DOCSLIB.ORG

Demands Year Later

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Demands Year Later THURSDAY, NOVEMBER 17, 2016 DAILYEMERALD.COM THURSDAY DEMANDS YEAR LATER NOV. 17 MARKS THE ANNIVERSARY OF The Black Student 12Task Force’s 12 demands for a safe space on campus. Five1 have been fulfilled and the Black community is fighting for progress and awareness on campus. DARK KNIGHT: THE MUSICAL AT UO LETTER TO THE EDITOR FROM THE BLACK STUDENT TASK FORCE COMIC: ELECTION DIVIDES THE U.S. Traditional Greek & Indian Food 992 Willamette Street Eugene, OR 97401 (541) 343-9661 24/7 Eugene Airport Shuttle Get Your Spins On. Drink Wheel Thursdays at 35443 www.omnishuttle.com $ SAVE $ Fly EUG 541-461-7959 1-800-741-5097 What color do you bleed? Show it by donating blood. Between November 1-20, give blood on behalf of the Ducks and help save a life. Donate at Lane Blood Center or any of our local blood drives. We’ll be on the UO campus November 14 – 19 at the EMU. MORNING JOB FOR Make your appointment today! STRONG BICYCLIST Walk-ins welcome. Deliver the Lane Blood Center • 2211 Willamette Street • Eugene, OR • 97405 Emerald 6-8am Laneblood.org • 541-484-9111 Mondays & Thursdays. Delivery is done with our cargo bikes. All participants may enter for a chance to win two tickets to the Civil War football game. Apply in person at Suite 302, EMU or email kcarbone@dailyemerald.com www.CivilWarBloodDrive.com PAGE 2 | EMERALD | THURSDAY, NOVEMBER 17, 2016 EMERALD MEDIA GROUP & DARK KNIGHT: THE ARTS MUSICAL RISES AT CULTURE POCKET PLAYHOUSE ➡ SARAROSA DAVIES, @SROSIEDOSIE Riley Mulvihill, director of Juliet. He hated the process, but Pocket Playhouse’s most recent then fell in love with performing. production, Dark Knight: The “We performed and I got that Musical, says it’s Batman’s time applause from the audience and I to shine. Pocket Playhouse is a felt the love,” Mulvihill said. “And student-run theatre company I’ve done it ever since.” on campus, and as Mulvihill told Recently, he has enjoyed the the Emerald in an interview at change from acting to directing. the green room of Villard Hall, “Moving towards directing “Spiderman already has his instead of acting has really shown musical. It’s time for someone else.” me another side of theatre, That “someone else” is Gotham and it’s a little less egotistical,” City’s superhero vigilante, or as Mulvihill said. Mulvihill says, “a man dressed up With 11 songs, Dark Knight is a as a bat, punching criminals.” full-length musical. Mulvihill has “It’s ridiculous,” Mulvihill had help from many people, both continued. “Musicals have a way of during the five-week rehearsal making the ridiculousness part of process and even before rehearsals the world.” had officially begun. Mulvihill Mulvihill, who started writing noted his production team as the show in middle school with essential helpers during the the help of his choir director, Josh rehearsal process. The Joker sings in Pocket Playhouse’s production of “Dark Knight: The Musical.” (Ben M. Jones/ Rist, is capitalizing on the current It hasn’t been easy though, Pocket Playhouse) “superhero hysteria” seen on the according to Mulvihill. For now, silver screen with Marvel and DC. the space only allows for a piano His favorite actor to play the Joker accompanist, Kevin Dempsey, but OPINION is Mark Hamill, but he says the Mulvihill hopes to one day feature others who have played him — most a full orchestra. notably Heath Ledger and Cesar “That was a big step for us to be ➡ Romero — are also fantastic. able to get live accompaniment,” SASHA BURROWS As a senior, Mulvihill hopes to Mulvihill said. Divided Country mount a production of the show His favorite song in the show on a larger scale someday, but is called “Kill the Bat.” Audiences is excited be producing it with should look out for the Joker’s Pocket Playhouse because it’s an big reveal, which according to organization he’s been involved Mulvihill features three-part with since his freshman year. harmonies reminiscent of “My first audition, I got a lead scenes from Les Miserables Lemme at him! role in a Pocket show,” Mulvihill like “One Day More” and “The Never! said. “What I love about Pocket Confrontation Scene.” is that it is original content. Michael Malek Najjar, assistant The directors are normally the professor in theatre, noted that playwrights… There’s room for his theatre students are excited creativity and imagination, but for Pocket’s first original musical, this is first time, that at least I have despite its short rehearsal process. seen, where an original musical is As Mulvihill said of the piece, “It’s being done.” going to make you laugh, going to Pocket Playhouse sponsors make you cry and going to make four to six student-created plays you want to come back for more.” per term and has a board of Dark Knight: The Musical runs students who select pitches given Thursday through Saturday at by directors. This is Mulvihill’s 5 p.m. in Villard 102, and entry first time directing and writing a is first-come, first-served. © theatrical script, but he has acted Although tickets are free, there is since middle school when his mom a suggested donation to support made him try out for Romeo and student-made theatre. The Emerald is published NEWSROOM COPY CHIEF PODCAST EDITORS BUSINESS ON THE COVER by Emerald Media Group, JUNNELLE HOGEN FRANZISKA MONAHAN EDITOR IN CHIEF EMERSON MALONE PUBLISHER & PRESIDENT Inc., the independent COOPER GREEN X325 NEWS EDITORS nonprofit media company EMAIL: EDITOR@DAILYEMERALD.COM NOAH MCGRAW WEB EDITOR CHARLIE WEAVER X317 Students a rally in the EMU at the University of Oregon. MAX THORNBERRY JAKE URBAN EMAIL: CHARLIE@DAILYEMERALD.COM amphitheater hosted by the Black PRINT MANAGING EDITOR EMILY OLSON Student Task Force present speeches Formerly the Oregon BRAEDON KWIECIEN VIDEO EDITOR VP OPERATIONS Daily Emerald, the news A&C EDITORS KYLIE DAVIS KATHY CARBONE X302 to hundreds of UO community DIGITAL MANAGING EDITOR CRAIG WRIGHT organization was founded in 1900. PHOTO EDITOR EMAIL: KCARBONE@DAILYEMERALD.COM members. MEERAH POWELL CARLEIGH OETH ADAM EBERHARDT DIRECTOR OF SALES AND MARKETING ART DIRECTOR MATHEW BROCK VOL. 118, ISSUE NO. 32 DESIGNER LINDSEY SMITH X303 RAQUEL ORTEGA OPINION EDITOR Photograph by Aaron Nelson. EMILY FOSTER EMAIL: ADS@DAILYEMERALD.COM MANAGING PRODUCER ZACH MOSS CHRISTOPHER TROTCHIE EMILY HARRIS ACCOUNT EXECUTIVES GET IN TOUCH SPORTS EDITORS STACY YURISHCHEVA GREG BUTLER OUTREACH DIRECTOR EMERALD MEDIA GROUP KENNY JACOBY KELLY KONDO TAYLOR BRADBURY ANNA LIEBERMAN 1395 UNIVERSITY ST., #302 JONATHAN HAWTHORNE CARSON BIERAUGEL EUGENE, OR 97403 ENGAGEMENT EDITOR JARRID DENNEY KYLE BESA 541.346.5511 MARK KELLMAN RUBEN ESTRADA THURSDAY, NOVEMBER 17, 2016 | EMERALD | PAGE 3 BLACK CAL NDAR CAMPUS COMMUNITY This week in Eugene: RAISE THEIR Natashia Greene, an officer for the Black Student Union, embraces her sister who presented powerful spoken word poetry. (Aaron Nelson) VOICE ➡ MAX THORNBERRY, @MAX_THORNBERRY On Nov. 11, Black student group you probably have no idea how it feels,” leaders spoke to hundreds of students Natashia Greene, external coordinator and community members at the for the Black Student Union, said to EMU amphitheater, addressing the the crowd on Friday. “One of our main climate around race on campus. It’s goals is to really make sure that our been a year since the Black Student students feel safe.” Task Force issued 13 demands to UO Instead of allowing Black students administration in the hopes of creating to feel safe and included, many feel the a safer and more inclusive university. climate on campus subjects them to The revisiting of these demands, overtly racist attitudes and sentiments. which include renaming buildings “The reality of it is that stereotypes named after KKK members, comes in tend to overshadow the hard work we the wake of discriminatory events on really put in in order to get into higher campus. education,” Chris Holloway, a member of the Black Male Alliance, said at the Members of the Black Student Union rally. have received racist threats online. Roger Thompson, vice president for On Halloween, a UO professor wore enrollment management is one of the blackface at a private party, and on people working to solve issues Black Nov. 9, high school students donned students face at the university. He said blackface at UO, offending community he has been pleased to see bolstered members on a campus that is intended recruitment efforts of Black students to be a safe space, according to in recent years. He notes that UO was President Michael Schill. These recent the first university to support Good in racially related events may be forcing the Hood, a non-profit organization some UO Black students to reevaluate that offers scholarships to graduating where they fit into the priorities of the high school students in Northeast university. Portland. The university also created a Of the 12 demands made by the BSTF sponsorship and scholarship program a year ago, less than half have been with Jefferson High, a predominantly fulfilled. Black high school in Portland. UO’s Black students are frustrated “In the last seven years, we have gone that after a year of pushing for from about 18 percent of our freshman demands, they’re still fighting for class being domestic minority students progress. On Friday, they rallied to 31 percent this fall,” Thompson said. together in solidarity, determined to “We have made the freshman class continue the march forward. far more diverse than it has ever been “We experience things that most of before.” illustrations by Stacy Yurishcheva PAGE 4 | EMERALD | THURSDAY, NOVEMBER 17, 2016 ACME FILMWORKS Presents Emerald Media Group CAL NDAR Nov.
Load more

Recommended publications
  • Concordia University Presents
    ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country.
    [Show full text]
  • Making 'Em Move
    SEPT 2017 GAZETTE ■ Vol. 45, No. 9 Making ’Em Move A HISTORY OF ANIMATION THE ADVENTURES OF PRINCE ACHMED, Sept. 16, 19 164 N. State Street ALSO: Recently Restored, Irish American Hooley www.siskelfilmcenter.org 1979, George T. Nierenberg, USA, 59 min. “The films, which I consider the two best ever made about the art, didn’t just record tap history; they became part of it, helping to stoke a revival.” —Brian Seibert, The New York Times Three veteran African American tap-dance masters—Bunny Briggs, Chuck Green, and Howard “Sandman” Sims—tell their stories and dance their hearts out in a documentary that single- handedly launched a tap revival. This 2K restoration of Nierenberg’s joyous tribute sparkles anew as the three stars perform at the Harlem club Small’s Paradise. Preceded by ABOUT TAP (1985, George T. Nierenberg, USA, 25 min.), featuring Green, Jimmy Slyde, and Steve Condos. Both in DCP digital. (BS) September 1—7 Fri., 9/1 at 2 pm and 6 pm; Sat., 9/2 at 8 pm; Sun., 9/3 at 5:15 pm; Mon., 9/4 at 3 pm; Tue., 9/5 at 6 pm; Wed., 9/6 at 7:45 pm; Thu., 9/7 at 6 pm CHICAGO PREMIERE! Polina(POLINA, DANSER SA VIE) 2016, Valérie Müller and Angelin Preljocaj, France, 108 min. With Anastasia Shevtsova, Juliette Binoche, Jérémie Bèlingard “Thrilling…a film for those who love dance.” —Vittoria Scarpa, Cineuropa Trained rigorously from childhood for the Bolshoi, young ballerina Polina (Shevtsova) turns her back on ballet stardom in order to work in France under a strict but soulful avant-garde choreographer (Binoche).
    [Show full text]
  • OFF-RAMP Saturday 12-1 P.M.; Sunda with J Support All the Great Programming on KPCC, Including Off-Ramp
    OFF-RAMP Saturday 12-1 p.m.; Sunda with J Support all the great programming on KPCC, including Off-Ramp. SHARE THIS: Facebook (16) Twitter (8) Google+ Email Print 1 Comments Add your comments Listen Now [5 min 17 sec] • Download Off-Ramp Charles Solomon reviews The Animation Show of Shows Off Ramp animation critic Charles Solomon | Off-Ramp | January 9th, 2013, 10:33am Frédéric Back Still from "The Man Who Planted Trees" (1987) by Frédéric Back. Almost since the art form began, there's been a split between animation as a studio product and animation as a vehicle for individual expression. The enormous succe features and TV shows has kept the work of the major animation studios uppermost in the minds of American audiences recently. But beginning with the pioneer cartoonist and filmmaker Winsor McCay - - back in the early 1900's -- independent artists have treated animation as an art as personal, flexible and immediate as painting or sculpture. Their work is an entirely different vision of what an animated film can be, as the new DVD box set The Animation Show of Shows richly proves. Volume 3 just came out. The artists who create these films may teach or support themselves with other jobs or work at a government-sponsored body, like the National Film Board of Canada. Some are students, and some are professionals pursuing their visions in their spare time. They're united by a commitment to the art of animation. M any of the films in Show of Shows use techniques that are too impractical or personal for large scale production.
    [Show full text]
  • Shock the Monkey a Vr Film by Nicolas Blies & Stéphane Hueber-Blies
    SHOCK THE MONKEY A VR FILM BY NICOLAS BLIES & STÉPHANE HUEBER-BLIES An experiment of anticipation in virtual reality on the privatization of our imagination. Will you be able to regain your freedom? A production by “The advertising industry that is used to create consumers is a phenomenon that has developed in the freest countries. 100 years ago, it became clear that it would be more difficult to control the population by force. The freedom gained was far too great. We needed new ways to control people. With this new objective, the advertising industry exploded to make consumers. The idea is to control everyone, to transform society into a perfect system. A system based on a duo. This duo is you and television, or today, you and the Internet, that shows you what an ideal life looks like, what you should have. And you will spend your time and energy to get it. (...) We create desires, we lock the population into the role of consumers. (...) Consumers who must be spectators, not participants in our democracies. Noam Chomsky “ 2 SUMMARY 2046. SOMA is an activist against the dominant system. It is also the code name for the spirit liberation program she and her team have been running for several months. A program that seeks to stem the privatization of our minds by multinationals and consumerist ideology. SOMA kidnaps you and encourages you to free yourself from this conditioning. With your permission, she infiltrates your brain. You then begin a psychedelic journey into the depths of your imagination to allow you to regain your free will.
    [Show full text]
  • 2015 UCLA Festival of Preservation
    OCT 15 GAZETTE ■20 Vol. 43, No. 10 2015 UCLA Festival of WHITE ZOMBIE, Oct. 30, 31 Friday Preservation matinees at 2pm! PLUS: WIM WENDERS TICKETS AVAILABLE AT OUR BOX OFFICE OR WEBSITE: $11 General • $7 Students • $6 Members www.siskelfilmcenter.org FREE SCHEDULE NOT FOR SALE 164 N State Street (312) 846-2600 THE AMAZING NINA SIMONE CHICAGO PREMIERE! 2015, Jeff Lieberman, USA, 108 min. Nina Simone was unique. She defied labels—musical, sexual, political. Extensively researched and drawing the inside story from over 50 interviews with family, friends, band members, and lovers, this in-depth documentary follows the journey of her life and TWO-WEEK RUN! music, including childhood in a segregated small town, October 23—29 youth as a classical piano Fri. at 2:00 pm, 6:00 pm, and prodigy, redefinition as a 8:15 pm; bar singer, rise to stardom Sat. at 3:15 pm and 8:00 pm; in the late 1950s (“I Loves Sun. at 5:15 pm; You, Porgy”), emergence as Mon. and Tue. at 7:30 pm; a fiery activist (“Mississippi Wed. at 6:00 pm and 8:15 pm; Goddam”), complicated Thu. at 6:00 pm and 8:30 pm bisexual love-life, struggle October 30—November 5 with bipolar disorder, self- Fri. and Mon. at 7:45 pm; exile to Liberia and France, Sun. at 4:45 pm; and late-life comeback. Thu. at 8:15 pm DCP digital. (MR) CHICAGO PREMIERE! 2015, Jafar Panahi, Iran, 82 min. The resourceful Panahi (OFFSIDE), still laboring under a 20-year ban on filmmaking, creates this biting new serio-comic work with surveillance cams mounted on the dashboard of a taxi in which he is the bemused driver.
    [Show full text]
  • BULLET TIME 57W Nederlands Twee Kogels, Gemaakt Om Te Doden
    BULLET TIME 57w Nederlands Twee kogels, gemaakt om te doden, worden midden in hun dodelijke vlucht verliefd op elkaar. Het overkomt Stanley en Daisy, de twee kogels die door cowboys Jesse en Pedro tijdens een ouderwetse wild-west shootout op elkaar worden afgevuurd. In plaats van voor hun dodelijke doel, kiezen de kogels voor de liefde, met desastreuze gevolgen voor de cowboys. 49w Engels A desolate street in a small village in the Old West. Two cowboys face each other in a good-old- fashioned shootout! But when both of the colts fire their deadly bullets, those bullets immediately fall in love with each other, forgetting what they're supposed to do! This has dramatic consequences... 17w Engels A good old-fashioned western shoot-out, in which both the fired bullets fall in love with each other... English title: Bullet Time Original title: Bullet Time production: Merlijn Passier Productions producer: Merlijn Passier executive producer: Zamire Thijssen script: Merlijn Passier, Frodo Kuipers, Rudi Brekelmans director: Frodo Kuipers animation: Frodo Kuipers, Elian van der Heiden, Peter Schop backgrounds: Frodo Kuipers compositing & special effects: Jeffrey Schreuders music: Alex Debicki sound: Jeroen Nadorp, Robin van der Heiden (Bob Kommer Studio’s) voices: Simon Zwiers, Luciënne van Eeden, Frodo Kuipers voice recording: Alex Debicki, Koen Donker, Simon Zwiers length in minutes: 5'30” filmformat: DCP, 4K ProRes, 2K ProRes, (2.39), 25 fps, color sound: 5.1, dolby digital release: november 2016 version: international, no dialogues genre: animation
    [Show full text]
  • Festival Runway, Limp Into the Air (Barely Missing the Trees) and Splutter up Into the Clouds
    1 DIRECTOR’S MESSAGE Malcolm Turner Greetings to fans, first-timers and the animatedly curious. DIRECTOR Despite the crazed improbability of it all, MIAF is still here doing its thing. It certainly suffers from the so-called ‘bumble bee’ syndrome. That is to say, on paper there’s no way Melbourne International you can prove it will fly. Somehow though, Air MIAF has found a way to bump down the Animation Festival runway, limp into the air (barely missing the trees) and splutter up into the clouds. Dunno how we do it, to be honest. It certainly wouldn’t happen without the support of ACMI, Screen Australia and each and every one of the sponsors. Nor would it happen without the core crew who give up a great deal of their time and varying slivers of their sanity to make this thing work. And it definitely wouldn’t happen without the filmmakers. It surprises alot of people (including me sometimes) just how many short animated films are being made. We get over 2,000 entries every year and the vast majority of them are made for the simple reason that somebody has felt compelled to create them – in much the same way that a painter feels compelled to paint a picture or a playwright feels compelled to create an imaginary universe, populated with a fictional tribe who have something on their mind they want to share. Animation, as a technological achievement, surrounds us and is woven into so many elements of our daily lives. It is a workhorse technology that is pressed into service by any number of plump jockeys who vie for our scarce and shattered attentions as we go through our day.
    [Show full text]
  • Report to the U.S. Congress for the Year Ending December 31, 2016
    Report to the U.S. Congress for the Year Ending December 31, 2016 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage August 15, 2017 Dr. Carla Hayden The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Hayden: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (P.L. 110-336), I submit to the U.S. Congress the 2016 Report of the National Film Preservation Foundation. Americans have been making films for more than 120 years, but it is only in the last 30 that we have rallied to save those images. In 1996, Congress created the NFPF to help archives, libraries, and museums to rescue this history and share it with the public. Thanks to federal funding secured through the Library of Congress, entertainment industry and foundation support, and the unwaver- ing dedication of preservationists, there is much good news to report. As of 2016, the NFPF programs have preserved more than 2,290 motion pictures—newsreels, actualities, cartoons, silent-era productions, avant-garde films, home movies, and other independent works that might otherwise have faded from public memory. Tremendous credit is due to the 284 public institutions that have participated in our programs to save culturally significant motion pic- tures. Once copied to film stock and safely archived, the works begin a new life through teaching, exhibition, broadcast, DVD, and most especially, the Internet. With international partners, the NFPF has helped archives in the United States bring home 240 early American films that had not been seen in decades.
    [Show full text]
  • Salutació SALUDO WELCOME
    Salutació SALUDO WELCOME Lleida tornarà a dibuixar-se a finals de febrer amb els colors del millor i més innovador cinema d’animació. Com cada any, des de ja en fa 24, torna l’Animac, consolidat com un referent nacional i internacional i que aplega a la ciutat el talent més rellevant d’una indústria potent i en permanent evolució que veu Lleida com el seu punt de trobada anual. Vull donar la benvinguda a la ciutat a tots els que ens visiten per participar, sigui com a convidats o com a públic, en aquest esdeveniment que organitza l’Ajuntament de Lleida i que és una de les puntes de llança del projecte de Lleida com a ciutat de festivals culturals que volem anar bastint. Enguany Animac vol ser una "càpsula del temps" que entén l’animació com un mitjà poderós per recuperar el passat, els records i la història, personal o compartida. Desitjo que aquest fil conductor de la memòria, tan necessari sempre, ens permeti gaudir d’una programació de primer nivell que ens inspiri, que ens faci somriure, reflexionar i somiar que altres mons són possibles. Aquest és un festival que vol ser un referent tant en l’àmbit cultural, amb la projecció de la millor animació mundial i activitats paral·leles de difusió i contacte amb els artistes, com en l’educatiu, amb la important tasca que es du a terme amb les sessions escolars, l’Animac Campus –enguany amb convidats molt especials– i els tallers Animacrea. A més, Animac esdevé cada any un punt de trobada del sector, un vessant professional cada cop més important que ofereix als animadors independents i als nous talents del món de l’audiovisual una porta d’accés a una indústria cultural en clar creixement i amb molt de futur.
    [Show full text]
  • Fundamentos Conceptuales Y Tendencias Gráficas En La Animación De Autor
    PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ FACULTAD DE ARTE FUNDAMENTOS CONCEPTUALES Y TENDENCIAS GRÁFICAS EN LA ANIMACIÓN DE AUTOR Tesis para optar el Título de Licenciado en Arte con mención en Diseño Gráfico que presenta el Bachiller: MICHAEL ARTURO RODRÍGUEZ TINCOPA Asesora: MIHAELA RADULESCU DE BARRIO DE MENDOZA Lima, 2015 Dedicada a mi madre por su amor, constancia y paciencia 2 AGRADECIMIENTOS Quisiera expresar mi agradecimiento a la profesora Mihaela Radulescu por su asesoría y confianza en el desarrollo de esta investigación. Asimismo, un agradecimiento especial a los artistas Michael Dudok de Wit (Inglaterra) y a Piotr Dumala (Polonia), así como al profesor Howard Lester de Rochester Institute of Technology – RIT (EE.UU.) por sus valiosos comentarios y sus significativas respuestas. Gracias también a mis compañeros, amigos y colegas diseñadores que me apoyaron de distintas maneras en la realización de esta investigación. Finalmente, quiero agradecer de todo corazón a mis padres y a mi hermana por su eterno apoyo y por acompañarme en el largo camino que ha significado la culminación de esta tesis. 3 ÍNDICE Introducción .................................................................................................. 6 Capítulo 1. La animación 1.1. ¿Qué se entiende por animación hoy? .................................. 10 1.2. La animación comercial y la animación independiente .......... 17 1.2.1. Surgimiento de la animación comercial y la animación independiente .............................................................. 19 1.2.2. Métodos y diferencias ................................................. 26 1.2.3. Tendencias de animación en el mundo ........................ 41 Capítulo 2. La animación de autor 2.1. ¿Qué es la animación de autor? ............................................. 49 2.2. La construcción del estilo personal ......................................... 54 2.2.1. Análisis de caso: Michael Dudok de Wit ..........................
    [Show full text]
  • Of SHOWS SHOW ANIMATION
    11 ALL NEW ANIMATED INTERNATIONAL SHORTS ACME FILMWORKS PRESENTS the 17TH ANNUAL ANIMATION of Buy DVDs and downloads of films from past SHOW SHOWS Animated Show of Shows www.animationshowofshows.com “ The animated short film is a great art form - always beautiful, innovative, and extremely entertaining. The Animation Show of Shows is the best place to see all the latest and greatest animated short films. You will never be disappointed. ” John Lasseter, Chief Creative Officer Pixar and Walt Disney Animation Studios * Special appearance by Curator, Producer Ron Diamond, check theaters for dates and times. * Hollywood, CA • Arclight Cinemas • Sept 24 - Oct 1 Silver Spring, MD • AFI Silver Theatre • Oct 23 - Oct 29 * Santa Ana, CA • The Frida Cinema • Oct 2 - Oct 8 * Seattle, WA • SIFF Egyptian Theatre • Oct 30 - Nov 5 GLOUSTER, MA, • The Cape Ann Cinema • Oct 2 - Oct 4 Larkspur, CA • The Lark Theater • Oct 30 - Nov 5 ALBANY, NY • Spectrum 8 Theatres • Oct 5 one night only * VANCOUVER, BC • Rio Theatre • Nov 1 one night only * San Francisco, CA • Vogue Theatre • Oct 9 - Oct 15 * PORTLAND, OR • CINEMA 21 Theatre • Nov 13 - Nov 19 * CHICAGO, IL • Gene Siskel Film Center • Oct 16 - Oct 22 * Eugene, OR • Bijou Art Cinemas • Nov 13 - Nov 19 © 2015 The Animation Show of Shows, Inc. PittsburgH, PA • Melwood Screening Room • Oct 16 - Oct 22 Denver, CO • Denver Film Society SIE FilmCenter • Nov 27 - Dec 3 The 17th Annual (2014 - 2015) Animation Show of Shows A whimsical story about living an impractical life based on a childhood promise. While playing on stilts as a child, Percival Pilts declares that he’ll ‘never again let his John Lewis and Janette Goodey’s feet touch the ground!’ Australia 2014 The Story of Percival Pilts Golden Gate Award, San Francisco Intl.
    [Show full text]
  • November 2016
    #loftfilmfest WED 09 – SUN 13 NOVEMBER 2016 ”Phantasmagorical programming and astute choice of guests.” –Filmmaker Magazine SPONSORED BY: THE LOFT CINEMA 3233 E. Speedway Blvd. Tucson, AZ 85716 LoftFilmFest.org 520.322.5638 THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE OPENING NIGHT LFF04 ANIMATION, DOCUMENTARY, NARRATIVE SHORTS LFF10 2016 FEST FILM SCHEDULE LFF12 IN COMPETITION LFF16 LATE NIGHTS LFF19 Get your Tickets Loft Film Fest Loft Film Fest CICAE & Audience Staff Awards Awards INDIVIDUAL TICKETS FESTIVAL EXECUTIVE DIRECTOR The Kirby Dick Social The Loft Film Fest is the only $10 General Admission Peggy Johnson Justice Award, named American festival member of $8 Loft Cinema Members FESTIVAL DIRECTORS after the Oscar-nominated the CICAE, the International J.J. Giddings | Jeff Yanc documentary filmmaker, Confederation of Art Houses. FESTIVAL PASSES is presented each year Founded in 1955, the CICAE MANAGING DIRECTOR $125 General Admission at the Loft Film Fest to is a network of 4,000 Zach Breneman a filmmaker whose work screens and 22 international $100 Loft Cinema Members PROGRAMMING CONSULTANTS displays a galvanizing passion film festivals that work Mike Plante | Aurélie Gomes for social change through to increase audience for OFFICIAL FEST SITE cinema. This year, the Loft excellent international LoftFilmFest.org FINANCE DIRECTOR Jonathan Kleefeld Film Fest is proud to present independent films. the 2016 Kirby Dick Social The CICAE Award will be ALL SCREENINGS TAKE PLACE AT ART DIRECTOR Justice Award to acclaimed determined
    [Show full text]