Film Calendar December 25, 2019-February 14, 2020

Total Page:16

File Type:pdf, Size:1020Kb

Film Calendar December 25, 2019-February 14, 2020 FILM CALENDAR DECEMBER 25, 2019-FEBRUARY 14, 2020 Greta Gerwig’s LITTLE WOMEN On 35mm Opens December 25 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 CHICAGO MICHAEL APTED’S STUDIO GHIBLI OSCAR-NOMINATED THE PRINCESS BRIDE DRINK-A-LONG 63 UP WEEKEND MATINEES DOCUMENTARY VALENTINE’S SHOW NEW YEAR’S EVE OPENS DECEMBER 27 JANUARY 11 - SHORTS FEBRUARY 13 AT 8PM FEBRUARY 9 OPENS JANUARY 31 Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 4 ANIMATION SHOW OF SHOWS OPENS DECEMBER 20 5 LITTLE WOMEN OPENS DECEMBER 25 6 63 UP OPENS DECEMBER 27 10 LES MISÉRABLES OPENS JANUARY 17 11 COLOR OUT OF SPACE OPENS JANUARY 24 11 OSCAR-NOM DOCUMENTARY SHORTS OPENS JANUARY 31 15 AND THEN WE DANCED OPENS FEBRUARY 14 15 PORTRAIT OF A LADY ON FIRE OPENS FEBRUARY 21 COMMENTARY 18 63 UP 20 LES MISÉRABLES SERIES 22 STUDIO GHIBLI MATINEES 24 SILENT CINEMA 26 DRINK-A-LONG 28 CHICAGO FILM SOCIETY 30 MIDNIGHTS SPECIAL EVENTS 4 YIPPEE-KI-YAY, A DIE HARD MUSICAL DECEMBER 29 7 BUG WITH MICHAEL SHANNON JANUARY 9 7 MANIC MOVIES: THE BIRDCAGE JANUARY 13 8 DEPAUL UNIVERSITY FILM SERIES JAN. 14-FEB. 4 12 HIGH FIDELITY WITH ARTS OF LIFE FEBRUARY 3 12 FILMSPOTTING FEBRUARY 8 13 BEHIND THE WALLPAPER FEBRUARY 9 13 FOOSBALLERS FEBRUARY 11 14 VALENTINE’S DAY: PRINCESS BRIDE FEBRUARY 13 14 VALENTINE’S DAY: CASABLANCA FEBRUARY 16 16 THE 70MM FILM FESTIVAL MARCH 5-19 Brian Andreotti, Director of Programming VOLUME 37 ISSUE 159 Ryan Oestreich, General Manager Copyright 2019 Southport Music Box Corp. MusicBoxTheatre.com Buck LePard, Senior Operations Manager Claire Alden, Group Sales and Membership Manager Published by Newcity Custom Publishing Newcitynetwork.com Steve Prokopy, Public Relations Manager For information, email [email protected] Julian Antos, Technical Director and Assistant Programmer or call 312.243.8786 Kyle Westphal, Programming Associate Rebecca Lyon, Assistant Technical Director Cover Image from the film LITTLE WOMEN opening on December 25 at the Music Box Theatre Dennis Scott, House Organist Music Box Theatre 3733 North Southport musicboxtheatre.com 773-871-6604 showtimes 773-871-6607 office 3 FEATURES AND SPECIAL EVENTS DECEMBER 20-26 FEATURE OPENS DECEMBER 25 FEATURE FILM FILM THE 21ST ANNUAL ANIMATION A welcome reminder SHOW OF SHOWS “that the art form can be used for more than CG studio features.” 2019, 83 mins, DCP –Los Angeles Times The ANIMATION SHOW OF SHOWS is a curated selection of the “best of the best” animated short films created by students and professionals from around the world. Featuring 10 films from seven countries, the 2019 edition offers an array of highly imaginative and “The best kind thought-provoking works that reflect the filmmakers’ unique perspectives. of Hollywood film: Personal relationships are at the heart of several films, including Daria Kashcheeva’s puppet animation thoughtful yet escapist, sophisticated yet DAUGHTER, an exploration of the ties between a father and daughter. Sam and Fred Guillaume’s THE FOX AND THE BIRD is a beautifully observed fable about an unlikely friendship, while Michael Frei and accessible, expertly crafted and deeply felt.” Mario von Rickenbach provide a more clinical view of human behavior in KIDS, which explores the – The AV Club nature of group dynamics. Presented “Fresh, sparkling, natural on 35mm! and full of soul.” – Michael Phillips, Chicago Tribune LITTLE WOMEN DIRECTED BY: Greta Gerwig STARRING: Saoirse Ronan, Emma Watson, Laura Dern, Timothée Chalamet, Tracy Letts, Meryl Streep 2019, 135 mins, 35mm Writer-director Greta Gerwig (LADY BIRD) has crafted a LITTLE WOMEN that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig’s take, the beloved story of the March sisters— four young women each determined to live life on her own terms—is both timeless and timely. Portraying Jo, Meg, Amy, and Beth March, the film stars Saoirse Ronan (LADY BIRD, BROOKLYN), Emma Watson (HARRY POTTER), Florence Pugh (MIDSOMMAR), Eliza Scanlen (SHARP OBJECTS), with Timothée Chalamet as their neighbor Laurie, Laura Dern as Marmee, and Meryl Streep as Aunt March. 4 Music Box Theatre December 2019-February 2020 Features and Special Events 5 FEATURES AND SPECIAL EVENTS OPENS DECEMBER 27 FEATURE JANUARY 9 SPECIAL FILM EVENT BUG Featuring Thursday, January 9 at 8pm a Q&A with (William Friedkin, 2006, 102 mins, 35mm) Michael Shannon! A lonely waitress with a tragic past, Agnes (Ashley Judd) rooms in a run-down motel, living in fear of her abusive, recently paroled ex-husband. But when Agnes begins a tentative romance with Peter (Michael Shannon), an eccentric, nervous drifter, she starts to feel hopeful again—until the first bugs arrive... Probing the blurry lines between paranoia and nightmarish reality, BUG is an intense, mind-bending psychological thriller in which nothing is quite as it seems. Directed by William Friedkin (THE FRENCH CONNECTION, THE EXORCIST) and adapted by Tracy Letts from his hit off-Broadway play. JANUARY 13 SPECIAL EVENT THE BIRDCAGE 63 UP One of the boldest READ PETER SOBCZYNSKI’S Monday, January 13 at 8pm COMMENTARY ON PAGE 18 “experiments in world cinema.” (Mike Nichols, 1996, 117 mins, DCP) DIRECTED BY: Michael Apted –Variety 2019, 144 mins, DCP Beautiful and bittersweet.” Presented by MANIC MOVIE MONDAYS The latest installment in director Michael Apted’s groundbreaking “–IndieWire Starting in January, MANIC MOVIE MONDAYS provides a unique and immersive experience featuring documentary anthology has now reached 63 UP, gaining further your favorite cult classic films, curated photo moments, costumes, lewks, and pop-up performances illuminating insight into its premise of asking whether or not our adult lives are predetermined by from some of Chicago’s best drag artists. our earliest influences and the social class in which we are raised. An issue as relevant to our society Starting at 7pm in the Lounge & Garden, come sip some cocktails and enjoy a photo experience now as when the series first appeared, the film reveals more life-changing decisions, more shocking with the cast: Armond Goldman (Lucy Stoole), Albert Goldman (Tommy Bullington), Senator Kevin announcements, and joy and tears in equal measure. Keeley (Connor Konz), Louise Keeley (Lucky Stiff), Katherine Archer (Kat Sass) and Agador Spartacus Over six decades, the films have documented the group as they became adults and entered middle-age, (Carlos Waterman). The screening will follow at 8pm. Comedic banter is appreciated, and please feel dealing with everything life has thrown at them in between. Now, as the group reaches retirement age, free to quote the movie along with our cast of characters. As ALWAYS, LEWKs are welcomed and the series is back to discover what they are doing. encouraged! It’s a queer-curated event, after all. 6 Music Box Theatre December 2019-February 2020 Features and Special Events 7 FEATURES AND SPECIAL EVENTS SPECIAL EVENT SCARECROW (Jerry Schatzberg, TIME, SPACE, 1973, 112 mins, 35mm) AND MEMORY January 21 at 7pm Gene Hackman and Al Pacino are ON THE ROAD Max and Lion, a pair of drifters who meet on a desolate stretch of road in California and make plans to open a car wash business in Pittsburgh. Yet, Tuesday nights, January 14 - February 4 as the aspiring captains of industry hitchhike their way across country, they find the path to their Ameri- Co-presented by DePaul University’s School of Cinematic can dream has quite a few detours along the way. Co-winner of the Arts, TIME, SPACE, AND MEMORY ON THE ROAD is a cin- 1973 Palme d’Or, SCARECROW is a ematic exploration across a series of films, characters, and ideas beautifully acted celebration of the that showcase “The Road” as a plane of immanence, discovery, meandering paths in life. and mortality. Through stories of speed and stasis, humor and heartbreak, we’ll hitchhike our way to a deeper understand- ing of what it means to find and sometimes lose ourselves along the highways, trails, and PARIS, TEXAS roughly paved streets of life. (Wim Wenders, 1984, 145 mins, DCP) January 28 at 7pm In one of his greatest roles, the legendary Harry Dean Stanton stars as Travis, a man in search of himself. Missing for years, Travis mysteriously emerges from the desert suffering from apparent amnesia. After recon- necting with his brother and son in Los Angeles, Travis sets off on a journey to piece together his shattered identity and locate his missing wife. Winner of the 1984 Palme d’Or, Wim Wenders’ masterpiece is a haunting exploration of memory, family, and the distances we travel to be lost and found. WENDY AND LUCY (Kelly Reichardt, 2008, 80 mins, 35mm) February 4 at 7pm Free for Michelle Williams delivers an incredibly Music Box nuanced performance as Wendy, an im- VANISHING POINT Members poverished woman on the road to Alaska looking for work. Traveling with her best (Richard Sarafian, 1971, 99 mins, 35mm) friend, a dog named Lucy, Wendy’s dif- January 14 at 8pm ficult journey veers toward tragedy after Kowalski (Barry Newman), a laconic deliveryman, wagers his drug dealer that he can drive from Denver to her car breaks down and she is arrested San Francisco in 15 hours. Quickly escalating into one of the greatest car chases in cinema history, “The for shoplifting dog food. After posting Last American Hero” peels out and tears off with a rapidly growing army of hell bent highway patrolmen bail, Wendy cannot find Lucy, initiating on his tail. More than a simple action film, VANISHING POINT is a counter culture elegy to the end of a heartbreaking search for her beloved companion.
Recommended publications
  • HOW the CAST of TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED on BROADWAY!
    SHANDON TRAVEL | SPRING 2020 HOW THE CAST OF TINA GETS INSPIRED by the Legend Herself SPRING HAS ARRIVED ON BROADWAY! SPRING 2020 - BROADWAY SPOTLIGHT BOOK YOUR BROADWAY TICKETS before you fly! Online booking facility now available! Buy great value Broadway tickets before you fly. Enjoying a Broadway show has never been easier! Don’t waste your valuable sight-seeing time waiting in long queues in Times Square or on Broadway. Many shows sell out and you may be disappointed if you wait until the last minute. Book in advance to guarantee the seat of your choice. Check our current schedule for the shows you would like to see by visiting our website at https://www.shandontravel.ie/broadway-tickets You can also call us at 021 4277094 or email [email protected] for ticket information and reservations. Let us help you enjoy the perfect Broadway experience that only Broadway can offer! 021 427 7094 • www.shandontravel.ie/broadway-tickets 76 Grand Parade, Cork, T12 WPV2 Ireland HOW THE CAST OF TINA GETS INSPIRED BY THE LEGEND HERSELF WHAT'S LOVE GOT TO DO WITH IT? Well, everything! Since it opened on ... 2020 SPRING ISSUE 1 BROADWAY SPOTLIGHT Holli’ Conway (Ikette) HOW HAS TINA TURNER INSPIRED OR INFLUENCED YOU? Tina has inspired me because her ... story has no end. From her journey Broadway in November 2019, with Ike, her solo career, her works we’ve loved Tina – The Tina as an author, to this musical. She has Turner Musical. Full disclosure, taught me that as long as you’re alive we loved it when we got a sneak you have space to continue writing peek of it when the show was in your story.
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • Hamilton at the Paramount Seattle
    SPECIAL EDITION • FEBRUARY 2018 ENCORE ARTS PROGRAMS • SPECIAL EDITION HAMILTON FEBRUARY 2018 FEBRUARY PROGRAMS • SPECIAL EDITION HAMILTON ARTS ENCORE HAMILTON February 6 – March 18, 2018 Cyan Magenta Yellow Black Inks Used: 1/10/18 12:56 PM 1/11/18 11:27 AM Changes Prev AS-IS Changes See OK OK with Needs INITIALS None Carole Guizetti — Joi Catlett Joi None Kristine/Ethan June Ashley Nelu Wijesinghe Nelu Vivian Che Barbara Longo Barbara Proofreader: Regulatory: CBM Lead: Prepress: Print Buyer: Copywriter: CBM: · · · · Visual Pres: Producer: Creative Mgr Promo: Designer: Creative Mgr Lobby: None None 100% A N N U A L UPC: Dieline: RD Print Scale: 1-9-2018 12:44 PM 12:44 1-9-2018 D e si gn Galle r PD y F Date: None © 2018 Starbucks Co ee Company. All rights reserved. All rights reserved. ee Company. SBX18-332343 © 2018 Starbucks Co x 11.125" 8.625" Tickets at stgpresents.org SKU #: Bleed: SBUX FTP Email 12/15/2017 STARBUCKS 23 None 100% OF TICKET SALES GOOF TOTHE THE PARTICIPATING MUSIC PROGRAMS HIGH SCHOOL BANDS — FRIDAY, MARCH 30 AT 7PM SBX18-332343 HJCJ Encore Ad Encore HJCJ blongo014900 SBX18-332343 HotJavaCoolJazz EncoreAd.indd HotJavaCoolJazz SBX18-332343 None RELEASED 1-9-2018 Hot Java Cool Jazz None None None x 10.875" 8.375" D i sk SCI File Cabinet O t h e r LIVE AT THE PARAMOUNT IMPORTANT NOTES: IMPORTANT Vendor: Part #: Trim: Job Number: Layout: Job Name: Promo: File Name: Proj Spec: Printed by: Project: RELEASE BEFORE: BALLARD | GARFIELD | MOUNTLAKE TERRACE | MOUNT SI | ROOSEVELT COMPANY Seattle, 98134 WA 2401 Utah Avenue South2401
    [Show full text]
  • Demands Year Later
    THURSDAY, NOVEMBER 17, 2016 DAILYEMERALD.COM THURSDAY DEMANDS YEAR LATER NOV. 17 MARKS THE ANNIVERSARY OF The Black Student 12Task Force’s 12 demands for a safe space on campus. Five1 have been fulfilled and the Black community is fighting for progress and awareness on campus. DARK KNIGHT: THE MUSICAL AT UO LETTER TO THE EDITOR FROM THE BLACK STUDENT TASK FORCE COMIC: ELECTION DIVIDES THE U.S. Traditional Greek & Indian Food 992 Willamette Street Eugene, OR 97401 (541) 343-9661 24/7 Eugene Airport Shuttle Get Your Spins On. Drink Wheel Thursdays at 35443 www.omnishuttle.com $ SAVE $ Fly EUG 541-461-7959 1-800-741-5097 What color do you bleed? Show it by donating blood. Between November 1-20, give blood on behalf of the Ducks and help save a life. Donate at Lane Blood Center or any of our local blood drives. We’ll be on the UO campus November 14 – 19 at the EMU. MORNING JOB FOR Make your appointment today! STRONG BICYCLIST Walk-ins welcome. Deliver the Lane Blood Center • 2211 Willamette Street • Eugene, OR • 97405 Emerald 6-8am Laneblood.org • 541-484-9111 Mondays & Thursdays. Delivery is done with our cargo bikes. All participants may enter for a chance to win two tickets to the Civil War football game. Apply in person at Suite 302, EMU or email [email protected] www.CivilWarBloodDrive.com PAGE 2 | EMERALD | THURSDAY, NOVEMBER 17, 2016 EMERALD MEDIA GROUP & DARK KNIGHT: THE ARTS MUSICAL RISES AT CULTURE POCKET PLAYHOUSE ➡ SARAROSA DAVIES, @SROSIEDOSIE Riley Mulvihill, director of Juliet. He hated the process, but Pocket Playhouse’s most recent then fell in love with performing.
    [Show full text]
  • Arbiter, April 19 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 4-19-2004 Arbiter, April 19 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. 1 9 J J B 0 I S E STATE'S INDEPE.NDENT STUDENT NEW SPA PER SIN C E MONDAY CELEBRATING APRIL 19,2004 70 YEARS .: BRONCO DON· The story EARTH DAY ..A look at the Julia Davis \, behind one of Boise Parkfestivities inphotos A&E·5 State biggest Fans SPORTS· 8 WWW.ARBlTERONLlNE.COM VOLUME 16 ISSUE 58 !I , FIRST COPY FREE I I ! ' ASBSUbudget benefits from $60,000 increase Financial support for clubs to increase by $18,000 BYMONICA PRICE News Reporter The Arbiter ASBSU President David Morriss and Vice President Tom Labrecque introduced next year's budget to a full house Thursday in the Jordan A Ballroom. There were moments of hostility and gratitude as the crowd digested the numbers. Student organizations will re- ceive $18,000 increase in a pro- posed budget delivered to the sen- ate. "It's a dang good budget," said Morriss. - ASBSU gave itself $10,000 more as part of a pay increase recently passed by the senate and approved by Morriss.
    [Show full text]
  • George Morlan Plumbing Supply
    Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state.
    [Show full text]
  • A Comparison of Nick Hornby's High Fidelity and Juliet, Naked
    Hugvísindasvið Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Maí 2011 Háskóli Íslands Hugvísindasvið Enska Modern Love: A Comparison of Nick Hornby’s High Fidelity and Juliet, Naked. Ritgerð til B.A.-prófs Arnar Ásmundsson Kt.: 230476-4389 Leiðbeinandi: Ingibjörg Ágústsdóttir Maí 2011 Abstract In 1995 Nick Hornby published his first novel, High Fidelity, a story about obsession, love and the complications of modern life. Hornby published Juliet, Naked in 2009, where he tackles similar topics to those in High Fidelity. A key difference between these novels is the presence of the Internet in Juliet, Naked, which is not featured in High Fidelity. A comparison of Juliet, Naked and High Fidelity offers an interesting insight into Hornby‟s vision of life before and after the spread of the Internet, and how it has affected the characters‟ obsessions, communication and their lives in general. This essay is, however, not limited to the changes the Internet has brought, as other topics are discussed in the essay‟s several chapters. The first chapter is a general introduction and is followed by a chapter containing background information on both Hornby and the novels, as well as illustrating how these novels were received by critics. The third chapter tackles a dominant theme in both books, obsession, especially male obsession with popular culture. The ensuing chapter deals with love and its complications, and how it is presented in both novels. The fifth chapter focuses on the Internet and the benefits and limitations it brings to modern life.
    [Show full text]
  • American Road Movies of the 1960S, 1970S, and 1990S
    Identity and Marginality on the Road: American Road Movies of the 1960s, 1970s, and 1990s Alan Hui-Bon-Hoa Art History and Communication Studies McGill University, Montreal March 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies. © Alan Hui-Bon-Hoa 2012 Table of Contents Abstract ………………………………………………………………………………………….. 3 Abrégé …………………………………………………………………………………………… 4 Acknowledgements …..………………………………………………………………………….. 5 Introduction ……………………………………………………………………………………… 6 Chapter One: The Founding of the Contemporary Road Rebel …...………………………...… 23 Chapter Two: Cynicism on the Road …………………………………………………………... 41 Chapter Three: The Minority Road Movie …………………………………………………….. 62 Chapter Four: New Directions …………………………………………………………………. 84 Works Cited …………………………………………………………………………………..... 90 Filmography ……………………………………………………………………………………. 93 2 Abstract This thesis examines two key periods in the American road movie genre with a particular emphasis on formations of identity as they are articulated through themes of marginality, freedom, and rebellion. The first period, what I term the "founding" period of the road movie genre, includes six films of the 1960s and 1970s: Arthur Penn's Bonnie and Clyde (1967), Dennis Hopper's Easy Rider (1969), Francis Ford Coppola's The Rain People (1969), Monte Hellman's Two-Lane Blacktop (1971), Richard Sarafian's Vanishing Point (1971), and Joseph Strick's Road Movie (1974). The second period of the genre, what I identify as that
    [Show full text]
  • Dear Evan Hansen Will Go on Sale Friday, December 6, 2019 at 10Am
    Tweet it! .@DearEvanHansen – we’re ready for you! The City of Brotherly Love welcomes the #DEHtour for a month-long engagement from 4/7-5/3 at the #ForrestTheatre. For more info visit kimmelcenter.org. #YouWillBeFound Press Contacts: Lauren Woodard Lisa Jefferson 215-790-5835 570-855-8817 [email protected] [email protected] Friday, December 6, 2019 “ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.” -The Washington Post TICKETS FOR THE PHILADELPHIA PREMIERE OF DEAR EVAN HANSEN WILL GO ON SALE FRIDAY, DECEMBER 6, 2019 AT 10AM THE FORREST THEATRE ENGAGEMENT RUNS TUESDAY, APRIL 7- SUNDAY, MAY 3, 2020 The Kimmel Center Cultural Campus and The Shubert Organization announced today that individual tickets for the Philadelphia premiere of DEAR EVAN HANSEN will go on sale Friday, December 6, 2019 at 10:00AM EST. Tickets are available at The Forrest Theatre box office (1114 Walnut Street Philadelphia, PA 19107), calling Telecharge at 1-800-447-7400, or by visiting www.telecharge.com. The winner of six 2017 Tony Awards, including Best Musical, Dear Evan Hansen features a book by Tony Award-winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (Rent, Next to Normal). Declared “One of the most remarkable shows in musical theater history” by the Washington Post’s Peter Marks, Dear Evan Hansen opened at the Music Box Theatre to rave reviews on December 4, 2016. There, it has broken all box office records and struck a chord with audiences and critics alike, including New York Times critic Jesse Green, who, in his May 2019 re-review of the show, declared it “more and more ingenious with each viewing.
    [Show full text]
  • Certain Women
    CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up.
    [Show full text]
  • Casting Complete for Goodspeed's Moving New Musical Hi, My Name Is
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] CASTING COMPLETE FOR GOODSPEED’S MOVING NEW MUSICAL HI, MY NAME IS BEN A Modern-Day Fairytale About Communication And Connection Hi, My Name is Ben begins May 17 at The Terris Theatre EAST HADDAM, CONN., APRIL 11, 2019: Goodspeed Musicals continues its commitment to innovative, thought-provoking new works with Hi, My Name is Ben, the inspirational true story of one man who impacted the lives of all those around him without speaking a word. Written by Scott Gilmour and Claire McKenzie while in residence at the Johnny Mercer Writers Colony at Goodspeed, this hope-filled musical will run May 17 – June 9, 2019 at The Terris Theatre in Chester, CT. This production is supported in part by the Richard P. Garmany Fund at the Hartford Foundation for Public Giving The true story of one ordinary man and his extraordinary life. From his tiny room in New York City, Bernhardt Wichmann III changed the lives of those around him without ever speaking a word. Using just his notepad, pen and open heart, Ben turned a neighborhood of strangers into a community of friends, before finally encountering a miracle of his own. Featuring an uplifting, folk-inflected score by award-winning Scottish writing team Noisemaker in association with Dundee Rep, one of Scotland’s leading theatres, this is the story of how one man with nothing somehow changed everything. Ben will be played by Joel Rooks, who has performed in several Broadway shows including Fish in the Dark, The Royal Family, Say Goodnight Gracie, Taller Than a Dwarf, The Tenth Man, The Sisters Rosensweig, and Frankie and Johnny in the Clair de Lune.
    [Show full text]
  • Concordia University Presents
    ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country.
    [Show full text]