir. pieced; 194.9 x 193 cm. Gift of Arlene knotted pile, 128-136 symmetrical Wool, 2/2 twill tapestry (S), double C. Cooper 2010.139.

73 Shawl, 1848–52. Austria, England, France, or Scotland. Wool?, supplementary weft pattern; 342.3 x 165.1 cm. Gift of Arlene C. Cooper 2010.140. Shawl, 1840s. India, Kashmir. Wool, 2/2 twill tapestry (S), double interlocked, pieced; 332.8 x 139.6 cm. Gift of Arlene C. Cooper 2010.141. Shawl, 1840s. Austria, England, France, or Scotland. Silk & wool?, supplementary weft pattern; 185.4 x 181.6 cm. Gift of Arlene C. Cooper 2010.142. Shawl, 1840s. France, Nimes; Scotland, Paisley, or England, Norwich. Silk and cotton?, supplementary weft pattern; 193.0 x 177.4 cm. Gift of Arlene C. Cooper 2010.144. Shawl, 1855. France, Paris. Designed by Emile Frederic Herbert (French). Silk?, supplemental weft pattern; 360.7 x 15.4 cm. Gift of Arlene C. Cooper 2010.145. Shawl, 1830-35. France, Paris. Wool?, supplementary weft pattern; 316.2 x 142.7 cm. Gift of Arlene C. Cooper 2010.146. Luna Lumiere, 1969. Stole, 1850–55. Austria, England, William Jurey in memory of Mabel A. Gwen-lin Goo France, or Scotland. Wool, Hewit 2010.188. (American, born 1940). supplementary weft pattern; 308.6 Woman’s Coat with False Sleeves, Two screen-printed x 57.1 cm. Gift of Arlene C. Cooper (Chrypy), early 1900s. Central Asia, layers of silk organza 2010.135. Turkmen people, Tekke tribe. Exterior: above screen-printed plain weave, silk, embroidery; silk, Untitled, about 1940. Mabel A. Hewit opaque cotton; chain stitch. Trim: tablet-woven with (American, 1903–1984). Plain weave, 104.14 x 153.67 cm. fringe, silk. Lining: plain weave, cotton, woodblock printed rayon(?), black ink; Gift of Gwen-lin Goo block printed; 119.4 x 75 cm. Gift of E. 120.65 x 86.36 cm. Gift of Mr. and Mrs. 2010.194 B. and Joan C. Long 2010.192.

74 Akron Art Museum, OH FLAG Art Foundation, New York Loyola University Museum of Art, LOANS TO Familiar Faces: in Ohio Floating a Boulder: Works by Felix Chicago OTHER Collections Gonzalez-Torres and Jim Hodges Moholy: An Education of the Senses American Museum of Natural History, Hammer Museum, Massillon Museum, OH; Riffe Gallery, New York (organizer). Whitney Museum of Columbus, OH; Southern Ohio INSTITUTIONS Traveling the Silk Road: Ancient American Art, New York Museum, Portsmouth, OH Pathways to the Modern World Heat Waves in a Swamp: The Paintings Against the Grain: Modernism in the of Charles Burchfield Midwest of New South Wales, Sydney, Australia Herbert F. Johnson Museum of Art, Metropolitan Museum of Art, New : The Lake George Years Cornell University, Ithaca, NY; Palmer York; Los Angeles County Museum of Museum of Art, University Park, PA Art Art Gallery of New South Wales, A Room of Their Own: The Artists of American Stories: Paintings of Everyday Sydney, Australia Bloomsbury Life 1765–1915 Path of Abstraction—1867–1917 Hillwood Estate, Museum and Metropolitan Museum of Art, New Cheekwood Botanical Garden and Gardens, Washington, D.C. York Museum of Art, Nashville, TN; Tampa Sèvres Then and Now: Tradition and The Art of Illumination: The Belles Museum of Art, FL; Taft Museum of Innovation in Porcelain, 1750–2000 Heures of Jean de France, Duc du Berry Art, Cincinnati, OH The American Impressionists in the The Hyde Collection, Glens Falls, NY Metropolitan Museum of Art, New Garden Degas and Music York; St. Louis Art Museum; The ; The Minneapolis Cincinnati Art Museum J. Paul Getty Museum, Los Angeles Institute of Art; The Los Angeles Roaring Tigers, Leaping Carp: Decoding Conservation treatment and long- County Museum of Art; Fine Arts the Symbolic Language of Chinese term loan Museum of San Francisco; Virginia Animal Painting J. Paul Getty Museum, Los Angeles Museum of Fine Arts, Richmond, VA Complesso Museale Santa Maria della Paul Outerbridge: Command The Mourners: Medieval Tomb Scala, Siena, Italy Performance Sculptures from the Court of Burgundy Da Jacopo Della Quercia a Donatello. Miami Art Museum, FL; Albright- Le Arti a Siena nel Primo Rinascimento J. Paul Getty Museum, Los Angeles; Musée d’Orsay, Paris (organizer) Knox Art Gallery, Buffalo, NY; Walker Corcoran Gallery of Art, Washington, Jean-Léon Gérôme Art Center, Minneapolis; Hirshhorn D.C.; San Francisco Museum of Museum and Sculpture Garden, J. Paul Getty Villa, Malibu Washington, D.C. Helios: Eadweard Muybridge in a Time The Art of Ancient Greek Theater Everything: Guillermo Kuitca, Paintings of Change and Works on Paper, 1980–2008

75 Museum of Art, Réunion des musées nationaux Whitney Museum of American Art, Middlebury, VT; Mount Holyoke (organizer). Galeries du Grand New York College Art Museum, South Hadley, Palais, Paris, France; Musée des Arts O’Keeffe: Abstraction MA asiatiques, Guimet, Paris The Art of Devotion: Panel Painting in La voie du Tao, un autre chemin de Museum of Art, Early Renaissance Italy L’Etre Williamstown, MA; Museum of Fine Arts, Houston Mint Museum of Art, Charlotte, NC Réunion des musées nationaux Prendergast in Italy Identity Theft: How a Gifford became (organizer). Galeries du Grand Palais, a Cropsey and a Cropsey became a Paris, France; Los Angeles County Yale Center for British Art, New Gifford Museum of Art; Philadelphia Museum Haven, CT; Victoria and Albert of Art Museum, London Museum Mayer van den Bergh, Renoir in the 20th Century Horace Walpole’s Strawberry Hill Antwerp, Belguim The Juan de Flandes Miraflores Royal Academy of Arts, London Yomiuri Shimbun Osaka (organizer). Altarpiece The Real Van Gogh: The Artist and His National Art Center, Tokyo; National Letters Museum of Art, Osaka Museum of Contemporary Art, Renoir—Tradition and Innovation Cleveland, OH Southern Ohio Museum, Portsmouth, From Then to Now: Masterworks of OH; Riffe Gallery, Columbus, OH; Contemporary African American Art Massillon Museum, OH Sawdust and Spectacle: Under the Big Museum of Fine Arts, Houston; Top in Small Town America Whitechapel Art Gallery, London; Moderna Museet, Malmö, Sweden Syracuse University Art Galleries, Alice Neel: Painted Truths Syracuse, NY Winslow Homer’s Empire State: National Portrait Gallery, London Houghton Farm and Beyond The Indian Portrait: 1560–1860 Telfair Museum of Art, Savannah, GA New Orleans Museum of Art Dutch Utopia: American Artists in The Art of Caring: A Look at Life Holland, 1880–1914 and Through Photography Twilight Visions: , Peabody Essex Museum, Salem, MA; Photography and Paris Kimbell Art Museum, Fort Worth, TX; Ulmer Museum, Ulm, Germany Saint Louis Art Museum Daniel Mauch Fiery Pool: The Maya and the Mythic Sea Western Reserve Historical Society, Cleveland, OH Hanna House, long-term loan

76 exhibitions

ory M. Donley 77 g Gre The museum’s new east wing galleries opened at the end of June 2009. Among the permanent collection spaces are a number of areas designed for changing exhibitions, including photography and decorative arts. These, added to the already operational Kelvin and Eleanor Smith Special Exhibition Hall, allowed the museum to significantly increase the number of exhibitions during the past year. A suite of exhibitions inaugurated those new Brichfor d spaces in the summer of 2009. The Cleveland d Davi Gallery: Highlights from the Collection of the Cleveland achievement of transforming the museum from a Museum of Art presented various works from the regional art museum to an internationally known museum’s collection, including paintings by Carl institution with a global impact. The exhibition, Gaertner and Hughie Lee-Smith, to illustrate the which ran June 27 to August 23, 2009, in the main development and rise of the city’s arts community. special exhibition hall, served as a tightly focused : Form without Function focused on survey of Asian art acquired during Lee’s tenure. the artist’s half-century ceramic career, part of The major loan exhibition of fall 2009 was Paul which she spent in Cleveland. Portraiture: American Gauguin: Paris, 1889, October 4, 2009 to January Photography 1960 to the Present included examples 18, 2010. Comprising approximately 75 paintings, from traditional to spontaneous and symbolic, sculptures, and works on paper by including the work of Diane Arbus, Andrea and his contemporaries, Paul Gauguin: Paris, 1889 Modica, and others. was the first exhibition to focus on 1889 as a Meanwhile, a memorial exhibition honoring critical juncture in Gauguin’s artistic development. the museum’s late director, Streams and Mountains In that year Gauguin organized an independent Without End: Asian Art and the Legacy of Sherman E. exhibition of his own work and that of his Lee at the Cleveland Museum of Art, celebrated Lee’s artistic disciples on the grounds of the Exposition

78 prints, a portfolio of 11 zincographs printed on canary yellow paper, the so-called Volpini Suite. By bringing together works of art that address key themes in Gauguin’s oeuvre, such as the mourning Eve, the woman in the waves, and fruit bearers, the exhibition focused on artistic process and the way that Gauguin used and re-used motifs over time and across media. The show traveled to the Van Gogh Museum, Amsterdam, February 19 to June 6, 2010. Concurrent presentations at the museum included France at the Dawn of Photography, October 4, 2009 to January 24, 2010, an exhibition selected from the museum’s impressive holdings of 19th- century French photography featuring 55 images ory M. Donley g

Gre created primarily during the 1850s into the 1870s, Universelle in Paris. Held in Monsieur Volpini’s Café des arts, L’Exposition de peintures du groupe impressionniste et synthétiste is recognized as the first Symbolist exhibition in Paris. Paul Gauguin: Paris, 1889 re-created on a small scale the 1889 avant-garde exhibition at Volpini’s café, showing paintings and prints that Gauguin exhibited as well as works exhibited by his contemporaries Louis Anquetin, Emile Bernard, Charles Laval, and Emile Schuffenecker. The idea for the exhibition, Marina Rosenfeld’s Sheer Frost Orchestra which was organized by the museum’s drawings curator Heather Lemonedes, was inspired by the

musuem’s complete suite of Gauguin’s first set of ory M. Donley g Gre

79 Not since the late 1970s had the museum hosted an exhibition about the arts of America’s original inhabitants. This exhibition of some 145 objects from The Eugene and Clare Thaw Collection of American Indian Art at the Fenimore Art Museum in Cooperstown, New York, was organized according to geographic regions: Arctic, Pacific Northwest, California and the adjacent Great Basin, the Plains, and the woodlands of the east. Other venues included Minneapolis Institute of Arts, Dallas Museum of Art, and Indianapolis Museum of Art. Complementing that show was The American Indian Image: Photographs by Edward S. Curtis and Zig Jackson, pairing groups of works by Edward S. Curtis from his three-decade ti s

rie project photographing Native Americans in the Ag early 20th century with works by contemporary d owar H photographer Zig Jackson, raised on a reservation a period of stunning innovation, creativity, and in North Dakota, who is in the midst of his technical mastery; and CIA Students: Cleveland, own project documenting the experience of the 2009, November 13, 2009 to January 24, 2010, an American Indian from an insider’s perspective. exhibition by Cleveland Institute of Art students The big event of the summer of 2010 was the featuring ten pieces created just for this occasion, opening of the galleries of ancient, medieval, and inspired by the show staged 120 years earlier by African art, but a number of smaller exhibitions Paul Gauguin. A special after-hours event on the were also presented around the museum. Beyond opening night featured art, refreshments, a cash Oberlin featured 14 works loaned over the course bar, and live performances by Marina Rosenfeld’s of about 18 months from the Allen Memorial Sheer Frost Orchestra and Eats Tapes. Art Museum at Oberlin College while their In the spring came Art of the American Indians: home building was under renovation. Integrated The Thaw Collection, March 7 to May 30, 2010. into the permanent collection galleries and

80 surrounded by related works from the CMA, the the exhibition of some 30 works in various media objects from Oberlin—European art from the created by visual arts prize winners whose work late Renaissance to the early 19th century—were is in the museum’s permanent collection. One reinterpreted in this new context. The Jewelry arts prize winner was prominently featured in the of , June 16, 2010 to January exhibition Andrew Borowiec: Cleveland Photographs, 2, 2011, celebrated this master goldsmith and gathering his photographs of the Flats, a district living legend in an exhibition of more than 50 near downtown Cleveland that was the historic of his incredible works, including sketchbooks epicenter of the city’s industrial might. and drawings, spanning nearly 60 years of his Exhibitions organized by Cleveland curators illustrious career. Part of the special exhibition and featuring works from the museum collection gallery was sectioned off to present a video traveling elsewhere included Art & Power in installation, Omer Fast: The Casting (June 20 to the Central African Savanna, which visited the September 5, 2010) built around an interview Fine Arts Museums of San Francisco, M. H. de with a U.S. Army sergeant and dramatizations Young Memorial Museum, and Icons of American complementing the interview. The result was an Photography, at the Frick Art & Historical Center, experience in which two different split-screen , in the fall of 2009. video pieces—showing the interview itself as well as the dramatizations—showed back-to-back on screens in a darkened room, accompanied by the audio recording of the interview. And Midwest Modern: The Color Woodcuts of Mabel Hewit, June 26 to October 24, 2010, inaugurated the new prints and drawings galleries in the 1916 building with the first museum exhibition to explore the work of Mabel Hewit, who created exuberantly colored,

modernist woodcuts using the graphically bold DJ Rupture in white-line technique. Also on view that summer the new prints and drawings in the east wing was the first rotation of In Honor of galleries before his the Cleveland Arts Prize, commemorating the 50th Summer Solstice performance. ory M. Donley g

anniversary of the Cleveland Arts Prize through Gre

81 Loan Exhibitions

Paul Gauguin: Paris, 1889 recognized as the first Symbolist that address key themes in Gauguin’s exhibition was KeyBank. Additional The Kelvin and Eleanor Smith exhibition in Paris. Paul Gauguin: oeuvre, such as the mourning Eve, support has been provided by the Foundation Exhibition Hall, Paris, 1889 re-created on a small scale the woman in the waves, and the Painting and Drawing Society of October 4, 2009–January 18, 2010 the 1889 avant-garde exhibition at fruit bearers, the exhibition focused the Cleveland Museum of Art. Volpini’s café, showing paintings upon artistic process and the way The Cleveland Museum of Art is Curator: Heather Lemonedes, and prints that Gauguin exhibited that Gauguin used and re-used generously funded by Cuyahoga Associate Curator of Drawings, as well as works exhibited by his motifs over time and across media. County residents through Cuyahoga Cleveland Museum of Art; Agnieszka contemporaries Louis Anquetin, The exhibition concluded by Arts and Culture. The Ohio Arts Juszczak, guest curator for the Emile Bernard, Charles Laval, and Council helped fund this exhibition exhibition, Van Gogh Museum; investigating the legacy of the Emile Schuffenecker. Volpini Suite. A selection of Gauguin’s with state tax dollars to encourage Belinda Thomson, advisor to the economic growth, educational project, independent scholar Gauguin’s first set of prints, a paintings and prints made during portfolio of 11 zincographs printed his first journey to the South Seas excellence, and cultural enrichment Comprising approximately 75 on canary yellow paper, was first and after his return to France in for all Ohioans. paintings, sculptures, and works on view in the Café des arts. Made 1893 illuminated how staging an Other venue: Van Gogh Museum, on paper by Paul Gauguin and his upon the suggestion of Theo van independent exhibition in 1889 Amsterdam, February 19–June 6, contemporaries, Paul Gauguin: Paris, Gogh, Gauguin’s so-called Volpini helped the artist create his signature 2010. 1889 was the first exhibition to Suite chronicled the artist’s early style and, in effect, become the focus on 1889 as a critical juncture in career and travels to the exotic Gauguin that we know. CIA Students: Cleveland, 2009 Gauguin’s artistic development. locales of Martinique, Brittany, Paul Gauguin: Paris, 1889 was Gallery 101, November 13, 2009– Following in the footsteps of and Arles. Intended to promote his organized by the Cleveland Museum January 24, 2010 Gustave Courbet and Edouard subject matter, style, and status of Art and the Van Gogh Museum. Manet, Gauguin organized an as the leader of a new school of Curators: Heather Lemonedes, The exhibition was supported by an Associate Curator of Drawings, independent exhibition of his own painting, Gauguin’s prints acted as indemnity from the Federal Council work and that of his artistic disciples a visual résumé of his early career. and Caroline Goeser, Department on the Arts and the Humanities. Director for Interpretation on the grounds of the Exposition Paul Gauguin: Paris, 1889 brought The exhibition was made possible Universelle in Paris in 1889. Held in together paintings, woodcarvings, through major support provided The CIA student exhibition, featuring Monsieur Volpini’s Café des arts, ceramics, hand-colored prints, and by the Malcolm E. Kenney Special ten pieces created just for this L’Exposition de peintures du groupe drawings related to the Volpini Suite. Exhibitions Endowment Fund. The occasion, was inspired by the show impressionniste et synthétiste is By bringing together works of art supporting corporate sponsor of the staged 120 years ago by Paul Gauguin

82 and other anti-establishment artists Art of the American Indians: The Native basket makers. The abstract collector. The Thaw collection now at Monsieur Volpini’s Café des arts Thaw Collection art of the culturally complex resides in the Fenimore Art Museum in the shadow of the Eiffel Tower, The Kelvin and Eleanor Smith Southwest was shown in both its in Cooperstown, New York. Several which had just been constructed Foundation Exhibition Hall, ancient and modern manifestations. CMA objects appeared at the for that year’s Paris Exposition March 7–May 30, 2010 From the Plains came examples of Cleveland venue. Universelle. Just as Gauguin showed the flamboyant beaded, feathered, Art of the American Indians: The the world a glimpse of the emerging Curator: Sue Bergh, Associate Curator and painted works for which the of Art of the Ancient Americas Thaw Collection was organized artists of his day, the CIA café region is most famous, along with by the Fenimore Art Museum in exhibition at the museum offered a Not since the late 1970s has the CMA a drawing book of the Lakota Chief Cooperstown, NY. This exhibition look at what some of today’s artists hosted an exhibition about the arts of Black Hawk. Finally, the woodlands of was made possible by the National are up to. America’s original inhabitants. After the east (including the Great Lakes) Endowment for the Arts as part The Cleveland Museum of Art a long hiatus, then, this exhibition of and their visually quieter and more of American Masterpieces: Three celebrated the Cleveland Institute 136 objects re-introduced the museum contemplative arts—was another Centuries of Artistic Genius. of Art exhibition CIA Students: visitors to American Indian arts in a exhibition strength. The Cleveland Museum of Art’s Cleveland, 2009, at CMA with a broad survey that sampled the Native The bulk of the collection dates to exhibition and educational programs very special after-hours event on artistic accomplishment and explored the 19th century but archaeological were made possible through the November 13, featuring art and live Native perspectives both before and and contemporary works were also generous support of the Dominion performances by Marina Rosenfeld’s after the arrival of Europeans. included. The latter deserved special Foundation, Medical Mutual, and Sheer Frost Orchestra and Eats The works were organized according emphasis since they demonstrate Giant Eagle. The Cleveland Museum Tapes. to geographic regions, from the the continuity and continued vitality of Art is generously funded by The Cleveland Museum of Art is ancient ivories and ingenious modern of Native North American cultures, a Cuyahoga County residents through generously funded by Cuyahoga masks of the Arctic to the dramatic point also made through the show’s Cuyahoga Arts and Culture. The County residents through Cuyahoga arts of the Pacific Northwest. The programming. Ohio Arts Council helped fund this Arts and Culture. The Ohio Arts basketry for which Native weavers The objects in the exhibition are exhibition with state tax dollars Council helped fund this exhibition are justly admired was featured in drawn from The Eugene and Clare to encourage economic growth, with state tax dollars to encourage a section devoted to California and Thaw Collection of American Indian educational excellence, and cultural economic growth, educational the adjacent Great Basin, including Art, assembled over the past two enrichment for all Ohioans. excellence, and cultural enrichment an important basket by Louisa Keyser decades by Eugene V. Thaw, the Other venues: Minneapolis Institute for all Ohioans. (Dat So La Lee), the most legendary of distinguished connoisseur and of Arts, October 24, 2010–January

83 9, 2011; Dallas Museum of Art, April The interpretation stemmed from a The Cleveland Museum of Art is earliest creations are lyrically simple, 24–September 4, 2011; Indianapolis spring 2010 course at Oberlin College generously funded by Cuyahoga biomorphic forms characteristic of Museum of Art, December 2, 2011– taught by the installation’s co- County residents through Cuyahoga the modern era. Miller’s fascination February 12, 2012. organizers: Andria Derstine, the Allen Arts and Culture. The Ohio Arts with technique and process emerged Museum’s Curator of Collections and Council helped fund this exhibition in his groundbreaking rediscovery Beyond Oberlin Curator of European and American with state tax dollars to encourage in the early 1950s of granulation, an Installed throughout the permanent Art; and Jon L. Seydl, The Paul J. and economic growth, educational ancient, yet forgotten, way of fusing collection galleries, March 2010–May Edith Ingalls Vignos Jr. Curator of excellence, and cultural enrichment tiny gold beads to a gold surface 2011 European Painting and Sculpture, for all Ohioans. without solder. The fleeting creatures 1500–1800, Cleveland Museum of of earth, sea, and sky—snails, squids, Curator: Jon Seydl, The Paul J. and Art. The students included Alexandra The Jewelry of John Paul Miller crabs, moths, and flies—became Edith Ingalls Vignos Jr. Curator of Bishop, Mirella Brussani, Samantha his muse, inspiring a complicated European Painting and Sculpture East wing, the Betty and Max Ratner Conroy, Shira Gluck, Georgia gallery, June 16, 2010–January 2, 2011 palette of seductive enamels and 1500–1800 Horn, Rachel Luczkowski, Martha textured forms. Historical reference Through spring 2011, 14 works of art Moldovan, Claire Stepherson, Laura Curator: Stephen Harrison, Curator of and modern abstraction also infused from the Allen Memorial Art Museum Sico, Amanda Tobin, Alex Vargo, and Decorative Arts his designs, bringing together that at Oberlin College were integrated Cody Wiewandt. An artist, teacher, and craftsman, which he saw and that which he into the permanent collection The Oberlin students visited the John Paul Miller personifies a imagined to form a body of work full galleries of the Cleveland Museum CMA to study the history and lifetime of creative expression. of curiosity and self-expression. of Art. Surrounded by related works display of European art and to The Cleveland Museum of Art The Cleveland Museum of Art is from the CMA, the objects from learn about the behind-the-scenes celebrated this master goldsmith generously funded by Cuyahoga Oberlin—European art from the aspects of museum work, such as and living legend in an exhibition County residents through Cuyahoga late Renaissance to the early 19th storage, conservation, art handling, of more than 50 of his incredible Arts and Culture. The Ohio Arts century—were reinterpreted in a new installation, exhibition design, and works, including sketchbooks and Council helped fund this exhibition context. The combinations sometimes publication. The students wrote the drawings, spanning nearly 60 with state tax dollars to encourage built on strengths of the Cleveland gallery labels and created podcasts years of his illustrious career. His economic growth, educational collection and in other cases and longer texts for the web sites of two greatest passions—music and excellence, and cultural enrichment exemplify works not represented both museums. art—seemingly converge in work for all Ohioans. here, therefore broadening the story that moves from poetic forms to told in the museum’s galleries. intensely intricate compositions. His

84 Omer Fast: The Casting The Casting is based on an interview Omer Fast was born in 1972 in from Mr. and Mrs. William Jurey, with a U. S. Army sergeant. In Jerusalem, and currently lives and relatives of the artist, and a New The Kelvin and Eleanor Smith the installation, the soldier’s works in Berlin. York private collection. This show Foundation Exhibition Hall, June 20– recollections provide a unifying inaugurated the opening of the September 5, 2010 The Cleveland Museum of Art is soundtrack to tableaux vivants generously funded by Cuyahoga museum’s new prints and drawings Curator: Paola Morsiani, Curator of reenacting disparate moments from County residents through Cuyahoga galleries on June 26, 2010. Contemporary Art his experiences while stationed Arts and Culture. The Ohio Arts Organized by Jane Glaubinger, this in Europe and then in Iraq. The In the last 30 years, artists have Council helped fund this exhibition is the first museum exhibition to seamless narration, however, explored how newspapers, with state tax dollars to encourage explore the work of Mabel Hewit. has been spliced together and television, and cinema employ economic growth, educational Hewit learned to make white-line extended to include the artist’s images for evidence but also for excellence, and cultural enrichment color woodcuts from Blanche Lazzell, process of auditioning actors for seduction, blurring fact and fiction for all Ohioans. the most important proponent of his work. Positioned at the back of to form a powerfully influential the technique, in Provincetown, the installation, the interview plays narrative and, in essence, reconstruct Midwest Modern: The Color Massachusetts, in 1933 and worked the role of “reality” as the more reality. The video work of Omer Woodcuts of Mabel Hewit in the medium throughout her five- theatrical images are projected Fast aims to reconnect narratives decade long career. Hewit created at the front. While the narrator’s Lower level 1916 building, the James about recent resonant events to the exuberantly colored, modernist speech remains casual, the tightly and Hanna Bartlett prints and lived experiences behind them. The woodcuts depicting diverse subjects rendered tableaux vivants borrow drawings galleries, June 26–October interview format is recurrent in his such as scenes of Provincetown and from the stereotypical language of 24, 2010 work. Through a uniquely creative daily life and views of Saugatuck, mass media, even as the segments editing process, factual sources Curator: Jane Glaubinger, Curator of Michigan, where she studied for 16 represent an ongoing human assume a newly meaningful form Prints summers at Ox-Bow, a summer art . Partitioned screens in The in his video installations. Viewers The Cleveland Museum of Art program. In 1950, Hewit traveled Casting encourage an open-ended were asked to become aware of organized an exhibition that focused to Mexico, Guatemala, and the experience of the video, offering a their belief systems, of the passage on a little-known Cleveland artist, West Indies, locales that are also perspective on the Iraqi conflict that of time as they internalized history, Mabel Hewit. Midwest Modern: The reflected in her work. In addition, she takes into account actual lives as and of the multiple perspectives any Color Woodcuts of Mabel Hewit produced lithographs, watercolors, opposed to only the political content. communicated experience entails. featured 76 works from the museum’s and printed woodblocks on lengths Four-channel video installation, color, collection supplemented with loans of fabric creating handsome textiles sound; 14 minutes. Edition 4/6.

85 Permanent Collection Exhibitions

meant for home decoration. Hewit Streams and Mountains Without de Montebello, former director County residents through Cuyahoga was aware of recent art trends and End: Asian Art and the Legacy of of the Metropolitan Museum of Arts and Culture. The Ohio Arts was influenced by Precisionism, Sherman E. Lee at the Cleveland Art in New York, credited Lee with Council helped fund this exhibition , and Art Deco. Although her Museum of Art “transform[ing] the Cleveland with state tax dollars to encourage prints are naturalistic, several textiles The Kelvin and Eleanor Smith museum from a regional museum economic growth, educational are printed with abstract patterns. Foundation Exhibition Hall, June 27– to a major global museum” (New excellence, and cultural enrichment Organized by the Cleveland August 23, 2009 York Times). Indeed, through the for all Ohioans. acquisition of brilliant works of art in Museum of Art, the exhibition and Curators: Anita Chung, Curator of many different media, Lee secured The American Indian Image: accompanying catalogue for Midwest Chinese Art, Cleveland Museum of the museum’s position among the Photographs by Edward S. Curtis Modern: The Color Woodcuts of Art; Stan Czuma, Curator Emeritus Mabel Hewit were made possible in eminent art collecting institutions in and Zig Jackson of Indian and Southeast Asian Art, the world. part by the Print Club of Cleveland. Cleveland Museum of Art; Jim East wing, the Mark Schwartz and The Cleveland Museum of Art is Ulak, Deputy Director of the Freer Streams and Mountains Without Bettina Katz photography galleries, generously funded by Cuyahoga and Sackler galleries, Smithsonian End included 59 masterworks, February 7–May 30, 2010 County residents through Cuyahoga Institution highlights from the museum’s Asian Curator: Tom E. Hinson, Curator of Arts and Culture. The Ohio Arts collection, which is considered one Photography Council helped fund this exhibition This special exhibition paid tribute of the greatest collections of Asian with state tax dollars to encourage to one of the museum world’s most art in the United States. Many of the Edward S. Curtis conducted a three- economic growth, educational exceptional and well-respected finest works in the collection were decade project photographing excellence, and cultural enrichment directors of the 20th century—Dr. not only acquired during Lee’s tenure Native Americans, creating famous for all Ohioans. Sherman Emery Lee, who passed as director, but spearheaded by his romanticized images. Contemporary away on July 9, 2008. From his first direct efforts and expertise. photographer Zig Jackson, raised role as curator of oriental art in 1952 on a reservation in North Dakota, through his tenure as the museum’s This exhibition was presented by is in the midst of his own project third director (1958–82), Lee Hahn Loeser & Parks LLP. Support to document the experience of the encouraged a greater appreciation of for educational and public programs American Indian from his inside Asian art among art historians and was provided by the Womens perspective. This exhibition included the public alike, particularly through Council of the Cleveland Museum of 30 large-scale historic photogravures the superb Asian collection he Art. The Cleveland Museum of Art drawn from the museum’s complete amassed for the museum. Philippe is generously funded by Cuyahoga set of Curtis’s publication The North

86 Permanent Collection Rotations

American Indian and 15 images the permanent collection of the Portraiture: American Photography presentations in which the psychology borrowed from American Indian Zig Cleveland Museum of Art. The 1960 to the Present of the sitter (and sometimes the Jackson’s ongoing examination of museum’s partners in this wide- East wing, the Mark Schwartz and artist) is paramount; spontaneously Native American cultural identity, reaching celebration—MOCA Bettina Katz photography galleries, recorded images of people in varied representation, and appropriation. Cleveland, SPACES, and the Sculpture June 20–September 13, 2009 situations and environments; The Cleveland Museum of Art is Center—held exciting, newly and symbolic representations in commissioned programs throughout Curator: Tom E. Hinson, Curator of which the photographer questions generously funded by Cuyahoga Photography County residents through Cuyahoga the summer to draw attention to the accepted notions of truth and Arts and Culture. The Ohio Arts excellence of the arts in Cleveland Since the introduction of reality by temporarily staging often Council helped fund this exhibition through the lens of the Cleveland photography in America in 1840, complex scenes with people as the with state tax dollars to encourage Arts Prize. The museum’s exhibition portraiture has captured the interest protagonists. Photographers have economic growth, educational was accompanied by the Cleveland of photographers and the rapt increasingly relied on innovative excellence, and cultural enrichment Arts Prize annual awards event in the attention of viewers. Photography pictorial forms and techniques, and for all Ohioans. newly renovated Gartner Auditorium made likenesses of family and friends digital photography has significantly on June 26, 2010. readily available, and distribution of advanced a diversity of approaches portraits quickly became widespread In Honor of the Cleveland Arts Prize Organized by the Cleveland Museum open to the photographer. in the 19th century. During the East wing, the William P. and of Art. The Cleveland Museum of Art is generously funded by Cuyahoga first half of the 20th century, The Cleveland Gallery: Highlights Amanda C. Madar Cleveland gallery photographic portraiture underwent from the Collection of the Cleveland and the David and Helen Kangesser County residents through Cuyahoga Arts and Culture. The Ohio Arts profound changes. Depictions of the Museum of Art design gallery, June 13, 2010–March figure ranged from the aesthetic to 13, 2011 Council helped fund this exhibition East wing, the William P. and Amanda with state tax dollars to encourage the documentary, staged to candid, C. Madar Cleveland gallery, June 20, Curator: Tom E. Hinson, Curator of economic growth, educational carefully conceived to spontaneous, 2009–May 16, 2010 Photography excellence, and cultural enrichment and straightforward to physically, politically, and psychologically Curator: Mark Cole, Associate Curator This exhibition commemorated the for all Ohioans. of American Art 50th anniversary of the Cleveland charged. Arts Prize, featuring some 30 works For the last 50 years, portraiture Out of a modest settlement founded in all media created by visual arts has been largely shaped by three in 1796, Cleveland has evolved prize winners whose work is in approaches: traditional, formal into an artistic center with local, regional, and national significance.

87 Initially, the fledgling city was a The Cleveland Museum of Art is “vessels” that challenge the notion of economic growth, educational temporary home to traveling artists generously funded by Cuyahoga a functioning pot. excellence, and cultural enrichment and artisans who practiced a wide County residents through Toshiko continued this evolution for all Ohioans. variety of trades. By the 1870s, Cuyahoga Arts and Culture. The in the following decades, first with however, Cleveland had developed Ohio Arts Council helped fund nearly closed pots, leaving only a France at the Dawn of Photography the population, institutional this exhibition with state tax vestige of their function intact in East wing, the Mark Schwartz and support, and patronage necessary to dollars to encourage economic the form of a tiny puckered opening. Bettina Katz photography galleries, sustain a thriving professional arts growth, educational excellence, Later, she abandoned the spout October 4, 2009–January 24, 2010 community. Contributing appreciably and cultural enrichment for all altogether in her bulbous spheres, to Cleveland’s vibrant art scene was Ohioans. Curator: Tom E. Hinson, Curator of which recede to become vehicles Photography an explosive rise of industry that for a mystical palette of glazes. attracted numerous artists and Toshiko Takaezu: Form without Rising on the potter’s wheel with France at the Dawn of Photography designers who made their primary Function the spirit of nature and the alchemy was an exhibition selected mainly living in the commercial arts. The East wing, the David and Helen of life, Toshiko’s work also reflects from the Cleveland Museum of Art’s growth and maintenance of the Kangesser design gallery, June 20, a disciplined approach to her quest. impressive holdings of 19th-century visual arts were further augmented 2009–May 16, 2010 She once stated that “when an artist French photography, featuring 55 by the launch of important cultural produces a good piece, that work images created primarily during institutions, such as the future Curator: Stephen Harrison, Curator the 1850s into the 1870s, a period of of Decorative Arts has mystery, an un-said quality; it is Cleveland Institute of Art (1882); the alive!” stunning innovation, creativity, and future Karamu House (1915); and the For more than 50 years, Toshiko technical mastery. It was organized Cleveland Museum of Art in 1916. Takaezu (1922–2011) led a minor This installation celebrated the work to coincide with the museum’s of Toshiko Takaezu, with gratitude This inaugural installation of the revolution in ceramic art. Her quiet major exhibition Paul Gauguin: shapes, with their often expressive for her many gifts to the Cleveland Paris, 1889 and provided a visual Cleveland gallery, drawn entirely Museum of Art. from the holdings of the Cleveland decorative glazes, represent poetic record of France when Gauguin Museum of Art, presented highlights studies in harnessing organic The Cleveland Museum of Art is was young and just beginning as in painting, sculpture, drawing, forms. Her early work from the generously funded by Cuyahoga an artist. The newly invented (1839) , photography, and the 1950s and ’60s took shape in the County residents through Cuyahoga photographic process enabled its decorative arts. Forthcoming rotating context of postwar biomorphic Arts and Culture. The Ohio Arts practitioners to create exacting and exhibitions will continue to showcase design, resulting in double, triple, Council helped fund this exhibition enduring documents. The pioneering the city’s rich artistic legacies. and sometimes multi-spouted with state tax dollars to encourage photographers highlighted in

88 this show created portraits of Akron photographer Andrew destroyed or refurbished. These Focus Exhibition accomplished and often famous Borowiec’s reputation is founded images examine not only how the Jonah Marbles visual artists, writers, and actors; on his insightful approach to heart of a great industrial city has recorded the architecture of old documentary subjects rendered in struggled to redefine itself as it September 2009 and new Paris and its surrounding beautifully printed black-and-white enters the 21st century, but the ways Two CMA works, Jonah Under the gardens and forests; captured the photographs. This exhibition featured in which its history continues to Gourd Vine and Jonah Swallowed, remarkable beauty of the natural photographs of the Flats, a district shape its present character. were on display for the annual environment; and examined rural near downtown Cleveland that was Organized by the Cleveland Dr. John and Helen Collis Lecture life—the villages, inhabitants, and the historic epicenter of the city’s Museum of Art, the photographs featuring Robin Cormack from the laborers. industrial might—a visually rich world in this exhibition were a gift of Courtauld Institute in London on the The Cleveland Museum of Art is of factories and warehouses, nearby Mark Schwartz and Bettina Katz in Jonah Marbles. generously funded by Cuyahoga neighborhoods where the labor force honor of James and Hanna Bartlett. County residents through Cuyahoga lived, and a twisting river crisscrossed The Cleveland Museum of Art is Traveling Exhibitions Arts and Culture. The Ohio Arts by countless bridges and railroad generously funded by Cuyahoga Art & Power in the Central African Council helped fund this exhibition tracks. The 40 gelatin silver prints in County residents through Cuyahoga Savanna this exhibition were part of a generous with state tax dollars to encourage Arts and Culture. The Ohio Arts Fine Arts Museums of San Francisco, economic growth, educational gift of 87 prints, all contained in the Council helped fund this exhibition photographer’s third book, Cleveland: M. H. de Young Memorial Museum, excellence, and cultural enrichment with state tax dollars to encourage June 20–October 11, 2009 for all Ohioans. The Flats, the Mill, and the Hills, that economic growth, educational were donated to the museum by Mark excellence, and cultural enrichment Icons of American Photography Andrew Borowiec: Cleveland Schwartz and Bettina Katz in honor of for all Ohioans. Photographs James and Hanna Bartlett. Frick Art & Historical Center, Inspired by a 2002 commission by Pittsburgh, October 3, 2009–January East wing, the Mark Schwartz and 3, 2010 Bettina Katz photography galleries, the George Gund Foundation to June 13–October 17, 2010 create a new body of photographs Curator: Tom E. Hinson, Curator of for the foundation’s annual report, Photography Curator: Tom E. Hinson, Curator of Borowiec jumped at the opportunity Photography The photography collection of the to photograph steel mills, warehouses, Cleveland Museum of Art is a highly and residences before they were selective group of masterworks

89 spanning the history of the medium. This exhibition gathered 116 iconic images from the museum’s remarkable American photographs from 1850 to 1960, illustrating the development of an art form and a nation. From daguerreotype portraits and massive glass-plate landscapes of the 1800s to spontaneous street shots from the mid 20th century, each photograph is a superlative creative achievement. Ansel Adams, Margaret Bourke-White, Imogen Cunningham, Walker Evans, Robert Frank, Dorothea Lange, Helen Levitt, Gordon Parks, Aaron Siskind, Edward Steichen, Alfred Stieglitz, Paul Strand, Carleton Watkins, Weegee, and Edward Weston were represented. This exhibition was supported in part by The American Masterpieces Visual Arts Touring Award from the National Endowment for the Arts.

90 Performing Arts, Music, and Film

91 Previous page: It was a dynamic year for the Department of Romance de Tango Performing Arts, Music, and Film. The VIVA! & Gala Performing Arts series met with popular and critical acclaim including an accolade from The Plain Dealer’s Don Rosenberg who called it “one of the most visionary concert series in the region.” Work on Gartner Auditorium was completed and the hall opened on February 28 with a reopening bash and an opening night festival. The department, as in the previous year, contributed to

the Summer Solstice evening by programming an Brichfor d

eclectic mix of popular music. The film program d Davi brought to Cleveland 95 feature films, 75 of The 2009–10 VIVA! & Gala Performing which were exclusive Cleveland runs, making the Arts series featured 14 performances by an array museum an important alternative venue for rare of international artists and ensembles. Concerts art films otherwise not available in the region. continued to be presented around town until Overall attendance to film screenings increased the reopening of the refurbished Gartner by an impressive 31%. Massoud Saidpour, director Auditorium. The around town concert series, in of performing arts, music, and film, Thomas its five years, garnered critical and popular praise M. Welsh, associate director of music, and John for highlighting some of Cleveland’s hidden Ewing, associate director of film, were actively architectural gems. In total more than 62,000 involved in various national and regional media attended 85 concerts and events at 25 different outlets engaging audiences about the unique sites. The reopening of Gartner Auditorium was contributions of the museum’s performing arts and celebrated by a spectacular celebration bash— film offerings.

92 and a new stage curtain system. The dramatically improved Gartner Auditorium won praise from all angles, including an award from Design and Construction magazine. Special thanks to presenting sponsor KeyBank and supporting sponsors Donley’s, Inc., the Musart Society, and Westlake Reed Leskosky for making the Opening Nights Festival possible. Highlights from the VIVA! & Gala season were many. There were three sold-out performances

k during the first “around town” half of the season: i s The Shaolin Warriors of China dazzled with their displays of skill and discipline in the Ohio cian Barto cian Lu (PlayhouseSquare); guitarist Juan Carmona and

Max Raabe & Palast hosted by the Women’s Council of the Cleveland ensemble filled the Cleveland Museum of Natural Orchester Museum of Art—and a concert by the affable History’s Murch Auditorium with fiery flamenco; & Palast Orchester, who brought the and the Masters of Persian Music captivated house down with stupendous musicianship and showmanship. The celebration continued with Gartner Opening Nights Festival—eight weeks of free performances by some of Cleveland’s finest performers. After five years of presenting concerts around the city, the museum welcomed performers from the region into the refurbished hall. The Opening Nights Festival performances were selected to showcase the flexibility and functionality of Shaolin Warriors of the refurbished auditorium with vastly improved China k i and adjustable acoustics, extended and sprung s stage floor, new audio and lighting equipment, cian Barto cian Lu

93 the audience with mystical Persian poetry and melodies at the Hanna Theatre (PlayhouseSquare). Tanya Tagaq electrified the audience with her unique concept of experimental music and traditional Inuit throat singing, presented in conjunction with the exhibition Art of the American Indians: The Thaw Collection; composer-saxophonist and his Masada Sextet made their Cleveland debut; and cellist Anssi Karttunen and Stephen Scott’s Bowed Ensemble rounded out the concerts. The museum continued its new media collaboration with NewMusicBox.org, the groundbreaking music webzine from the American Music Center (AMC), and its companion, Counterstream Radio, which featured the VIVA! & Gala debut performance of noted American composer Evan Ziporyn’s Gamelan Galak Tika. Public radio’s popular “Performance Today” program continued to broadcast selections from the concert series, carrying the museum’s name to 245 public radio stations and nearly 1.1 million listeners. Free concerts were co-presented by the Organ Historical Society performed in the 1916 building

Stephen Scott’s galleries on the museum’s portative organ built by Bowed Piano Walter Holtkamp Sr. Ensemble k i s Between July 1, 2009 and June 30, 2010, the Cleveland Museum of Art Film Series presented 95

cian Barto cian Lu different feature films (or feature-length programs

94 of short films) in 154 separate screenings. Seventy- five of the presentations were exclusive Cleveland- area first-run films. Total attendance for the year had a 31% increase over FY08–09 film attendance. Most programs were shown in the museum’s Morley Lecture Hall, though the year also saw the return of film to the museum’s newly renovated Gartner Auditorium after a five-year hiatus. The first of three movies shown in Gartner was a free screening (from 35mm film) of Raiders of the Lost Ark on April 10, 2010. There were several special guests during the year. In August former Ohioans Bill and Turner Ross answered audience questions after a screening of 45365, their acclaimed new documentary about Sidney, Ohio, their hometown. Later in August, two more Ohio artists, filmmaker Wayne Alan Harold and veteran illustrator P. Craig Russell, answered questions after Harold’s movie about Russell, Night Music: The Art of P. Craig Russell. In September British filmmaker Phil Grabsky appeared with his movie In Search of Beethoven, and in February celebrated New York independent filmmaker Michael Almereyda presented his new film diary, Paradise. In January Gary Lewis, one of

The museum’s the four members of the championship barbershop portative organ quartet Max Q, answered questions after a preceding a gallery concert screening of American Harmony, a documentary

Brichfor d about the Barbershop Harmony Society’s 2006

d Davi International Quartet Competition (in which

95 Rare Films from the Baseball Hall of Fame. Once again March found the museum sponsoring a film in the Cleveland International Film Festival at Tower City Cinemas in downtown Cleveland. This year’s movie was The Desert of Forbidden Art, a documentary about a Russian artist who collected banned Soviet art and created a museum for it in remote Uzbekistan. The two filmmakers, Tchavdar Georgiev and Amanda Pope, accompanied the film and met with various CMA staff members while here. In May the museum presented the Midwest premiere of The Complete Metropolis, a newly restored version of ’s famous German silent science-fiction epic. Almost 800 moviegoers attended the museum’s five screenings, including many people from out of town and out of state.

The Desert of Max Q was prominently featured). In April a free The Complete Forbidden Art Metropolis screening of the new Israeli documentary Yes, Miss Commander!, about at-risk youth in the Israeli Defense Forces, was followed by a panel discussion with some of the soldiers seen in the movie. (The screening was co-presented with Siegal College and co-sponsored by the Jewish Community Federation.) And in May Dave Filipi, curator of film and video at the Wexner Center in Columbus, presented an all-new program in his ongoing series

96 Performing Arts, Music, and Film

VIVA! & Gala Around Town High Barbershoppers; Hungarian Flamenco! Juan Carmona Grupo; Scout Folk Ensemble; Louis Gartner Reopening Bash with Max Andriessen’s “Workers Union”; Raabe & Palast Orchester; Anssi Members of the Karttunen, cello with I Cellisti; Garth perform Beethoven’s Septet, Op. 20; Knox, viola and viola d’amore and Oberlin Jazz: Michael King Trio; Opera Lauren Radnofsky, cello; Masters of Cleveland Chorus; Karel Paukert, Persian Music; Puerto Plata: Music of harpsichord; Quire Cleveland; the Dominican Republic; Romance Ravel’s Piano Trio performed by Joel de Tango; Royal Dramatic Theatre Smirnoff, violin, Regina Mushabac, of Stockholm: Romeo & Julia Kören; cello, and Chris Oldfather, piano; Frederic Rzewski, piano; Stephen Roberto Ocasio Latin Jazz Project; Scott’s Bowed Piano Ensemble; Shaker Heights High School A Shaolin Warriors of China; Tanya Cappella Choir; Joshua Smith, ; Tagaq: Inuit Throat Singing; Evan Sujatha Srinivasan: Barathanatyam ert Ziporyn & Gamelan Galak Tika; John ; Stravinsky’s “Fanfare for s Zorn’s Masada Sextet a New Theatre” performed by Conrad Jones and Hayato Tanaka, artin ei m Opening Nights Festival ; Traditional Ukrainian folk Baby Dee; Cleveland Jazz Orchestra songs with Nadia Tarnawsky, voice, Special Events Guitarist Juan Quartet; Cleveland School of the Brandon Vance, violin, and Alexander Carmona with dancer Arts/Cleveland Orchestra “Music Fedoriouk, cimbalom; United States After Hours (November 13, Gauguin): Sabrina Romero Mentors”; Cleveland School of Coast Guard Band Brass Quintet performances by Marina Rosenfeld’s the Arts R. Nathaniel Dett Choir; Sheer Frost Orchestra, and Eats Contemporary Youth Orchestra; Gallery Concerts Tapes; Summer Solstice (lower 1916 galleries reopening): performances The Continental Strings Tamburitza Gregory Crowell, organ, and Kathryn by Dante Carfagna, Lionel Loueke Orchestra of Cleveland; Fairmount Stieler, soprano Spanish Dance Company; Greater Trio, Burkina Electric, Omar Cleveland Choral Chapter; Harmonia: Souleyman, Javelin, The Phenomenal Music of Eastern Europe; Heights Handclap Band, and DJ /rupture

97 CMA Film Series There were three series of note. “Gauguin on Film,” consisted of three different film versions of the life of painter Paul Gauguin, shown in December in conjunction with the special exhibition Paul Gauguin: Paris, 1889. “Seeing Red: An American Indian Film Series,” shown in March and April, contained seven classic and contemporary films about North America’s indigenous peoples, many directed by contemporary Native American filmmakers. The series complemented the special exhibition Art of the American Indians: The Thaw Collection. Marie Toledo, a local American Indian educator, led discussions after four of the films. May and June’s series, “It’s All True,” included 16 new documentaries on a wide range of subjects. Complete list of films shown: 24 City; 2008 British Television Advertising Awards; 45365; Afghan Star; Alcatraz Is Not an Island; American Harmony; An American Journey: Revisiting Robert Frank’s “The Americans”; Audience of One; Automorphosis; Barking Water; The Beaches of Agnès; Before Tomorrow; Blood Into Wine; Bluebeard; Burma VJ; Carmen & Geoffrey; Carry It On; Cherry Blossoms; Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio; The Complete Metropolis; The Country Teacher; Dave Filipi presents

Rare Films from the Baseball Hall ory M. Donley g

of Fame; Defamation; Departures; Gre

98 35mm print from the UCLA Film Skin; Still Bill; Tales from the Script; & Television ); In Search That Evening Sun; They Came To of Memory; It Came from Kuchar; Play; Throw Down Your Heart; Kabei: Our Mother; La Danse—The TRIMPIN: the sound of invention; Paris Opera Ballet; Laila’s Birthday; Valentino: The Last Emperor; The Leonard Cohen: Live at the Isle of Vanished Empire; Videocracy; La Wight 1970; Little Ashes; Loren Cass; vie d’un chien (The Life of a Dog) The Lost Son of Havana; The Lovely (short); The Viewer (3-D short); Visual Bones (special advance screening); Acoustics: The Modernism of Julius Malls R Us; : To Inform Shulman; Waiting for Armageddon; & Delight; Mine; The Moon and The Way We Get By; William Sixpence (archival 35mm print from Kunstler: Disturbing the Universe; A the George Eastman House); The Wink and a Smile; The Wolf at the Music Box (short); Mythic Journeys; Door; The Wonder of It All; Yes, Miss Night Music: The Art of P. Craig Commander! Russell; Nollywood Babylon; Nursery University; Older Than America; Paradise; Passing Strange: The Movie; Perestroika; Prodigal Sons; The Queen and I; Raiders of the Lost Ark; Reel Injun; Robert Blecker Wants Me Dead; Rocaterrania; Séraphine (special advance screening); Severed Ways: Before Tomorrow The Norse Discovery of America; Donald Sutherland as Disgrace; Empty Nest; The End of the Paul Gauguin in The Line; Evangelion 1.0: You Are (Not) Wolf at the Door Alone; Explicit Ills; Fire in the East: A Portrait of Robert Frank (short); Food Beware: The French Organic Revolution; Four Seasons Lodge; Four Sheets to the Wind; Gauguin the Savage; Gogol Bordello Non- Stop; Gotta Dance; Guest of Cindy Sherman; The Hand of Fatima; Harmony and Me; Harlan: In the Shadow of Jew Süss; Hausu (House); Herb & Dorothy; Home; The Horse Boy; I Can See You; Ice People; In Search of Beethoven; In the Land of the Head Hunters (archival

99 Philanthropy and Community Support griesti

100 A Howard mark reigelman The museum’s extensive artistic, educational, and community programs—as well as the continued progress on the restoration and expansion of its buildings—was made possible by the generous support of the community. Contributions from individuals, corporations, foundations, government agencies, and dedicated volunteer organizations enabled the museum to present stunning special exhibitions, reach students of all ages and backgrounds with inspiring educational programs, welcome thousands of area residents to University Circle for vibrant community celebrations, reopen galleries and Gartner Auditorium, and move forward with Phase II of the building project. As of June 30, 2010, capital campaign contributions totaling $220,437,878 were received from 372 individuals, families, corporations, foundations, government entities, and support organizations. Special thanks go to the museum’s trustees, who have contributed more than half of this amount. A celebration of the Campaign’s progress was held on June 5, 2010, when adults,

children, grandchildren—and even a few great- uller grandchildren—enjoyed a preview of the . M obert A

spectacular new galleries in the lower level of the R

101 1916 building, cocktails and hors d’oeuvres, and a host of art activities throughout the museum. The evening paid tribute to those who have made commitments of $50,000 or more to the capital campaign and welcomed multiple generations who came together to be a part of this celebration of their families’ generosity. To recognize their support of the lower level 1916 building galleries, the museum named galleries and spaces in honor of Hanna H. and James T. Bartlett, Robert P. Bergman, Hahn Loeser & Parks LLP, The Jochum-Moll Foundation, Robert M. Kaye and Diane Upright, David and Inez Myers Foundation, and The Plain Dealer. On June 19, a public celebration of the opening of the galleries on the lower level of the 1916 building preceded the museum’s second annual Summer Solstice Party. The eight-hour extravaganza attracted more than 4,000 partygoers who visited the new galleries, enjoyed eclectic performances on the terraces, sampled bounteous fare, and danced until the wee hours of the morning. Earlier in the spring, the spectacularly renovated Gartner Auditorium reopened to a crowd of more than 600 who gathered to watch Max Raabe and the Palast Orchester on February 28, 2010. The event, organized by the Womens ford h

ric Council of the Cleveland Museum of Art,

avid B avid generated tremendous support for the Department D

102 gallery talks. Members also took trips this past year, including two visits to Frank Lloyd Wright’s and Kentuck Knob, two tours of Rose Iron Works in Cleveland to see how this artisanal ironworking shop thrives today, and two tours of the Intermuseum Conservation Association (ICA) in Cleveland, which allowed members a close look at conservation techniques. All trips and tours were sold out. Members also enjoyed a special Mardi Gras party. Member ford h

ric preview days, receptions, and parties were held

avid B avid for the openings of Paul Gauguin: Paris, 1889 and D Art of the American Indians: The Thaw Collection. of Performing Arts, Music, and Film, exceeding Membership held a week-long series of Member revenue projections by more than 300%! Special Preview Days for the opening of the 1916 galleries, thanks go to the event sponsors: Key Bank, Donley’s Inc., and Westlake, Reed, Leskosky. Membership in the Donor Circles program reached an all-time high of 561 members in June 2010, continuing a steady pattern of growth that began in 2006, when membership stood at 416 members. The general membership reached high numbers for the fiscal year during Paul Gauguin: Paris, 1889 with 23,967 households. The membership department worked with curators to offer a series of Art Conversations throughout the summer on a variety of topics. A Members onley

Appreciation Day was held in September 2009 . D and featured presentations on conservation and regory M exhibition development, art activities, and curator G

103 Legacy Society members to 582. The annual luncheon for Legacy Society members, on October 19, 2009, attracted 142 guests who were treated to lunch and a special presentation of Paul Gauguin: Paris, 1889 with Heather Lemonedes, associate curator of drawings. During the fiscal year, five new charitable gift annuities were established, four new will commitments were identified, bequest gifts were received from 14 different estates, 22 new gifts were made to existing endowments, and one brand-new endowment was established. All in all, planned giving activities for 2009– 2010 benefited the museum by a grand total of onley $4,848,690. . D More than 90 companies contributed more regory M

G than $740,000 to corporate membership and level 1, featuring architectural tours and curator sponsorships for exhibitions, educational programs, gallery talks. and community events. Special thanks go to Key The Annual Fund Fall Campaign achieved an increase of 18% in revenue. Overall, annual fund contributions for the fiscal year increased 4% over the previous year. And the museum was pleased to receive significant sponsorship support of important exhibitions from two of its affiliate groups: The Painting and Drawing Society for Paul Gauguin: Paris, 1889 and The Print Club of Cleveland for Midwest Modern: The Color Woodcuts

of Mabel Hewit. onley . D The Legacy Society welcomed 11 new regory M

members, bringing the total number of CMA G

104 Foundation and government grant support totaled $3,152,067. Key grants included: The Cleveland Foundation—two grants totaling $219,400 to support “Community of Relationships,” a series of programs and events including Parade the Circle and a new Mural Project designed to engage the museum’s surrounding communities; The Andrew W. Mellon Foundation—$450,000 to support (over three years) the new position of associate curator griesti of Japanese and Korean art; Cuyahoga Arts & Culture—$1,506,000 for General Operating Howard A Howard Support; and the Ohio Arts Council—$367,359 Bank for its sponsorship of Paul Gauguin: Paris, for General Operating Support. In addition, 1889, and to the Dominion Foundation and the Andrew W. Mellon Foundation awarded an Medical Mutual of Ohio for their sponsorship of endowment grant of $1,500,000 (matched 1:1) to Art of the American Indians: The Thaw Collection. fund two mid-level curatorial positions. PNC continued its generous support of “StART SmArt,” the museum’s innovative educational program for preschools in the surrounding neighborhoods, through its “Grow Up Great” initiative. Foundation and Ernst & Young provided leadership support for Parade the Circle. Corporate Festive Fridays continued, welcoming more than 1,000 employees of our corporate members and their families to the museum to enjoy free admission to special exhibitions and educational family activities. enbauer h irc ary K G

105 artosik ucian B ucian L The Womens Council of the Cleveland $40,000. The Womens Council also pledged an Museum of Art organized the Gartner Auditorium additional $250,000 to the Capital Campaign re-opening bash with Max Raabe & Palast with the implementation of the Subscription II Orchester on February 28, 2010, to support Program, to bring the total pledge to $1,000,000. Performing Arts, Music, and Film at CMA, raising The group gave the museum $40,000 for a visitor

106 the founding of the museum’s Fine Arts Garden in May of 2010 with guests from the Garden Club of Cleveland, Shaker Lakes Garden Club, the Cleveland Botanical Garden, and the Fine Arts Garden Commission. The meeting featured landscape historian and Womens Council member Mary Hoerner, a luncheon, and the restoration planting of eight flowering cherry trees donated by the Garden Club of Cleveland. The Womens Council Speaker Series presented two “Evenings onley with Contemporary Artists” including Carrie Mae . D Weems in August and Liza Lou in September. This regory M

G programming supported the summer celebration of the opening of the new east wing. Circle Mary Reynolds, experience project which financed audio tours Neighbors, a collaborative of University Circle president of the called Art Conversations, a series of audio tours Garden Club of institutions led by the Womens Council, held a Cleveland, the in the newly reinstalled galleries. Other gifts panel on the future of University Circle moderated museum’s Janet included: $15,000 for Parade the Circle; $25,000 by The Plain Dealer’s Steve Litt and featuring Ashe and Jeffrey for CMA Partners; and $50,000 toward the Capital Strean, and Margaret Carney and Lillian Kuri. In May, Dee Womens Council Campaign. Perry of WCPN 90.3 FM moderated a panel of chair Marianne The Womens Council members volunteered Case Western Reserve Univerity and Cleveland Bernadotte shovel 39,996 hours at a donor value of $834,000 dirt around the Institute of Art students on the future of the last of eight cherry by national volunteering standards. A new student and student life in University Circle. This trees donated volunteering position this year was working in the was the seventh of these programs which began in by the Garden museum store for special exhibitions or over the Club of Cleveland 2007. This project has become a model for a similar for the further holidays. Council members from the Advocacy program at the Detroit Institute of Arts. beautification of the Committee attended Arts Day in Columbus and During the year, the Womens Council added Fine Arts Garden. had eight appointments with legislators. 26 new members for a total membership of 592, The Womens Council Programs were and launched a Womens Council web site: exciting and varied, including a celebration of www.wccma.net

107 For the Marketing and Communications Department the main event of the year was the introduction of the museum’s brand new web site. After more than two years of planning, the new design—created by the renowned firm Pentagram with background engineering by Lucrum Inc., makes the exciting experience of browsing through the museum collection a visual and organizational metaphor for the entire site. Senior designer Tom Barnard managed countless details of the project and made sure that the design vision would reach its potential. The department also oversaw the second- annual Summer Solstice Party, working in tandem with the department of Performing Arts, Music, and Film, to bring a lively range of performers to a stage set up on the south terrace. After two wildly successful versions of this party, it seems likely to become another summer fixture in Cleveland’s festival calendar. onley . D regory M G

108 DONORS Bequest of Shuree Abrams Dr. and Mrs. William L. Huffman Linda Burwasser Schneider Anonymous Gift Samuel and Paul Josefowitz in Elizabeth Carroll Shearer in memory Herbert Ascherman Jr. tribute to Jane Glaubinger and of Robert Lundie Shearer OF WORKS Heather Lemonedes John Bonebrake Bequest of Dennis Sherwin Mr. and Mrs. William Jurey in Gift in honor of Leonard Stein-Sapir OF ART Robin Bowman and Catherine memory of Mabel A. Hewit Edelman Gallery, Chicago Diane and Arthur Stupay Helen Kangesser Barry Bradley The Textile Art Alliance Roger Keyes in memory of Keiko Bequest of Muriel Butkin Keyes The Trammell Crow Family Andi and Larry Carlini in memory of Ellen Lanyon Dr. and Mrs. William Tsiaras Lois F. Cohen Marilyn and Michael Lapides in The University Print Club Arlene C. Cooper honor of Virginia Mae O’Keeffe Dr. Norman Zaworski Scott Cutler Lapides Jane Farver Mr. and Mrs. Lee Lyon Flatbed Press, Dan Rizzie, Katherine William V. Levy Brimberry, Mark L. Smith and Pat Alan Lipton Masterson in honor of Norma Lerner and in memory of Alfred Lerner E. B. and Joan C. Long Friends of Photography Gift in memory of Allan Joseph MacDonald Friends of the Department of Prints and Drawings Wilbur Markstrom in honor of Laurence Channing The Geismer Family in memory of Eugene and Mollie Geismer Wilbur Markstrom in memory of Rice A. Hershey Jr. Gwen-lin Goo The Sarah Stern Michael Fund Howard Greenberg Charles Isaacs and Carol Nigro The George Gund Foundation Collection in honor of David Gift in memory of Mr. and Mrs. Orrel Bergholz, The Cleveland Museum of A. Parker Art The Print Club of Cleveland Henry H. Hawley David Raymond The Rice A. Hershey Jr. Trust Thomas R. Roese Paula and Robert Hershkowitz in Carole W. and Charles B. Rosenblatt honor of Tom Hinson Marina Rosenfeld

109 CAPITAL Anonymous (10) Mrs. Morris A. Bradley II M. Roger* and Anne Melby Clapp The Abington Foundation Frances Kelleher Bradner Trust Kathryn and Frederick Clarke PROJECTS Emily A. Adams Marilyn and Paul Brentlinger/The The Cleveland Foundation Dick and Joan Ainsworth Brentlinger Foundation Patricia M. Cliffe SUPPORT Quentin and Elisabeth Alexander Robert R. and Mary Broadbent The George W. Codrington Norman and Helen Allison Robert Brooks Charitable Foundation Mr. and Mrs. B. Charles Ames Dr. Arthur Brown and Dr. Diana The Helen C. Cole Charitable Trust As of June 30, 2010, the following Kunze individuals, corporations, and Elizabeth L. Armington* The Collacott Foundation Jeanette G. and Glenn R. Brown foundations have provided generous Baker & Hostetler Founders Trust Brian and Gretchen Colleran support of $500 or more to ongoing Eva L. and Joseph M. Bruening Mr. and Mrs. Christopher M. Connor capital projects and/or the Viñoly Baker & Hostetler LLP Foundation Mr. and Mrs. Gerald A. Conway building endowment. Randall J. and Virginia N. Barbato Fred and Linda Buchler Mr. and Mrs. William E. Conway The museum makes every effort to John M. Barr Inez Budd* Mr. and Mrs. Kenneth H. Cooley ensure that donor lists are complete Mrs. Clinton E. Barry* Mark and Lisbeth Bulmash and accurate. If you believe there Wilma S. Bartholomay Dr. and Mrs. Delos Marshall may be an error or omission, please Dorothy D. Burnett Cosgrove III Hanna H. and James T. Bartlett notify us. Mrs. Carl D. Burt* Mr. and Mrs. Edward G. Cowan Erva Hitchcox Barton * deceased (July 1, 2009–June 30, Muriel S. and Noah L. Butkin* Howard and Julia D. Cox Norma E. Battes 2010) Linda R. Butler and Steven E. Nissen Barbara L. Cross Margret Beekel M.D. Dr. William S. Cumming* Mr. and Mrs. Fred G. Behm Peter and Rita Carfagna and the Sarah S. and Alexander M. Cutler James and McKey Berkman Carfagna Family Foundation Mr. and Mrs. David Daberko Dr.* and Mrs. Norman E. Berman Harry and Marjorie M. Carlson John L. Dampeer John B. Black Leigh and Mary Carter Mrs. Jean K. Cassill Peter W. Danford and Susan G. Peter M. Black Danford Charter One Foundation Rabbi Richard A. and Susan G. Block Mary Kay DeGrandis and Edward Richard J. Blum and Harriet L. Warm Katherine and Lee Chilcote Donnelly Foundation Mrs. Lawrence Blumenthal Diane De Grazia Ellen Wade Chinn* Alfred C. Body Trust Dr. and Mrs. Richard C. Distad Gertrude K. and Homer D. W. Helen and Albert Borowitz Chisholm Peter and Margaret Dobbins Jerome* and Loretta Borstein Dr. Alfred J. Cianflocco and Mary The Docents of The Cleveland Ruth J. Boza Anne Garvey Museum of Art

110 Elizabeth G. and John D.* Drinko Sally and Bob Gries Dr. Gerhard and Mrs. Lee Hoffmann* Jeffrey R. Dross and Michele J. Judd H. Gross Trust and Zetta G. Arthur* and Arlene Holden, Ladouceur Gross Trust Constance Holden-Somers, and George* and Becky Dunn Mary T. Gruber* Sarah Holden McLaren Eaton Corporation Robert N. and Nicki Gudbranson Holden Parks Trust Dr. and Mrs. Lloyd H. Ellis Jr. John and Christiane Guinness Mrs. Harry Richard Horvitz Edith Virginia Enkler* Agnes Gund Mr. and Mrs. Michael J. Horvitz Mrs. Morris Everett Sr. Ann and Graham Gund Peter and Peggy Horvitz Patricia J. Factor Geoffrey Gund The HRH Family Foundations Francis Fangboner* George Gund III and Iara Lee Rita Hubar Robert and Ellyn Feldman The George Gund Foundation William L. and Jane Huffman Darrell A. Fields and Helen Forbes Gordon and Llura Gund Foundation Laura A. Hugus* Fields Elaine Grasselli Hadden Mr. and Mrs. George M. Humphrey II Lauren Rich Fine and Gary Giller Hahn Loeser & Parks LLP Carola B. Hunt Maxeen and John Flower Janice Hammond and Edward John Huntington Art & Polytechnic Marcia and Frederick Floyd/The Hemmelgarn Trust Lenox Foundation Edward Halbe* Charles and Charlene Hyle Allen H. Ford James J. Hamilton Louise H. and David S. Ingalls Foundation John H. Foster Mrs. Frank R. Hanrahan* Edward F. and Mary F. Intihar The Harry K. Fox and Emma R. Fox Mrs. D. J. Hassler* Charitable Foundation Charitable Remainder Trust Dr.* and Mrs. Shattuck Hartwell Richard Lee Francis James D. Ireland III Mr. and Mrs. Henry R. Hatch III Mr.* and Mrs. Robert S. Friedman Mr. and Mrs. Donald M. Jack Jr. Henry H. Hawley Fusco Sandstone Mr. and Mrs. James J. Jackson III Ken and Betsy Hegyes Barbara and Peter Galvin John C. Jackson* Sally and Oliver Henkel The GAR Foundation David J. James Jr. Ann S. Higgins Garden Club of Cleveland Susan and Stanley Jaros Dorothy Tremaine Hildt Mr. and Mrs. Robert Gillespie The Jochum-Moll Foundation Tom E. Hinson and Diana S. Tittle The Gogate Foundation Adrienne L. Jones, Ph.D., and Morris Edith F. Hirsch Jones, M.D. Gretchen H. Green Ms. Goldie Hoffman* David L. Jones* Ann and Richard Gridley Trevor and Jennie Jones

111 Jones Day The Kulas Foundation Carol and Dick Michel Dr. and Mrs. Donald W. Junglas Mrs. Mina N. Kulber Clare and Harold Sam Minoff Susan M. Kaesgen Mr. and Mrs. Arthur J. Lafave Jr. Dolly and Steven Minter Mr. and Mrs. Thomas F. Kahn Dr. and Mrs. Frederic W. Lafferty The William A. and Margaret N. Walter and Jean Kalberer Foundation Helen A.* and Fredrick S. Lamb Mitchell Family The Kangesser Foundation, Helen The Fred A. Lennon Charitable Trust Helen Moise Kangesser, and David and Hedy Adler Lerner Family Dr. and Mrs. Irwin B. Moore Mr. and Mrs. Sidmond J. Kaplan Maxine Goodman Levin* The John C. and Sally S. Morley Drs. Julian* and Aileen Kassen Mr. and Mrs. Kurt Liljedahl Family Foundation Robert M. Kaye and Diane Upright The G. R. Lincoln Family Foundation Mr. and Mrs. Stephen C. Morris II Elizabeth D. Keil* Bill and Joyce Litzler Donald W. Morrison Nancy F. and Joseph P. Keithley Dr. Gisela Luther* Joan R. Mortimer, Ph.D. The Horace Kelley Art Foundation Mr. and Mrs. Alex Machaskee Dr. David A.* and Mrs. Margie L. Moskovitz Patricia H. Kelley William P. and Amanda C. Madar Peta and Rollie Moskowitz J. R. and G. M. Kelly The Maltz Family Foundation Reverend Dr. and Mrs. Otis Moss Jr. Mr. and Mrs. Douglas A. Kern Jack, Joseph, and Morton Mandel Mrs. Antonino Motta Steven and Denise Kestner Wilbur J. Markstrom Scott C. Mueller and Margaret KeyBank Nancy-Clay Marsteller, Ph.D. Fulton-Mueller Ann and Jim Kiggen Fund of The Elizabeth Ring Mather and William Brian and Cynthia Murphy Greater Cincinnati Foundation Gwinn Mather Fund John P. Murphy Foundation Jay Robert Klein* S. Livingston Mather Charitable Trust Murlan* and Margaret Murphy Sr. Julian H. and Emily W. Klein* Ellen and Bruce Mavec Paul J. and Frances Murphy Thea Klestadt* Mrs. Kathryn Arns May* Ray and Katie Murphy Mr. and Mrs.* Stephen J. Knerly Jr. Mary and William McClung The Musart Society Stewart and Donna Kohl Eleanor Bonnie McCoy and Sevier* David and Inez Myers Foundation Kohrman Jackson & Krantz Bonnie Jr. Mr. and Mrs. Stephen E. Myers Korea Foundation Suzanne McLaren Myers Industries, Inc. Mrs. Arthur Kozlow* Mr. and Mrs. S. Sterling McMillan III NACCO Industries, Inc. Charlotte Rosenthal Kramer The Andrew W. Mellon Foundation Lucia S. Nash The Kresge Foundation Elizabeth Briggs Merry* National City Bank Gregory and Susan Kruszka Laura Messing

112 Mr. and Mrs. T. F. Neubecker The James and Susan Ratner Family -Swetland Family Foundation Hilda E. Nieman* Foundation Second Foundation Eric T.* and Jane Baker Nord Mr. and Mrs. Ronald A. Ratner Mr. and Mrs. John L. Selman, Dr. and Nordson Corporation Foundation Andrew Rayburn and Heather Guess Mrs. Eric Davidson, and Mr. and Mrs. David L. Selman Mrs. Elizabeth G. Norweb* and Donna and James Reid Family Katharine Lee and Bryan S. Reid Dr. Gerard and Phyllis Seltzer The One Candle Foundation The Reinberger Foundation Mrs. Harry Setnik* William J. and Katherine T. O’Neill The Sylvia & Frederick Reines Trust Shaker Lakes Garden Club William M. Osborne Jr. and Amelia Sarah P. and William R. Robertson Sherwick Fund S. Osborne Barbara S. Robinson Dennis Sherwin* Henry Ott-Hansen Paul Rolnick* Mr. and Mrs. Michael Sherwin Jane and Jon Outcalt Catherine Rose The Sherwin-Williams Company Dr. and Mrs. George P. Parras Charles B. and Carole W. Rosenblatt Laura and Alvin A. Siegal The Payne Fund The Leighton A. Rosenthal Family Naomi G. and Edwin Z. Singer Family James Edward Peck* Foundation Fund MacGregor W. Peck Edwin M. Roth The Kelvin and Eleanor Smith Foundation Anne Hollis Perkins Mr. and Mrs. Robert C. Ruhl Ted and Sally Smith The Perkins Charitable Foundation Dr. Isobel Rutherford Squire, Sanders & Dempsey LLP Estate of Peter Pfouts The Sage Cleveland Foundation Mrs. Harry Staaf The Plain Dealer James and Judith Saks State of Ohio Leon* and Gloria Plevin Timothy W. and Colleen Sauvain Dr. and Mrs. Abram B. Stavitsky Frank H. and Nancy L. Porter Mr. and Mrs. Raymond T. Sawyer Dr. Willard D. Steck* Family Mrs. Helen Charnes Schaefer Mr. and Mrs. Charles Steigerwald Ms. Mikey Price Mr. and Mrs. Elliott L. Schlang Brit and Kate Stenson The Print Club of Cleveland Betty T. and David M. Schneider Paula and Eugene Stevens Stanley M. Proctor Pam and Tony Schneider Gregory E. Stewart Mr. and Mrs. Thomas A. Quintrell The Harold C. Schott Foundation Mr. and Mrs. Harrison Stine* Mrs. Alfred M. Rankin Mr.* and Mrs. Viktor Schreckengost Howard F. Stirn Mr. and Mrs. Alfred M. Rankin Jr. Mark Schwartz and Bettina Katz The Irving Sunshine Family Bruce T. Rankin Enid Schuette* Mr. and Mrs. Charles A. Ratner Superior Electric

113 Mr. Lewis Swingley* Remainder Trust Frances P. and Seth Taft Mr.* and Mrs. Allan J. Zambie Mr.* and Mrs. Thomas E. Taplin Sr. Dr. Norman W. Zaworski The Tecovas Foundation Mr. and Mrs. William L. Ziegler Thompson Family Foundation Helen Zmek* Susan and John Turben Foundation U.S. Department of Transportation Alice O. Vana* Elliot Veinerman* Robert A. Vertocnik Mr.* and Mrs. J. H. Wade III Courtney and David Watson Mr. and Mrs. Richard T. Watson Raymond John Wean Foundation Nola D. and Thora F. Weyrick Trust Mr. and Mrs. Alton W. Whitehouse Louinia Mae Whittlesey Dr. and Mrs. Alan H. Wilde Eileen and Jim Wilkoff Burt T. Williams David B. H. and Clara R. Williams Mr. John C. Williams Wipper Family Fund Nancy L. Wolpe Womens Council of the Cleveland Museum of Art Mr. and Mrs. Alfred C. Woodcock Mr. Donald F. Woodcock Timothy F. and Sandra H. Wuliger Paul D. Wurzburger Charitable

114 ANNUAL Individual $50,000 or more $10,000 to $24,999 Giving Mr. and Mrs. Michael J. Horvitz Anonymous (2) OPERATING Scott C. Mueller and Margaret Mr. and Mrs. B. Charles Ames Fulton-Mueller Fred and Laura Ruth Bidwell Mr. and Mrs. Alfred M. Rankin Jr. SUPPORT Circles Leadership Committee Mr. and Mrs. Charles P. Bolton Richard E. Beeman $25,000 to $49,999 Dr. John and Helen Collis William R. Calfee Maxeen S.* and John A. Flower Annual operating gifts provide Randall J. and Virginia N. Barbato essential, unrestricted support that Deborah W. Cowan Hanna H. and James T. Bartlett Marian K. Freedman Fund enables the museum to direct dollars Margaret and Peter Dobbins Mr. and Mrs. Leigh Carter Sally and Bob Gries where the need is greatest. We are Barbara Galvin Dorothy Tremaine Hildt particularly grateful to Donor Circles Sarah S. and Alexander M. Cutler members, Annual Fund donors, Nicki and Robert N. Gudbranson Mr. and Mrs. Robert W. Gillespie Joan E. and Leonard C. Horvitz and Patron and Contributing level William Litzler George Gund III and Iara Lee Charles and Charlene Hyle museum members. Thank you for Randall D. Luke James D. Ireland III such an enduring demonstration of Mr. and Mrs. Dieter Kaesgen support during the 12-month period June Morgan Robert M. Kaye and Diane Upright Dr. and Mrs. Donald W. Junglas from July 1, 2009 to June 30, 2010. Katherine Moroscak Joseph P. and Nancy F. Keithley Malcolm E. Kenney Scott C. Mueller Mr. and Mrs. Milton Maltz Kathryn Karipides and David N. Brown Michael J. Peterman Barbara and Morton Mandel Mr. and Mrs. Douglas A. Kern Florence KZ Pollack Ellen and Bruce Mavec Steven and Denise Kestner Barbara S. Robinson Mr. and Mrs. John C. Morley Mrs. Edward A. Kilroy Jr. Elliott L. Schlang Mr. and Mrs. Stephen E. Myers Peter B. Lewis David L. Selman Mrs. Alfred M. Rankin Toby Devan Lewis Naomi G. Singer Mr. and Mrs. James A. Ratner Jon and Virginia Lindseth Kate Stenson Donna and James Reid Mr. and Mrs. Edward A. Lozick Edith G. and William W. Taft Barbara S. Robinson Nancy-Clay Marsteller, Ph.D. Hannah S. Weil Betty T. and David M. Schneider Mr. and Mrs. Herbert McBride Trudy Wiesenberger Mr. and Mrs. Michael Sherwin Mr. and Mrs. William C. McCoy Jr. Sam and Clare Minoff Lucia S. Nash Jane Nord

115 Mr. and Mrs. Leigh Perkins David and Robin Gunning Mr. and Mrs. Boake A. Sells Dr. William A. Chilcote Jr. and Dr. Mr. and Mrs. Albert B. Ratner Mary Jane Hartwell Mr. and Mrs. David L. Selman Barbara S. Kaplan Sarah P. and William R. Robertson Stephen Hegner Mr. and Mrs. John L. Selman Mr. and Mrs. Kenneth L. Conley Edwin M. Roth Mrs. Harry Richard Horvitz Mr. and Mrs. Eugene Stevens Mr. and Mrs. William E. Conway Mr. and Mrs. Elliott L. Schlang Marguerite B. Humphrey Dr. Paul J. Vignos Jr.* Janet and Bill Coquillette Mark Schwartz and Dr. Bettina Katz Mr. and Mrs. Donald M. Jack Jr. John and Jeanette Walton Mrs. A. G. Corrado Dr. Gerard and Phyllis Seltzer Mr. and Mrs. Robert H. Jackson Elizabeth H. and David H. Dale and Susan Cowan Kim Sherwin Walter and Jean Kalberer Foundation Warshawsky Mrs. George N. Daniels Laura and Alvin A. Siegal Mr. and Mrs. John D. Koch Mr. and Mrs. Charles D. Weller Lois Joan Davis Mr. and Mrs. Steven Spilman Kristie and Jack Kohl Mr. and Mrs. Loyal W. Wilson Rachel Davis Fine Arts Susan and John Turben Foundation Charlotte R. Kramer and Leonard S. Nancy L. Wolpe Dr. and Mrs. Walter H. Dimling Georganne Vartorella and Richard A. Schwartz Dr. Norman W. Zaworski Dr. and Mrs. Richard C. Distad Statesir Mr. and Mrs. Dennis W. LaBarre Paula and Ken Zeisler Peter and Margaret Dobbins Mr. and Mrs. Richard T. Watson Mr. and Mrs. Arthur J. Lafave Jr. Rebecca Dunn $2,500 to $4,999 Mrs. Jack W. Lampl Jr. Mr. and Mrs. Robert P. Duvin $5,000 to $9,999 Mr. and Mrs. Paul R. Abbey The G. R. Lincoln Family Foundation Sandy and Peter Earl Mr. and Mrs. Edward R. Addicott Dick and Joan Ainsworth William P. and Amanda C. Madar Terrance and Renuka Egger Mr. and Mrs. Dean C. Barry Quentin and Elisabeth Alexander Mr. and Mrs. S. Sterling McMillan III Dr. and Mrs. Henry Eisenberg James and McKey Berkman Mr. and Mrs. A. Chace Anderson Mr. and Mrs. Stanley A. Meisel Lauren Fine and Gary Giller Joanne Z. Berman Elizabeth L. Armington* Edith Miller Allen H. Ford Marilyn and Lawrence Blaustein Mike and Annie Belkin Mr. and Mrs. William A. Mitchell Leah Gary and JB Silvers Paul and Marilyn Brentlinger Marcelle Bergman Ray and Katie Murphy James S. and Cynthia Gascoigne Dr. Arthur Brown and Dr. Diana William P. Blair III William J. and Katherine T. O’Neill Judith Gerson Kunze Mr. and Mrs. Richard E. Boyatzis Henry Ott-Hansen Sally A. Good Mr. and Mrs. William R. Calfee Ruth J. Boza Jane and Jon Outcalt Mr. and Mrs. Robert A. Goodman Mr. and Mrs. Gerald A. Conway Mr. and Mrs. John G. Breen Gloria Plevin Deborah Gribbon and Winston Alt Albert J. DeGulis Dr. and Mrs. Harvey Buchanan Mr. and Mrs. George M. Rose Chas and Jen Grossman Mr. and Mrs. Richard H. Fearon Linda R. Butler and Steven E. Nissen, Mr. and Mrs. Robert J. Garon Dr. and Mrs. Ronald J. Ross M.D. Robert N. and Nicki Gudbranson Mr. and Mrs. Andrew L. Green James and Judith Saks Maria Cashy and Laura Cashy Elaine Grasselli Hadden Ann and Richard Gridley John and Sally Schulze Mary E. Chilcote Mr. and Mrs. Henry R. Hatch III

116 Sally and Oliver Henkel George Oliva Jr. $1,000 to $2,499 Rabbi Richard A. and Susan G. Block James and Christine Heusinger William M. Osborne Jr. and Amelia S. Anonymous (2) Richard J. Blum and Harriet L. Warm Mrs. Charles Hickox Osborne Mr. and Mrs. Peter W. Adams Mrs. Lawrence Blumenthal Arlene Holden Mr. and Mrs. Larry I. Pollock Stanley and Hope Adelstein April Miller Boise and David Willbrand Richard A. Horvitz and Erica Mr. and Mrs. Thomas A. Quintrell Mr. and Mrs. David F. Adler Mr. and Mrs. Richard H. Bole Hartman-Horvitz Tawny R. Ratner Catherine C. Alfred Jerome Sophia Boron Pamela and Scott Isquick Mr. and Mrs. Peter J. Ryerson Mr. and Mrs. Thomas Stewart Allen Helen and Albert Borowitz Carl M. Jenks Mr. and Mrs. Paul J. Schlather Mr. and Mrs. Norman W. Allison Loretta Borstein Adrienne L. Jones, Ph.D., and Morris Mr.* and Mrs. Viktor Schreckengost Mr. and Mrs. Richard S. Ames James J. Branagan and Mary Lou Jones, M.D. Sally and Larry Sears Mrs. David L. Anderson Stricklin Mary Ann and Jack Katzenmeyer Kim Sherwin Thomas W. Anderson and Rosalie A. Mr. and Mrs. Edward B. Brandon Dr. and Mrs. William S. Kiser Dr. and Mrs. Conrad C. Simpfendorfer Tyner Mr. and Mrs. Ben Brick Mr. and Mrs. Peter A. Kuhn Naomi G. and Edwin Z. Singer Family Janet G. and Gregory J. Ashe Mr. and Mrs. Cal R. Brown Mr. and Mrs. Thomas J. LaFond Fund Patricia M. Ashton Kenneth L. and Nancy E. Brown Bonnie and Stephen Lau David and Margaret Sloan Mr. and Mrs. Daniel F. Marshall and Brenda Brown Elizabeth A. Holan Laundy Mr. and Mrs. Jeffrey H. Smythe Mr. and Mrs. Eric V. Bacon Mr. and Mrs. Stephen R. Brown Mr. and Mrs. Kurt Liljedahl Thomas G. and Lois C. Stauffer Thomas J. Baechle Cynthia and Robert Bruml Bill and Joyce Litzler Brit and Kate Stenson Mr. and Mrs. Arthur D. Baldwin II Marion S. Bryan Mr. and Mrs. Randall D. Luke Mr. and Mrs. Joseph D. Sullivan William M. and Jane Baldwin Mr. and Mrs. Stephen J. Bucchieri Mr. and Mrs. Theodore M. Luntz Mr. and Mrs. David Szamborski Kathleen and Dennis Barrie Frances S. Buchholzer Mr. and Mrs. William E. MacDonald III Mr. and Mrs. William W. Taft Erva L. Barton Elvidio G. Bufalini Mary and Brian Martin Nelson S. Talbott Mr. and Mrs. Roland H. Bauer John F. Burke Jr. and Nancy A. Fuerst Beth E. Mooney Pamela and Paul Teel Jr. Mr. and Mrs. Richard E. Beeman J. C. and Helen Rankin Butler Mr. and Mrs. Dan T. Moore III Mr. and Mrs. Neil L. Thompson Mr. and Mrs. James R. Bell III William E. and Patricia A. Butler Mr. and Mrs. Richard Keith Morgan Roger and Sharon Vail Dr. Ronald and Diane Bell Richard L. and Doreen M. Cahoon Mr. and Mrs. Richard J. Moroscak Tinkham Veale II Mrs. William H. Bemis Marguerite B. Campbell Mr. and Mrs. Thomas W. Morris Mr. and Mrs. John H. Vinton Mr. and Mrs. Richard O. Bennett Mrs. Sumner Canary Donald W. Morrison Mr. and Mrs. Alton W. Whitehouse James and Christine Berick Harry and Marjorie M. Carlson Creighton B. Murch and Janice A. Mr. and Mrs. Bret Williams Mr. and Mrs. Christian C. Bernadotte Janice L. Carlson Smith John C. Williams Mr. and Mrs. James D. Blaser Mr. and Mrs. George B. Chapman Jr. Susan B. Murphy

117 Kelly Chapman Dr. and Mrs. Gerard A. DeOreo Jr. Stephen H. Gariepy and Nancy Sin Mr. and Mrs. Kenneth F. Holzman Corning Chisholm Dr. and Mrs. Paul E. DiCorleto Loren and Michael Garruto Dr. and Mrs. Roger Y. K. Hsu Gertrude K. and Homer D. W. Mr. and Mrs. Richard J. Disantis Alison W. Gee and David J. Nancy and Norman Hyams Chisholm Mr. and Mrs. Arthur K. Divell Eichenmiller Mr. and Mrs. E. Dale Inkley Dr. Alfred J. Cianflocco and Mary John M. Doyle Carol and David Geyer Dr. and Mrs. Scott Inkley Anne Garvey Catherine Doyle Margaret Giltinan Mr. and Mrs. Fred Isenstadt Mr. and Mrs. Robert W. Clark Susan R. Dunn Mr. and Mrs. Gerald Goldberg Mr. and Mrs. James J. Jackson III Mr. and Mrs. Victor J. Cohn Dr. and Mrs. Lloyd H. Ellis Jr. Dr. and Mrs. Victor M. Goldberg Susan and Stanley Jaros Richard R.Colbert and Dr. Ellen D. Rie Dr. and Mrs. R. Bennett Eppes Sid Good Mr. and Mrs. Edwin T. Jeffery Jr. Diane L. Collier Mr. and Mrs. Donald Esarove David Gooding and William Martin Cheryl and David Jerome Grosvie and Charlie Cooley Jean Mr. and Mrs. Jeff Ettinger Candace M. Jones Evan and Barbara Corns David Goodman and Barbara Hawley Mr. and Mrs. Warren W. Farr Jr. Mr. and Mrs. Theodore T. Jones Brian F. and Cheryl Coughlin Mr. and Mrs. Randall J. Gordon Mr. and Mrs. Gene A. Faubel Trevor and Jennie Jones Deborah W. Cowan Elaine H. Green Darrell A. Fields and Helen Forbes William R. Joseph and Sarah J. Sager Mr. and Mrs. Edward G. Cowan James and Angela Hambrick Fields Henri Pell Junod Jr. Mr. and Mrs. Thomas W. Cristal Mr. and Mrs. David P. Handke Jr. Mrs. Seth M. Fitchet Mr. and Mrs. David D. Kahan Faye L. D’Amore Mr. and Mrs. Norman C. Harbert Mrs. George Foley Mr. and Mrs. Thomas F. Kahn Mrs. S. L. Dancyger Mr. and Mrs. William J. Harper Mr. and Mrs. Walter E. Fortney Mr. and Mrs. Richard Kaplan Sue and Peter Danford Charles D. Hartman and Rob S. Jozsa Thomas E. Foster and Dinah Seiver Karen and Doug Katz Thomas W. Darling Ken and Betsy Hegyes Dr. and Mrs. Ronald G. Fountain Hilary and Robert Kendis Dr. and Mrs. Robert B. Daroff Mr. and Mrs. Richard A. Heimlich Charles D. and Charlotte A. Fowler Susan and James Kendis Dr. Ranajit K. Datta Dr. and Mrs. Robert Hermann Michael Frank and Patricia Snyder Mr. and Mrs. Bruce Kendrick Barbara A. Davis Mr. and Mrs. John F. Herrick Barbara and Earl Franklin Ann F. Kiggen Bernice M. Davis Mr. and Mrs. Gerald L. Herschman John H. Franklin Jr. Kenneth H. Kirtz Shirley B. Dawson Dr. and Mrs. Norman R. Hertzer Mr. and Mrs. John R. Fraylick Mr. and Mrs. Stuart F. Kline Mr. and Mrs. Charles Debordeau Mr. and Mrs. John Hetzer Howard J. Freedman and Rita Stephen J. Knerly Jr. Mary Kay DeGrandis and Edward J. Montlack Arthur H. Heuer and Joan M. Stewart and Donna Kohl Donnelly Adam I. Friedman Hulburt-Heuer Dr. Diane De Grazia Robert T. Hexter John F. Koncar and Claudio M. Ann Friedman Caviglia Ann and David Deming Edith Hirsch Mr. and Mrs. Brian Gale Terry Kovel Mr. and Mrs. Jon E. Denney Barbara and Peter Galvin Mr. and Mrs. Richard R. Hollington

118 Mr. and Mrs. Alan M. Krause Mr. and Mrs. Alex Machaskee Mr. and Mrs. Patrick S. Mullin Mr. and Mrs. Richard P. Price Rose M. Kubik Dr. Alvin and Lorrie Magid Murlan J. Murphy Jr. and Molly Dixon Stanley M. Proctor Lisa Kurzner and Larry Bloomenkranz Dr. and Mrs. Sanford E. Marovitz Jakki and Fred Nance Madeline Huber and Merritt Neal Dr. and Mrs. Irving Kushner Dr. Harold and Suzanne Mars Mr. and Mrs. Robert D. Neary Rains Dr. Fred and Joann Lafferty Mrs. Walter A. Marting John G. and Karen R. Nestor Blanche Rakita Mr. and Mrs. Charles T. Lake Charlotte M. Masterson Mr. and Mrs. T. F. Neubecker Bruce T. Rankin Mrs. Samuel H. Lamport Dr. and Mrs. Matig Mavissakalian Francis and Sally Neville Andy Rayburn and Heather Guess Judith E. Lancaster Julien L. McCall Dr. Linn W. Newman Katherine Lee and Bryan S. Reid Ellen and Howard Landau Dr. and Mrs. Stephen McClure Stuart and Ellen Neye Dr. Bradford and Margaret Ann Richmond Dr. and Mrs. Roger H. S. Langston Mrs. Frederick S. McConnell Jr. Daurine Noll Barbara and Lutz Richter Mr. and Mrs. Robert L. Larson Linda L. Wagy McGinty Robert A. Novak Jay F. Rockman and Dr. Katherine Mr. and Mrs. John N. Lauer Dr. and Mrs. Beno Michel Mr. and Mrs. Edward Oberndorf Rockman Mr. and Mrs. Neal P. Lavelle Carol and Dick Michel Mrs. Donald C. Opatrny Kenneth R. Roll Mr. and Mrs. Jeffrey S. Leavitt Antoinette S. Miller Mr. and Mrs. Harvey Oppmann Charles B. and Carole W. Rosenblatt Mrs. Sherman E. Lee Dolly and Steven Minter Peter Ormond and Dana Plagens Mr. and Mrs. Robert J. Roth Mr. and Mrs. Bertram H. Lefkowich Mr. and Mrs. Charles J. Mintz Russell O’Rourke and Georgia Froelich Judge Betty Willis Ruben and Albert Leonetti and Ruth Anna Mr. and Mrs. A. Malachi Mixon III Mr. and Mrs. Charles J. O’Toole Professor Alan Miles Ruben Carlson Robert T. Moll and Maura L. Hughes Zach and Debby Paris Mr. and Mrs. Vaughn P. Rubin Morton Q. Levin Shirley O. Morgan Bob and Trisha Pavey Jocelyn C. Ruf Cathy Anne Lincoln Katie and Tom Morley Mr. and Mrs. James R. Pender Suzanne Cushwa Rusnak and Jeffrey Mr. and Mrs. James D. Lincoln Mr. and Mrs. Stephen C. Morris II Steve and Polly Percy D. Rusnak Mrs. James F. Lincoln Jr. Mr. and Mrs. Warren L. Morris Dr. and Mrs. Charles A. Peter Florence Brewster Rutter Alan Gordon Lipson and Judith D. Mr. and Mrs. William J. Morse Barbara and Michael Peterman Kit and Ray Sawyer Harris Deborah and Dale T. Morsefield Graham and Rosamonde Peters Mr. and Mrs. Thomas J. Scanlon Mrs. Sidney Lobe Joan R. Mortimer, Ph.D. Dr. and Mrs. Gosta Pettersson Robin and Andrew Schachat Drs. Todd and Susan Locke Margie L. Moskovitz Jean Z. Piety Linda M. Schlageter Joanne and David Lodge Peta and Rollie Moskowitz Dr. Franklin and Pat Plotkin Mrs. David Seidenfeld Mr. and Mrs. Joseph P. Lograsso Jeffrey Mostade and Eric Nilson Florence KZ Pollack Mr. and Mrs. Oliver E. Seikel Dr. and Mrs. Jack Love Marjorie and Bert Moyar Harry and Nina Pollock Dr. Daniel Sessler and Dr. Ximena Dr. and Mrs. Hans Luders Valdes-Sessler Betty Jane Mulcahy Mr. and Mrs. Frank H. Porter Jr. Mr. and Mrs. Michael Lundin

119 Mrs. Robert L. Shearer Sandra S. Sullivan Joy and Jerome Weinberger Dr. Judith R. Botwin Barbara K. Sheffler Mr. and Mrs. Daniel C. Sussen Mr. and Mrs. Michael H. Weiner Elaine E. Brookes Mr. and Mrs. John A. Shields Mary E. Suzor Nancy N. West Robert C. Brown and Dr. Catherine B. Lisa Shifrin and Jerry William Franny and Seth Taft Margie and John Wheeler Scallen Mr. and Mrs. Reginald C. Shiverick Mr. and Mrs. Bruce E. Taylor Constance S. White, M.D. Mr. and Mrs. William C. Butler Mr. and Mrs. Joseph Shrier Martha P. Thompson Mr. and Mrs. Dickson L. Whitney Jr. Mr. and Mrs. Frank H. Carpenter Mr. and Mrs. Lawrence N. Siegler Mr. and Mrs. Leonard K. Tower Louinia Mae Whittlesey Elizabeth and Lucy Chamberlain Mr. and Mrs. David L. Simon William C. Tregoning III Mr. and Mrs. Steven R. Wiesenberger William Sanders Clark Mr. and Mrs. Jeffrey C. Sinclair Anthony and Michele Tricarichi Mr. and Mrs. Stephen Wolff Mr. and Mrs. Aims C. Coney Dr. and Mrs. Lawrence J. Singerman David and Terry Tully David B. Wood Jr. and Nancy Judge, Kevin Conway Mr. and Mrs. Edward C. Smith Brenda and Evan Turner M.D. Dr. and Mrs. William B. Cornell Mr. and Mrs. Judson E. Smith Mr. and Mrs. Robert F. Vail Jr. Mr. and Mrs. Bennett Yanowitz Veronica Czekaj and Frances Brady Richey and Sandra Smith Drs. Sandip and Pauravi Vasavada John Michael Zayac and Dr. Marie A. Sally M. Davis Simon Mr. and Mrs. Mark Smrekar Catherine and Dale Veres William Davis and Joseph Knapicius Jeff Zelmer and Brandon Sitler Mr. and Mrs. Wilton S. Sogg Mrs. Daniel Verne Mr. and Mrs. Samuel Dolinsky Katherine Solender and Dr. William Amy and Neil Viny $500 to $999 Eric W. Dunn and Jennifer C. Myers E. Katzin Mr. and Mrs. H. Reid Wagstaff Anonymous (2) Mr. and Mrs. Christopher T. Dunworth Dr. Joseph A. Sopko and Dr. Elizabeth Dr. and Mrs. Richard Walsh Kenneth R. Adamo MacIntyre Dr. and Mrs. Henry Eisenberg Mr. and Mrs. Carl Walter Emily A. Adams Mr. Omer F. Spurlock Patricia J. Factor Dr. Steven Ward and Dr. Barbara James M. Anastos Mr. and Mrs. Thomas G. Stafford Nancy F. Figgie Brown Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Leonard Stein-Sapir Dr. and Mrs. Sanford A. Fox Doris H. and Russell J. Warren Alice E. Azusenis Dr. Timothy Stephens Jane Frankel Courtney and David Watson Joseph Babin Elizabeth Stephenson Barbara and Earl Franklin Andrew Watterson Dr. Gene Barnett and Dr. Cathy Sila Lawrence E. Stewart Robert Friedman and Elizabeth R. William B. Watterson and Melissa K. Mr. and Mrs. David S. Barrie Walter B. Stone* Richmond MacGowan Mr. and Mrs. James L. Bayman Mr. and Mrs. Donald W. Strang Jr. Dr. and Mrs. Leslie T. Webster Jr. Mary Galeti Dr. and Mrs. Robert W. Bercaw Marie S. Strawbridge Joyce and David Weidenkopf Mr. and Mrs. Richard T. Garrett Claudia Bjerre and Andrea Senich Jeffrey and Heidi Strean Tom and Becky Weidenkopf Mr. David Garvin Mr. and Mrs. Dennis A. Block Mr. and Mrs. Arthur M. Stupay Mr. and Mrs. Michael R. Weil Mr. and Mrs. Edmond Gerard Mr. and Mrs. Paul H. Bodden Mr. and Mrs. John E. Sulak Anne W. Weinberg Richard Goldthwaite

120 Herbert I. Goulder Dr. and Mrs. James S. Marshall Rebecca Schwartz and Dr. Thomas James W. and Anne Marie Wert Mr. and Mrs. David E. Halasz Kay S. Marshall Edwards Steve B. Wheeler Mrs. John D. Hansen Mr. and Mrs. Joseph Matts Jr. Nancy G. Shelep Dr. and Mrs. Marvin L. Whitman Dr. and Mrs. Jon A. Hardacre David B. and Jill D. McCoy Marjorie B. Shorrock Jorene F. Whitney Mr. and Mrs. Stephen R. Hardis Thomas B. McGowan III John Sinnenberg and Arthur Mr. Meredith Williams Sinnenberg Margaret Stone Hesslein Dr. and Mrs. Hugh J. McLane Mrs. James A. Winton Mr. and Mrs. Raymond E. Smiley Mr. and Mrs. William B. Hudson Lloyd D. Moore Mr. and Mrs. H. Robert Wismar Jr. Mark Smitek David J. James Jr. Marie T. Morelli Molly H. Young David K. Smith Mr. and Mrs. Norbert R. Jaworowski Brian and Cynthia Murphy Barbara E. Zelley Mr. and Mrs. Timothy P. Smucker Dr. and Mrs. Michael W. Keith Mr. and Mrs. Daniel B. Ornt Daniel N. and Ellen Zelman Linda J. Voloshen Spencer Mr. and Mrs. Dennis C. Kievets Russell O’Rourke and Georgia Froelich Mr. and Mrs. William L. Ziegler Mr. and Mrs. Richard W. Spurney Mr. and Mrs. William S. Kilroy II Laura Ospanik Gregory E. Stewart Thomas R. Kimball and Dr. Suzanne E. Mr. and Mrs. Stanley C. Pace Lanie Strassburger Kimball Mr. and Mrs. Louis E. Pardi Mr. and Mrs. Joseph D. Sullivan Jr. James T. Kitson Dr. and Mrs. Chanho Park Taras Szmagala and Helen Jarem Mr. and Mrs. Eric J. Klieber Mr. and Mrs. Michael A. Pendry Mr. and Mrs. Michael J. Tabor Ulf R. Knothe and Melissa L. Knothe Linda A. Pontikos Mr. and Mrs. Mark Taylor Mr. and Mrs. John Prim Drs. Daniel and Haydee Knott Michael C. Thompson Cathy Randall Mr. and Mrs. Charles J. Koch John D. Thorp Joel H. and Jean J. Rathbone Dr. Vilma L. Kohn Robert M. Torok Robert J. Rice Mark C. Krzysiak Mr. and Mrs. Robert J. Vagi Sara M. Ringle Louann R. Lauer Mr. and Mrs. James D. Vail Mr. and Mrs. Richard S. Rivitz Dr. Edith Lerner Frank R. Vargas Dr. and Mrs. T. C. Rohweder Mr. and Mrs. Dale R. Liikala Dr. Gregory M. Videtic and Dr. Catherine Rose Dr. and Mrs. Jack Lissauer Christopher R. McCann Mrs. Martin Rosskamm Mr. and Mrs. David Logsdon Mr. and Mrs. Paul J. Volpe Scott Sazima and Kathy Kelly Michael J. and Kathryn T. Lucak Evan Wachs and Elizabeth A. Emery Mr. and Mrs. Victor J. Scaravilli Charles K. and Susanne J. Mann Mr. and Mrs. Charles W. Walton Mr. and Mrs. James C. Schaefer Mr. and Mrs. Andrew Margolius Nancy C. Wamsley Mr. and Mrs. Albert O. Schupp Yair and Carol Weinstock

121 Corporate Operating Support Glavin Industries, Inc. Cuyahoga Community College Great Lakes Brewing Company Dingus and Daga, Inc. $100,000+ Support Keithley Instruments Doan Pyramid LLC KeyCorp Lincoln Electric Ferro Corporation The PNC Foundation Macy’s Foundation Findley Davies, Inc. $50,000–99,999 MTD Products, Inc. GE Consumer & Industrial Cleveland Clinic Foundation Northern Haserot Co. Gould Electronics, Inc. Jones Day Prince & Izant Company Great Lakes Integrated NACCO Industries, Inc. Rockwell Automation Herbruck, Alder & Company The Sherwin-Williams Foundation IBM Corporation $25,000–49,999 Squire, Sanders & Dempsey LLP Industrial First, Inc. Cleveland State University Transtar Industries, Inc. Kaiser Permanente Dominion Foundation Wegman, Hessler & Vanderburg Lubrizol Company Donley’s, Inc. Masterpiece International, Ltd. Eaton Corporation $3,000–4,999 McCarthy, Lebit, Crystal & Liffman Hahn Loeser & Parks LLP Cleveland-Cliffs Foundation Co., L.P. A . Medical Mutual of Ohio Gilbane Building Company Millisor & Nobil Westlake, Reed & Leskosky Luce, Smith & Scott, Inc. Nordson Corporation Ohio CAT $10,000–24,999 Parker Hannifin Corporation Oswald Companies American Greetings Corporation Richard Fleischman Architects, Inc. Panzica Construction Company Giant Eagle Foundation The Rise Group, LLC Richey Industries, Inc. LUCRUM, Inc. SE Blueprint Thompson Hine Sebesta Blomberg & Associates, Inc. $5,000–9,999 $1,000–2,999 The J. M. Smucker Company Anonymous Bernstein Global Wealth Target Stores Baker & Hostetler LLP Management Vorys, Sater, Seymour & Pease Brush Engineered Materials, Inc. Bonfoey Company Watt Printing Company Christie’s Bostwick Design Partnership Wellington Management Company, Dollar Bank CBIZ, Inc. LLP Fifth Third Bank Cohen & Company Weston Hurd LLP

122 Matching Gift Companies The Perkins Charitable Foundation Aetna Foundation The Pfizer Foundation Alliance Bernstein The PNC Foundation AT&T Foundation Preformed Line Products AXA Foundation Progressive Corporation Bemis Company Foundation Progressive Insurance Foundation BP Foundation, Inc. Rockwell Automation Caterpillar Tractor Company Rockwell International Corporation Citizens Charitable Foundation Trust Corning Incorporated Foundation Saint-Gobian Corporation Foundation Dominion Foundation The Stanley Works Matching Gift Eaton Corporation Program Emerson Electric Company W. W. Grainger, Inc. FirstEnergy Foundation Wachovia Foundation GE Foundation General Mills Foundation GlaxoSmithKline Foundation Goodrich Foundation IBM Corporation John Wiley & Sons, Inc. JPMorgan Chase Foundation Key Foundation Kraft Foods Foundation Lubrizol Foundation Merrill Lynch & Co. Foundation Inc. Microsoft Corporation NACCO Industries, Inc. NCR Foundation Eric and Jane Nord Foundation Nordson Corporation

123 Foundation and Over $1,000,000 $5,000–$9,999 $1,000–$2,499 Government Cuyahoga Arts & Culture The Margaret A. Cargill Foundation The American Scandinavian The Andrew W. Mellon Foundation Collacott Foundation Foundation Support Hankins Foundation The Harry K. Fox and Emma R. Fox $100,000–$500,000 Charitable Foundation The Kangesser Foundation The Cleveland Foundation The Victor C. Laughlin, M.D. The Laub Foundation Institute of Museum and Library Memorial Foundation Trust Services The Katherine Kenyon Lippitt Maison Française de Cleveland Foundation Ohio Arts Council The Robert S. Morrison Foundation The Murch Foundation The Kelvin and Eleanor Smith David and Inez Myers Foundation Foundation The Leighton A. Rosenthal Family Foundation The Charles J. and Patricia Perry Nock Fund $25,000–$99,999 The South Waite Foundation WCLV Foundation Helen Wade Greene Charitable Trust S. K. Wellman Foundation Martha Holden Jennings Foundation Thomas H. White No. 1 Trust The Musart Society Wolf Family Foundation National Endowment for the Arts $2,500–$4,999 Sage Cleveland Foundation Elizabeth and Ellery Sedgwick Fund Womens Council of The Cleveland Museum of Art Sherwick Fund Stuelpe Family Charitable Fund of $10,000–$24,999 The Cleveland Foundation George W. Codrington Charitable Wright Foundation Foundation John P. Murphy Foundation Eric and Jane Nord Foundation The Payne Fund SCH Foundation George Garretson Wade Charitable Trust #2

124 Planned Planned Giving Council Heather Roulston Ettinger Andrew I. Press Catherine G. Veres Georgia A. Froelich Richard C. Renkert Giving Chair Robert R. Galloway Frank M. Rizzo Sarah M. Dimling Stephen H. Gariepy Sara K. Robechek Vice Chair James A. Goldsmith James D. Roseman Charles F. Adler Sally Gries Bradley J. Schlang Richard B. Ainsworth Jr. Ellen E. Halfon Paul J. Schlather Thomas S. Allen David P. Handke Eric W. Schwarz Gordon A. Anhold Oliver C. Henkel Jr. Gary S. Shamis James S. Aussem Kenneth G. Hochman Roger L. Shumaker P. Thomas Austin Doris Hogan Mark A. Skvoretz Molly Balunek Gregory T. Holtz Richard T. Spotz Jr. Laurence A. Bartell William J. Hyde Mark F. Swary Richard E. Beeman Brian J. Jereb Robert A. Valente Gary B. Bilchik Bernard L. Karr Missia H. Vaselaney Terry L. Bork Mark A. Kikta Amy M. Vegh Herbert L. Braverman Stephen J. Knerly Jr. Gloria A. Walas David J. Brown James R. Komos Richard T. Watson J. Donald Cairns Roy A. Krall Jeffry L. Weiler Peter H. Calfee Deviani M. Kuhar Marcia J. Wexberg Angela G. Carlin Donald W. Laubacher Drew E. Wright Leigh H. Carter Robert K. Lease Alan E. Yanowitz Peter J. Chudyk Herbert B. Levine Gary A. Zwick Ronald B. Cohen James M. Mackey David E. Cook Ellen K. Meehan Hedy T. Demsey Lisa H. Michel Rebecca H. Dent Wayne D. Minich Carina S. Diamond M. Elizabeth Monihan Gary L. Dinner Patrick S. Mullin Emily A. Drake Joseph V. Pease Jr.

125 Legacy Society Anonymous (70) Pauline Bushman Heather Roulston Ettinger Martha Aarons Milan Busta Eleanor Everett Gay Cull Addicott Mary Luetkemeyer Cahan and Alfred Patricia J. Factor The Cleveland Museum of Art thanks Cahan the members of the Legacy Society Carolyn Adelstein S. Jay Ferrari for their generosity, kindness, and Norman W. and Helen T. Allison Harry and Marjorie M. Carlson Mr. and Mrs. C. J. Fiordalis support. Legacy Society members Hazel M. Anchor Jean Kubota Cassill Marilyn L. Fisher have made provisions for the Barbara A. Chambers, Ed.D. museum in their estate plans Herbert Ascherman Jr. Maxeen* and John Flower or created endowments or gift Frances Babinsky Ray W. Clarke Virginia Foley annuities. These planned gifts help Laurence and Nancy Bartell Karen M. and Kenneth L. Conley Richard Lee Francis ensure the museum’s future for Mr. and Mrs. Gerald A. Conway generations to come. Hanna H. and James T. Bartlett Barbara and Peter Galvin Norma E. Battes Mr. and Mrs. Kenneth Cooley Mrs. Carl H. Ganzenmueller* New members to the Legacy Society Mrs. John (Louise) Cooper appear in italic. Mr. and Mrs. Fred G. Behm Phyllis Asquith Gary Carolyn H. Bemis* Robert and Reed Costa James E. Gibbs, M.D. * recently deceased Nancy Harris Beresford Vincent R. Crew F. David Gill Dorothy A. and Don A. Berlincourt William S. Cumming* Leonard C. Gradeck Dr. Harold and Lillian Bilsky Ran K. Datta Elaine Harris Green Catherine F. Paris Biskind Barbara Ann Davis Ann and Richard C. Gridley Flora Blumenthal Bernice M. Davis Anne Groves John C. Bonebrake Carol J. Davis Mrs. David L. Grund Helen and Albert Borowitz E. Barbara Davis Agnes Gund Ruth Gedeon Boza Mary Kay DeGrandis and Edward J. Graham Gund Donnelly Gracey Bradley* Edward Halbe* Al DeGulis Louise Bradley James J. Hamilton Mark Dreger in memory of Kelly Jeanette Grasselli Brown and Glenn Dreger David A. Hardie R. Brown Elizabeth G. Drinko Thomas and Joan Hartshorne Dr. and Mrs. Harvey Buchanan Mr. and Mrs. Robert Duvin D. J. Hassler* Fred and Linda Buchler Sandy and Peter Earl Mr. and Mrs. Wade Farley Helms Alexander W. Budden Bernard and Sheila Eckstein Bob and Jane Herbst Sally M. Buesch Elaine S. Engeln Dorothy Tremaine Hildt Honnie and Stanley Busch Dr. and Mrs. Michael D. Eppig Tom Hinson and Diana Tittle

126 Mrs. Arthur S. Holden Jr. James I. Lader Ivan Mezi Mr. and Mrs. Michael J. Horvitz Fredrick S. Lamb Edith Miller Patience Cameron Hoskins Carolyn C. Lampl Mark J. Miller Elizabeth A. Hosmer Mrs. Samuel H. Lamport Lynn Underwood Minnich Mr. and Mrs. George M. Humphrey II Roger J. Lerch Alice Mitchell Carola B. Hunt Jon and Virginia Lindseth Mr. and Mrs. William A. Mitchell Dr. and Mrs. Scott R. Inkley Tommy and Gill LiPuma Robert L. Moncrief B. Scott Isquick Mrs. Sidney Lobe Beryl and Irv Moore Donald M. Jack Jr. Martin A. LoSchiavo Geraldine M. Moose Jay and Mitzi Jackson Byron Lutman Joan R. Mortimer, Ph.D. Karen L. Jackson Alice D. Malone Mrs. Antonino Motta Sharon Faith Jacobs Jack N. Mandel Margaret Mueller Robert J. Jergens Robert A. Mann Susan B. Murphy Marion E. Johnson* Mrs. Samuel Mann Anthony C. Nassif, M.D. Mr. and Mrs. E. Bradley Jones Karen Lee Marano Barbara Doroba-Ogg and Michael J. Drs. Morris and Adrienne Jones Kate M. Markert Ogg, M.D. David and Gloria Kahan Wilbur J. Markstrom Mr. and Mrs. George Oliva III Etole and Julian Kahan Dr. and Mrs. Sanford E. Marovitz George Oliva Jr. Andrew Kahane Florence G. Marsh* Marilyn B. Opatrny Aileen and Julian Kassen Nancy-Clay Marsteller, Ph.D. Amelia S. and William M. Osborne Jr. Patricia Kelley Mr. and Mrs. Anthony M. Martincic Frederick Woodworth Pattison John Kelly Ellen and Bruce Mavec Emily M. Phillips Bruce and Eleanor Kendrick Dr. M. Lee Maxwell and Michael M. Florence KZ Pollack Malcolm E. Kenney Prunty Erin M. Poskocil Nancy H. Kiefer Mary W. and William K. McClung Stanley M. Proctor Mr.* and Mrs. Edward A. Kilroy Jr. Eleanor Bonnie McCoy M. Neal Rains Kenneth Kirtz Marguerite H. McGrath Mrs. Alfred M. Rankin Gina and Richard Klym Judith and Ted McMillan Donna and James Reid Margery A. Kowalski William W. and Pamela M. McMillan Robert S. and Sylvia K. Reitman Dr. Tom and Barbara Kuby Laura Messing Barbara S. Robinson

127 James J. Roop Alden Smith Lucile Weingartner Audra L. and George M. Rose Katherine Solender and Dr. William Mr. and Mrs. Frederick Weizman Norton Rose E. Katzin Dr. Joyce West Carole W. and Charles B. Rosenblatt Rochelle A. Solomon Marcia J. Wexberg and Kenneth D. Edwin M. Roth Dr. and Mrs. Gottfried K. Spring Singer Matilda H. Rovtar* Lia N. Staaf Marilyn J. White Aurelie A. Sabol Barbara J. Stanford Mr. and Mrs. Alton W. Whitehouse Jr. Marjorie Bell Sachs Lois C. and Thomas G. Stauffer Hugh and Sherry Whiting James and Judith Saks Saundra K. Stemen Alan and Merry Wilde James Dalton Saunders Dr. Myron B. Stern Burt T. Williams Helen Charnes Schaefer Harrison* and Nora* Stine Mr. Meredith Williams James Scheid Lois and Stanley M. Stone Mr. and Mrs. Roy L. Williams Elliott L. and Gail C. Schlang Karen K. Sutherland Nancy L. Wolpe Dina Schoonmaker Lewis Swingley* Donald F. Woodcock Bryan K. Schwegler Frances P. and Seth Taft Nancy R. Wurzel Elizabeth Wade Sedgwick Nelson Talbott Joan H. and William L. Ziegler Ralph and Roslyn Seed Andrew Talton Frances R. Zverina Dr. Gerard and Phyllis Seltzer Margaret E. Taplin Mrs. William H. Shackleton Charles H. Teare Larry and Margaret Shaffer Betty Toguchi Dr. and Mrs. Daniel J. Shapiro Mrs. Richard B. Tullis Elizabeth Carroll Shearer Dorothy Ann Turick Dr. Walter Sheppe Brenda and Evan Turner Michael and Carol Sherwin Mrs. Robert A. Urban Patricia Shiverick Marshall A. Veigel* Mr. and Mrs. Joseph Shrier Catherine G. Veres Miriam, Stanley, and Kenneth Shuler Dr. Paul J. Vignos Jr.* Z. Silver Elizabeth H. and David H. Warshawsky Mrs. John A. Sims Mrs. John C. Wasmer Jr. Naomi G. Singer Mrs. Daniel T. Weidenthal

128 Endowment Named Endowment Funds Art Purchase Charles B. and Carole W. Rosenblatt Endowment $10,000,000 and more Judith and James A. Saks in memory Support Leonard C. Hanna Jr. Bequest of Lynn and Dr. Joseph Tomarkin Funds for Mr. and Mrs. William H. Marlatt Fund Jane B. Tripp

Art Purchase, Severance A. and Greta Millikin Up to $99,999 Specific Purpose, $1,000,000 to $9,999,999 John Cook Memorial Fund and Operations Dorothea Wright Hamilton A. W. Ellenberger Sr. Andrew R. and Martha Holden Ruthe and Heinz Eppler Jennings Julius L. Greenfield The following list salutes Lawrence Hitchcock the individuals, families and $400,000 to $999,999 Tom L. Johnson organizations whose named Delia E. Holden endowment funds for art purchase, Mr. and Mrs. Roger J. Lerch in memory Lillian M. Kern Memorial Fund specific purpose and operations of Carl J. Lerch and Winifred J. Lerch provide an assured source of income Alma Kroeger Robert A. Mann for the museum and serve as a Edwin R. and Harriet Pelton Perkins Mary Spedding Milliken Memorial lasting legacy to their generosity and Mr. and Mrs. Richard W. Whitehill foresight. Dr. Gerard and Phyllis Seltzer Elizabeth Carroll Shearer Based on Market Value as of June 30, $250,000 to $399,999 2010 Edward L. Whittemore Nicholas J. Velloney Mr. and Mrs. William E. Ward New activity in 2009-2010 in italic $100,000 to $249,999 Anne Elizabeth Wilson Fund Charlotte Ekker and Charlotte Vanderveer Endowment Funds Specific Purpose Maria J. and William Aubrey Hall $1,000,000 and more Hershey Family Fund Robert P. Bergman, Curatorial Chair Louis Severance Higgins for Medieval Art L. E. Holden Robert P. Bergman Memorial Fund Louis D. Kacalieff, MD Muriel S. Butkin Curatorial G. M. and J. R. Kelly Marie K. and Hubert L. Fairchild Fund Alma and Robert Milne Ernest L. and Louise M. Gartner Fund James A. Parmelee Andrew W. Mellon Foundation

129 Andrew W. Mellon Foundation Fund L. E. Holden Frank and Margaret Hyncik Memorial Endowment Funds Operating for Publications and Research Gertrude S. Hornung Fund $10,000,000 and more John and Frances Sherwin Fine Arts Zane Bland Odenkirk and Magdalena Dr. and Mrs. Scott R. Inkley in Leonard C. Hanna Jr. Bequest Garden Maillard Odenkirk memory of Katharine Newcomer Nicholas J. Velloney Charlotte F. J. Vanderveer Albertha T. Jennings Musical Arts $1,000,000 to $9,999,999 The Paul J. and Edith Ingalls Vignos Jr. Women’s Council Flower Fund Ruth Lessam Memorial Mr. and Mrs. Wilbert S. Brewer Curator of European Painting Ellen Bonnie Mandel Children’s Memorial Fund Up to $99,999 Education Fund Leonard C. Hanna Jr. $500,000 to $999,999 Anonymous Herman R. Marshall Memorial Benjamin S. Hubbell Family Fund George P. Bickford, Curatorial Chair for Indian and Southeast Asian Art Lydia May Ames Malcolm Martin Andrew R. and Martha Holden Jennings Reinberger Foundation Mr. and Mrs. Matthew Andrews Ethel Cable McCabe William G. Mather Rufus M. Ullman Valentine Bikerman Scholarship Fund Thomas Munro Memorial Fund Membership Endowment Delia H. White Robert Blank Art Scholarship Fund S. Louise Pattison Katherine Holden Thayer Anton and Rose Zverina Music Fund Arthur, Asenath, and Walter H. Preservation and Conservation of Blodgett Memorial Fund Asian Paintings $500,000 to $999,999 $250,000 to $499,999 Kelly Dreger Mr. and Mrs. Edd A. Ruggles Memorial Fund Charles R. and Emma M. Berne The Noah L. Butkin Fund Louise M. Dunn Fund Memorial Fund Ellen Wade Chinn Netta Faris Adolph Benedict and Ila Roberts Schneider Memorial Music Fund Roberta Holden Bole Harold T. Clark Educational Extension Fine Arts Garden Dorothea Wright Hamilton Fund Charles Frederick Schweinfurth The Gallery Group Scholarship Louise H. and David S. Ingalls Marianne Millikin Hadden Fund Gilpin Scholarship Fund of Karamu H. E. Weeks Memorial for Art and Alison Loren and Leslie Burt Fund in Malcolm E. Kenney Special Exhibitions House Architecture memory of Albert and Doris Glaser F. J. O’Neill Mr. and Mrs. James C. Hageman in Mary H. White Mr. and Mrs. James S. Reid Jr. memory of Mrs. Elta Albaugh Schleiff Rose E. Zverina Dorothy H. Zak Silvia and Justin Zverina Fund Charlotte L. Halas in memory of Lillie and Adolph $100,000 to $249,999 Flora E. Hard Memorial Fund Wunderlich Mildred K. Bickel Dr. Gerhard and Mrs. Lee K. Ronald and Isabelle G. Brown Hoffmann $250,000 to $499,999 John and Helen Collis Family Guerdon Stearns Holden Julia Cobb and Benedict Crowell Memorial Fund The FUNd Dorothy Humel Hovorka Musical Arts Josephine P. and Dorothy B. Everett GAR Foundation Fund Charles W. Harkness

130 Margaret Huntington Smith Blodgett Memorial Fund Aline McDowell Memorial McCarthy Eleanor and Sevier Bonnie Mr. and Mrs. Eugene R. Miles F. J. O’Neill Noah and Muriel Butkin Mr. and Mrs. Severance A. Millikin Joseph D. and Margaret C. Smith Julius Cahan David and Dorothy Morris Memorial Richard B. and Chaille H. Tullis Myrta Jones Cannon Ralph J. Mueller Memorial Anna L. Vanderwerf Memorial Fund Mrs. Harold T. Clark Memorial Mr. and Mrs. George Oliva Jr. G. Garretson Wade Mary Elder Crawford Rudolph J. Pepke Memorial Mr. and Mrs. Richard W. Whitehill Nancy W. Danford Mr. and Mrs. Alfred M. Rankin Lewis C. and Lydia Williams Bernard and Sheila Eckstein Worcester Reed and Cornelia Blakemore Warner Memorial $100,000 to $249,999 Adele C. and Howard P. Eells Jr. Mr. and Mrs. Louis Rorimer Memorial Quentin and Elisabeth Alexander Eleanor and Morris Everett William B. Sanders George P. Bickford Elsa C. and Warren C. Fargo Carl L. and Florence B. Selden Julia and James Dempsey Robert I. Gale Jr. and Frances W. Gale Glenn C. Sheidler Elizabeth G. Drinko Newman T. and Virginia M. Halvorson Howard Melville Hanna III Memorial Francis M. and Margaret Halle Frances W. and David S. Ingalls Sherwin Lawrence Hitchcock Memorial Mr. and Mrs. Edward A. Kilroy Jr. James N. and Kathleen B. Sherwin Mr. and Mrs. Arthur S. Holden Jr. Mr. and Mrs. William H. Marlatt Fund John and Francis W. Sherwin Ralph and Mildred Hollander Estate of Malcolm L. McBride Mr. and Mrs. Nelson S. Talbott in Laurence H. Norton Mr. and Mrs. Michael J. Horvitz memory of Mr. and Mrs. Edwin Kirk Helen G. and A. Dean Perry James D. and Cornelia W. Ireland Large Margaret E. and Frank E. Taplin Jr. David H. Jacobs Frank E. and Edith S. Taplin Memorial Paul J. and Edith Ingalls Vignos James Endowment Franny Tewksbury and Ralph T. King Memorial Alton and Helen Whitehouse G. Robert and Mary Elizabeth Klein Ada E. Koehler Memorial Jane B. Tripp Up to $99,999 Jack and Carolyn Lampl Mr. and Mrs. Thomas V. H. Vail Anonymous #5 Patricia C. LeMaster Memorial George Garretson Wade Memorial Anonymous #9 Martin A. LoSchiavo Lewis B. and Helen C. Williams Marie N. Agee Caroline MacNaughton Paul D. and Odette V. Wurzburger Jean Astrup Faubel Blanche Samuel and Grace Mann Dr. and Mrs. E. K. Zaworski Memorial Arthur, Asenath, and Walter H. Ruth K. McDonough Dr. William F. Zornow

131 Trust Fund Art Purchase Operating Income for Dudley P. Allen Harry F. and Edna J. Burmester Karl B. Goldfield Caroline E. Coit Art Purchase, Sarah Stern Michael Henry G. Dalton Specific Purpose, Severance and Greta Millikin General Endowment and Operations John L. Severance Guerdon S. Holden Norman O. Stone and Ella A. Stone John Huntington Art and Polytechnic Memorial Trust The following list acknowledges the J. H. Wade Hinman B. Hurlbut individuals and families whose trusts Horace Kelley Art Foundation provided income to the museum in Specific Purpose 2009–2010. William Curtis Morton, Maud Helen C. Cole Morton and Kathleen Morton Leonard C. Hanna Jr. Elisabeth Severance Prentiss Hermon A. Kelley Art Library Katherine Holden Thayer Fund #3 P. J. McMyler Musical Endowment John Mason Walter and Jeanne M. Walter Memorial William E. Ward

132 Gifts in Honor of Jane Glaubinger James S. Reid Jr. Tribute Dr. and Mrs. Bruce Schermer MTD Products Inc. Gay Cull and Edward Addicott, wedding celebration Deborah Gribbon Elizabeth Saluk Mr. and Mrs. Shale Sonkin Mr. Jonathan Leebow and Ms. Mr. and Mrs. Charles L. Deihl Elizabeth Solonche Anne Berk, milestone birthday Elliott Schlang, 75th birthday Larry and Carol Blazar C. Bruce Hardy Howard S. and Carol K. Abrams Beatrice Borwick Craig J. Hardy James E. Sampliner Gloria Cohen Tom Hinson, Curator of Photography Jill W. Selman Mr. and Mrs. Eli C. Becker Phyllis Hartstein Mr. and Mrs. David M. Schneider Lois G. Katovsky Michael J. Horvitz, 60th birthday Stephen and Betsy Cushman Mr. and Mrs. Andrew Kohn Mrs. Harry Richard Horvitz Phil and Amy Schneider Karenruth Kravitz Michael and Jane Horvitz’s 30th Sylvia Math wedding anniversary Mr. and Mrs. Peter A. Horvitz Faye Perlberg Mr. and Mrs. Tony S. Schneider Joan and Roger Cramer, Golden wedding Susan Jaros Mr. and Mrs. Edward R. Addicott James and Christine Berick Robert and Jane Daroff, 50th wedding CMA Prints and Drawings anniversary Cleveland State University Mr. and Mrs. Michael W. Devereaux Steve Litt Harris Financial Services Mr. Gary Kornblith and Ms. Carol Greg Harris Lasser James H. Dempsey Jr. Bill and Raili Marling, wedding Howard and Julia D. Cox celebration Maria F. Mandel Donald Epstein, 80th birthday Alan Z. Lefkowitz Shelley Paine, Doris Ann Hendrix Linda Friedman, birthday Mr. and Mrs. Stanley Grossman Liz Pim Carrie B. Edelstein Linda Friedman, 10 years of service to CMA’s docent program Viki and Alfred Rankin Jr. David and Margaret Sloan Mrs. Alfred M. Rankin

133 Gifts in Memory of James Hilton Debra A. Gressel Anahid Aghajanian Karyl W. Aghajanian David Moskovitz Mr. and Mrs. Jeffrey Bilsky Margie L. Moskovitz Brehmer Investment Corporation Patrick C. O’Brien Jr. Paul and Claudia Brookes John and Sally Schulze Independence-Excavating, Inc. Ruth A. Perko Jude Johnson Gilmour Academy Mr. and Mrs. Frank Leonetti Jo Ann Boyda Thomas Nigolian Mr. Philip Brett and Ms. Elizabeth Eiger Richard A. and Bobby Rosner Bernard and Cynthia F. Bujakowski Victoria Semarjian Carpenters Local Union #212 Leita C. Stephens Michael Caso Sharon Werner Mr. and Mrs. Andrew R. Cherna David K. Anderson Ms. Laura Fields and Ms. Renee Charles K. and Susanne J. Mann George William Wesley Anop Robert C. Gannon Miss Mae Alice Donner Josie Gruden Harold Terry Clark, Mary Sanders Rita A. Kichinka Clark, and Marie Odenkirk Clark Sherry and Bruce Lieber William Sanders Clark Gale K. and Robert A. Lippucci Betty Eirinberg Robert H. Perko Michael C. Penzner Kathleen A. Petrulis Yoel Shoham Lawrence and Debby Hahn Rosati Department of Community Development Timothy B. and Sharon M. Sheehan Iris Fishman Mr. and Mrs. Peter A. Straffon Christine H. Szomoru Terry Goulder Mr. and Mrs. Roger Roman Mark Smrekar Jr. Mr. and Mrs. Mark Smrekar Jeanne Harris Hansell Mr. and Mrs. Robert M. Ginn

134 Gifts to Individual Donors Canadian Conservation Institute Exchange Centre for Scientific Marianne Berardi Castello Sforzesco Literature William S. Clark Center for Chinese Studies Ferenc Hopp Museum of Eastern Ingalls Asiatic Art Stephen Fliegel Centro de Documentacio i Museu Fine Arts Trader Tom Johnson Textil Library and Frances Lehman Loeb Art Center Robert M. Kaye Century Association Chinati Foundation Friends of the Beachwood Public Christine Kermaire Library Christie’s Ellen G. Landau Fritz Thyssen Stiftung Cleveland Restoration Society Richard Louis Fundacion Lazaro Galdiano Collections Baur Marsha Morrow George Braziller, Inc. Colonial Williamsburg Foundation Paula Pike Getty Conservation Institute Cooper-Hewitt Museum Hal P. Retzler Goteborg Museum of Art Corning Museum of Glass Paul Tikkanen Herbert F. Johnson Museum of Art Council on Library and Information Institutional Donors Resources Hessisches Landesmuseum Abegg-Stiftung Courtauld Institute of Art Hunt Institute Akron Art Museum Cranbrook Art Museum Huntington Library Press American Center of Oriental Currents Idemitsu Museum of Arts Research Dar al-Athar al-Islamiyyah, Ministry American School of Classical Studies of Information Institut für Kunstgeschichte Ostasiens Amici dei Musei di Roma Detroit Institute of Arts International Centre for the Study of Anchorage Museum Deutsche Gesellschaft für the Preservation and the Restoration Ostasiatische Kunst of Cultural Property Art Students League of New York Dobó István Vármúzeum International Research Center for Auckland Art Gallery Dombauarchiv Japanese Studies Benaki Museum Editura Academiei Româme Iris & B. Gerald Cantor Center for Visual Arts at Stanford University Bibliothèque Nationale de France Eidgenössische Technische Hochschule Zurich Ishibashi Museum of Art Birmingham Museum of Art Enamelist Society Israel Museum Library Blackflash Magazine English Heritage James Cohan Gallery Museum of Art Epigraphic Society Knihovna Národniho Muzea Brucke-Museum

135 Kobe University Japan , France National Museum of Korea Kodai Oriento Hakubutsukan Musée d’Art et d’Histoire de la Ville National Museum of Western Art, Korea Foundation de la Geneve Japan Kuboso Memorial Museum of Arts Musée Malraux National Palace Museum, China Kulturprojekte Berlin Frenkel Musée National Suisse National Palace Museum, Taiwan Kunst- und Museumsbibliothek, Köln, Musées Royaux d’Art et d’Histoire New Orleans Museum of Art Germany Museo Nacional de Bellas Artes, Chile Newark Museum Kunsthalle Bremen Museo Nacional del Prado Newington Cropsey Foundation Kunstsammlung Nordrhein- Museo Thyssen-Bornemisza Numismatica Ars Classica Ag Westfalen Museum fur Angewandte Kunst Ny Carlsberg Glyptotek Kunsthistorisches Institut in Florenz Ordrupgaard Kunsthistorisches Institut in Florenz, Museum fur Ostasiatische Kunst Parrish Art Museum Max-Planck-Institut Museum of Biblical Art Philadelphia Museum of Art Kurokawa Institute of Ancient Museum of Fine Arts, Boston Cultures Pre-Columbian Art Research Institute Museum of Fine Arts, Houston Kyo¯to Kokuritsu Hakubutsukan Pro Helvetica Information und Presse Museum Rietberg Zurich Kyo¯to Tetsugakkai Print Council of America Museum Yamato Bunkan Laguna Art Museum Pushkin State Museum of Fine Arts Museumlandschaft Hessen Kassel Landesmuseum Zurich Queensland Art Gallery Naprstek Museum of Asian African Rheinisches Landesmuseum Bonn Librairie Erasmus and American Cultures Rijksmuseum Amsterdam Library Binding Service/Archival Nara National Museum Products Royal Ontario Museum National Art Gallery Singapore Library of the Royal Swedish Russian Painting Collectors Club National Central Library, China Academy of Letters, History and Salzburg Museum Antiquities National Gallery, Great Britain Schweizerisches Landesmuseum Linden Museum Stuttgart National Gallery of Canada Zurich Metropolitan Museum of Art National Gallery of Victoria Singapore Art Museum Minneapolis Institute of Arts National Library of China Shannon’s Fine Art Auctioneers Mint Museum of Art National Library of Russia Smithsonian Institution Traveling Musashino Art University National Museum of Contemporary Exhibition Service Musée Condé Art, Korea Société Archéologique et Historique Musée d’Art Contemporain, National Museum of History, China du Limousin

136 Société des Américanistes Cultural Properties Société des Amis de la Bibliotheque Forney Universitat Autònoma de Société pour la Conservation des Université Libre de Bruxelles Monuments Historiques d’Alsace University Gallery & Art Museum, Society for Near Eastern Studies State University Sotheby’s Museum of Stadel Museum Art Stadtische Galerie im Lenbachhaus University Of Nebraska, Hixson-Lied Munchen College of Fine & Performing Arts Stadtisches Museum University of St. Andrews, School of State Hermitage Library Art History Statens Museum for Kunst Victoria and Albert Museum, Conservation Department Stato Della Citta del Vaticano W. W. Carpenter Enamel Foundation Sterling and Francine Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster Stiftung Wilhelm Lehmbruck Museum Wilhelm-Busch-Museum Sumida Hokusai Collection Williamstown Art Conservation Center Taipei National University of the Arts Library Library Tochigi Prefectural Museum of Fine Arts Toho Gakkai To¯hoku Daigaku, Bigaku Bijutsu-shi Kenkyushitsu Tokugawa Reimeikai Foundation T o¯ k y o¯ T e i k o k u D a i g a k u , T o¯ y o¯ B u n k a K e n k y u¯ j o To¯kyo¯ Kokuritsu Kindai Bijutsukan Tokyo National Museum Tokyo National Research Institute of

137 Benefactors Patron Benefactors Mrs. Liberty E. Holden The F. J. O’Neill Charitable $1,000,000 or more Lois U. Horvitz Corporation Anonymous Mr. and Mrs. Michael J. Horvitz Mr. and Mrs. A. Dean Perry The Cleveland Museum of Art Mr. and Mrs. B. Charles Ames The HRH Family Foundations PNC Bank? recognizes the cumulative giving The Mildred Andrews Fund Virginia Hubbell Francis Fleury and Elisabeth of individuals, corporations, and Ann Baumann Severance Prentiss organizations. We extend our David S. Ingalls & Family Mr. and Mrs. Alfred M. Rankin deepest appreciation to these Mr. and Mrs. George P. Bickford Louise H. and David S. Ingalls generous donors. Mr. and Mrs. Wilbert S. Brewer Foundation Mr. and Mrs. James S. Reid Jr. Helen E. Brown Institute of Museum and Library The Reinberger Foundation Mr. and Mrs. Noah L. Butkin Services Mr. and Mrs. David M. Schneider The Cleveland Foundation Andrew R. and Martha Holden John L. Severance Jennings Helen C. Cole Carol and Michael Sherwin Mr. and Mrs. Joseph P. Keithley Alexander M. and Sarah S. Cutler Mr. and Mrs. Kelvin Smith KeyBank Mr. and Mrs. John D. Drinko The Kelvin and Eleanor Smith The Kresge Foundation Foundation Marie and Hubert Fairchild Lila Wallace-Reader’s Digest Fund State of Ohio Thomas L. Fawick Amanda and William P. Madar Mr. and Mrs. Howard F. Stirn Mr. and Mrs. Lawrence A. Fleischman Mr. and Mrs. Milton Maltz Lockwood Thompson Mr. and Mrs. Ernest L. Gartner The Mandel Foundations U.S. Department of Education Mr. and Mrs. Alexander Ginn Mr. and Mrs. William H. Marlatt Mr. and Mrs. Richard Whitehill Helen Wade Greene The Andrew W. Mellon Foundation The Womens Council of the Mr. and Mrs. James C. Gruener Mr. and Mrs. Severance A. Millikin Cleveland Museum of Art Agnes Gund The David and Inez Myers Mr. and Mrs. Paul D. Wurzburger George Gund III and Iara Lee Foundation Justin & Silvia Zverina The George Gund Foundation NACCO Industries, Inc. Dorothea Wright Hamilton Lucia S. Nash Mrs. Leonard C. Hanna National Endowment for the Arts Leonard C. Hanna Jr. Mr. and Mrs. Eric T. Nord Stanley Hess Ohio Arts Council Dr. Gerhard Hoffmann and Mrs. Lee Georgia O’Keeffe Hoffmann

138 Foundation Benefactors Huntington Bancshares Incorporated Benefactor Fellows Maxeen and John Flower $500,000 to $999,999 Scott C. Mueller and Margaret $250,000 to $499,999 The J. Paul Getty Trust Anonymous (2) Fulton-Mueller Anonymous (3) Mr. and Mrs. Robert W. Gillespie AT&T Foundation The John P. Murphy Foundation The Abington Foundation Morton Glaser Hanna H. and James T. Bartlett Mr. and Mrs. Stephen Myers Mr. and Mrs. Quentin Alexander Gladys B. Goetz Jeanne Miles Blackburn National Endowment for the Bank of America Lucile and Robert H. Gries Charity BP America Humanities The Andrews Foundation Fund Hon. Joseph P. Carroll and Mrs. Mr. and Mrs. R. Henry Norweb Raymond Q. and Elizabeth R. Mr. and Mrs. Robert D. Gries Carroll Payne Fund, Inc. Armington Mr. and Mrs. Graham Gund Leigh and Mary Carter Anne Hollis Perkins Baker & Hostetler LLP Elaine Grasselli Hadden Charter One Bank The Print Club of Cleveland Mr. and Mrs. Randall J. Barbato Maria Hall Ellen Wade Chinn PTS Foundation Louis Dudley Beaumont Dr. and Mrs. Shattuck Wellman Eaton Corporation Sarah P. and William R. Robertson The Louis D. Beaumont Foundation Hartwell Jr. The Freeman Foundation Larry and Barbara S. Robinson Mike and Annie Belkin Henry Hawley The GAR Foundation Grace Rainey Rogers Emma R. Berne Dorothy Hildt Nelson Goodman Mark Schwartz and Bettina Katz Emily E. and Dudley S. Blossom Jr. Mr. and Mrs. Arthur S. Holden Hahn Loeser & Parks LLP Mr. and Mrs. Ellery Sedgwick Jr. Eva L. and Joseph M. Bruening Barbara A. Joseph Peter and Peggy Horvitz The Sherwick Fund Foundation Robert M. Kaye James D. Ireland III Mr. and Mrs. Alvin A. Siegal Martha and Thomas Carter Mr. and Mrs. Edward A. Kilroy Jr. Mr. and Mrs. William Powell Jones Elizabeth M. Skala Cleveland Society for Contemporary Mr. and Mrs. Stewart Kohl Art Susan and Dieter Kaesgen Squire Sanders & Dempsey The Kulas Foundation The George W. Codrington Malcolm E. Kenney Dr Willard D. Steck Charitable Foundation Muriel Kozlow Lillian M. Kern Mr. and Mrs. Eugene Stevens Mr. and Mrs. Gerald A. Conway Helen A. and Fredrick S. Lamb R. P. Kitaj United Technologies Corporation Mr. and Mrs. Warren H. Corning Mr. and Mrs. Jack W. Lampl Jr. Alma Kroeger Nicholas J. Velloney CVJ Corporation Dr. and Mrs. Sherman E. Lee Mr. and Mrs. Thomas A. Mann Dr. and Mrs. Paul J. Vignos Jr. Robert H. Ellsworth Peter B. Lewis Robert A. Mann Mrs. J. H. Wade Josephine P. and Dorothy Burnham Mr. and Mrs. Jon A. Lindseth Mr. and Mrs. William G. Mather Dr. Norman W. Zaworski Everett Mr. and Mrs. Thomas LiPuma Mr. and Mrs. Bruce V. Mavec Bruce Ferrini Mrs. Lee W. Lockwood The Mellen Foundation FirstEnergy Rosemarie and Leighton R. Longhi

139 The S. Livingston Mather Charitable Mr. and Mrs. Frank E. Taplin Jr Endowment Benefactors Collacott Foundation Trust Mr. and Mrs. Courtenay Taplin $100,000 to $249,999 Eleanor Bonnie McCoy Katherine Holden Thayer Anonymous (2) Mr. and Mrs. William E. Conway Elizabeth Briggs Merry Mrs. Chester D. Tripp Dudley P. Allen Arlene Cooper Thomas P. Miller Pamela Pratt Auchincloss and Garner American Greetings Corporation Mr. and Mrs. Benedict Crowell Mr. and Mrs. Harold S. Minoff Tullis Bank One, N. A. Cuyahoga County Board of India E. Minshall Susan and John Turben Foundation Mr. and Mrs. Clinton E. Barry Commissioners Ohio SchoolNet Commission U.S. Department of Commerce Ann Bassett Henry G. Dalton Mr. and Mrs. Frank H. Porter Elliot M. Veinerman Vernon W. Baxter Dorothy Dehner Leonna Prasse George Garretson Wade Charitable Maud K. Bell Mr. and Mrs. James H. Dempsey Jr. Mildred Andrews Putnam Trust #2 Mr. and Mrs. James S. Berkman Mrs. John B. Dempsey Peter Putnam Mr. and Mrs. Jeptha H. Wade III Mildred K. Bickel Edna H. Doller Mr. and Mrs. Alfred M. Rankin Jr. Evelyn S. And William E. Ward The Family of Mrs. Robert H. Bishop Dominion East Ohio David Raymond William E. Ward Elizabeth B. Blossom Zoann and Warren Dusenbury David Rollins Mr. and Mrs. Richard T. Watson Richard J. Blum and Harriet L. Warm Louise Rorimer Dushkin Alexandre P. Rosenberg Katherine C. White Mrs. Benjamin P. Bole Edith Virginia Enkler Carole and Charles Rosenblatt Mr. and Mrs. Lewis C. Williams Mr. and Mrs. Charles P. Bolton Ernst & Young LLP Edwin Roth John C. Bonebrake Mr. and Mrs. Raymond F. Evans Mr. and Mrs. James A. Saks Mr. and Mrs. Paul S. Brentlinger Eleanor and Morris Everett The Sears-Swetland Family The Britton Fund Jane Iglauer Fallon Foundation Jeanette Grasselli Brown and Glenn Mr. and Mrs. James E. Ferrell Dr. Gerard and Phyllis Seltzer R. Brown Allen H. Ford Dennis Sherwin Ronald and Isabelle Brown Forest City Enterprises, Inc. Mr. and Mrs. James N. Sherwin Mr. and Mrs. Willard Brown Hollis French John and Frances M. Sherwin Ella Brummer Robert and Ann Friedman William Kelly Simpson E. Rhodes and Leona B. Carpenter Charles and Marguerite C. Galanie Foundation Nancy Baxter Skallerup Mr. and Mrs. Robert I. Gale Jr. The Chubb Corporation Kathleen E. Smith The Giant Eagle Foundation Mr. and Mrs. M. Roger Clapp Margaret C. and Joseph D. Smith William J. Gordon Mrs. Harold T. Clark The Irving Sunshine Family Joseph T. Gorman The Cleveland Clinic Foundation

140 The Florence Gould Foundation Mrs. Albert S. Ingalls Toby Devan Lewis Ray and Katie Murphy Mr. and Mrs. Robert T. Gow Institut Ramon Llull T. Dixon Long Louis S. and Mary Schiller Myers Elizabeth Firestone Graham International Business Machines Henry Luce Foundation, Inc. Myers Industries, Inc. Foundation Corp. Mr. and Mrs. John D. MacDonald Nordson Corporation Edward B. Greene Mr. and Mrs. James D. Ireland Caroline Macnaughton Mrs. R. Henry Norweb Jr Ann and Richard Gridley Charles Isaacs and Carol Nigro Morton and Barbara Mandel Mr. and Mrs. George Oliva Jr. Mr. and Mrs. John E. Guinness Mr. and Mrs. Donald M. Jack Jr. Elizabeth Ring Mather and William Lillian and Derek Ostergard Mr. and Mrs. John C. Jackson Gwinn Mather Fund Henry Ott-Hansen Musa Gustan Barbara Jacobs Stephan Mazoh Park-Ohio Holdings Carl E. Haas Martha Holden Jennings Foundation Mr. and Mrs. Malcolm L. McBride James Parmelee The Hadden Foundation The Jewish Community Federation of Elizabeth McBride Robert deSteacy Paxton Cleveland Mr. and Mrs. John Hadden Sr. Margaret H. S. McCarthy James Edward Peck Jones Day Mrs. Salmon P. Halle Joseph McCrindle Mrs. Rudolph J. Pepke Virginia Jones Mr. and Mrs. Newman T. Halvorson Mrs. Norman F. McDonough Mary Witt Perkins Mr. and Mrs. William Jurey Janice Hammond and Edward Sarah Holden McLaren Francine and Benson Pilloff Hemmelgarn Louis D. Kacalieff, M. D. Mr. and Mrs. S. Sterling McMillan Plain Dealer Publishing Co. Mrs. Charles W. Harkness Walter and Jean Kalberer Foundation Judith K. and S. Sterling McMillan III Mr. and Mrs. Leon M. Plevin Mr. and Mrs. Edward S. Harkness The Kangesser Foundation Mrs. P. J. McMyler The PNC Foundation? Or belongs in Josef Hatzenbuehler Foundation, Inc. Moselle Taylor Meals Foundation list? Rudolf J. Heinemann John Kelly Medical Mutual of Ohio Mr. and Mrs. Albert B. Ratner The Hershey Family George S. Kendrick Mr. and Mrs. Edward H. Merrin Mr. and Mrs. James Ratner Mr. and Mrs. Lawrence Hitchcock Mr. and Mrs. Douglas A. Kern Samuel Merrin Mr. and Mrs. Max Ratner Michael Hoffman Mr. and Mrs. R. Steven Kestner William Mathewson Milliken Andrew Rayburn and Heather Guess Constance Holden-Sommers Mr. and Mrs. Ralph Thrall King Mr. and Mrs. William A. Mitchell The Samuel Rosenthal Foundation Mr. and Mrs. James Horner Fred W. Koehler Tajima Mitsuru Mr. and Mrs. Albrecht Saalfield Dr. Gertrude Hornung The Korea Foundation David and Lindsay Morgenthaler Mr. and Mrs. Paul H. Sampliner Dr. and Mrs. Roger Y. K. Hsu The Samuel H. Kress Foundation Sally S. and John C. Morley SCH Foundation Lillian L. Hudimac The Laub Foundation Barrie Morrison Mr. and Mrs. Gilbert P. Schafer Mr. and Mrs. George M. Humphrey II Harley C. Lee Gordon K. Mott Mr. and Mrs. Elliott L. Schlang George M. and Pamela S. Humphrey Mr. and Mrs. Herbert F. Leisy The Murch Foundation Mr. and Mrs. Ralph S. Schmitt Fund Mildred Lerch

141 Ethelyne Seligman Benefactors Carol Brewster Mr. and Mrs. Howard P. Eells Jr. Boake and Marian Sells $50,000 to $99,999 Dr. and Mrs. Jerald S. Brodkey Natasha Eilenberg Mr. and Mrs. David L. Selman Anonymous (3) Brush Engineered Materials, Inc. A. W. Ellenberger Sr. Mrs. John L. Severance Charles Abel Edith Burrous June M. Eppink Mr. and Mrs. Francis M. Sherwin Shuree Abrams Margaret Uhl Burrows Heinz Eppler John and Frances W. Sherwin Accenture LLP Julius Cahen Joseph M. Erdelac Rabbi Daniel and Adele Silver Robert H. Adams Mr. and Mrs. William R. Calfee Mr. and Mrs. Giuseppe Eskanazi Phyllis Sloane Dick and Joan Ainsworth Mrs. Henry White Cannon Dr. and Mrs. Warren C. Fargo Mr. and Mrs. Edward C. Smith Mrs. Frances Almirall Gertrude K. and Homer D. W. Mr. and Mrs. Arthur L. Feldman Mr. and Mrs. Steven Spilman Amica Insurance Chisholm Ferro Corporation Louise Hawley Stone Mrs. and Mrs. Matthew Andrews Cliffs Natural Resources, Inc. Fifth Third Bank Norman W. and Ella A. Stone Dr. and Mrs. Albert C. Antoine Mr. and Mrs. Ralph M. Coe Pamela Humphrey Firman Mr. and Mrs. Seth C. Taft Mr. and Mrs. Arnold S. Askin Mr. and Mrs. Ralph F. Colin The Ford Foundation Mr. and Mrs. Nelson S. Talbott Lester P. and Marjorie W. Aurbach Stella M. Collins Mrs. James Albert Ford Textile Arts Alliance Mr. and Mrs. Daniel F. Austin Mrs. John Lyon Collyer The Tiffany & Co. Foundation Mrs. S. Prentiss Baldwin Daniel S. Connelly The Harry K. Fox and Emma R. Fox The Emily Hall Tremaine Foundation Dr. Kathleen L. Barber George B. Coombe Charitable Foundation Mrs. Henry Trenkamp Jr. Theodore S. and Marcella M. Bard Mrs. James W. Corrigan Mrs. Robert J. Frackelton Mr. and Mrs. Richard B. Tullis Margret A. Beekel Alan Covell and K. Pak-Covell The Family of Elizabeth Ege Freudenheim Charlotte Vander Veer Dr. Ronald and Diane Bell Mr. and Mrs. Wilbur A. Cowett GE Consumer & Industrial G. Garretson Wade Milena M. Benesovsky Mr. and Mrs Robert R. Cull Marian Sheidler Gilbert Mr. and Mrs. Worcester R. Warner Goodrich Company Mr. and Mrs. David A. Daberko Lucille F. Goldsmith Mr. and Mrs. David Haber John B. Black David E. and Bernice Sapirstein Davis Warshawsky Peter M. Black Helen and Albert J. DeGulis (Lady) Marie Louise Gollan The Raymond John Wean Foundation Ruth Blumka Frances F. Dickenson Mr. and Mrs. Richard I. Goss The S. K. Wellman Foundation Mrs. Chester C. Bolton Dr. and Mrs. Richard C. Distad Josephine Grasselli Mr. and Mrs. Alton W. Whitehouse Jr. Kathryn G. Bondy Peter J. and Margaret N. Dobbins Geoffrey Gund Mr. and Mrs. Lewis B. Williams Mr. and Mrs. Albert I. Borowitz Donley’s Inc. Thomas M. Hague Mary Jo Wise Ruth J. Boza William Dove Edgar A. Hahn Janette Wright Mr. and Mrs. John G. Breen Dr. and Mrs. Paul G. Ecker Mrs. Howard M. Hanna

142 Mr. and Mrs. Henry R. Hatch III Mr. and Mrs. Paul Kaminsky Brian and Florence Mahony The Norton-White-Gale Trust Mr. and Mrs. Osborne Hauge Keithley Instruments, Inc Mr. and Mrs. Paul Mallon Earle W. Oglebay Mr. and Mrs. Victor Hauge Harry D. Kendrick Jack and Lilyan Mandel William J. and Katherine T. O’Neill Ruth C. Heede Irene Kissell Joseph and Florence Mandel Mr. and Mrs. William M. Osborne Jr. Mrs. Charles Hickox Mr. and Mrs. G. Robert Klein Dr. Nancy-Clay Marsteller Mr. and Mrs. Frederick S. C. Perry Mr. and Mrs. J. J. Klejman Samuel Mather Dr. and Mrs. Harlan R. Peterjohn Hiroshi Hirota Mr. and Mrs. Stephen J. Knerly Jr. Virginia Hosford Mathis Mr. and Mrs. Peter Pfouts Goldie Hoffman Mr. and Mrs. John D. Koch Kathryn Arns May Hobson L. Pittman Liberty E. Holden Kohrman Jackson & Krantz Adelaide McCracken John and Mary Preston Dr. and Mrs. Ralph F. Hollander Kotecki Monuments, Inc. McDonald Investments Prince & Izant Company Mr. and Mrs. John H. Hord KPMG LLP Aline McDowell Mr. and Mrs. Thomas A. Quintrell Joan E. and Leonard C. Horvitz William Krause McMaster-Carr Supply Company Mr. and Mrs. Bryan S. Reid Mr. and Mrs. Benjamin S. Hubbell Jr. Mr. and Mrs. Dennis W. LaBarre Dr. and Mrs. Ruben F. Mettler Louise S. Richards Dr. and Mrs. William L. Huffman Mr. and Mrs. Arthur J. Lafave Jr. Dr. Leo Mildenberg Mr. and Mrs. Thomas R. Riley Marguerite B. Humphrey Rogerio Lam Mr. and Mrs. Eugene R. Miles RJF International Helen Humphreys The Lamson & Sessions Foundation Mr. and Mrs. Joseph B. Milgram Jr. Mr. and Mrs. John D. Rockefeller III Huntington National Bank Mr. and Mrs. Oscar J. Lange Edith D. Miller John D. Rockefeller Jr. Charles S. Hyle Mrs. Raymond E. Lawrence Mr. and Mrs. Robert D. Milne Rockwell Automation Jarmila Hyncik Mary B. Lee Mrs. Paul Moore Mr. and Mrs. James J. Rorimer David S. Ingalls Jr. Linden Trust Mr. and Mrs. Stephen C. Morris II Milton C. Rose Dr. and Mrs. Scott R. Inkley The Katherine Kenyon Lippitt Nellie W. Morris Mr. and Mrs. Charles S. Roseman The Gilbert W. and Louise Ireland Foundation Joan R. Mortimer, Ph.D. Rosenberg and Stiebel Inc. Humphrey Foundation Jack B. List Testamentary Trust Dr. and Mrs. Thomas Munro Mr. and Mrs. J. King Rosendale Kate Ireland Mr. and Mrs. Herbert M. Litton Murlan and Margaret Murphy Sr. Dr. and Mrs. Ronald J. Ross Mr. and Mrs. R. Livingston Ireland Mr. and Mrs. William Litzler Mr. and Mrs. Brian F. Murphy Gloria Ross Mr. and Mrs. Raymond T. Jackson Mr. and Mrs. Edward A. Lozick Klaus F. Naumann RPM, Inc. The Japan Foundation LTV Steel Company Mr. and Mrs. James A. Nelson Arthur Sachs Mr. and Mrs. Homer H. Johnson Lubrizol Corporation Nestle’ Prepared Foods Co. Mr. and Mrs. Maurice Saltzman The Joyce Foundation Mr. and Mrs. Theodore M. Luntz David Z. Norton William B. Sanders Dr. and Mrs. Donald W. Junglas Mr. and Mrs. Alex Machaskee Laurence H. Norton Martha Bell Sanders

143 Dr. and Mrs. Robert Schermer Mr. and Mrs. Thomas V. H. Vail Mr. and Mrs. Viktor Schreckengost Mrs. Jacob W. Vanderwerf Florence B. Selden Mitzie Verne John L. Selman Gertrude L. Vrana Isosuke Setsu Mildred E. Walker Takako and Iwao Setsu Pamela Ward Kim Sherwin Helen B. Warner Sherwin-Williams Company The Weatherhead Foundation Asa and Patricia Shiverick Mr. and Mrs. Charles D. Weller Morris Siegel Mr. and Mrs. Fred White Jr. Mrs. Aye Simon Mrs. Windsor T. White Kent Smith Charitable Trust Mr. and Mrs. Hugh R. Whiting Mr. and Mrs. Herbert A. Spring Jr. Edward L. Whittemore Richard A. Statesir and Georganne Doris and Ed Wiener Vartorella Ralph L. Wilson Lillian and Henry Steinberg John Wise Mr. and Mrs. Oscar H. Steiner Timothy F. and Sandra H. Wuliger Young Friends of CMA Ester R. Stern Mr. and Mrs. William L. Ziegler Mr. and Mrs. Donald W. Strang Helen B. Zink Lewis Swingley Helen Zmek Mr. and Mrs. Thomas E. Taplin Sr. Tessim Zorach Mr. and Mrs. Eugene Victor Thaw Anton and Rose Zverina Fund Thompson Hine Frances S. Zverina The Timken Company Mr. and Mrs. Paul Tishman Toshiba International Foundation Mr. and Mrs. William C. Treuhaft TRW Foundation Brenda and Evan Turner

144 Affiliate Affiliate Group Coordinator Friends of African and African Friends of Photography Meghan Olis American Art Board of Trustees groups Board of Trustees Neil Viny Contemporary Art Society Helen Forbes-Fields President Board of Trustees President Morris Wheeler Robert Kiwi Cynthia Samples Treasurer President Vice President Jane Critchlow Arthur Stupay Gayle Goodwin Smith Secretary Vice President Treasurer Ryn Clarke Jack Katzenmeyer Alfred L. Bright Judith McMillan Treasurer Secretary Charles Mintz Barbara Galvin Charles Burkett Jr. Terrell Pim Secretary Mark Cole Eric Baer Associate Curator of American Irwin Schafer Lindy Barnett Painting and Sculpture Nancy Stuart Dinnie Bell Constantine Petridis Donna Turner Ruhlman Curator of African Art Becky Dunn Anna Vedouras Howard Freedman Tom Hinson Curator of Photography Meg Fulton-Mueller Harriet Goldberg Beno Michel Peta Moskowitz Margaret Singerman Roz Sukenik Steven Wiesenberger Claudia Woods Susan Paley Zak Paola Morsiani Curator of Contemporary Art

145 Musart Society Painting and Drawing Society The Print Club of Cleveland Textile Art Alliance Board of Trustees Board of Trustees Board of Trustees Board of Trustees Robert Schneider Joan Fountain William Martin Jean Karen Hoffman-Hinkle President Co-President President President James G. Dickinson Nancy West Mary Kay DeGrandis Louise W. Mackie Secretary Co-President Vice President Treasurer Mrs. Alfred M. Rankin Tony Brant Lorrie Magid Rumana Hawa Advisory Trustee Treasurer Vice President Assistant Treasurer A. Chace Anderson Gert Chisholm Edward Donnelly Meghan Olis Treasurer Secretary Treasurer Recording Secretary Virginia Belveal Anne Ames Betsy Hegyes Kerrin Buss Mary E. Davis Vicki Bell Secretary Mary Ann Conn-Brody Samuel E. Henes Barbara Carr Meg Collings Carole Richburg Brown F. Christian Holtkamp Donald Jack Rachel Davis Charla Coatoam Eleanor Bonnie McCoy JoAnne Lake Linda De Marco Jennifer Liston Dykema Toni Schoenfeld Miller Mary Anne Liljedahl Margaret Dobbins Amelia Joynes Charles H. Teare Dick Michel Peter Dobbins Barbara Kathman Carolyn F. Wipper Harry Pollock Jana Friess Helen Murrell Susan Stickler-Hale Barbara Galvin Elise Newman Mark Cole Mary Anne Garvey Nina Setrakian Associate Curator of American Stephan Goldrich Sandy Shelenberger Painting and Sculpture Pearl Hachen Louise W. Mackie Heather Lemonedes William Kubat Curator of Textiles and Islamic Art Associate Curator of Drawings Martin LoSchiavo Deirdre Vodanoff William Robinson Curatorial Assistant Curator of Modern European Art Jane Lewis Jon Seydl Robert Lewis The Paul J. and Edith Ingalls Vignos Thomas Roese Jr. Curator of European Painting and Carole Rosenblatt Sculpture 1500-1800 Dean Trilling Jane Glaubinger Curator of Prints

146 Museum Associates Douglas Haslinger Jim Schattinger Thomas Allen Lela Henry Linda Schlageter Eric Bacon Bill Henry Timothy Stephens Claudia Bacon Lynnette Jackson Susan Stephens Rollie Bauer Susan Jaros Neil Viny Mary Bauer David Jerome Amy Viny Nancy Bennett Cheryl Jerome Beth Webster Dick Bennett Bob Katz Anne Weinberg Marianne Bernadotte Doug Katz Louinia Mae Whittlesey Fred Bidwell Karen Katz David Willbrand April Boise Linda Katz Susan Zanetti Robert Bostwick Tom LaFond Christine Zirafi Nancy Bostwick Karen LaFond Mike Caporale David Lamb Dianne Caporale Arielle Levine Bill Collins Jeannine Love Barbara Collins Jack Love Jessica Colombi Lois Maio John Coyne Gene Maio Susan Dahm Stephanie McHenry Arnie Dahm Nicole Monachino David Fulton Christopher Nance Claudia Fulton William Newby Kelly Gale Barbara Newby Brian Gale Pat Plotkin Cynthia Gascoigne Franklin Plotkin Carol Gill Sara Rezaee Pete Gordon Rod Rezaee Linda Gordon Michael Salkind Myriam Haslinger Joan Schattinger

147 Museum Council Nancy-Clay Marsteller Docent Program Docent Corps Betty Armington* Bill McCoy Officers Anne Adamson Al Borowitz Eleanor McCoy Pete Dobbins Stephen Badman Paul Brentlinger Edith Miller Co-President Erva Barton Marilyn Brentlinger* Lindsay Morgenthaler Robin Ritz Barbara Baskin Co-President Harvey Buchanan Lucia Nash Vicki Bell Kate Stenson Penny Buchanan Henry Ott-Hansen Vice President Anne Berk Al DeGulis Barbara Robinson Linda Friedman Arlene Bialic Maxeen Flower* Gene Schreckengost Treasurer Carol Blixen John Flower Leonard Schwartz Erva Barton Jane A. Bondi Virginia Foley Phyllis Seltzer Corresponding Secretary Joann M. Broadbooks Frannie Gale Gerry Seltzer Erv Edleman Claire Brugnoletti Recording Secretary Ann Gridley Alvin Siegal Marilyn Butler Richard Gridley Laura Siegal Gail B. Calfee Sally Gries Ted Smith Ran Datta Bob Gries Sally Smith Marie Dellas Debbie Guren Cara Stirn Beth Desberg Lainie Hadden Iris Wolstein Sam Dittmar Mary Louise Hahn *deceased Peter Dobbins Dick Hahn Erwin A. Edelman Dee Hildt Anne S. Frank Arlene Holden Linda Friedman Bonnie Humphrey Gail S. Garon Trevor Jones Carol Godes Jennie Jones Lowell K. Good Ward Kelley Kermit W. Greeneisen Charlotte Kramer Karen Hahn Carolyn Lampl Rick Hamilton Milton Maltz Maya Hercbergs Tamar Maltz Kathleen Hickman

148 Elaine Hopkins Linda Sebok Womens Council of the Cleveland New Members, Joanne Cowan and J. Jackson III Lynda Seidel Museum of Art JoAnne Lake Gwen Johnson Patricia Simpfendorfer Executive Committee Newsletter, Ann Abid Cathy Keith Margaret Sloan Marianne Bernadotte Nominating, Mary Anne Liljedahl Chair and Kate Stenson Joan E. Kohn Sabrina Spangle JoAnne Cowan Orientation, Nina Pettersson and Mark Krzysiak Judith Spencer First Vice Chair Kathy Goldman Julie Kurtock Kate Stenson Josie Anderson Parade the Circle, Helen Cherry Joann Lafferty Daryle Spero Second Vice Chair Pedestal Arrangers, Dorie Farley and Mary Anne Liljedahl Mary Ann Stepka-Warner Carolyn Horn Jane Thomas Corresponding Secretary Sandra Littman Christine Vilas Programs, Simin Gharib Judy Bourne Barbara Lurie Kathy Vilas Ready Volunteers, Karen Chinnici and Assistant Corresponding Secretary Diane Maher Ann Walling Betty Williams Jennifer Langston Speaker Series, Josie Anderson and Susan Manross Bob Walcott Recording Secretary Pam Esch Laura Martin Margaret W. Walton Karen Chinnici Special Decorations, Cathy Miller and Maguy Mavissakalian Joyce Wells-Corrigan Assistant Recording Secretary Annie Wainwright George Frederic McCann Anne Wilson Debbie Latson Study Groups, Nancy Mino and Ann Treasurer Mary McClung Jack Wilson Ballard Diane Christ Nancy Mino Kathleen Wood Capital Campaign, Joan Fountain Assistant Treasurer Margie Moskovitz Claudia Woods Trips, Linda McGinty and Kate Standing/Special Committees Lara Mullen Stenson Advocacy, Pat Plotkin and Ellen VCAM, Linda McGinty and Carol William Ott Schermer Michel Anne C. Owens Affiliates, Dinny Bell and Marjorie Web Design, Sabrina Inkley Carole Phipps Sachs Youth Initiatives, Gail Schlang Susanne Piazza Circle Neighbors, Sabrina Inkley Museum Liaison, Diane DeBevec Cheryl Piper Community Arts, Hilary Colvin Anne Poirson CMA Funding Proposals, Ann Hunter Zsuzsa Rácz Hospitality, Christy Bittenbender and Robin Ritz Ann Deming Susan Schloss Museum Ambassadors, Ellen Bishko and Diane Stupay Betty Jo Scurei

149 Volunteers Lauren Abay Kent Susan Belman John Brickley Ann Abid Anthony Beltran Joann Broadbooks Damaris Abreu Emma Benning Thomas Brodnick Amy Acord Marianne Bernadotte Kate Brown Chris Adams Arlene Bialic Mebby Brown Anne Adamson Joanne Billiar Claire Brugnoletti Carolyn Adelstein Ellen Bishko Christopher Bruns Lou Adrean Christy Bittenbender William Bryson Thon Alicia-Burlingame Jessica Bladek Nancy Burgard Bill Anderson Dorothy Blaha Rae Burke Jonathan Anderson Suzanne Blaser Marilyn Butler Josie Anderson Gertrude Bleisch Pat Butler Cathy Annable Carol Blixen Grace Bynum Benedicta Assante Amanda Block Aliyah Byrne-Kennedy Sylvia Assante Susan Block Kat Cade Ann Austin Elizabeth Blowers Gail Calfee Margot Baldwin Mathew Blowers Cynthia Calvillo-Casper Carola Bamberger Flora Blumenthal Victoria Calvillo-Casper Gabi Banzhaf Cory Boberg Sheri Camloh Inna Baranovich Natalie Bond Hannah Carlson Stephanie Barbee Jane Bondi Brittany Cart Marian Barnes Elda Borroni Brian Cash Jean Barth Alicia Boulton Andrea Chan Erva Barton Judy Bourne Eva Chan Barbara Baskin Karen and Butch Bourquin Anna Chanakas Cherie Bauer Kevaly Bozes Toni Chanakas Dee Beacham Susan Brachna Nadia Chantler The Bedell Family Kathy Branscomb Kaye Chavinson Dinny Bell Emily Brasfield Grace Chen Vicki Bell Brynn Brickley Karen and Joe Chinnici

150 Jennifer Cicero Kit DeFazio Dorothy Farley Maria-Cristina Ciocanelea Sean Delaney Khaled Fawzy Eric Clark Ann Deming Henny and Harvey Fierman Gale Clarry Beth Desberg Henny Fierman Robyn Clayton David Devore Keith Filip Phyllis Cleary Bonnie Dick Lauren Rich Fine Sue Clegg Ana Dieglio Jamie and Ronald Fish Linda and Jerry Cohen Dian Disantis Carol and Daniel Fishwick Diane Collier Sam Dittmar Joan Fitchet Meg Collings Pete Dobbins Cathleen Fitzgerald Hilary Colvin Michael Dockrill Meredith Fitzsimmons Jackie Conch Jackie Dohoda David Fletcher Mary Ann Conn-Brody Patricia Dolak Cindy Flores Kimberly Cook Kathy Dolesh Katie Fodor Robin Cooper Elizabeth Donley Jack Foley Carolyn Corrigan Kay Donovan Mary Lou Foley Carrie Corrigan Molly Downing Carla Fontecchio Bethany Corriveau Katherine Dunlevey Heather and Jason Fordu Mary Kay Covington Erwin Edelman Phillip Forkert Joanne Cowan Christine Edmonson Joan Fountain Eloise A. Coxe Betsy Eells Anne Frank Lois Crawford Doris Eisaman Barbara Franklin Susan Dahm Lisa Elisa Lisa Franks Faye D’Amore Debby Elliott Marti Franks Sharon Dane Hajnal Eppley Louanie Freborne Ranajit Datta Beverly Essinger Linda Friedman Barbara Davis Leigh Fabens Peggy Friedman Lois Davis Charles Fagert Claudia Fulton Diane DeBevec John Farina Marilyn Furlan Denine DeBlaso Doris Farley Nick Galioto

151 Barbara Galvin Jeremy Gutow Carolyn Horn Sally Ganger Wendy Haas James Horvath Lydia Gao Karen Hahn Joan Horwitz Mary Gardner Haidi Haiss Carla Howard Gail Garon Nola Haiss Lauralee Howley Jane Garrett Anthony Hall Colleen Idczak Marjorie Garrett Virginia Hallberg Jeff Ivey Ivy Garrigan Amanda Halmes Marta Jack Bonnie Gepfert Rick Hamilton James Jackson Caramia Geraldi Margit Harris Linda Jaenson Judy Gerson Sue Harris Kemp Jaycox Simin Gharib Tara Haskett Patty Jenks Elaine Gibson Christine Haynes Lucia Jezior Liz Gockel Tara Haynes Gwendolyn Johnson Carol Godes Catherine Hedlund Tom Jordan Nancy Goldberg Sunnie Hellman Nicholas Joyce Greg Golden Bettyann Helms Susan Kaesgen Kathy Goldman John Henry Ann Kahn Linda Goldstein Maya Hercbergs Carolyn Karch Lowell Good Pauline Hermann Donna Kasunic Emily Goodyear Maryanne Hertzer Blanche and Dudley Katz Brian Gould Patti Hester Pamela Katz Frances Grambo Kathleen Hickman Mary Ann Katzenmeyer Kathleen Grant Martha Hickox Jeffrey Katzin Jennifer Gray Danielle Hinze Melissa Kaufman Cynthia Greenberg Ingrid Hoegner Cathy Keith Ann and Kermit Greeneisen Carol Holder Patricia Kelley Alan Gronert Joyce Holloway Jake Kellogg Elaine Gross Jann Holzman John Kelly Lois Guren Elaine Hopkins Randy Kimberlin

152 Mary Ellen Klein Bonnie Lau Gillian Mancuso Laurie Klingensmith Bradon Lau Marvin Mandel Christine Knott Megan Lau Cindy Manning Joy Kobzowicz Michael Lau Susan Manross Marlene Kobzowicz Nancy Lavelle Lauren Marchaza Robin Koch Linda Lee Teri Markel Rachel Koester Marcia Legoullon Grace Martin Joan Kohn Ben LeMaster Laura Martin Katherine Koltiska Lynne Lewicky Audrey Marxen Vessela Kouzova Juanita Lewis Russell Marxen Lowie Kowalski Lillian Li Jill Matthews Margaret Krudy Mary Anne Liljedahl Maguy Mavissakalian Mark Krzysiak Alison Linnington Terri Mazzola Mina Kulber Cheryl Lister Tina McBean Peggy Kundtz Beth Listerman George McCann Cheryl Kuonen Paul Litman Amanda McCarthy Julie Kurtock Sandra Littman Mary McClung Lisa Kurzner Joyce Litzler Linda McGinty AJ Kushner Julie Lobo Patricia McIlraith Greg Kvaska Haley Lodge Jackie McKenny Sally Lacombe Cathy LoPresti Reathel McWhorter Joann Lafferty Lisa Lotte Kent Carol McWilliams Karen LaFond Nan Lowerre Cathy Mecaskey JoAnne Lake Rebecca Luken Danielle Meeker Lex Lancaster Allison Lund Lorna Mierke Lily Lancaster Barbara Lurie Bonnie Miller Rosanna Lanese Kathleen Lyons-Henderson Catherine Miller Barbara Langlotz Sara Macho Suzanne Miller Jennifer Langston Diane Maher Nancy Mino Denise Latarski Judith Majher Dolly Minter

153 Shawn Mishak Nancy Persell Gail Resch Emily Moore Janet Petroni George Richardson Teryn Moorefield John Petroni Merrin Richardson Marie Morelli Anne-Marie Petros Naomi Richendollar Alissa Morgan Nina Pettersson Shirley Ann Ricketts Andrea Morris Emily Phillips Robin Ritz Marjorie Moskovitz Carole Phipps Deirdre Roberts Annah Mueller Suzanne Piazza Georgianna Roberts Meredith Mueller Susan Pim Kathy Rockman Felix Muniz Jr. Cheryl Piper Alexandra Rockwell Alyssa Murphy Patricia Plotkin Jesse Rodriguez Stacie Murry Margaret Plumpton Claire Rogers Judi and Manny Naft Anne Poirson Dave Rogers Janet Neary Elinor Polster Monica Rogers Allison Neumann Frankie Polster Vivian Rokfalusi Alyce Nunn Carol Porter Celia Rosenberg Augustina Odenbrett Fran Porter Edward Rosenberg Leslesha Olgetree Mallory Potash Carole Rosenblatt Meghan Olis William Poynter III Emily Rosolowski Helen Orton Yanis Poystia Margaret Roulett William Ott Trina Prufer Raymond Rozman Tatum Ouverson Kent Nichole Pulley Sandra Rueb Anne Owens Laura Quintrell Brendan Ryan Becky Owens Zsuzsanna Racz Carrie Ryan Brenton Pahl Lourdes Ramirez Brendan Ryan Grace Palczewska Seema Rao Aurelie Sabol Eliza Parkin Adrienne Rasmus Marjorie Sachs Rita Pearlman Virginia Ratcliffe Linda Sanders Ethel Pearson Kimberly Ratleph Jennifer Sandoval Kieth Peppers Sarah Reinbolt Mitzi Sands

154 Dee Scalabrino Alison Smythe Jane Thomas Lori Scarcella Becky Smythe Lauran Thomas Sara Scarcella Marcia Sobol Martha Thompson Susan Schenkelberg Francine Sobon Jean Thorrat Ellen Schermer Diane Sonnie Diane Tighe Gail Schlang Freeland Southard Patrick Tighe Susan Schloss Rita Speidel Laura and Alan Tomco Nancy Schneider Judith Spencer Alison Tomin Susan Schwarzwald Lamessa Spencer Kuten Toten Barbara Scott Dominick Spera Ruth Toth Dawn Scott Daryle Spero Martha Towns Betty Jo Scurei Gary Spriggs Gail an Marty Trembly Cindy Seaman Maggie Spriggs Rachel Tschantz Linda Sebok Kevin Staller Susan Tsevdos Carolyn Shanklin Michele Staller Frank Tufts Jane Shapard Mary Stark Nicholas Tullio Jeremy Sheehan Kate Stenson Chris Ujcich Arielle Sheperd Mary Ann Stepka-Warner Sherry Ulrich Danielle Sheperd Marianne Stern Robin Van Lear Moriah Shtull Frank Strojan Andreya Veintimilla Bonnie Sikes Sarah Stull Sarah Venorsky Devorah Silverman Diane Stupay Christine Vilas Kenneth Silverman Nora Suder-Riley Deirdre Vodanoff Patricia Simpfendorfer Alexa Sulak Sandra and Nick Vodanoff Susan Skoczen Southard Kelly Suredam Lisa Voleski Marguerite Skorepa Rhyan Sweeney Rachel Von Hendrix Margaret Sloan David Szamborski Erica Wade Barbara Smeltz Ted Tamasovich Elizabeth Wagner Chuck Smick Diamond Taylor Avery Monica Wagner Linda Smith-Richardson Tori Tesmer Annie Wainwright

155 Robert Walcott Kathleen Wood Barbara Walker Kristin Woodruff Ann Walling Claudia Woods Donna Walsh Eileen Wozniak Hunter Walter Saeko Yamamoto Margaret Walton Yi Yu Marie Walzer Mary Lou Zamler Teri Wang Alan Zelina Hannah Weil Susan Ziegler Kathryn Weil Lucy Zimmerman Lois Weissberg Elaine and Don Ziol Catherine and Michael Wells Danielle Zodnik Joyce Wells-Corrigan Mary Zodnik Nancy West Sandra Zodnik Mary Wheelock Richard Zupancic Nancy Whitman Lori Whittington Louinia Mae Whittlesey Betty Williams Holly Williams Kesha Williams Sarah Williams Anne Wilson Jack Wilson Joan Wilson Megan Wilson Chuck Winter Donna Winter Maggie Wojton Janice Wood

156 Interns Gabi Banzhaf, Cleveland Institute of Felix Muniz Jr., Cleveland State Art University Julia Barber, Swarthmore College Keith Peppers, Cleveland State Amanda Block, Laurel School University Alicia Boulton, Mallory Potash, Aliyah Byrne, Baldwin-Wallace Margaret Roulet, Case Western College Reserve University Brian Cash, Alison Schmidt, the Cleveland Institute of Music Eva Chan, Case Western Reserve University Moriah Shtull, Indiana University Maria-Cristina Ciocanelea, American Stephanie Simonson, Cleveland State University in Paris University Keith Conway, Kent State University Nick Smith, Baldwin-Wallace College Carolyn Corrigan, Kent State Anna-Claire Stinebring, Oberlin University College Sean Delaney, Kent State University Sarah Stull, University of Dayton Ivy Garrigan, Cleveland Institute of Ted Tamasovich, Kent State Art University Greg Golden, the University of Akron Alison Tomin, Baldwin-Wallace College Amanda Halmes, Cleveland State University Kathryn Weil, Cleveland Institute of Art John B. Henry, Hiram College Holly Williams, Kent State University Kristen Isabel, John Carroll University Margaret Wojton, Kent State Nick Joyce, Kent State University University Grace Martin, Hiram College Victoria Wolfe, Case Western Reserve Danielle Meeker, the College of University William & Mary Yu Yi, the University of Akron Samantha Miller, Vanderbilt Katie Young, Kent State University University Rachel Zaccardelli, John Carroll Annah Mueller, University of Maine University Farmington Lucy Zimmerman, Wake Forest Matthew Mullane, Hiram College University

157 Museum Schools and Faculty Jessica Short, Strongsville Stafan Lynch, Shaw Ambassadors Bedford High School: Dagmar Cassandra Wenner, Bedford Christian Martinez, Shaker Clements Davionne Willis, Castle Amy Monnius, Strongsville Castle High School: Martin Griffin Latasha Woods, East Jimmy Norton, Bedford Cleveland School of the Arts: Diana Chloe Pattern, Strongsville Snyder, Toni Starinsky Apprentice Ambassadors Olivia Pek, Shaker East High School: Johnnie Smart Tiffany Adams, East Katelyn Petronick, Valley Forge Shaker Heights High School: Sarah Davis Jermaine Allison, Shaw Mario Pollard, School of the Arts Shaw High School: Irene Eve Chudzik Avery Bounds, Bedford Jessica Ressler, Strongsville : Ellen Carl Caldwell, East Deonte Roper, School of the Arts Goodworth, Tonya Barber Sarah Cardenas, Bedford Mariah Rucker, School of the Arts Valley Forge High School: Kim Weber, Arielle Ciprian, Bedford Brendan Ryan, Shaker Andrea Harchar, Karen Fulop Sirena Comer, Shaw Joseph Schwind, Bedford Jermaine Davis, Shaw Alicia Scott, School of the Arts Master Ambassadors Jerelle Dillon, Shaw Bria Marie Scott, School of the Arts Marco Braddy, School of the Arts Erin Durante, Valley Forge Jessica Sheffin, Castle Kelsie Britton, Bedford Richard “Jym” Edwards, Shaker Brittany Smith, Bedford Cache Boynton, Castle Asia Elom, Castle Ebony Smith, East Sean Day, Shaw William Foy, East Dajah Spence, School of the Arts Jonta Dickerson, East Joi Grant, School of the Arts Kenneth Stewart, Shaw Michelle Drabish, Strongsville Dinique Gray, School of the Arts Abigail Szunyogh, Strongsville Korliss Evans, Bedford Margo Heydenrych, Strongsville Melvin Thomas, Shaw Kennard Everett, Castle Breanna Hlavaty, Valley Forge Gabrielle Turner, Shaker Elaina Gregg, Shaker Michelle Janosky, Strongsville Melanie Wheeler, Shaker Elizabeth Guyon, Shaw Shashanna Jennings, School of the Arts Elijah White, School of the Arts Megan Hawk, Strongsville Jonathan Jones, Castle Emily Williams, Strongsville Leah Hustak, Strongsville Joseto Jones, Shaw Shermaina Williams, Castle Emily Kardamis, Strongsville Abbey Kish, Valley Forge Rachel Leonard, Shaker Erica Kowalski, Strongsville Mercedes Martin, Shaw Rickey Lavendar, Bedford Katie Maxwell, Strongsville

158 Education and Public Programs Brichfor d ory M. Donley g d Davi 159 Gre Education programming this year paralleled the museum’s major events. With the opening of the new east wing in the summer of 2009, curators of the collections represented in the new galleries presented talks followed by gallery discussions: Contemporary Curator Paola Morsiani offered Do You Have Time? Experiencing Contemporary Art in the East Wing and Collecting in the Future Tense: New Acquisitions and Acquisitions to Come; Curator of Decorative Arts Stephen Harrison presented Rarely Seen Treasures Emerge in the Decorative Art Galleries; riesti

Associate Curator of American Art Mark Cole also Ag

gave two lectures, “I, Too Am America”: African d owar H and The Great Debate: Realism Paintings; and Marjorie Williams, Streams and vs. Abstraction in Modern American Art; Curator of Mountains without End: as a Collector Photography Tom Hinson offered France at the and Connoisseur. The museum also presented five Dawn of Photography; and Curator of European Art gallery talks by Marjorie Williams and two Asian William Robinson wound up the series with Pure Family Festival Days. Psychic Automatism: and Surrealist Art. The fall season’s exhibition, Paul Gauguin: That summer also saw the exhibition in honor Paris, 1889, brought its own suite of related of the late CMA director Sherman Lee, Streams educational events. Belinda Thomson, consultant and Mountains Without End: Asian Art and the to the exhibition, offered the lecture The Wolf in Legacy of Sherman E. Lee at the Cleveland Museum the Sheepfold: Gauguin at the Universal Exhibition of of Art. Complementary lectures included Curator 1889. The museum’s Curator of Drawings Heather of Chinese Art Anita Chung’s A Connoisseur’s Lemonedes presented Immersion in the Waves— Eye, A Scholar’s Mind: Sherman E. Lee and Chinese Gauguin and the Bather. Miriam Levin, professor of Art; Jennifer Perry, The Conservation of East Asian

160 History and Art History at CWRU, followed with When the Eiffel Tower Was New. Moyna Stanton’s Technical Aspects of the Volpini Suite presented the conservator’s point of view, and independent scholar Caroline Boyle-Turner concluded the lecture series with Gauguin’s Brittany: True or False. A Family Day in October let visitors make prints and build clay models inspired by Gauguin’s creations. Also, a unique collaboration with the neighboring Cleveland Institute of Art brought CIA Students: Cleveland, 2009, a satellite exhibition organized in the museum café with works by current art students—today’s version of Gauguin and his Paris cohorts. Brichfor d d Davi

Art of the American Indians: The Thaw Collection, in spring 2010, featured talks by Ruth Phillips of Carleton University (Diplomacy, Curiosity, and Early Native American Art from the Great Lakes) and the gallery talk American Indian Photography: Authorship and Representation; a tag-team lecture by riesti

Ag W. Jackson Rushing III, University of Oklahoma,

d owar and photographer Zig Jackson; and a presentation H

161 by Joe Horse Capture (A’aninin [Gros Ventre]) of the Minneapolis Institute of Arts titled Art to Wear: Plains Indian Decorated Garments. A Family and Community Day brought Native American dancing, drumming, music, storytelling, craft demonstrations, the Art Cart, hands-on workshops, and interpretation in the exhibition galleries. Rounding out the complementary programs were craft demonstrations by local native artisans and three appearances of the Art Cart. The late-June opening of the level 1 galleries in the 1916 building, featuring ancient, medieval, and African art, featured its own series of related programs. riesti Ag d owar H

162 Brichfor d d Davi Ongoing offerings throughout the year took advantage of the newly reinstalled galleries, with everything from docent-led highlight tours and Learning to Look gallery talks presented by working artists on the museum staff to Coffee with a Curator, featuring curators from the Cleveland Museum of Art, the Cleveland Botanical Garden, the Cleveland Natural History Museum, and the Western Reserve Historical Society. Major festival events during the year included the annual Chalk Festival in September, with professional artists and members of the community creating street paintings in chalk on pavement around the museum accompanied by live entertainment; the Winter Lights Lantern Festival ory M. Donley g

Gre in December, with lantern-making workshops,

163 weeks before and after. In addition, Community Arts Around Town brought some of the same puppets, stilt-dancers, musicians, costumed dancers, and visual artists to select community events throughout the area. Programs for teachers and students continued strong. The PNC StART SmART grant funded an initiative to improve children’s learning abilities with teacher workshops, field trips for pre-school children, and artist visits to the classroom, as well as many opportunities to engage entire families in CMA events. Distance Learning instructor Arielle

Brichfor d Levine taught a studio art class to 5th graders in

d Davi Grande Cache, Alberta, Canada—a small and displays, a Wade Oval installation, and procession isolated town with no art teachers. highlighting the museum’s contribution to Holiday The Museum Ambassadors brought student CircleFest, University Circle’s seasonal community groups from eight local high schools for intensive open house; and Parade the Circle in June, with weekly sessions that culminated in a special international, national, and regional artists joining community day to which the students’ home families, schools, and community groups working schools were invited. Art to Go and school group over a six-month period to create the annual arts parade in University Circle, complemented by Circle Village activities, entertainment, and food presented by University Circle Inc. This year, a group of visiting artists from Burkina Faso, Africa, riesti

spent a month in Cleveland to participate in the Ag d owar

parade and lead community workshops in the H

164 visits allowed tens of thousands of area students to connect with art and the museum. Finally, a terrific corps of more than 50 interns, representing all the major colleges and universities in the region (and some farther afield), helped support department events. This year was a period of relative stability within the Ingalls Library and Archives, allowing staff to focus on planning for future projects and refining existing ones. Planning began on the space needed for the eventual reintegration of 100,000 library items in storage, as well as for ten years of future growth. The library became an integral part of the museum’s web site this year. Refinements to the library’s online catalog continued, culminating in the release of a new, improved catalog in July 2010. A self-serve scanner was made available to the students and faculty in the CMA/CWRU Joint Program as well as to other visitors to the library. There was a nearly 100% increase in attendance at library programming, from 537 in FY 2009 to 1,062 in FY 2010. The Art and Fiction Book Club, hosted by the Ingalls Library and the Education Department, was named in Cleveland Magazine’s “Best of Cleveland” issue. The library continues smaller, ongoing monthly book sales, and exhibitions of library materials have highlighted parts of our postcard collection, a collection of Brichfor d bookplates, and notable new acquisitions. d Davi

165 ADULT PROGRAMS General Programs Art and Fiction Book Club. Education department and Ingalls Library staff: Lisa Lee, Peony in Love; Paul Gauguin, Noa Noa; Jonathan Lopez, The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Hans van Meegerren; Emile Zola, His Masterpiece; Lydia Kwa, The Walking Boy; Laney Salisbury and Aly Sujo, Provenance: How a Con Man and a Forger Rewrote the History of Modern Art; Peter Watson, The Caravaggio Conspiracy; Otto Frederic, . Continuing Education Art Appreciation. Tri-C Neighborhood Scholars, CWRU Scholars on the Circle, National Council of Jewish Women, College Club of Cleveland, Judson Manor/Park. Learning to Look Gallery Talks. Conducted by Joe Ionna, Michael Starinsky, Barbara Kathman, and Debbie Apple-Presser. Lecture Series. CMA Curator’s Choice: Paola Morsiani, “Do You Have Time? Experiencing Contemporary Art in the East Wing” and “Collecting in the Future Tense: New Acquisitions and Acquisitions to Come”; Stephen Harrison, “Rarely Seen Treasures Emerge in the Decorative Art Galleries”; Mark Cole, “‘I, Too Am America’: African American Modernism” and “The Great Debate: Realism vs. Abstraction in Modern American Art”; Tom Hinson, “France ory M. Donley

at the Dawn of Photography”; g Gre

166 William Robinson, “Pure Psychic Bather.” Family Day: art workshops. Automatism: Dada and Surrealist CIA Students: Cleveland, 2009. Art”; Catherine Scallen, Professor Satellite exhibition organized by of Art History, CWRU, “A Portrait of Interpretation in the museum’s café. Rembrandt as an Artist.” Art of the American Indians: The Thaw Collection. Lectures: W. Exhibition Programs Jackson Rushing III and Zig Jackson, Streams and Mountains Without End: “American Indian Photography: Asian Art and the Legacy of Sherman Authorship and Representation”; E. Lee at the Cleveland Museum Ruth Phillips, “Diplomacy, Curiosity, of Art. Lectures: Anita Chung, “A and Early Native American Art from Connoisseur’s Eye, A Scholar’s Mind: the Great Lakes”; Joe Horse Capture Sherman E. Lee and Chinese Art”; (A’aninin [Gros Ventre]), “Art to Wear: Jennifer Perry, “The Conservation Plains Indian Decorated Garments.” of East Asian Paintings”; Marjorie Family and Community Day: Native Williams, “Streams and Mountains American dancing, drumming, music, without End: Sherman Lee as a storytelling, craft demonstrations, Collector and Connoisseur”; Miriam the Art Cart, hands-on workshops, Levin, professor of History and Art and interpretation in the exhibition ory M. Donley g History at CWRU, “When the Eiffel galleries.

Gre Tower Was New”; Moyna Stanton, “Technical Aspects of the Volpini Ingalls Library Programs Suite.” Gallery talks: Marjorie Art Study Groups. Sessions based Williams, “Sherman Lee’s legacy,” on Paul Gauguin and The Thaw “Poetry and Pattern in ,” Collection. and “Imperial Taste in Chinese Art”; Caroline Boyle-Turner, “Gauguin’s Cleveland Collectors. Featured were Brittany: True or False;” Joellen De collectors Mr. and Mrs. William H. Oreo, “Hindu Art and Buddhist Art.” Marlatt and Leonard C. Hanna Jr. and Two Asian Family Festival Days: their gifts. Indian and Southeast Asian Art and Collections in Focus. Featuring objects Cultures; Chinese, Japanese, and in the library’s special collections. Korean Art and Cultures. Paul Gauguin: Paris, 1889. Lectures: Belinda Thomson, “The Wolf in the Sheepfold: Gauguin at the Universal Exhibition of 1889”; Heather Lemonedes, “Immersion in the Waves—Gauguin and the

167 COMMUNITY Community Arts Guest artists: Gnounou Bonde Art Crew (Burkina Faso), Kanou Bonde (Burkina ENGAGEMENT Faso), Yacouba Bonde (Burkina Costumed characters based on objects Faso), Kelvin Keli Cadiz (Trinidad and in the permanent collection and their Tobago), Seydou Gnessien (Burkina “handlers” promote the museum. Faso), Nazounou Gnoumou (Burkina Chalk Festival Faso), N’Wamou Gnoumou (Burkina Professional artists and members Faso), Liza Goodell (Pennsylvania), of the community created street Brad Harley (Canada), Chad Matheny paintings in chalk on pavement (Pennsylvania), Zounouyidouba around the museum accompanied by Naganou (Burkina Faso), Abdoulaye live entertainment. Featured artists: Ouedraogo (Burkina Faso), and Rick Anna Arnold, Roaidi Cartaya Carbajal Simon (Canada). (Cuba), Hector Castellanos-Lara, A. D. Artists and support staff: Gerald Abt, Peters, Jesse Rhinehart, Jan Stickney- Debbie Apple-Presser, Chris Begay, Kleber, and Robin VanLear with Lizzie Sue Berry, Hector Castellanos-Lara, Roche. Michael Crouch, Denajua, Mody riesti

Musicians: Blues de Ville Band and Dicko, Nan Eisenberg, Melanie Ag DBC (Delicate Balance Collective). Fioritto, JoAnn Giordano, Marlon d owar Hatcher, D. Scott Heiser, Mark H Participating groups: Cleveland Jenks, Wendy Mahon, Olugbala Olu Directors ensemble: Children’s Institute of Art, Glenville High Manns, Ian Petroni, Jesse Rhinehart, Museum of Cleveland (Sandra L. (CMSD), Lake Center Christian School Story Rhinehart, Donna Spiegler, Redmond, president and executive (Hartville), Mary M. Bethune (CMSD), Jan Stickney-Kleber, Chuck Supinski, director), City of Cleveland (Mamie Mayfield High Italian classes, Shaker Gail Trembly, Rafael Valdivieso, Mitchell, councilwoman, Ward 6), Heights High International Culture Robin VanLear, Bill Wade, Kenya Cleveland Botanical Garden (Natalie Club, and the Westlake High Art Club Woods-Cooper, Craig Woodson, and Roynane, executive director), and Honor Society. Baowendsida Nathanael Zongo. Cleveland Foundation (Ronald Sponsor: Medical Mutual of Ohio. 2010 poster and T-shirt: Robin B. Richard, president and CEO), VanLear Cleveland Institute of Art (David Parade the Circle University Circle Inc. groups: L. Deming, president), Cleveland International, national, and regional Abington Arms, Church of the Institute of Music (Joel Smirnoff, artists join families, schools, and Covenant, Cleveland Museum of president), CMA (Deborah Gribbon, community groups working over Art, Cleveland Museum of Natural interim director; Michael J. Horvitz, a six-month period to create the History, , Mt. chairman), CMNH (Evalyn Gates, annual arts parade in University Zion Congregational Church, Music executive director and CEO), Circle, complemented by Circle Village Settlement, and the Womens of Cleveland Play House (Kevin Moore, activities, entertainment, and food Council of the CMA. managing director), CPL (Felton presented by UCI. Thomas, director), Cuyahoga

168 Early Childhood Development Center Visual Arts (FAVA); Gather Round (PNC StART SmART), John F. Kennedy, Garden; Golden Ciphers; Hattie Mary M. Bethune, Motivation Larlham Creative Arts; Heights through Excellence program Youth Theatre; Hessler Community (students from George Washington Arts; Huntington Road Neighbors; Carver, Mary M. Bethune, Mound, Jewish Family Service – YouthAbility; Scranton, and Wade Park elementary Native American Council; schools), and Warner Girls Leadership Moishe House Cleveland; Mt. Academy; Hawken School; Karamu Pleasant Boys and Girls Club; Early Childhood (PNC StART SmART); Mt. Zion Congregational Church; Laurel School; Magnificat High; MUSICWORKS IV; North Union Mayfield Middle School; Ministerial Farmers Market; Oberlin Big Parade; Day Care (PNC StART SmART): Passport Project; Rainey Institute; Brackland Academy and Children’s Sanctuary of the Black Butterfly; First Learning; Montessori School Safely Home; St. James AME Girl at Holy Rosary; Music Settlement; Scout Troops 71220, 71398, and Our Lady of Mount Carmel (West); 71990; Signature Health Art Therapy; Brichfor d Peaceful Children Montessori School; Thea Bowman Center; and University d Davi and Shaw High. Settlement. Arts & Culture (Karen Gahl-Mills, Community groups: Abington Music and dance groups: African executive director), Gestalt Institute Arms Art Therapy Program; Arts Soul, Cleveland Inner City Ballet, of Cleveland (Victoria Winbush, Collinwood; BAYarts; Beck Center Cleveland Saxtet, C-Life and the interim director), MOCA Cleveland for the Arts; Broadway Public Art; Leaders of Tomorrow, Crooked River (Jill Snyder, executive director), Broadway School of Music and the Dance Troupe, Golden Goddess Montessori High School at University Arts; Broadway United Methodist Dance Co., Inlet Dance Theatre, Circle (Vikki Broer, administrative Church; Catholic Charities - Fatima Kilombo Stiltwalkers, Motivation dean), Music Settlement (Charles Family Center; Chevy Riders; Church thorough Excellence, Mystic Motions Lawrence, president & CEO), UCI of the Covenant; Cleveland Hoop Inc., Panic Steel Ensemble, Pick (Chris Ronayne, president), University Dance; CMNH Museum Book Up Stix, Sutphen School of Music Circle United Methodist Church Explorers; Cleveland Peace Action; at Phillis Wheatley Association, (Kenneth W. Chalker, senior pastor), Cleveland Public Library; Cleveland Townsmen Orchestra, and Troupe Western Reserve Historical Society Public Theatre - Brick City Theatre; des Masques de Boni (Burkina Faso). (Gainor Davis, president and CEO), Cuyahoga County Invest in Children Groups on Kulas Main Stage or and Womens Council of the CMA Universal Pre-kindergarten Program: community stage: C-Life and the (Marianne Bernadotte, chair). Kiddie City and Precious Beginnings; Leaders of Tomorrow; Crooked River Cuyahoga Metropolitan Housing School and education groups: Dance Troupe; Townsmen Orchestra; Authority - Lakeview Terrace Allegheny College; Cleveland Heights and Troupe des Masques de Boni Community Center; Extended High; Cleveland Metropolitan School with Cleveland School of the Arts, Family; Firelands Association for the District: Cleveland School of the Arts,

169 Motivation through Excellence, Pole banner artists (new banners): VanLear; “In Memory of You,” Debbie Passport Project, and Olu Manns and Horizon Science Academy, Music Apple-Presser and Wendy Mahon; Friends. Settlement, and Reinberger Center at “Spirit Tree,” Robin VanLear; and Circle Village activity presenters: Judson Park. “Suburban Hawk Angel,” Story Lee American Heart Association, Centers Sponsor: The Cleveland Foundation. Rhinehart. for Dialysis Care/MOTTEP, Children’s Additional event support: Womens Activities: “Aaron Douglas and God’s Museum of Cleveland, Cleveland Council of the Cleveland Museum of ,” Caroline Goeser, gallery Botanical Garden, Cleveland Clinic Art, Cleveland Clinic, Ernst & Young, talk; Chroma Key Experience; “God’s Sleep Center, Cleveland Institute of KeyBank, and La Maison Française ’s” (excerpt), Karamu Art, Cleveland Institute of Music, de Cleveland. Special thanks to Theatre; highlights tours in East CMA and Womens Council of the Distillata, Ohio City Bicycle Co-op, Wing and 1916 galleries; lantern- CMA, CMNH, Cleveland Orchestra, and Parker’s Guesthouse. making workshops; Motivation Cleveland Play House, CPL, Cleveland through Excellence; “A Night at the Sight Center, Council for Economic Winter Lights Lantern Festival Museum,” Crooked River Ensemble; Opportunities in Greater Cleveland, The Townsmen Orchestra. ent Lantern-making workshops, m Cuyahoga Employment and displays, Wade Oval installation, and Sponsor: Medical Mutual of Ohio. art e p Family Services, Cuyahoga Valley procession highlight the museum’s National Park Association, Dunham contribution to Holiday CircleFest, Community Arts around Town cation d Tavern Museum, Euclid Beach Park University Circle’s seasonal

e du Puppets, stilt-dancers, musicians, Now/Cleveland’s Euclid Beach community open house. Park Society, Famicos costumed dancers, and visual Foundation, Geauga Mechanical, Environment of Lights installation artists promote Community Arts Gestalt Institute of Cleveland, and lantern procession: Artists: Mark festivals and the museum at selected Heights Arts, Hospice of the Jenks, Patty Jenks, Ian Petroni, and community events throughout the Western Reserve, Invest in Children, Robin VanLear. Music: Ismail Douglas, area. , Montessori Olu Manns, and Motivation through Bedford Art Festival; Case Western High School at University Circle, Excellence. Puppets: Robin Heinrich, Reserve University Case for Morgan Conservatory, Museum Scott Heiser, and Inlet Dance Community Day; Case Western of Contemporary Art Cleveland Theatre. Dancers: Melanie Fioritto, Reserve University Share the Vision; (MOCA), Music Settlement, National Inlet Dance Theatre, Lizzie Roche, Cleveland City Hall Office of the Autism Association of Northeast Story Rhinehart, Matthew Schmid, Mayor; Cleveland International Ohio, Nature Center at Shaker Lakes, and Kenya Woods-Cooper. Program; Cleveland Metroparks Park Lane Villa, Ronald McDonald Guest lantern artists: Debbie Apple- Boo at the Zoo; CMA Going Global House of Cleveland, St. Clair Superior Presser, Roaidi Cartaya Carbajal, Family Day; Cleveland Public Development Corporation, University Tracy Doran, Wendy Mahon, Nancy Theatre’s Pandemonium; Clifton Circle United Methodist Church, Prudic, and Story Lee Rhinehart. Arts and Music Festival; Coventry University Hospitals Rainbow Injury Lantern displays within museum: Street Arts Fair; Detroit Jazz Festival; Prevention Center, and Western “Alluvial Cairns,” Jesse Rhinehart; East 9th Street Chalk Preview; East Reserve Historical Society. “Han Dynasty Reflections,” Robin Cleveland Public Library; El dia de

170 los Muertos (Day of the Dead); Community of Relationship grant, Firelands Association for the Visual funded by the Cleveland Foundation, Arts (FAVA) and Oberlin Big Parade; increased audience development Fuchs Mizrachi School; Geauga activities in the four neighborhoods Humane Society Mardi Pas; Gordon around the museum—Fairfax, Square–University Circle Parade Hough, Glenville, and East Cleveland. Promo; Hathaway Brown opening; During the last year CMA partnered Karamu Juneteenth Celebration; with the following organizations for LeMars (Iowa) Chalk Festival; Judson’s Parade the Circle and a mural project: South Franklin Circle Grand Opening; Fairfax Renaissance Development Mary M. Bethune Elementary chalk Corporation; Karamu Center for the and lantern workshops; Montessori Performing Arts; Famicos Foundation; High School at University Circle; Glenville Development Center; East Morgan Conservatory Bwa Opening Cleveland Mayor’s Office; Mandel and Exhibit; North Union Farmers School of Social Sciences, Case Market at Cleveland Clinic, Cleveland Western Reserve University; East State University, Crocker Park, and Cleveland Public Library; Shore Bank; Brichfor d Shaker Square; Oberlin Chalk Walk; Thurgood Marshall Recreation Center; d Davi Parma Social Club; Playhouse Square Thea Bowman Center; Broadway Jump Back Ball; Positively Cleveland School of Music and the Arts; parade studio visit; Sparx City Hop; Broadway Public Art; Golden Ciphers; Sparx Concert Series; Tremont Arts Cleveland School of the Arts; Rainey and Cultural Festival; Tuesday Study Institute; Catholic Charities- Fatima Club; UCI Scarecrows; University Family Center; Mary Bethune School; School Lower and Upper Campuses; Arts Collinwood; East Cleveland Waterloo Arts Fest; and Yom Shaw High School; Morgan Paper Ha’atzmaut (Israel Independence Conservatory; King Day). Recreation Center, East Cleveland; Let It Be Gardens. Audience Development Audience development activities Community Programs within the department introduce the CMA to a diverse audience on Cafe Bellas Artes the east and west sides of the city. Monthly gatherings with members Staff attended fairs, special events, of the Latino community to converse and individual and organizational in Spanish about current cultural meetings to create partnership events. around the collections, exhibitions, and programs.

171 Museum Ambassadors Students from greater Cleveland high schools, both public and private, are trained at the museum to become ambassadors and volunteers for the arts both at the museum and in their communities. Participating schools: Bedford High School, Castle High School, Cleveland School of the Arts, East High School, Shaker Heights High School, Shaw High School, Strongsville High School, Valley Forge High School. Womens Council committee co- chairs: Ellen Bishko and Diane Stupay. ent m art e p cation d e du

172 FAMILY AND YOUTH Circle Sampler Camp Future Connections Participating cultural institutions: A nine-week teen mentoring PROGRAMS Cleveland Botanical Garden, program providing learning Cleveland Institute of Art, Cleveland opportunities to further students’ Museum of Art, Cleveland Museum academic and career goals. of Natural History, Cleveland Play University Circle institutions and House, Museum of Contemporary business partners. Participating Art Cleveland, Nature Center at cultural institutions: Case Western Shaker Lakes, Roots of American Reserve University: Center for Music, and Western Reserve Community Partnerships, Center for Historical Society. CMA Instructor: Science and Mathematics, Francis Mary Ryan Payne Bolton School of Nursing, Kelvin Smith Library, Office of Urban ELI (Early Learning Initiative) Health/Urban Area Health Education Brichfor d Participating cultural institutions: Center; School of Dental Medicine, d Davi Cleveland Botanical Garden, School of Law, School of Medicine; Cleveland Institute of Music, Children’s Museum of Cleveland; McGhee, Cliff Novak, Kristen Isabel, Cleveland Museum of Art, Cleveland Cleveland Botanical Garden; Liam O’Donnell, Stefanie Kalima, and Museum of Natural History, Cleveland Museum of Art; Cleveland Rae Burke. Cleveland Orchestra, Cleveland Museum of Natural History; Play House, Nature Center at Cleveland Music School Settlement; PNC StART SmART Grant Cleveland NAACP; Cleveland Play Shaker Lakes, and Western Reserve An initiative to improve children’s House; Free Clinic of Greater Historical Society. CMA Instructors: learning abilities by introducing Cleveland; Maltz Museum of Jewish Kate Hoffmeyer, Christie Klubnik, an arts-infused curriculum. This Heritage; Museum of Contemporary and Jeanna Forhan. program provides bi-monthly Art Cleveland. CMA Instructor: Kate teacher workshops, bi-monthly field Day care centers: Cleveland Hoffmeyer Municipal School District: Bolton, trips for pre-school children, and bi- monthly artist visits to the classroom Cleveland Early Childhood Museum Art Classes Development Center, Daniel E. as well as many opportunities to 1 Morgan, Dike, Giddings, John Classes for children ages 1 /2 to engage entire families in our CMA Raper, Lois Pasteur, and Wade Park; 17. Instructors: Melissa Corcoran, events. Partner Day Care Centers Cleveland Music School Settlement Candice Dangerfield, Lisa Focareto, are: Karamu House, Karamu at Preschool; Cleveland Sight Center Jeanna Forhan, Shanna Henry, Quincy Place, Ministerial Day Preschool; Karamu Early Childhood Kate Hoffmeyer, Dyane Hronek Care Association: Children’s First Development Center; KinderCare; Hanslik, Shari Jamieson, Christie Learning at Superior, Children’s First Wade Day Care Center; and Lorain Klubnik, Michaelle Marschall, Buff Learning at Hough, Cory Head Start, County Day Care centers. Jozsa, Shawn Prudic-Dennis, Joann and Brackland Academy and Early Rencz, Mary Ryan, Pamela Sika, Adri Childhood Development Center at Witchert, Margaret Roulett, Andrea Charles Orr, a CMSD school.

173 SCHOOL AND Art To Go School Tours Ruffing Montessori School, Shaker Heights, Small World of Learning, Art to Go presented 121 suitcases to Participants from the following Solon, South Euclid/Lyndhurst, TEACHER Harter School, Sts. Joseph & John Ohio counties: Ashland, Ashtabula, St. Paul Cooperative Preschool, School, St. Mark School, Iowa-Maple Belmont, Columbia, Columbiana, University Schools, Warrensville PROGRAMS School, Boulevard Elementary, St. Ann Coshocton, Cuyahoga, Delaware, Heights, Westlake. School, Wiley Middle School, Marion- Erie, Franklin, Geauga, Hamilton, Sterling, Early College High School, Huron, Lake, Lawrence, Lorain, Daniel E Morgan, Oliver H. Perry, Licking, Mahoning, Medina, Mercer, Clark, Case School, Robinson G. Jones, Perry, Portage, Richland, Sandusky, Franklin D. Roosevelt, Wilbur Wright, Stark, Summit, Trumbull, Tuscarawas, Case Western Reserve University, Union, Wayne, Westmoreland, Marcus Thomas, Cuyahoga Heights Whitley. Ohio School Districts Middle School, St. Monica, Western and other schools: Bay Village, Reserve Academy, St. Michael Beachwood, Bedford, Chagrin Falls, School, Kirtland Middle, Lakewood Chagrin Falls Exempted Village, Catholic School, Grant Elementary, Christian Church School, Citizens’

Lee Road Library, Massillon Middle Academy, Cleveland Heights- ent m

School, Gates Mills, Lawrence School, University Heights, Cleveland art Nordonia Middle School, Royal View Metropolitan School District, e p Elementary, Hawken, Old Trail School, Community United Head Start, Orchard Middle School, Greenview Cuyahoga Heights, Diocese of cation d Elementary School, University Circle Cleveland, East Cleveland, Education e du Interactive Cleveland, The Greens, Alternatives, Eleanor Gerson School Independence Village of Aurora. Garfield Heights, Gilmour Academy, Girl Scout, Hathaway Brown, Distance Learning Hawken, Homeschool, Horizon Live videoconferencing to client Science Academy High School, Joint schools in Alabama, Arizona, Vocational School, JVS, Lakewood, Arkansas, California, , Lakewood Hospital Child Care Florida, Georgia, Idaho, , Center, Laurel School, Lutheran Indiana, Kansas, Kentucky, Louisiana, Church School, Lutheran-South Maine, , Massachusetts, Euclid, Magnificat High School, Michigan, Minnesota, Missouri, Maple Heights, Mayfield, Menlo Park , , New Hampshire, Academy, Montessori High School at New Jersey, New Mexico, New York, UC, North Olmsted, North Royalton, North Carolina, Ohio, Oklahoma, Olney Friends School, Orange, Pennsylvania, South Carolina, Outreach Group, Parma, Padua Tennessee, Texas, Virginia, West Franciscan High School, Positive Virginia, and Wyoming. Education Program, Rocky River,

174 Summary of Education and Public Programs School and Teacher Services Adult Programs Art To Go 3,877 CWRU classes * 5,536 Community Engagement Attendance Art Cart 978 CWRU Audits * 570 Community Arts: Asian Odyssey 360 Gallery Talks by staff & Docent Art Crew 2,689 Distance Learning 34,318 Training 481 Museum Visitors Chalk Festival 15,000 Docent-guided groups 10,344 Gallery Talks & Highlights Tours by Docents 3,993 Total Attendance 335,262 Community Arts (offsite) 199,770 Educator’s Academy 322 Public Lectures 890 Parade the Circle 78,550 John Hay High School Project 1,324 Self-guided groups 1,087 Winter Lights Lantern Festival 14,175 Lunch Space for schools 1,302 Staff-guided-groups 505 Total 310,184 Monitored Drawing 127 Staff-guided-groups (offsite) 45 Community Programs School Studio programs 1,762 Docent-guided groups (offsite, Self-guided groups 6,591 Cafe Bellas Artes 347 Masterpiece) 386 Staff-guided groups 886 Museum Ambassadors 1,020 Studio classes * 961 Total 62,191 Nia Coffee House 960 Special Programs/Conferences 224 Other Events 293 Family and Youth Programs Total 14,678 Total 2,620 Family Workshops 1,831 High School Programs * 116 Grand Total 406,124 My Very First Art Class * 604 Performing Arts, Music, and Film Museum Art Classes * 4,533 Gallery concerts 296 PNC Early Childhood Project * 2,070 Special presentations 5,354 Special Youth Programs 835 VIVA! & Gala Around Town 6,547 Special Days (total) 6,462 Opening Nights Festival 6,883 Martin Luther King Jr. 2,022 CMA Film Series 7,733 various Exhibition and Opening Events Total 26,813 Family Days 4,440 Total 16,451 Brichfor d

d Davi *reflects multi-attendance

175 Ingalls Library and Archives Serials Public Services Archives Web site 2,530,303 hits Total serial titles 5,548 Door count 45,509 Records accessioned 98 cubic feet Library Catalog (ALEPH) 492,434 hits Total active serial titles 1,145 Elevator count 27,994 and 16 Gigabytes in 55 accessions Library Online Resources 520,436 hits Total serial issues checked in 3,095 Program Attendance 1,062 Total holdings as of June 30, 2010 2,310 cubic feet Serials Exchange Partners 114 Staff use 1,974 Plus 65 drawers of architectural Sales catalogs received 1,792 Nonstaff users registered 4,551 Book Library drawings, 20 drawers of oversized Total serials holdings 69,746 Book circulation: 11,010 material in flat files, 57 linear feet of Cataloging Museum staff 7,617 oversized material on shelves and Items Cataloged 9,105 titles CWRU 2,792 electronic records in 9284 items Electronic Resources Finding aids/box lists includes books, serials, electronic Total electronic databases 72 Members 121 uploaded to website 23 resources, microforms, sales includes access to more than 2,000 other researchers 470 Record schedules updated 9 catalogs, dealers catalogs, and journals and 186,000 electronic Renewals 9,439 Reference questions answered 280 videos/DVDs, in Roman and CJK books, many of which are full-text holds Placed 631 scripts Museum Staff 187 Returns 11,050 Volume count as of June 30, 2010 Nonstaff 93 339,929 titles Collections Preservation Books shelved 22,400 in 456,105 volumes Book binding/conservation 2,592 Books handled via courier run 4,255 Items reclassed/recataloged 621 Interlibrary loans 389 Items deaccessioned 226 Borrows 210 Headings added to ArtNACO 38 Loans 179 Reference questions answered 2,201 including 294 email questions Acquisitions Web site questions answered 134 Books ordered 2,290 Books received 4,740 Gifts received 160 Image Services Exchanges received 89 Images requested 175 Images scanned / ingested (including legacy) 6,224 CMA Image catalog and storage facilities records in Zoph (images) only 273,378 records with metadata 180,175

176 Staff Director’s Office Museum Store Human Resources Division Deborah Gribbon, Interim Director Lucy Abadier, Museum Store Sharon Reaves, Director of Human and CEO Assistant Manager Resources Jackie Kelling, Executive Assistant John Baburek, Buyer/Product Sara Hodgson, Human Resources Roberto Prcela, Assistant Secretary of Developer Manager the Board Dedeja Tsiranany, Office Coordinator/ Carla Petersen, Benefits Specialist Retail Analyst Operations Administration Ann Helmink, Warehouse Janet Ashe, Deputy Director of Coordinator Facilities Administration and Treasurer Marvin Mandel, Sales Associate, Thomas Catalioti, Director of Retail* Auxiliary Services Facilities Christina Stouffer, Sales Associate, Catherine Surratt, Director of Paul Krenisky, Associate Director of Retail* Auxiliary Services Facility Operations Finance Michael Mirwald, Associate Director Distribution Services of Facility Construction Wanda Irwin, Distribution Services Accounting Tonya Tatarowicz, Sustainability/ Supervisor Ed Bauer, Assistant Treasurer and Facilities Specialist Kimberly Grice, Distribution Services Controller Assistant Russ Klimczuk, Manager of Financial Construction Services Planning Mark Unick, Construction Services Event Management Kimberly Cerar, Assistant Controller Supervisor William Sherman, Special Events Anthony Augusta, Construction Manager Amy Butinski, Construction/ Development Accountant Services Technician Kim Hall, Special Events Coordinator Christine Hoge, Endowment Engineering Accountant Food Service Anthony Lee, Engineering Supervisor Ashley Young, Food Service Supervisor Karen Lind, Accounts Receivable Specialist Joseph Jamrus, Engineering Foreman Joe Paoletto, Co-Team Leader/Food Joseph Klubert, Electrician Service Associate Patricia Wilson, Payroll Coordinator Frank Babudar, Engineer *part-time Maketa White, Co-Team Leader/Food Service Associate Thomas J. Cari, Engineer Lori Lilliard, Food Service Associate* Stephen Gause, Engineer Robert Poling, Food Service Associate* Fred E. Sanders, Engineer Ibn Taylor, Engineer

177 Building Services Protection Services Gary Lambert, Security Officer Joe Savage, Building Services Jaime Juarez, Director of Protection Louris Malaty, Security Officer Supervisor Services Candice Matthews, Security Officer Shawn Burns, General Cleaner Carol Camloh, Coordinator James McNamara, Security Officer LaTonya Cozart, General Cleaner Carolyn M. Ivanye, Operations Salwa Melek, Security Officer Manager Brian Ferguson, General Cleaner Cameron Phillips, Security Officer Jeff Cahill, Security Manager Brian Fields, General Cleaner Timothy Roach, Security Officer Steven Witalis, Security Manager Rebecca Harrison, General Cleaner Adam Schonhiutt, Security Officer Michael Browne, Security Supervisor Ashley Johnson, General Cleaner Edward Sherman, Security Officer James Donovan, Security Supervisor Deanna Miller, General Cleaner Abram Shneyder, Security Officer Charles Ellis, Security Supervisor Miguel Mitchell, General Cleaner Michael Turner, Security Officer Ken Haffner, Security Supervisor Bobby Shoulders, Group Leader/ Alexander Verni, Security Officer General Cleaner Carol Meyers, Security Supervisor Janet Voss, Security Officer John Weems, General Cleaner Mark Nerone, Security Supervisor Timothy Waddell, Security Officer Cynthia Wiggins, General Cleaner David Setny, Security Supervisor Deretha Young, Security Officer Avila Winston, General Cleaner William McGee, Electronic Security Coordinator George Youssef, Security Officer Grounds John Williams, Team Leader Armia Agaibi, Security Officer* Thomas Hornberger, Grounds Kamilia Abadier, Security Officer Noah Bowers, Security Officer* Supervisor Bruce Briggs, Security Officer Danial Canfield, Security Officer* Ronald L. Crosby, Group Leader/ Vannessa Dawson, Security Officer* Groundskeeper Frank Cacciacarro, Security Officer Mervin Clary, Security Officer Andrew Demjanczuk, Security Allen C. Jesunas, Grounds Assistant Officer* Dexter Davis, Security Officer Lott Crosby, Groundskeeper Russ Durr, Security Officer* Michael Evans, Security Officer William Foster, Groundskeeper Darren Frate, Security Officer* Leonard Gipson Jr., Security Officer Joseph L. Hrovat, Groundskeeper Ted Frisco, Security Officer* Alexandria Grady, Security Officer John Sawicki, Groundskeeper Brittainy Grady, Security Officer* Alexander Gulkin, Security Officer JoAnne Grady, Security Officer* Clifford Hicks, Security Officer Kevin Grays, Security Officer* Emmett Hogg, Security Officer Ted Hissam, Security Officer* Brenda Johnson, Security Officer Judith Heard, Security Officer* Dwayne Kirkland, Security Officer

178 John Lanzilotta, Security Officer* Chief Curator Cory Korkow, Curatorial Fellow Henry Maslach, Security Officer* C. Griffith Mann, Chief Curator June de Phillips, Curatorial Assistant Richard Maslach, Security Officer* Meghan Olis, Affiliate Group Liaison Prints and Drawings Maurice Phillips, Security Officer* Bridget Weber, Executive Assistant Jane Glaubinger, Curator of Prints Anthony Robinson, Security Officer* Curatorial Heather Lemonedes, Associate Jason Rudolf, Security Officer* Curator of Drawings Ancient Art Albert Russell, Security Officer* Joan Brickley, Senior Curatorial Kevin Shepherd, Security Officer* Michael Bennett, Curator of Greek Assistant and Roman Art Thomas Wallace, Security Officer* David Smart, Curatorial Assistant Textiles and Islamic Art Jeremy Tugeau, Security Officer* Louise W. Mackie, Curator of Textiles Kierra Weems, Security Officer* Asian Art and Islamic Art Darryl Williams, Security Officer* Anita Chung, Curator of Chinese Art Deirdre Vodanoff, Curatorial Jasmine Williams, Security Officer* Katie Kilroy, Curatorial Assistant Assistant Kenneth Wilson, Security Officer* Contemporary Art Decorative Art and Design Antoine Winston, Security Officer* Paola Morsiani, Curator of Stephen Harrison, Curator of Alton Avery, Night Watch Person Contemporary Art Decorative Art and Design Lawrence Fitch, Night Watch Person Robin Koch, Curatorial Assistant Carol A. Ciulla, Senior Curatorial Lee Hebebrand, Night Watch Person Assistant Shannon Latorres, Night Watch Photography Art of the Ancient Americas Person Tom E. Hinson, Curator of Hugh McGee, Night Watch Person Photography Susan Bergh, Associate Curator of Art of the Ancient Americas David Robbins, Night Watch Person Robin Koch, Curatorial Assistant Amanda Mikolic, Curatorial Assistant John Somogyi, Night Watch Person European and American Painting and Joyce Watson, Night Watch Person Sculpture African Art George Johnson, Night Watch William H. Robinson, Curator of Constantine Petridis, Curator of Person* Modern European Art African Art Dennis Morris, Night Watch Person* Jon Seydl, The Paul J. and Edith Carol A. Ciulla, Senior Curatorial Richard Thompson, Night Watch Ingalls Vignos Jr. Curator of European Assistant Person* Painting and Sculpture 1500–1800 Lori Wienke, Assistant to the Mark Cole, Associate Curator of Interpretation Project American Painting and Sculpture

179 Medieval Art Rennie White, Capital Campaign Institutional Giving Stephen N. Fliegel, Curator of Assistant Cindy Flores, Assistant Director, Medieval Art Linda Goldstein, Executive Assistant Institutional Giving Amanda Mikolic, Curatorial Assistant Hunter Walter, Corporate Relations Individual Giving Specialist Exhibition Office Donna Winter, Administrative Heidi Domine Strean, Director of Assistant Education and Public Programs Exhibitions Mary Wheelock, Senior Development Marjorie Williams, Director of Sheri Walter, Exhibitions Specialist Officer, Individual Giving Education and Public Programs Emily Marshall, Exhibitions Assistant John Farina, Assistant Director, Kathleen Colquhoun, Special Projects Individual Giving Coordinator Performing Arts, Music, and Film Emily Goodyear, Individual Giving Caroline Goeser, Department Massoud Saidpour, Director of Coordinator Director for Interpretation Performing Arts, Music, and Film Kathleen Branscomb, Planned Giving Thomasine Clark, Assistant* Manager Tom Welsh, Associate Director of Cavana I.O. Faithwalker, Assistant Music Carla Howard, Associate Director of Director, Community Outreach Development Services John Ewing, Associate Director of Dyane Hanslik, Associate Director, Film Maggie Spriggs, Development Family and Youth Programs Services Manager Kyra Price, Production Manager Dale Hilton, Department Director, Michael McKay, Office Manager Kathy Rowe, Research Specialist School & Teacher Services and Theresa Mazzola, Development Distance Learning Publications Coordinator Arielle Levine, Distance Learning Barbara J. Bradley, Director of Cindy Kellett, Associate Director, Instructor Curatorial Publications Membership Mary Ryan, Project Administrator Jane Takac Panza, Editor* John Kelly, Membership Assistant Caroline Guscott, Distance Learning Amy Sparks, Assistant Editor Maureen Kelly, Membership Marketing Assistant Assistant* Barbara A. Kathman, Associate Development Christina Gaston, Membership Director, Docent Program Thomas Anderson, Interim Director Assistant (started 6/21/10; previously Michael Starinsky, Department of Institutional Advancement in Ticket Center*) Director for Public Programs and LLC Joan Ainsworth, Major Gifts Officer Diane De Bevec, Associate Director, Alicia Hudson Garr, Assistant Laurie Klingensmith, Associate Development Outreach Director, Art-to-Go Department Director, Capital Campaign Eliza Parkin, Senior Special Events Seema Rao, Assistant Director, Coordinator Creative Content, LLC

180 Jinai Amos, Administrative Assistant Audience Research and Development Museum Services Karen Bourquin, Assistant* Elizabeth Bolander, Assistant Claire Lee Rogers, Department Director of Audience Research and Mary Suzor, Director of Collections Director for Community Engagement Development Management Alexandra Lancaster-King, Museum Becky Astrop, Advertising and Promotions Associate Ambassadors Assistant Registrar’s Office Robin VanLear, Artistic Director, Creative Services Gretchen Shie Miller, Registrar for Community Arts Loans Gregory M. Donley, Assistant Director Nan Eisenberg, Coordinator, of Creative Services Kimberly Cook, Assistant Registrar Community Arts Vessela Kouzova, Junior Designer Elizabeth Saluk, Rights and Gail Trembly, Community Arts Reproductions Coordinator Assistant Mel Horvath, Traffic and Production Manager Lauren Turner, Department Assistant Joe Ionna, Curriculum Liaison, John Tracy Sisson, Supervisor Hay High School Visitor Experience Marty Ackley, Packing Specialist Joellen Deoreo, Associate Director, Aaron Petersal, Assistant Director of Joseph R. Blaser, Jr., Senior Art Handler Exhibition and Adult Programs* Visitor Experience Barry Austin, Art Handler Alice Barfoot, Scheduling Elizabeth Pim, Volunteer Manager Administrator John Beukemann, Art Handler Susan Cummings, Sales Associate, Jennifer Gray, Assistant* Ticket Center* Christopher Bruns, Art Handler (temporary part-time) Eleanor Cohen, Art-to-Go Program Susan Flickinger, Sales Associate, Assistant* Ticket Center* Sean Amos, Art Handler (temporary part-time) Marketing and Communications Christina Gaston, Sales Associate, Ticket Center* Arthur Beukemann, Art Handler Cindy Fink, Director of Marketing and (temporary part-time) Communications Martha Jacoby, Sales Associate, Ticket Center* Robine Andrako, External Affairs Photographic and Digital Imaging Assistant Donna Kasunic, Sales Associate, Services Ticket Center* Howard T. Agriesti, Chief Photographer Communications Erin Murray, Sales Associate, Ticket Gary Kirchenbauer, Photographer Christa Skiles, Assistant Director of Center* David Brichford, Associate Communications Peter Roth, Sales Associate, Ticket Photographer and Digital Imaging Center* Kesha Williams, Digital Technician Communications Manager Jennifer Shea, Sales Associate, Ticket Bruce Shewitz, Assistant Manager Thomas H. Barnard III, Senior Center* Designer

181 Conservation Jim Engelmann, Associate Exhibition Network Engineering and Technical Marcia C. Steele, Chief Conservator Designer Services Dean Yoder, Paintings Conservator Andrew Gutierrez, Gallery and Tom Hood, Manager of Network Interior Designer Engineering and Technical Services Jennifer Perry, Associate Conservator of Asian Paintings Mary Thomas, Production Designer* Robert Nuhn, Assistant Manager, Network Engineering Robin Hanson, Associate Conservator Exhibition Production of Textiles Allison Kennedy, Network Technician Robin Roth, Head of Exhibition Moyna Stanton, Paper Conservator Bob Hlad, Hardware and Software Production Administrator Steve Fixx, Robin Presley, Museum Painter Amy Crist, Mellon Fellow Philip Brutz, Mount Maker Media and User Services James George, Senior Conservation Todd Hoak, Production Assistant Dave Shaw, Manager of Media and Technician User Services Mark McClintock, Production Joan Neubecker, Conservation Assistant Marvin Richardson, Support Analyst Technician Dante Rodriguez, Mount Maker Michael St. Clair, Support Analyst Shelley Reisman Paine, Objects Laszlo Vince, Support Specialist Conservator Joseph Murtha, Lead Cabinet Maker Tim Harry, AV Assistant* Samantha Springer, Assistant Justin Baker, Assistant Cabinet Maker Objects Conservator Mark Gamiere, Lighting Technician Library and Archives Beth Wolfe, Environment and Object Barbara Konrad, Production Conservation Technician Assistant* Library Joan Bewley, Senior Assistant Elizabeth Lantz, Director, Library and Information Management and Archives Technology Services Design & Architecture Louis Adrean, Senior Librarian for Jeffrey Strean, Director of Design and Information Services Reader and Circulation Services Architecture Jane Alexander, Director of Christine Edmonson, Reference Rusty Culp, Associate Director of Information Management and Librarian Design and Architecture Technology Services Peter Buettner, Circulation Assistant Amy Draves, Administrative Assistant Adam LaPorta, Digital Imaging Beverly Essinger, Circulation Assistant Specialist Design Justin Morehouse, Circulation Linda Wetzel, Support Analyst Assistant Terra Blue, Associate Graphic Designer Tanya Keaton, Library Technician* Michael Becroft, Continuations Assistant

182 Linda Ayala, Continuations Assistant Lori Thorrat, Associate Librarian for Technical Services Marsha Morrow, Acquisitions Assistant Margaret Castellani, Head Cataloger Stacie A. Murry, Cataloging Assistant Matthew Gengler, Instruction and Outreach Librarian Elizabeth Berke, Administrative Assistant Niki Krause, Systems Librarian Erin Robinson, Image Services Assistant* Jennie Devaney, Image Digitizer*

Archives Leslie Cade, and Records Manager Susan Miller, Electronic Records Archivist

183 July 1, 2009–June 30, 2010

Financial Report

184 Treasurer’s The past fiscal year was another period of change on Subsequent Events (p. 204), on July 1, 2010, Report 2010 for the museum and we are positioned well for the the museum issued $70,430,000 in fixed-rate tax- future. The year brought changes in leadership exempt bonds with maturity dates ranging from with an Interim Director, Debbie Gribbon, whose 2018 to 2022 and coupon rates from 3% to 5%. The very capable hands steered the ship until our new net proceeds realized by the sale of these bonds was Director, David Franklin, could take over at the approximately $75 million. helm. During this time, the Board of Trustees voted An important element in issuing these bonds to continue to move forward and complete the was obtaining an “AA+” stable rating from building project that has been a major focal point Standard & Poor’s, which indicates that the financial for the past many years. With the approval to go strength of the museum is still very strong. As ahead and complete the building project, our efforts shown in the financial statements of the museum, were concentrated on two things: the issuance of our endowment and trusts continue to recover fixed-rate bonds to support the necessary cash flow with a net of fees, one year return of over 12% and required to finish the project and securing interest ending with a balance of just under $583 million rates on the current variable-rate bonds to eliminate after our endowment draws. Our annual operating future uncertainty by locking in favorable low rates position ended positive for the second year in a row, in the bond markets. slightly over $1 million. The surplus reflects the Two major transactions were undertaken during budget cuts taken at the beginning of the year in the year. First, in December 2009, as described anticipation of the declining endowment draws yet in note 11 (p. 203), the museum entered into a to come over the next two to three years due to the forward swap with the effective date of January five-year spending rule the museum utilizes. 3, 2011, and with an increasing notional value Looking forward, we anticipate a balanced through January 2, 2014. The objective was to fix budget in fiscal year 2010–2011. Our endowment the museum’s exposure on the interest rate through continues to recover and the building project January 1, 2021, as the original swap’s notional continues to be on schedule and on budget. value decreases to zero. These two derivative Construction should be completed by December instruments both had negative fair values as of June 2012 and the reinstallation of the entire permanent 30, 2010, totaling more than $6 million. The swaps collection by December 2013. were entered into for the sole purpose of managing Janet Ashe our interest rate exposure to rising interest rates Deputy Director of Administration and Treasurer in the future. Secondly, as described in note 13

185 Summary of Key Finance Data

Year ended Year ended Year ended Year ended Year ended June 30, 2010 June 30, 2009 June 30, 2008 June 30, 2007 June 30, 2006 (in thousands) Investment $ 338,646.0 $ 328,177.0 $ 418,281.0 $ 454,814.1 $ 402,671.6 Charitable perpetual trusts 244,083.0 231,536.0 318,663.0 365,875.8 323,698.5 Total 582,729.0 559,713.0 736,944.0 820,689.9 726,370.1

Art Purchases 10,804.0 9,510.0 13,929.0 16,130.1 4,748.3 Unrestricted revenue and support 40,062.0 40,891.0 33,692.0 36,020.7 29,481.3 Operating expensees 38,871.0 C 39,533.0 B 35,012.0 35,992.2 29,479.7 Excess (deficiency) of operating revenue and support over operating expenses 1,191.0 1,358.0 (1,320.0) 28.5 1.6 Less one-time expenses 0.0 0.0 1,967.0 A Comparative annualized operating position excluding one-time charge 1,191.0 1,358.0 647.0 28.5 1.6 Five-year average (excluding one-time charge) 251.8

A. includes one-time charges for building depreciation, severance B. Includes depreciation expense for Phase I building project of 3,125 C. Includes depreciation expense for Phase I building project of 5,195

186 Report of The Board of Trustees Independent The Cleveland Museum of Art Auditors

We have audited the accompanying statements of accounting principles used and significant estimates financial position of The Cleveland Museum of Art made by management, and evaluating the overall (the Museum) as of June 30, 2010 and 2009, and financial statement presentation. We believe the related statements of activities and cash flows that our audits provide a reasonable basis for our for the years then ended. These financial statements opinion. are the responsibility of the Museum’s management. In our opinion, the financial statements Our responsibility is to express an opinion on these referred to above present fairly, in all material financial statements based on our audits. respects, the financial position of the Museum at We conducted our audits in accordance with June 30, 2010 and 2009, and the changes in its net auditing standards generally accepted in the United assets and its cash flows for the years then ended, States. Those standards require that we plan and in conformity with accounting principles generally perform the audit to obtain reasonable assurance accepted in the United States. about whether the financial statements are free of As discussed in Note 2 to the financial material misstatement. We were not engaged to statements, in fiscal 2009, the Museum adopted perform an audit of the Museum’s internal control FASB Staff Position FAS 117-1 (codified as part over financial reporting. Our audits included of Accounting Standard Codification 958, Not- consideration of internal control over financial for-Profit Entities), Endowments of Not-for-Profit reporting as a basis for designing audit procedures Organizations: Net Asset Classification of Funds that are appropriate in the circumstances, but not Subject to an Enacted Version of the Uniform Prudent for the purpose of expressing an opinion on the Management of Institutional Funds Act, and Enhanced effectiveness of the Museum’s internal control over Disclosures for All Endowment Funds. financial reporting. Accordingly, we express no such opinion. An audit also includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the November 24, 2010

187 Statements of Financial Position

(in thousands)

June 30, 2010 June 30, 2009 June 30, 2010 June 30, 2009 Assets Liabilities and net assets Current assets: Current liabilities: Cash and cash equivalents $ 7,365 $ 1,897 Accounts payable and accrued expenses $ 16,219 $ 8,761 Short-term investments 12,168 5,414 Deferred revenue 275 343 Accounts receivable 261 240 Other current liabilities 241 11,118 Inventories 635 655 Total current liabilities 16,735 20,222 Other current assets 914 11,702 Total current assets 21,343 19,908 Long-term debt 90,000 90,000

Investments 338,646 328,177 Other liabilities: Accrued postretirement medical benefits 2,332 2,301 Buildings and equipment: Accrued pension obligation 3,266 1,676 Buildings and improvements 212,479 211,669 Other 7,214 3,767 Equipment 18,269 16,517 12,812 7,744 Construction-in-progress 58,224 22,979 Total liabilities 119,547 117,966 288,972 251,165 Less accumulated depreciation 48,133 41,379 Net assets: Total buildings and equipment—net 240,839 209,786 Unrestricted 102,403 102,119 Temporarily restricted 339,909 308,096 Other assets: Permanently restricted 311,482 296,980 Charitable perpetual trusts 244,083 231,536 Total net assets 753,794 707,195 Pledges receivable 26,983 34,245

Other 1,447 1,509

Total other assets 272,513 267,290 Total assets $ 873,341 $ 825,161 Total liabilities and net assets $ 873,341 $ 825,161

See accompanying notes.

188 Statement Temporarily Permanently Unrestricted Restricted Restricted Total of Activities Revenues and support Endowment and trust income $ 11,101 $ 9,312 $ 20,413 $ 20,413 Contributions and membership 3,780 24,659 — 28,439 Year ended June 30, 2010 Gifts, grants, and other revenue for special exhibitions 549 — — 549 (in thousands) Program revenues and other support 3,355 974 — 4,329 Stores, café, parking, and products 1,571 — — 1,571 Net assets released from restrictions used for operations 19,706 (19,706) — — Total revenues and support 40,062 15,239 — 55,301

Expenses Curatorial, conservation, and registrar 5,889 — — 5,889 Special exhibitions 1,015 — — 1,015 Education, library, and community programs 4,214 — — 4,214 Marketing and communications 1,844 — — 1,844 Development and membership services 2,615 — — 2,615 General and administrative 7,277 — — 7,277 Building facilities and security 7,520 — — 7,520 Stores, café, parking, and products 1,743 — — 1,743 Depreciation 6,754 — — 6,754 Total expenses 38,871 — — 38,871 Excess of revenues and support over expenses before other changes in net assets 1,191 15,239 — 16,430

Other changes in net assets Trust revenue designated for art purchases — 4,193 — 4,193 Investment return designated for art purchase — 9,293 — 9,293 Net assets released from restrictions used to fund acquisition of art objects 10,804 (10,804) — — Expenditures for acquisition of art objects (10,804) — — (10,804) Gifts and contributions 1,531 67 1,955 3,553 Other changes 469 769 — 1,238 Investment return after amounts designated 2,484 13,056 — 15,540 Change in fair value of derivative instruments (3,707) — — (3,707) Change in fair value of charitable perpetual trusts — — 12,547 12,547 Changes in funded status of pension benefits (1,346) — — (1,346) Changes in funded status of postretirement medical benefits (338) — — (338) Increase in net assets 284 31,813 14,502 46,599 Net assets at beginning of year 102,119 308,096 296,980 707,195

Net assets at end of year $ 102,403 $ 339,909 $ 311,482 $ 753,794

See accompanying notes.

189 Statement Temporarily Permanently Unrestricted Restricted Restricted Total of Activities Revenues and support Endowment and trust income $ 20,632 $ 2,015 — $ 22,647 Contributions and membership 3,941 11,828 — 15,769 Year ended June 30, 2009 Gifts, grants, and other revenue for special exhibitions 3,965 — — 3,965 (in thousands) Program revenues and other support 3,864 339 — 4,203 Stores, café, parking, and products 1,504 — — 1,504 Net assets released from restrictions used for operations 6,985 (6,985) — — Total revenues and support 40,891 7,197 — 48,088

Expenses Curatorial, conservation, and registrar 6,340 — — 6,340 Special exhibitions 3,733 — — 3,733 Education, library, and community programs 4,816 — — 4,816 Marketing and communications 1,811 — — 1,811 Development and membership services 3,433 — — 3,433 General and administrative 5,541 — — 5,541 Building facilities and security 7,468 — — 7,468 Stores, café, parking, and products 1,792 — — 1,792 Depreciation 4,599 — — 4,599 Total expenses 39,533 — — 39,533 Excess of revenues and support over expenses before other changes in net assets 1,358 7,197 — 8,555

Other changes in net assets Trust revenue designated for art purchases — 6,130 — 6,130 Investment return designated for art purchase — 1,492 — 1,492 Net assets released from restrictions used to fund acquisition of art objects 9,510 (9,510) — — Expenditures for acquisition of art objects (9,510) — — (9,510) Gifts and contributions — — 667 667 Other changes (3,549) (176) 3,409 (316) Investment loss after amounts designated (45,856) (39,089) — (84,945) Change in fair value of derivative instruments (923) — — (923) Change in fair value of charitable perpetual trusts — — (87,127) (87,127) Changes in funded status of pension benefits (408) — — (408) Changes in funded status of postretirement medical benefits (23) — — (23) Decrease in net assets before cumulative effect of change in accounting principle (49,401) (33,956) (83,051) (166,408) Cumulative effect of change in accounting principle (35,039) 35,039 — — (Decrease) increase in net assets (84,440) 1,083 (83,051) (166,408) Net assets at beginning of year 186,559 307,013 380,031 873,603

Net assets at end of year $ 102,119 $ 308,096 $ 296,980 $ 707,195

190 See accompanying notes. Statements of Year Ended Year Ended June 30, 2010 June 30, 2009 Cash Flows Reconciliation of change in net assets to net cash used in operating activities: Increase (decrease) in net assets $ 46,599 $ (166,408) (in thousands) Adjustments to reconcile increase (decrease) in net assets to cash used in operating activities: Depreciation and amortization 6,754 4,599 Change in fair value of derivative instruments 3,707 923 Net realized and unrealized (gains) losses on long-term investments (33,594) 73,461 Contributions restricted for long-term purposes (33,872) (20,603) (Increase) decrease in fair value of charitable perpetual trusts (12,547) 87,127 Acquisitions and sales of art, net 10,035 9,510 Changes provided by (used in) operating assets and liabilities: (Increase) decrease in accounts receivable (21) 122 Decrease in inventories and other current assets 10,808 6,986 Decrease in pledges receivable 7,262 4,873 Decrease in other assets 62 65 Increase (decrease) in accounts payable and accrued expenses 1,895 (7,705) Decrease in deferred revenue (68) (1,282) Decrease in other current liabilities (10,877) (5,940) Increase in other liabilities 1,361 294 Net cash used in operating activities (2,496) (13,978)

Financing activities Contributions restricted for long-term purposes 33,872 20,603 Net cash provided by financing activities 33,872 20,603

Investing activities Purchases of buildings and equipment (32,244) (18,741) (Increase) decrease in short-term investments (6,754) 4,145 Acquisition of art objects (10,804) (9,510) Proceeds from the sale of art 769 – Proceeds from sales and maturities of investments 29,899 20,977 Purchases of investments (6,774) (4,334) Net cash used in investing activities (25,908) (7,463)

Net increase (decrease) in cash and cash equivalents 5,468 (838) Cash and cash equivalents at beginning of year 1,897 2,735

Cash and cash equivalents at end of year $ 7,365 $ 1,897

See accompanying notes. 191 Notes to 1. Organization The Cleveland Museum of Art (the Museum) maintains in the Financial City of Cleveland a museum of art of the widest scope for the benefit of the public. Statements

June 30, 2010 and 2009 2. Significant Accounting Policies (in thousands, unless noted) Use of Estimates The preparation of financial statements in conformity with During fiscal 2010, the Museum received approval from the Court accounting principles generally accepted in the United States of Pleas, Probate Division to appropriate a percentage requires management to make estimates and assumptions that of the income restricted for art purchases generated from four affect the amounts reported in the financial statements and charitable perpetual trusts for the purpose of funding the project accompanying notes. Actual results could differ from those costs associated with the expansion project currently undertaken estimates. by the Museum. The total appropriated is not to exceed $75,000. During fiscal 2010, the Museum appropriated approximately Temporarily and Permanently Restricted Net Assets $5,700 for said purpose from the temporarily restricted income Temporarily restricted net assets are used to differentiate from the four charitable perpetual trusts. resources, the use of which is restricted by donors or grantors to In August 2008, the Financial Accounting Standards Board (FASB) a specific time period or for a specific purpose, from resources issued FSP FAS 117-1, Endowments of Not-for-Profit Organizations: on which no restrictions have been placed or that arise from the Net Asset Classification of Funds Subject to an Enacted Version of general operations of the Museum. Temporarily restricted gifts, the Uniform Prudent Management of Institutional Funds Act, and grants, and bequests are recorded as additions to temporarily Enhanced Disclosures for All Endowment Funds (FSP 117-1) (codified restricted net assets in the period received. When restricted as part of ASC 958, Not-for-Profit Entities). FSP 117-1 provides net assets are expended for their stipulated purpose or time guidance on the net asset classification of donor-restricted restriction expires, temporarily restricted net assets become endowment funds for not-for-profit organizations that are subject unrestricted net assets and are reported in the statements of to an enacted version of the Uniform Prudent Management of activities as net assets released from restrictions. For temporarily Institutional Funds Act of 2006 (UPMIFA). The Museum adopted restricted net assets restricted for major capital projects, the FSP 117-1 in fiscal 2009 (see Note 9). In connection with the Museum has adopted a policy of implying a time restriction on adoption of FSP 117-1, the Museum reclassified $35,039 from the use of such assets that expires over the assets’ useful lives. unrestricted net assets to temporarily restricted net assets as The Museum records a reclassification to unrestricted net assets a cumulative effect of change in accounting principle in the as net assets released from restrictions for an amount equal to statement of activities for the year ended June 30, 2009, as the annual depreciation for building and improvements constructed funds had not been appropriated for expenditure by the Museum. with restricted funds. Reclassifications of $5,195 and $3,125 in During fiscal 2009, the Museum reclassified a gift received in 2010 and 2009, respectively, are reflected in the statements fiscal 2008 of $3,374 from unrestricted net assets to permanently of activities in net assets released from restrictions used for restricted net assets based on additional information received operations. as to donor intent. Because the adjustment was not deemed Permanently restricted net assets consist of amounts held in material to the statement of activities for the year ended June 30, perpetuity as designated by the donors. Earnings on investments 2008, the reclassification was recorded in fiscal 2009 and included are included in temporarily restricted revenues and other in other changes in net assets in the statement of activities for changes in net assets until appropriated for expenditure by the the year ended June 30, 2009. Museum in accordance with the donors’ specifications.

192 Art Collection (excluding net realized and unrealized investment gains The Museum’s collections are made up of art objects and and losses) is reported as temporarily restricted until the artifacts of historical significance that are held for educational, program restriction of the donor is met. Investment income on research, scientific, and curatorial purposes. Each of the items temporarily restricted net assets for which use of the income is cataloged, preserved, and cared for, and activities verifying is restricted by the donor is reported as temporarily restricted their existence and assessing their condition are performed until the program restriction of the donor is met. Net unrealized continuously. and realized investment gains and losses are reported as Purchases for the collection are recorded as expenditures for unrestricted, temporarily restricted, or permanently restricted the acquisition of art objects in the statements of activities based upon the absence or presence of a restriction of the in the year in which the objects are acquired. Proceeds from underlying asset. the deaccession of art objects are recorded as temporarily Donated Services restricted net assets and are restricted to the acquisition of No amounts have been reflected in the financial statements for other art objects. In keeping with standard museum practice, donated services. The Museum pays for most services requiring the collections, which were acquired via purchases and specific expertise. However, many individuals volunteer their contributions, are not recognized as assets on the statements of time and perform a variety of tasks that assist the Museum with financial position. various programs. Cash Equivalents Special Exhibitions Cash equivalents are highly liquid investments with a maturity Other current assets and deferred revenue include expenditures of three months or less when purchased. Cash equivalents and revenues in connection with the development of special are measured at fair value in the statements of financial exhibitions. Revenues and expenses are recognized pro rata position and exclude amounts limited to use by donor or board over the life of the exhibition. Revenues include such items designation. as corporate and individual sponsorships. The expenditures Short-Term Investments generally include such items as research, travel, insurance, Short-term investments (maturities of three to twelve months) transportation, and other costs related to the development and are liquid investments, which are readily convertible into cash, installation of the exhibition. with limited risk of change in value because of interest rate Contributions changes. Unconditional pledges to give cash, marketable securities, Inventories and other assets are discounted to present value at the date Inventories consist of merchandise available for sale and are the pledge is made to the extent estimated to be collectible stated at the lower of average cost or market. by the Museum. Unconditional pledges with donor imposed restrictions limiting their use to the acquisition of long-lived Investment Income assets are classified as other assets on the statements of Realized investment gains or losses are determined by financial position. Conditional promises to give and indications comparison of the carrying value to net proceeds received on the of intentions to give are not recognized until the condition is settlement date. Unrealized gains or losses are determined by satisfied. Pledges received with donor restrictions that limit use the difference between carrying value and fair value. Investment are reported as either temporarily or permanently restricted income, including dividends and interest, and realized and support, or other changes in net assets if designated for long- unrealized gains (losses), is added to (deducted from) the term investment. When a donor restriction expires, that is, appropriate net assets class (Note 8). when a stipulated time restriction ends or purpose restriction is accomplished, temporarily restricted net assets are reclassified Investment income generated by permanently restricted net to unrestricted net assets and reported in the statements of assets for which use of the income is restricted by the donor activities as net assets released from restrictions.

193 Buildings and Equipment hierarchy, such as the FASB, American Institute of Certified Buildings and equipment are carried at cost. Expenditures that Public Accountants, and Emerging Issues Task Force, into a substantially increase the useful lives of existing assets are comprehensive, topically organized online database. Since this capitalized. Routine maintenance and repairs are expensed as is an accumulation of existing guidance, there is no impact to incurred. Depreciation is computed by the straight-line method the financial statements. The Codification became effective for using the estimated useful lives of the assets. Buildings and reporting periods that end on or after September 15, 2009 (fiscal improvements are assigned a useful life of up to 40 years. 2010 for the Museum). Equipment is assigned a useful life ranging from three to five Effective July 1, 2009, the Museum adopted ASU 2009-12, years. Net interest cost incurred on borrowed funds during Investments in Certain Entities That Calculate Net Asset Value per the period of construction of capital assets is capitalized as a Share (or Its Equivalent). ASU 2009-12 clarifies that for investments component of the cost of acquiring those assets. in entities that permit the investor to redeem the investment The Museum is undertaking a major construction, renovation, directly with (or receive distributions from) the investee at net and expansion project. Included in construction-in-progress are asset value per share (NAV), at times allowable under the terms $57,889 and $21,660 related to the expansion and renovation of the investee’s governing documents, NAV is the most relevant project at June 30, 2010 and 2009, respectively. During fiscal estimate of fair value available that would not require undue cost 2009, $174,000 of the project was placed into service and is and effort for the reporting entity. A reporting entity is permitted included in buildings and improvements. At June 30, 2010, the to estimate the fair value of an investment if the net asset value Museum had outstanding commitments for construction and per share of the investment (or its equivalent) is determined other related capital contracts of approximately $75,200. in accordance with the Investment Companies Guide as of the reporting entity’s measurement date. See Note 7. Other Current Assets and Liabilities Effective July 1, 2009, the Museum adopted ASC 815-10-15, Other current assets and liabilities at June 30, 2009, include Disclosures about Derivative Instruments and Hedging Activities $10,874 of collateral investments related to securities lending (ASC 815-10-15). ASC 815-10-15 requires additional disclosures about whereby certain securities in the Museum’s portfolio were derivative instruments and hedging activities. This new standard loaned to other institutions generally for a short period of time. requires that objectives for using derivative instruments be The Museum received as collateral the market value of securities disclosed in terms of underlying risks and accounting designation borrowed plus a premium approximating 2% of the market and the fair value, gains and losses of derivative instruments value of those securities. The Museum recorded the collateral and their location in the financial statements be disclosed. See received as both a current asset and a current liability since the Note 11. Museum was obligated to return the collateral upon the return of the borrowed securities. There were no securities lending Effective July 1, 2009, the Museum adopted ASC 715-20, agreements at June 30, 2010. Employers’ Disclosures about Postretirement Benefit Plan Assets, which provides guidance on expanded disclosures for plan Derivative Instruments asset of a defined benefit pension or other postretirement plan. The Museum recognizes its derivative instruments as either an ASC 715-20 requires additional disclosure only (see Note 10); asset or liability in the statements of financial position at fair and therefore, did not have an impact on the valuation of the value. The change in fair value of the derivative instruments are Museum’s postretirement benefit plans. recognized in the statements of activities as other change in net assets in the period of change. Reclassification Reclassification of certain prior year amounts have been made to New Accounting Pronouncements conform with current year presentation. In June 2009, the FASB issued Accounting Standards Update (ASU) 2009-1 (Codification). The Accounting Standards Codification (ASC) combines all authoritative standards issued by organizations that are in levels A through D of the GAAP

194 3. Pledges Receivable Outstanding pledges receivable from various corporations, foundations, and individuals are as follows: June 30, 2010 June 30, 2009 Pledges due: In less than one year $ 8,728 $ 5,519 In one to five years 16,791 28,890 Greater than five years 6,893 6,397 32,412 40,806 Present value discount on pledges (3.20%–5.38% discount rate) (5,429) (6,561)

$ 26,983 $ 34,245

4. Temporarily Restricted Net Assets Temporarily restricted net assets are available for the following purposes: June 30, 2010 June 30, 2009 Acquisition of art $ 121,311 $ 117,306 Specific operating activities: Curatorial and conservation 2,067 3,051 Education, library and community programs 6,385 4,558 Buildings, grounds, and protection services 156,764 145,902 General operating and other 53,382 37,279

Total temporarily restricted net assets $ 339,909 $ 308,096

5. Permanently Restricted Net Assets Permanently restricted net assets are amounts held in perpetuity, the income from which is expendable to support the following purposes: June 30, 2010 June 30, 2009 Purchase of art $ 117,369 $ 112,172 Specific operating activities 17,405 15,780 General operating activities 176,708 169,028

Total permanently restricted net assets $ 311,482 $ 296,980

195 6. Net Assets Released From Restrictions Net assets were released from restrictions by incurring expenses or making capital expenditures satisfying the restricted purposes as follows:

Year Ended June 30 June 30, 2010 June 30, 2009

Acquisition of art $ 10,804 $ 9,510 Specific operating activities: Curatorial and conservation $ 1,190 $ 1,539 Education, library and community programs 903 726 Buildings, grounds, and protection services 2,964 1,581 General operating and other 14,649 3,139

Net assets released from restrictions used for operations $ 19,706 $ 6,985

7. Fair Value Measurements Museum did not elect fair value accounting for any assets or In fiscal 2009, the Museum adopted the provisions of ASC liabilities that are not currently required to be measured at fair 820, Fair Value Measurements and Disclosures (ASC 820), which value. defines fair value as the price that would be received to sell The carrying values of cash and cash equivalents, accounts an asset or paid to transfer a liability in an orderly transaction receivable, accounts payable, and accrued expenses are between market participants at the measurement date and reasonable estimates of their fair value due to the short- establishes a framework for measuring fair value. ASC 820 term nature of these financial instruments. The carrying establishes a three-level hierarchy for fair value measurement value of pledges receivable approximates fair value as these based upon the transparency of inputs to the valuation of an donations are recorded at the net present value of the amount asset or liability as of the measurement date. ASC 820 expands pledged. The carrying value of the Museum’s long-term debt the disclosures about instruments measured at fair value. The approximates fair value. adoption of ASC 820 did not have a material impact on the As noted above, ASC 820 establishes a three-level hierarchy for Museum’s financial position and changes in net assets. disclosure of fair value measurements. The valuation hierarchy ASC 825, Financial Instruments, provides an option to elect fair is based upon the transparency of inputs to the valuation of an value as an alternative measurement for selected financial asset or liability as of the measurement date. The three levels are assets and liabilities not previously recorded at fair value. The defined as follows:

196 Level 1. Inputs to the validation methodology are quoted prices A financial instrument’s categorization within the valuation (unadjusted) for identical assets or liabilities in active markets. hierarchy is based upon the lowest level of input that is Level 2. Inputs to the validation methodology include quoted significant to the fair value measurement. prices for similar assets or liabilities in active markets, and The following table presents the financial instruments carried inputs that are observable for the asset or liability, either directly at fair value at June 30, 2010, by the ASC 820 valuation hierarchy or indirectly, for substantially the same term of the financial defined above: instrument. Level 3. Inputs to the valuation methodology are unobservable and significant to the fair value measurement.

Total Assets Level 1 Level 2 Level 3 Fair Value Short-term investments $ 12,168 $ — $ — $ 12,168 Investments: Cash and cash equivalents 8,558 — — 8,558 Equities: Common stocks, primarily U.S. 35,072 — — 35,072 Collective equity funds — 78,987 — 78,987 Equity mutual funds 23,479 — — 23,479 American depository receipts 1,291 — — 1,291 Real estate investment trust 170 — — 170 Fixed income securities: Corporate bonds — 14,739 — 14,739 Foreign bonds — 3,373 — 3,373 Asset backed bonds — 8,736 — 8,736 General obligation municipal bonds — 709 — 709 Fixed income mutual fund 10,592 — — 10,592 Alternative investments: Absolute return — — 69,629 69,629 Hedged equity — — 23,827 23,827 Private equity — — 59,484 59,484 Total investments 79,162 106,544 152,940 338,646 Charitable perpetual trusts — — 244,083 244,083

Total assets at fair value $ 91,330 $ 106,544 $ 397,023 $ 594,897

Total Liabilities Level 1 Level 2 Level 3 Fair Value Interest rate swap $ — $ 6,033 $ — $ 6,033

Total liabilities at fair value $ — $ 6,033 $ — $ 6,033

197 The following table presents the financial instruments carried at fair value at June 30, 2009, by the ASC 820 valuation hierarchy defined above:

Total Assets Level 1 Level 2 Level 3 Fair Value Short-term investments $ 5,414 $ — $ — $ 5,414

Investments: Cash and cash equivalents 9,320 — — 9,320 Equities: Common stocks, primarily U.S. 30,907 — — 30,907 Collective equity funds — 75,662 — 75,662 Equity mutual funds 31,400 — — 31,400 American depository receipt 483 — — 483 Real estate investment trust 137 — — 137 Fixed income: Corporate bonds — 16,567 — 16,567 Foreign bonds — 2,656 — 2,656 Asset backed bonds — 10,307 — 10,307 General obligation municipal bonds — 666 — 666 Fixed income mutual fund 10,212 — — 10,212 Alternative investments: Absolute return — — 62,416 62,416 Hedged equity — — 23,550 23,550 Private equity — — 53,894 53,894 Total investments 82,459 105,858 139,860 328,177 Charitable perpetual trusts — — 231,536 231,536 Securities lending collateral 10,874 — — 10,874

Total assets at fair value $ 98,747 $ 105,858 $ 371,396 $ 576,001

Total Liabilities Level 1 Level 2 Level 3 Fair Value Interest rate swap $ — $ 2,326 $ — $ 2,326

Total liabilities at fair value $ — $ 2,326 $ — $ 2,326

198 The following is a description of the Museum’s valuation varying degrees of judgment. If no public market exists for methodologies for assets and liabilities measured at fair value. the investment securities, the fair value is determined by the Fair value for Level 1 is based upon quoted market prices. general partner taking into consideration, among other things, Fair value for Level 2 is based on quoted prices for similar the cost of the securities, prices of recent significant placements instruments in active markets, quoted prices for identical or of securities of the same issuer, and subsequent developments similar instruments in markets that are not active, and model- concerning the companies to which the securities relate. based valuation techniques for which all significant assumptions Because alternative investments are not readily marketable, are observable in the market or can be corroborated by their estimated fair value is subject to uncertainty and therefore observable market data for substantially the full term of the may differ from the value that would have been used had a assets. Inputs are obtained from various sources including ready market for such investments existed. Such differences market participants, dealers, and brokers. could be material. At June 30, 2010, the Museum is committed Level 3 assets primarily consist of charitable perpetual trusts to invest an additional $15,590 in alternative investments. and alternative investments. The Museum is the sole income However, it is uncertain as to the timing or level of additional beneficiary of several charitable perpetual trusts and a partial contributions that will ultimately be made. income beneficiary of other charitable perpetual trusts. Because The methods described above may produce a fair value the trusts are held in perpetuity, the assets are classified as calculation that may not be indicative of net realizable value permanently restricted net assets. The charitable perpetual or reflective of future fair values. Furthermore, while the trusts are presented at the fair value of the Museum’s portion of Museum believes its valuation methods are appropriate and the underlying trust assets. Fair value of alternative investments consistent with other market participants, the use of different (principally limited partnership interests in absolute return, methodologies or assumptions to determine the fair value of hedged equity and private equity) represent the Museum’s certain financial instruments could result in a different estimate ownership interest in the NAV of the respective partnership. of fair value at the reporting date. Investments held by the partnerships consist of marketable The following table is a rollforward of financial instruments securities as well as securities that do not have readily classified by the Museum within Level 3 of the valuation determinable fair values. The fair values of the securities held hierarchy defined above: by limited partnerships that do not have readily determinable fair values are determined by the general partner and are based on historical cost, appraisals, or other estimates that require

Charitable Alternative Perpetual Investments Trusts Total Fair value as of July 1, 2009 $ 139,860 $ 231,536 $ 371,396 Realized gains 5,731 — 5,731 Unrealized gains 9,096 12,547 21,643 Purchases, issuances and settlements, net (1,747) — (1,747)

Fair value as of June 30, 2010 $ 152,940 $ 244,083 $ 397,023

199 At June 30, 2010, the Museum’s alternative investments are subject to various liquidity restrictions as follows:

Available for redemption: Quarterly $ 33,846 Subject to remaining lock-up provisions: 1 to 3 years 57,147 More than 3 years 61,947

Total alternatives $ 152,940

Investments that are available for redemption may be redeemed by the Museum generally with a 60 to 120 day advance notice on a quarterly or annual basis subject to the terms of the investment agreement. Investments subject to lock-up provisions cannot be redeemed by the Museum currently without incurring a penalty. After expiration of the lock-up provisions, the funds may be redeemed by the Museum on a monthly, quarterly or annual redemption basis subject to the terms of the investment agreement.

200 8. Investments and Charitable Perpetual Trusts The following summarizes returns from the Museum’s investments and charitable perpetual trusts and the related classifications in the statements of activities:

Temporarily Permanently Year ended June 30, 2010 Unrestricted Restricted Restricted Dividends and interest $ 530 $ 2,938 $ — Realized and unrealized gains net of realized and unrealized losses 5,032 28,562 — Change in fair value of charitable perpetual trusts — — 12,547 Investment return 5,562 31,500 12,547 Investment return designated for current operations (included in endowment and trust income) (3,078) (9,151) — Investment return designated for art purchase — (9,293) —

Investment return after amounts designated $ 2,484 $ 13,056 $ 12,547

Temporarily Permanently Year ended June 30, 2009 Unrestricted Restricted Restricted Dividends and interest $ 1,761 $ 1,887 $ — Realized and unrealized losses net of realized and unrealized gains (35,794) (37,667) — Change in fair value of charitable perpetual trusts — — (87,127) Investment return (34,033) (35,780) (87,127) Investment return designated for current operations (included in endowment and trust income) (11,823) (1,817) — Investment return designated for art purchase — (1,492) —

Investment loss after amounts designated $ (45,856) $ (39,089) $ (87,127)

The Museum’s investments and charitable perpetual trusts are exposed to various risks such as interest rate, market, and credit risks.

201 9. Endowment of funding to programs supported by its endowment while The Museum endowment consists of approximately 340 seeking to maintain purchasing power of the endowment assets. individual funds established for a variety of purposes. The Endowment assets include those assets of donor-restricted endowment includes both donor-restricted endowment funds funds that the Museum must hold in perpetuity or for a donor- and funds designated by the Board of Trustees to function as specific period(s) as well as board-designated funds. Under this endowments. Net assets associated with endowment funds are policy, as approved by the Board of Trustees, the endowment classified and reported based on the existence or absence of assets are invested in a manner that is intended to produce a donor-imposed restrictions. real return, net of inflation and investment management costs, of at least 7% over the long term. Actual returns in any given Interpretation of Relevant Law year may vary from this amount. The Board of Trustees of the Museum has interpreted the UPMIFA as requiring the preservation of the fair value of Strategies Employed for Achieving Objectives the original gift as of the gift date of the donor-restricted To satisfy its long-term rate-of-return objectives, the Museum endowment funds absent explicit donor stipulations to the relies on a total return strategy in which investment returns contrary. As a result of this interpretation, the Museum classifies are achieved through both capital appreciation (realized and as permanently restricted net assets (a) the original value of unrealized) and current yield (interest and dividends). The gifts donated to the permanent endowment, (b) the original Museum targets a diversified asset allocation that places a value of subsequent gifts to the permanent endowment, greater emphasis on equity-based and alternative investments and (c) accumulations to the permanent endowment made to achieve its long-term objective within prudent risk in accordance with the direction of the applicable donor gift constraints. instrument at the time of the accumulation is added to the Spending Policy and How the Investment Objectives Relate to fund. The remaining portion of the donor-restricted endowment Spending Policy fund that is not classified in permanently restricted net assets The Museum uses the spending rule concept in making is classified as temporarily restricted net assets until those distributions from its investments. In doing so, the Museum amounts are appropriated for expenditure by the Museum in a takes into account the distributions from the charitable manner consistent with the standard of prudence prescribed by perpetual trusts. The amount of investment income used by the UPMIFA. In accordance with UPMIFA, the Museum considers the Museum for its operations and purchases of art is calculated following factors in making a determination to appropriate or using a spending rate of between 4.5% to 5.5% of the market accumulate donor-restricted funds: value of the investments for the prior 20-quarter average ended The duration and preservation of the fund March 31, 2009, for fiscal year ended June 30, 2010, and March The purposes of the donor-restricted endowment fund 31, 2008, for the fiscal year ended June 30, 2009, as adjusted (subject to certain limitations) for inflation and additional General economic conditions contributions. For fiscal 2010 and 2009, the calculations resulted The possible effect of inflation and deflation in an annual spending rate of approximately 5%. Investment The expected total return from income and the appreciation returns in excess of (less than) amounts designated for current of investments operations are classified as other changes in net assets in the statements of activities. Accordingly, over the long-term Other resources of the Museum the Museum expects the current spending policy to allow its The investment policies of the Museum endowment to grow at an average of 1.5%–2.5% annually. This is consistent with the Museum’s objective to maintain the Return Objectives and Risk Parameters purchasing power of the endowment assets held in perpetuity The Museum has adopted investment and spending policies for or for a specified term, as well as to provide real growth through endowment assets that attempt to provide a predictable stream new gifts and investment returns.

202 Endowment Net Asset Composition by Type of Fund: Temporarily Permanently June 30, 2010 Unrestricted Restricted Restricted Total Donor restricted $ — $ 175,627 $ 67,399 $ 243,026 Charitable perpetual trusts — — 244,083 244,083 Board-designated 95,620 — — 95,620

Total endowment $ 95,620 $ 175,627 $ 311,482 $ 582,729 Temporarily Permanently June 30, 2009 Unrestricted Restricted Restricted Total Donor restricted $ — $ 167,002 $ 65,444 $ 232,446 Charitable perpetual trusts — — 231,536 231,536 Board-designated 95,731 — — 95,731

Total endowment $ 95,731 $ 167,002 $ 296,980 $ 559,713

Changes in endowment net assets consisted of the following: Temporarily Permanently Year ended June 30, 2010 Unrestricted Restricted Restricted Total Endowment net assets, beginning of year $ 95,731 $ 167,002 $ 296,980 $ 559,713

Investment return: Investment income 530 2,938 — 3,468 Net depreciation (realized and unrealized) 5,032 28,562 12,547 46,141 Total investment income 5,562 31,500 12,547 49,609

Contributions and other changes 1,531 67 1,955 3,553 Appropriation of endowment assets for expenditure (7,204) (22,942) — (30,146)

Endowment net assets, end of year $ 95,620 $ 175,627 $ 311,482 $ 582,729

203 Changes in endowment net assets consisted of the following: Temporarily Permanently Year ended June 30, 2009 Unrestricted Restricted Restricted Total Endowment net assets, beginning of year $ 182,402 $ 174,511 $ 380,031 $ 736,944

Investment return: Investment income 1,761 1,887 — 3,648 Net depreciation (realized and unrealized) (35,794) (37,667) (87,127) (160,588) Total investment loss (34,033) (35,780) (87,127) (156,940)

Contributions and other changes (3,549) 567 4,076 1,094 Appropriation of endowment assets for expenditure (14,050) (7,335) — (21,385) Cumulative effect of change in accounting principle (35,039) 35,039 — —

Endowment net assets, end of year $ 95,731 $ 167,002 $ 296,980 $ 559,713

Funds With Deficiencies to the noncontributory defined benefit pension plan. For either From time to time, the fair value of assets associated with contributing or noncontributing participants, benefits under the individual donor-restricted endowment funds may fall below the Pension Plan are based on years of service and the final five-year level that the donor or UPMIFA requires the Museum to retain average compensation. It is the policy of the Museum to fund as a fund of perpetual duration. These deficiencies result from with an insurance company at least the minimum amounts unfavorable market fluctuations that occurred shortly after the required by the Employee Retirement Income Security Act. investment of new permanently restricted contributions and Pension Plan assets are invested in group annuity contracts. continued appropriation for certain programs that was deemed Effective July 1, 2009, the Museum modified the Pension Plan prudent by the Museum. There are seven endowment funds eliminating the contributory portion of the plan and the benefit considered deficient as of June 30, 2010, totaling approximately calculation is based on career years of service. $217. The Museum provides health care benefits upon retirement to certain employees meeting eligibility requirements as of 10. Benefit Plans December 31, 2001, and contractually required additions. No The Museum converted from a contributory defined benefit other employees are eligible to receive these postretirement pension plan for eligible employees to a noncontributory health care benefits. The Museum’s policy is to fund the annual defined benefit pension plan (the Pension Plan) on January 1, costs of these benefits from unrestricted net assets of the 2002. Eligible participants in the contributory defined benefit Museum. pension plan on December 31, 2001, were given the option of continuing to contribute to this plan. For those employees not Included in unrestricted net assets at June 30, 2010 and 2009, making this election, their accumulated benefit was converted respectively, are the following amounts that have not yet been recognized in net periodic benefit cost:

204 Pension Plan Other Postretirement 2010 2009 2010 2009 Actuarial loss (gain) $ 5,707 $ 4,553 $ (422) $ (563) Net prior service cost (credit) (2,443) (2,635) (1,387) (1,584)

Total unrecognized amounts included in unrestricted net assets $ 3,264 $ 1,918 $ (1,809) $ (2,147)

The actuarial loss and prior service (credit) for the Pension The Museum uses June 30 as the measurement date for the Plan that will be amortized from unrestricted net assets into pension and postretirement medical plans. periodic benefit cost over the next fiscal year are $215 and ($192), The following table sets forth the actuarial present value of respectively. The actuarial gain and prior service (credit) for benefit obligations and aggregate funded status of the Pension the postretirement medical plan that will be amortized from Plan: unrestricted net assets into periodic benefit cost over the next fiscal year are $17 and ($196), respectively.

June 30, 2010 June 30, 2009 Change in benefit obligation: Benefit obligation at beginning of fiscal year $ 23,718 $ 23,659 Service cost 594 615 Interest cost 1,435 1,550 Plan amendments — (2,634) Actuarial losses 3,245 1,666 Benefits paid (1,281) (1,198) Participant contributions 5 60 Benefit obligation at end of fiscal year 27,716 23,718 Change in plan assets: Fair value of plan assets at beginning of fiscal year 22,042 22,298 Actual return on plan assets 3,440 132 Employer contributions 244 750 Benefits paid (1,281) (1,198) Participant contributions 5 60 Fair value of plan assets at end of fiscal year 24,450 22,042

Underfunded status of the plan and accrued pension obligation $ (3,266) $ (1,676)

Accumulated benefit obligation $ 27,365 $ 23,538

205 Weighted-average assumptions are as follows: June 30, 2010 June 30, 2009 Discount rate – liability 5.25% 6.25% Discount rate – cost 6.25% 6.75% Expected rate of return on plan assets 7.00% 7.00% Discount rate – liability 3.00% 3.50% Compensation growth rate – cost 3.50% 3.50% The assumptions used in the actuarial valuations were established by the Museum in conjunction with its actuary. The expected long-term rate of return on plan assets was established using the Museum’s target asset allocation for equity and fixed income securities and the historical average rates of return for equity and fixed income securities adjusted by an assessment of possible future influences that could cause the returns to trail long-term patterns. The weighted-average rates of increase in compensation were established based upon the Museum’s long-term internal compensation plans. Year Ended June 30, 2010 June 30, 2009 Components of net periodic benefit cost recognized in the statements of activities: Service cost $ 594 $ 615 Interest cost 1,435 1,550 Expected return on plan assets (1,508) (1,518) Amortization of prior service cost (192) 9 Recognized net actuarial loss 159 —

$ 488 $ 656

The Pension Plan invests in an unallocated immediate credits the Pension Plan’s deposits that are intended to provide participation guarantee group annuity contract with John future benefits to present employees to an account that is Hancock Life Insurance Company (the Insurer), which is invested with other assets of the Insurer. The account is credited considered a Level 3 investment in the fair value hierarchy. with its share of the Insurer’s actual investment income. The The investment balances and related investment results are investment in the group annuity contract is designed to grow at based on information provided by the Insurer, which consider a rate consistent with the underlying obligation. The actual asset significant inputs for the unallocated insurance contract allocations by asset category are consistent with its targets and including specific terms and contractual provisions outlined are as follows: in the contract, such as the effective interest rate. The Insurer

June 30, 2010 June 30, 2009 Debt securities 94% 94% Equity securities 2 2 Real estate 2 2 Other 2 2 Total 100% 100%

206 The Museum expects to make a contribution of $600 to the Pension Plan in fiscal year 2011. The Museum reserves the right to contribute more or less than this amount but not less than any minimum contribution requirement under the Pension Protection Act (PPA). Benefit payments over the next five fiscal years are estimated as follows: 2011—$1,430; 2012—$1,473; 2013—$1,562; 2014—$1,608; 2015— $1,640;and in the aggregate for the five years thereafter are $9,193. In addition, the Museum sponsors a 401(k) savings plan. The Museum matches employee contributions at a rate of 50% of the first 4% of total compensation. The Museum’s contributions to the 401(k) plan were $168 and $206 for the years ended June 30, 2010 and 2009, respectively. The following information is provided for the Museum’s postretirement medical benefits plan:

June 30, 2010 June 30, 2009 Change in benefit obligation: Benefit obligation at beginning of fiscal year $ 2,545 $ 2,792 Interest cost 151 179 Actuarial loss (gain) 110 (183) Benefits paid (281) (285) Participant contributions 44 42 Benefit obligation at end of fiscal year 2,569 2,545

Change in plan assets: Fair value of plan assets at beginning of fiscal year — — Participant contributions 44 42 Employer contributions 237 243 Benefits paid (281) (285) Fair value of plan assets at end of fiscal year — —

Underfunded status of the plan and accrued postretirement medical benefits $ (2,569) $ (2,545)

207 Approximately $237 and $244 of the accrued postretirement medical benefit liability is included in accounts payable and accrued expenses on the statements of financial position, in 2010 and 2009, respectively. The discount rate used in determining the accumulated postretirement benefit obligation at June 30, 2010 and 2009 was 5.25% and 6.25%, respectively. The discount rate used in determining the net periodic benefit cost was 6.25% and 6.75% at June 30, 2010 and 2009. The health care cost trend rate used is 8.0% for fiscal year 2010 declining to 5.5% by 2015. A one- percentage-point increase or decrease in the health care cost trend rate would have increased or decreased the fiscal 2010 interest costs in total by $10 and $9, respectively, and would have increased or decreased the accumulated postretirement benefit obligation by $183 and $164, respectively.

Year Ended June 30, 2010 June 30, 2009 Components of net periodic benefit credit recognized in the statements of activities: Interest cost $ 151 $ 179 Amortization of prior service cost (196) (196) Net actuarial gain recognized (31) (11)

$ (76) $ (28)

The benefits expected to be paid in each year for the fiscal years 2011-2015 are $237, $258, $254, $247, and $239, respectively. The anticipated benefits to be paid in the five years from 2016-2020 are $1,048.

208 11. Financing Arrangements and Long-Term Obligations While the Cultural Facility Revenue Bonds are not a direct indebtedness of the Museum, the loan agreement with the Operating Leases Cleveland-Cuyahoga Port Authority obligates the Museum to The Museum has an operating lease for office space. Total rental make payments equal to the principal of and premium, if any, expense for the years ended June 30, 2010 and 2009, was $430 and interest on the respective Bonds, whether at maturity, upon and $437, respectively. Minimum operating lease payments acceleration or upon redemption. Bond service charges due on for the next fiscal year are approximately $440. There are no the Bonds will be required to be made by the Museum as loan minimum operating lease payments beyond fiscal 2011. payments under the agreement. Interest-only payments are In fiscal 2007, the Museum entered into a four-year operating required to be made until October 1, 2036. lease for warehouse, carpentry, and paint workshop space, Unamortized financing costs are amortized over the period with an option for three sequential, additional terms of one- the obligation is outstanding using the effective interest year. Total rental expense for the years ended June 30, 2010 method. Included in general and administrative expense on and 2009, was $80 and $81, respectively. Minimum operating the statement of activities was $31 and $29 of amortization lease payments for each of the next two fiscal years are of deferred financing costs during the years June 30, 2010 and approximately $85. 2009, respectively. The Museum is subject to certain restrictive covenants, including Cultural Facility Revenue Bonds provisions relating to maintaining certain debt ratios and other In October 2005, pursuant to certain agreements between matters. The Museum was in compliance with these covenants the Museum and the Cleveland-Cuyahoga Port Authority, at June 30, 2010. the Cleveland-Cuyahoga Port Authority issued $90,000 in variable rate, tax-exempt Cultural Facility Revenue Bonds (The Interest Rate Swap Cleveland Museum of Art Project) (the Bonds), Series 2005, In connection with the $90,000 Cultural Facility Revenue Bonds, payable October 1, 2040. The proceeds of the Bonds are being the Museum entered into a floating-to-fixed rate swap to used to finance the Museum’s construction, renovation, and manage the risk of increased debt service costs resulting from expansion project. The Bonds were issued in four series (i) the rising variable interest rates. The swap consists of a $90,000, Series A Bonds in the principal amount of $30,000, (ii) the Series eight-year floating-to-fixed rate swap whereby the Museum B Bonds in the principal amount of $20,000, (iii) the Series C pays a fixed rate of 3.341% and receives 70% of one-month Bonds in the principal amount of $20,000 and (iv) the Series LIBOR. The notional amount of the swap will decline until D Bonds in the principal amount of $20,000. The Bonds have maturity on January 1, 2014. The notional value of the swap was adjustable methods of interest rate determination and interest $43,500 and $69,500 at June 30, 2010 and 2009, respectively. payment dates, and were in weekly variable rate mode based on This derivative instrument is not designated as a hedging a tax-free LIBOR rate on June 30, 2010 bearing interest at 0.26% instrument. At June 30, 2010 and 2009, the fair value of the (range from 0.12% to 0.35% during the year ended June 30, 2010) swap agreement, based on midmarket levels as of the close of and on June 30, 2009 bearing interest at 0.30% to 0.35% (range business that day, was $(1,591) and $(2,326), respectively, owed from 0.27% to 10.00% during the year ended June 30, 2009). The to the counterparty and has been recorded in other liabilities interest rate is determined by an external agent. on the statements of financial position. The change in fair The Bonds are secured by a standby bond purchase agreement, value of the swap agreement is recorded in other changes in which expires on October 8, 2012. Under the terms of this net assets on the statements of activities. Net interest cost agreement, in the event of a failed remarketing, the bank will incurred under the swap agreement was $1,522 and $1,673 for provide liquidity to make payment to the bond holders. Fees fiscal 2010 and 2009, respectively, of which $0 and $618 for fiscal incurred related to the remarketing of the bonds were $933 2010 and 2009, respectively, was capitalized as an addition to and $446 during the years ended June 30, 2010 and 2009, construction-in-progress. The remaining net interest cost of respectively, of which $933 and $27 were expensed and included $1,522 and $1,055 was expensed in fiscal years 2010 and 2009, in general and administrative expense in the statement of respectively, and is included in general and administrative activities as of June 30, 2010 and 2009, respectively. expense on the statement of activities.

209 In December 2009, the Museum entered into a floating-to- 13. Subsequent Events fixed rate swap to hedge the unhedged principal amount of The Museum has evaluated subsequent events through the $90,000 variable rate bonds, due to the declining notional November 24, 2010, the date the financial statements were amount of the previous swap. The effective date of the swap issued. is January 3, 2011, with an initial notional amount of $63,500, increasing to $90,000 on January 2, 2014, when the original On September 13, 2010, the Board of Trustees voted to amend swap matures. The swap matures on January 1, 2021, and consists the retirement benefits offered to certain participants in the of a floating-to-fixed rate swap whereby the Museum pays a Museum’s defined benefit pension plan effective December 31, fixed rate of 2.8623% and receives 70% of one-month LIBOR. This 2010. The resolution passed by the Board allows participants derivative instrument is not designated as a hedging instrument. meeting certain eligibility requirements, to elect to accrue At June 30, 2010, the fair value of the swap agreement, based additional benefits in the current defined benefit plan. Those on midmarket levels as of the close of business that day, was participants not meeting the eligibility requirements shall $(4,442) owed to the counterparty and has been recorded in cease to accrue additional benefits under the plan. For those other liabilities on the statements of financial position. The participants not meeting eligibility requirements or who elect change in fair value of the swap agreement is recorded in other not to accrue additional benefits in the defined benefit plan, changes in net assets on the statements of activities. There was the Museum will provide an enhanced contribution to the no interest expense recorded in 2010. participant’s 401(k) account. On July 1, 2010, pursuant to certain agreements between Interest the Museum and the ClevelandCuyahoga Port Authority, the Interest paid on the bonds was approximately $215 and $1,222 in Cleveland-Cuyahoga Port Authority issued $70,430 in fixed rate, fiscal years 2010 and 2009, respectively, interest of $0 and $1,032 tax exempt Cultural Facility Revenue Bonds, Series 2010 (The was capitalized in fiscal 2010 and 2009, and $215 and $190 was Cleveland Museum of Art Project). The proceeds of the bonds expensed in fiscal 2010 and 2009, respectively, and is included will be used to finance the Museum’s ongoing construction in general and administrative expense on the statement of project. The bonds were issued at a premium with varying activities. maturity dates ranging from 2018 to 2022 with coupon rates ranging from 3.00% to 5.00%. The proceeds the Museum Lines of Credit realized on the bonds totaled approximately $75,917. During fiscal 2010, the Museum entered into two lines of credit with several financial institutions totaling $40,000. The lines are intended to meet the short-term financing needs of the Museum. There were no amounts borrowed on the lines during 2010 and no amounts outstanding as of June 30, 2010. Further, one of the lines totaling $20,000 expired during August 2010 and was not renewed.

12. Income Taxes The Museum is a nonprofit organization and is exempt from federal income taxes on related income under Section 501(c)(3) of the Internal Revenue Code. There were no amounts recorded for uncertain tax positions as of June 30, 2010 and 2009.

210 Annual Report The Cleveland Museum of Art The Annual Report was produced by the Works of art in the collection were 11150 East Boulevard Cleveland Museum of Art. photographed by Cleveland Museum of July 1, 2009–June 30, 2010 Cleveland, Ohio 44106-1797 Writing: Individual departments and Art photographers Howard Agriesti and Copyright © 2011 The Cleveland Gregory M. Donley Gary Kirchenbauer; the museum holds Museum of Art the copyright to these photographs. The Editing: Amy B. Sparks and Kathleen Mills works themselves may be protected by All rights reserved. No portion of this Design: Carolyn K. Lewis and Thomas H. copyright in the United States or abroad publication may be reproduced in any Barnard and may not be reproduced in any form form whatsoever without the prior or medium without permission from the Production: Gregory M. Donley written permission of the Cleveland copyright holders. Museum of Art. The type is TheSans and Gotham.

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