Thenanjinger-Volume9-Issue8-Jun2019
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Urbanization and Sustainability in Asia
5. People’s Republic of China APRODICIO A. LAQUIAN INTRODUCTION The PeopleÊs Republic of China (PRC) is the most populated country in the world and is undergoing rapid economic development and urbanization. Relevant statistics on the countryÊs development are presented in Table 5.1. Most of the population still live in rural areas. However, by 2030, urban populations are expected to grow by more than 300 million, with 60% of the population living in urban areas. The ability to manage this expected level of urban development will be a major challenge. Significant social and environ- mental problems are already arising from 20 years of rapid growth. This chapter examines some issues facing urbanization in the PRC and introduces three case studies: Revitalizing the Inner City·Case Study of Nanjing, Shenzhen; Building a City from Scratch; and Reviving Rust-belt Industries in the Liaodong Peninsula. The case studies provide examples of the application of good practice in support of sustainable urban development. The final part of the chapter reflects on what has been learned. The PRCÊs commitment to sustainable development can be traced to its participation at the 1992 United Nations Conference on Environment and Development. Two years later, the State Council approved the „White Paper on ChinaÊs Population, Environment and Development in the 21st Century.‰ In that document, sustainability as „development that meets the needs of the present without compromising the ability of future generations to meet theirs‰ (WCED 1987) was taken as official policy. The PRC also approved Agenda 21 that spelled out its developmental policies and programs. The PRCÊs Agenda 21 program set as a target the quadrupling of the countryÊs gross national product (GNP) (1980 as the base) and increasing CCh5_101-134.inddh5_101-134.indd 101101 111/15/20061/15/2006 44:26:55:26:55 PMPM 102 Urbanization and Sustainability in Asia its per capita GNP to the level of „moderately developed countries‰ by the year 2000. -
The Nanjing Garden of Arts: in Search of a New Chinese Architecture
THE NANJING GARDEN OF ARTS: IN SEARCH OF A NEW CHINESE ARCHITECTURE Item Type text; Master's Report-Reproduction (electronic) Authors DING, YAN Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 13:04:24 Link to Item http://hdl.handle.net/10150/555391 'mm:* The Nanjing Garden of Arts - In Search of a New Chinese Architecture Yan Ding College of Architecture University of Arizona A Master’s Report Submitted to the Faculty of the College of Architecture In Partial Fulfillment of the Requirements for the Degree of Master of Architecture In the Graduate College of The University of Arizona May 1999 Approved by Graduate Committee: Professor Fred Matter, Chairperson Professor Alvaro Malo, Committee Member Professor Robert Nevins, Committee Member ACKNOWLEDGEMENTS This project represents the contribution o f a large number of I also would like to thank Mr. Klindt Breckenridge, President individuals. I would like to first thank my committee, it has o f the IEF Group Architects, who allowed me to use his been a great pleasure knowing them and learning from them. office resources to work on my thesis. Without his generous Many thanks go to my chairperson, Professor Fred Matter, help, the quality o f the project would not be achieved. who has been like a father to me over the years, not only did Thanks to Susan Petrus o f the IEF Group, who spent her very he oversee the whole process of the project, but also provided precious proofreading the submitting document for me, me with some of the most valuable advice. -
Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use. -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
June 4-17, 2019
CHINA Beijing-Tianjin-Harbin-Xian-Shanghai-Nanjing June 4-17, 2019 June 3-4 • U.S.A-Beijing Depart the U.S. for your flight to Beijing. Cross the international dateline and arrive in China the following day. Transfer to your hotel with the rest of the group for those arriving on United non- stop flight # 888 from San Francisco at 2:20 pm. Check-in and enjoy a welcome dinner at the hotel. (D) • Accommodations at the Hotel Nuo Beijing (4 nights) June 5 • Beijing Tour the Forbidden City, the abiding symbol of imperial China. Truly one of the great achievements of civilization, its construction employed hundreds of thousands of workers between 1406 and 1420. Marvel at its expansive architecture, magnificent imperial gardens, and many museums of Chinese antiquities and treasures. Stop by Tiananmen Square after exiting the city. Wander Beijing’s picturesque Houhai district, where well-preserved courtyard homes and narrow hutong alleys border tree-lined lakes. Tour the district by “pedicab” for a closer and more engaging experience of traditional Chinese life. Divide into small groups and enjoy lunch at a local family’s traditional home. In the afternoon, tour the Temple of Heaven, one of the finest expressions of the Ming Dynasty. Built in the 15th century, the stunning architecture of the Temple of Heaven represents the most advanced principals of mechanics and geometry available at the time. This evening, savor the imperial city’s most famous delicacy, Peking duck, at the Duck de Chine. (B, L, D) June 6 • Tianjing This morning, transfer to Tianjing by private coach. -
3Rd Work Meeting at NFU and FAFU University, October 2018
Training Capacities in Agriculture and Urban Rural Interactions and Sustainable development of Megacitites Agenda of the Erasmus+ TAURUS Public Workshop & Project Meeting, Nanjing Forestry University (NFU), China 9 - 12 October 2018 1st day 10/09/2018 Tuesday Time Event 12:00-18:00 Arrive at Nanjing, Accommodations at Hotel 18:00 Social dinner at Nanling Hotel 2nd day 10/10/2018 Wednesday 8:30 Meeting at the Jinling Star Hotel lobby Meeting with the Vice president, International Cooperation Department and Dean of College of Biology and the Environment Hong Zhang, Vice-president of NFU Xinwu Xu, Director of International Affairs Office 9:00-9:30 Shenzuo Fang,Director of science and Technology Division Jiangang Zhu, Dean of College of International Education Gao handong, Secretary, College of Biology and the Environment Xia Xu,Vice Dean, College of Biology and the Environment Yifan Duan,Vice Dean, College of Biology and the Environment Public Workshop WP1: 1.2 Reviewing and learning EU experience in HEIs – Employers cooperation 9:30-12:00 through study visits. Workshop: Comparative analysis of University & Employers collaboration in EU and China Project meeting WP3: 3.1 Establishing the framework program to organize internships. Presentation of Internships Programmes for inclusion in the TAURUS platform 14:00-17:00 (target: TAURUS partners) WP8: 8.3 Coordination meetings - Reporting progresses on the project activities & Steering Committee 17:00-18:00 Visit the NFU Campus Training Capacities in Agriculture and Urban Rural Interactions and -
文化交流暑期项目 Chinese Language and Culture Visit Summer Program
Add: No.8, South Qianhu Road, Ningbo, P.R.China 315100 Tel: 0086-(0)574-88222047 Fax: 0086-(0)574-88222264 Http://www.zwu.edu.cn E-mail: [email protected] 2018 汉语学习 · 文化交流暑期项目 Chinese Language and Culture Visit Summer Program, 2018 Introduction This program is designed for students who wish to experience in China, including Chinese language learning, traditional culture experience, company visit, and city tour, while completing one course with professor Choe. This program combines 8 hours of Chinese language instruction per week along with diversified activities and field trips. Program Period: May 20, 2018 to June 16, 2018(4 weeks ) Program: 1 course with professor Choe – 8 teaching hours per week Ningbo City sightseeing – Tianyi Pavilion, Ningbo museum & Tianyi Square 2 city visits (2 days per visit) – Hangzhou & Nanjing 4 company visits 4 traditional cultural experiences – Chinese Calligraphy, Taiji, Chinese painting & paper cutting Chinese language course (Optional) – 8 teaching hours per week Comfortable living condition Students enrolled in this program are all accommodated on campus. ☆ Student apartment - with air-conditioning, refrigerator, washing machine, Internet access, bathroom and hot water system. ☆ A dining hall, clinic, ATM machine, small supermarket and laundry are all available on the campus. ☆ Ten minutes by bus to supermarkets Wal-Mart and Metro. ☆ Ten minutes by bus to Wanda Plaza and In City, which are shopping malls including shops, restaurants, and cinemas. City Introduction Hangzhou Hangzhou is a modern city in a classic Chinese setting. The city hums with activities and an endless flow of traffic, signs of its place in the 21st century, while the beautiful West Lake lies peacefully at the heart of all commotion, soothing the senses. -
New Discovery of Rock Art and Megalithic Sites in the Central Plain of China
Rock Art Research 2012 - Volume 29, Number 2, pp. 157-170. TANG H. 157 KEYWORDS: Cupule – Rock art – Megalith – Cross-dating – Central Plain of China NEW DISCOVERY OF ROCK ART AND MEGALITHIC SITES IN THE CENTRAL PLAIN OF CHINA Tang Huisheng Abstract. Since the turn of this century, an immense amount of rock art has been discovered in Henan Province (located in the Central Plains region of China), centred at Mt Juci. Over 90 percent of the rock art consists of cupules and the remainder comprises linear groove patterns, chessboard-like designs and other motifs. The rock art features mainly ground motifs and patterns chiselled by metal tools. There are a variety of cupules, varying in size, depth and arrangement, e.g. occurring in rows, concentric patterns and so on. Rock art was executed on over 10 000 boulders, some of which could be classified as megalithic sites, such as menhirs, dolmen, ‘stone altars’ and the like. The cupules and the megaliths from the Central Plains region appear to show a structural context, which will help us to understand and identify their cultural nature, contents and ages. Based on cross-dating, their production could be considered as spanning the Neolithic and the Bronze Age. Since the turn of this century, a large quantity of a considerable surprise — not only to rock art studies, rock art has been discovered at Mt Juci, in Henan Pro- but also to archaeological studies and studies of early vince (located in the Central Plains region of China), Chinese history. Herein, we introduce the rock art of which has captured public attention and stimulated the Central Plain based on information mainly from Mt extensive interest in rock art studies. -
Spectator Guideguide
SpectatorSpectator GuideGuide Dear spectators, Welcome to Nanjing 2014 Summer Youth Olympic Games. In hot August, young athletes from around the world gather in the historically and culturally famous city of Nanjing, Jiangsu Province, to fly their dreams and “Share the Games, Share our Dreams”. Here, you can enjoy spectacular competitions, feel the spirit of the Youth Olympic Games and share the joy and passion of youth. Besides, you may participate in colourful CEP events to learn about traditional cultures and customs of Nanjing, its new city look, experience the hospitality of local residents and witness the integration of diverse cultures. This Guide contains event information, ticketing policy, entry rules, venue transport information, spectator services and city information so that you may have a better idea of the Competition and CEP Schedules and plan your schedule accordingly. Nanjing 2014 is a grand gala of youth, culture and sports. May the Games bring you friendship, passion and joy and wish you have a wonderful and memorable YOG journey! Li Xueyong President of Nanjing Youth Olympic Games Organising Committee YOG Spectator Guide Embark on Your YOG Journey Procedure Point for attention Relevant chapter As a key multi-sport event, the YOG have a number of specific requirements for all participants such as spectators and athletes. To make your YOG journey smooth and Please observe spectator rules for the venue order and enjoy the passion of YOG. convenient, please go through relevant information before attending the Games. Watch Information for Competition Please heed the specific requirements Spectators p21 of each event for spectators. Plan Your Visit Check your personal belongings and take everything with you. -
Limitations of the Tang-Song Transition Theory
Journal of chinese humanities 6 (2020) 127–128 brill.com/joch Editor’s Introduction: Limitations of the Tang-Song Transition Theory Sun Qi 孫齊 Advanced Department of Confucian Studies, Shandong University, Jinan, Shandong, China [email protected] The Tang [618-907] and Song [960-1279] periods enjoy special historical status among the ancient Chinese dynasties. In the Ming Xiaoling 明孝陵 mauso- leum of the founding emperor of the Ming dynasty [1368-1644] Zhu Yuanzhang 朱元璋 [r. 1368-1398], this fact was highlighted in the inscription by the Qing dynasty’s [1616-1911] Kangxi emperor 康熙 [r. 1661-1722]: “[the Great Ming was] governed to a level of prosperity even greater than that of the Tang and Song” [zhilong Tang-Song 治隆唐宋]. The Tang was considered a glorious cosmopoli- tan empire, while the Song was deemed the pinnacle of Chinese civilization. However, the transition between the two periods was anything but smooth, and scholars have long recognized fundamental differences between them. Among the many historical explanations, the Tang-Song transition theory proposed in the early twentieth century by Naitō Torajirō 內藤虎次郎 [1866- 1934]—commonly known as Naitō Konan 內藤湖南—is the best known and the most influential. The Tang-Song transition theory was widely influential in the study of Chinese history by Japanese scholars, particularly during debates over peri- odization that took place in the mid-twentieth century. After the 1970s, the theory became a source of debate in the Song history research community in the United States. Although it had long been known to Chinese schol- ars, the topic suddenly become the subject of fierce contention at the turn of the twenty-first century for many reasons, such as the massive translation of sinological works from outside China, the declining popularity of the Marxist historiographical paradigm, and the efforts of Chinese scholars to avoid the trend toward trivial topics. -
Bixi - Wikipedia
Bixi - Wikipedia Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Bixi From Wikipedia, the free encyclopedia Main page For other uses, see Bixi (disambiguation). Contents Not to be confused with Bixie. Featured content Bixi, or Bi Xi (Wade–Giles: Pi-hsi), is a figure from Current events Bixi Chinese mythology. One of the 9 sons of the Dragon Random article Donate to Wikipedia King, he is depicted as a dragon with the shell of a turtle. Wikipedia store Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for Interaction commemorative steles and tablets, [1] particularly in the Help funerary complexes of its later emperors and to About Wikipedia commemorate important events, such as an imperial visit Community portal or the anniversary of a World War II victory. They are Recent changes [2] Contact page also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, Tools which can cause conservation issues.[3] They can be found What links here throughout East Asia in Japan , Korea , Vietnam , Related changes Mongolia , and even the Russian Far East . Upload file Special pages Contents [] The Harvard Bixi, donated by its Chinese alumni Permanent link 1 History Chinese name Page information 2 Outside China Wikidata item Traditional Chinese 贔屭, 贔屓 3 Development as an art form Cite this page Simplified Chinese 赑屃 4 Name Transcriptions [show] In other projects 5 Stone tortoises in art and popular lore Pa-hsia Dragon