RON DIAMOND – Academy Executive Committee Branch Member - USA 8Th of November - 2:30 P.M

Total Page:16

File Type:pdf, Size:1020Kb

RON DIAMOND – Academy Executive Committee Branch Member - USA 8Th of November - 2:30 P.M MASTERCLASSES 2016 RON DIAMOND – Academy Executive Committee Branch Member - USA 8th of November - 2:30 p.m. Place: Escola Superior de Média Artes e Design do Instituto Politécnico do Porto Title: Essential steps to winning an Academy Award Synopsis: In a two and a half hour master class, Academy Executive Committee Branch Member Ron Diamond explains the rules for submission, voting procedures and pitfalls that have caused some films to be disqualified. Discussion of the attributes and qualities of four films is discussed to give attendees greater insight as to what kinds of films have historically gained the attention of the Academy and why other films have not.. Biography: Animation producer, distributor and curator Ron Diamond founded and runs Acme Filmworks in Los Angeles, CA, one of the preeminent independent animation studios since 1990 creating seminal animated works with such directors as Michael Dudok de Wit, Christopher Hinton, Janet Perlman, Raimund Krumme, Caroline Leaf, Wendy Tilby and Amanda Forbis, Aleksandra Korejwo and dozens of other animators from around the globe. Diamond has produced commercials, main title sequence, short films, a television series and several animated features, including The 17th Annual Animation Show of Shows, the International Tournee of Animation and the Animation Celebration. Diamond has served on numerous festival juries, curated multiple programs, lectured at numerous universities, exhibited Acme Filmworks production art work on four continents and has been in attendance at dozens of international animation festivals small and large. Diamond is also the co founder of Animation World Network, the founder of The Animation Show of Shows, Inc. and organizes the annual Pre-Oscar tour of the leading animation studios for animated short film Oscar® nominees. .
Recommended publications
  • Demands Year Later
    THURSDAY, NOVEMBER 17, 2016 DAILYEMERALD.COM THURSDAY DEMANDS YEAR LATER NOV. 17 MARKS THE ANNIVERSARY OF The Black Student 12Task Force’s 12 demands for a safe space on campus. Five1 have been fulfilled and the Black community is fighting for progress and awareness on campus. DARK KNIGHT: THE MUSICAL AT UO LETTER TO THE EDITOR FROM THE BLACK STUDENT TASK FORCE COMIC: ELECTION DIVIDES THE U.S. Traditional Greek & Indian Food 992 Willamette Street Eugene, OR 97401 (541) 343-9661 24/7 Eugene Airport Shuttle Get Your Spins On. Drink Wheel Thursdays at 35443 www.omnishuttle.com $ SAVE $ Fly EUG 541-461-7959 1-800-741-5097 What color do you bleed? Show it by donating blood. Between November 1-20, give blood on behalf of the Ducks and help save a life. Donate at Lane Blood Center or any of our local blood drives. We’ll be on the UO campus November 14 – 19 at the EMU. MORNING JOB FOR Make your appointment today! STRONG BICYCLIST Walk-ins welcome. Deliver the Lane Blood Center • 2211 Willamette Street • Eugene, OR • 97405 Emerald 6-8am Laneblood.org • 541-484-9111 Mondays & Thursdays. Delivery is done with our cargo bikes. All participants may enter for a chance to win two tickets to the Civil War football game. Apply in person at Suite 302, EMU or email [email protected] www.CivilWarBloodDrive.com PAGE 2 | EMERALD | THURSDAY, NOVEMBER 17, 2016 EMERALD MEDIA GROUP & DARK KNIGHT: THE ARTS MUSICAL RISES AT CULTURE POCKET PLAYHOUSE ➡ SARAROSA DAVIES, @SROSIEDOSIE Riley Mulvihill, director of Juliet. He hated the process, but Pocket Playhouse’s most recent then fell in love with performing.
    [Show full text]
  • Concordia University Presents
    ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country.
    [Show full text]
  • Making 'Em Move
    SEPT 2017 GAZETTE ■ Vol. 45, No. 9 Making ’Em Move A HISTORY OF ANIMATION THE ADVENTURES OF PRINCE ACHMED, Sept. 16, 19 164 N. State Street ALSO: Recently Restored, Irish American Hooley www.siskelfilmcenter.org 1979, George T. Nierenberg, USA, 59 min. “The films, which I consider the two best ever made about the art, didn’t just record tap history; they became part of it, helping to stoke a revival.” —Brian Seibert, The New York Times Three veteran African American tap-dance masters—Bunny Briggs, Chuck Green, and Howard “Sandman” Sims—tell their stories and dance their hearts out in a documentary that single- handedly launched a tap revival. This 2K restoration of Nierenberg’s joyous tribute sparkles anew as the three stars perform at the Harlem club Small’s Paradise. Preceded by ABOUT TAP (1985, George T. Nierenberg, USA, 25 min.), featuring Green, Jimmy Slyde, and Steve Condos. Both in DCP digital. (BS) September 1—7 Fri., 9/1 at 2 pm and 6 pm; Sat., 9/2 at 8 pm; Sun., 9/3 at 5:15 pm; Mon., 9/4 at 3 pm; Tue., 9/5 at 6 pm; Wed., 9/6 at 7:45 pm; Thu., 9/7 at 6 pm CHICAGO PREMIERE! Polina(POLINA, DANSER SA VIE) 2016, Valérie Müller and Angelin Preljocaj, France, 108 min. With Anastasia Shevtsova, Juliette Binoche, Jérémie Bèlingard “Thrilling…a film for those who love dance.” —Vittoria Scarpa, Cineuropa Trained rigorously from childhood for the Bolshoi, young ballerina Polina (Shevtsova) turns her back on ballet stardom in order to work in France under a strict but soulful avant-garde choreographer (Binoche).
    [Show full text]
  • OFF-RAMP Saturday 12-1 P.M.; Sunda with J Support All the Great Programming on KPCC, Including Off-Ramp
    OFF-RAMP Saturday 12-1 p.m.; Sunda with J Support all the great programming on KPCC, including Off-Ramp. SHARE THIS: Facebook (16) Twitter (8) Google+ Email Print 1 Comments Add your comments Listen Now [5 min 17 sec] • Download Off-Ramp Charles Solomon reviews The Animation Show of Shows Off Ramp animation critic Charles Solomon | Off-Ramp | January 9th, 2013, 10:33am Frédéric Back Still from "The Man Who Planted Trees" (1987) by Frédéric Back. Almost since the art form began, there's been a split between animation as a studio product and animation as a vehicle for individual expression. The enormous succe features and TV shows has kept the work of the major animation studios uppermost in the minds of American audiences recently. But beginning with the pioneer cartoonist and filmmaker Winsor McCay - - back in the early 1900's -- independent artists have treated animation as an art as personal, flexible and immediate as painting or sculpture. Their work is an entirely different vision of what an animated film can be, as the new DVD box set The Animation Show of Shows richly proves. Volume 3 just came out. The artists who create these films may teach or support themselves with other jobs or work at a government-sponsored body, like the National Film Board of Canada. Some are students, and some are professionals pursuing their visions in their spare time. They're united by a commitment to the art of animation. M any of the films in Show of Shows use techniques that are too impractical or personal for large scale production.
    [Show full text]
  • Shock the Monkey a Vr Film by Nicolas Blies & Stéphane Hueber-Blies
    SHOCK THE MONKEY A VR FILM BY NICOLAS BLIES & STÉPHANE HUEBER-BLIES An experiment of anticipation in virtual reality on the privatization of our imagination. Will you be able to regain your freedom? A production by “The advertising industry that is used to create consumers is a phenomenon that has developed in the freest countries. 100 years ago, it became clear that it would be more difficult to control the population by force. The freedom gained was far too great. We needed new ways to control people. With this new objective, the advertising industry exploded to make consumers. The idea is to control everyone, to transform society into a perfect system. A system based on a duo. This duo is you and television, or today, you and the Internet, that shows you what an ideal life looks like, what you should have. And you will spend your time and energy to get it. (...) We create desires, we lock the population into the role of consumers. (...) Consumers who must be spectators, not participants in our democracies. Noam Chomsky “ 2 SUMMARY 2046. SOMA is an activist against the dominant system. It is also the code name for the spirit liberation program she and her team have been running for several months. A program that seeks to stem the privatization of our minds by multinationals and consumerist ideology. SOMA kidnaps you and encourages you to free yourself from this conditioning. With your permission, she infiltrates your brain. You then begin a psychedelic journey into the depths of your imagination to allow you to regain your free will.
    [Show full text]
  • 2015 UCLA Festival of Preservation
    OCT 15 GAZETTE ■20 Vol. 43, No. 10 2015 UCLA Festival of WHITE ZOMBIE, Oct. 30, 31 Friday Preservation matinees at 2pm! PLUS: WIM WENDERS TICKETS AVAILABLE AT OUR BOX OFFICE OR WEBSITE: $11 General • $7 Students • $6 Members www.siskelfilmcenter.org FREE SCHEDULE NOT FOR SALE 164 N State Street (312) 846-2600 THE AMAZING NINA SIMONE CHICAGO PREMIERE! 2015, Jeff Lieberman, USA, 108 min. Nina Simone was unique. She defied labels—musical, sexual, political. Extensively researched and drawing the inside story from over 50 interviews with family, friends, band members, and lovers, this in-depth documentary follows the journey of her life and TWO-WEEK RUN! music, including childhood in a segregated small town, October 23—29 youth as a classical piano Fri. at 2:00 pm, 6:00 pm, and prodigy, redefinition as a 8:15 pm; bar singer, rise to stardom Sat. at 3:15 pm and 8:00 pm; in the late 1950s (“I Loves Sun. at 5:15 pm; You, Porgy”), emergence as Mon. and Tue. at 7:30 pm; a fiery activist (“Mississippi Wed. at 6:00 pm and 8:15 pm; Goddam”), complicated Thu. at 6:00 pm and 8:30 pm bisexual love-life, struggle October 30—November 5 with bipolar disorder, self- Fri. and Mon. at 7:45 pm; exile to Liberia and France, Sun. at 4:45 pm; and late-life comeback. Thu. at 8:15 pm DCP digital. (MR) CHICAGO PREMIERE! 2015, Jafar Panahi, Iran, 82 min. The resourceful Panahi (OFFSIDE), still laboring under a 20-year ban on filmmaking, creates this biting new serio-comic work with surveillance cams mounted on the dashboard of a taxi in which he is the bemused driver.
    [Show full text]
  • BULLET TIME 57W Nederlands Twee Kogels, Gemaakt Om Te Doden
    BULLET TIME 57w Nederlands Twee kogels, gemaakt om te doden, worden midden in hun dodelijke vlucht verliefd op elkaar. Het overkomt Stanley en Daisy, de twee kogels die door cowboys Jesse en Pedro tijdens een ouderwetse wild-west shootout op elkaar worden afgevuurd. In plaats van voor hun dodelijke doel, kiezen de kogels voor de liefde, met desastreuze gevolgen voor de cowboys. 49w Engels A desolate street in a small village in the Old West. Two cowboys face each other in a good-old- fashioned shootout! But when both of the colts fire their deadly bullets, those bullets immediately fall in love with each other, forgetting what they're supposed to do! This has dramatic consequences... 17w Engels A good old-fashioned western shoot-out, in which both the fired bullets fall in love with each other... English title: Bullet Time Original title: Bullet Time production: Merlijn Passier Productions producer: Merlijn Passier executive producer: Zamire Thijssen script: Merlijn Passier, Frodo Kuipers, Rudi Brekelmans director: Frodo Kuipers animation: Frodo Kuipers, Elian van der Heiden, Peter Schop backgrounds: Frodo Kuipers compositing & special effects: Jeffrey Schreuders music: Alex Debicki sound: Jeroen Nadorp, Robin van der Heiden (Bob Kommer Studio’s) voices: Simon Zwiers, Luciënne van Eeden, Frodo Kuipers voice recording: Alex Debicki, Koen Donker, Simon Zwiers length in minutes: 5'30” filmformat: DCP, 4K ProRes, 2K ProRes, (2.39), 25 fps, color sound: 5.1, dolby digital release: november 2016 version: international, no dialogues genre: animation
    [Show full text]
  • Festival Runway, Limp Into the Air (Barely Missing the Trees) and Splutter up Into the Clouds
    1 DIRECTOR’S MESSAGE Malcolm Turner Greetings to fans, first-timers and the animatedly curious. DIRECTOR Despite the crazed improbability of it all, MIAF is still here doing its thing. It certainly suffers from the so-called ‘bumble bee’ syndrome. That is to say, on paper there’s no way Melbourne International you can prove it will fly. Somehow though, Air MIAF has found a way to bump down the Animation Festival runway, limp into the air (barely missing the trees) and splutter up into the clouds. Dunno how we do it, to be honest. It certainly wouldn’t happen without the support of ACMI, Screen Australia and each and every one of the sponsors. Nor would it happen without the core crew who give up a great deal of their time and varying slivers of their sanity to make this thing work. And it definitely wouldn’t happen without the filmmakers. It surprises alot of people (including me sometimes) just how many short animated films are being made. We get over 2,000 entries every year and the vast majority of them are made for the simple reason that somebody has felt compelled to create them – in much the same way that a painter feels compelled to paint a picture or a playwright feels compelled to create an imaginary universe, populated with a fictional tribe who have something on their mind they want to share. Animation, as a technological achievement, surrounds us and is woven into so many elements of our daily lives. It is a workhorse technology that is pressed into service by any number of plump jockeys who vie for our scarce and shattered attentions as we go through our day.
    [Show full text]
  • Report to the U.S. Congress for the Year Ending December 31, 2016
    Report to the U.S. Congress for the Year Ending December 31, 2016 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage August 15, 2017 Dr. Carla Hayden The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Hayden: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (P.L. 110-336), I submit to the U.S. Congress the 2016 Report of the National Film Preservation Foundation. Americans have been making films for more than 120 years, but it is only in the last 30 that we have rallied to save those images. In 1996, Congress created the NFPF to help archives, libraries, and museums to rescue this history and share it with the public. Thanks to federal funding secured through the Library of Congress, entertainment industry and foundation support, and the unwaver- ing dedication of preservationists, there is much good news to report. As of 2016, the NFPF programs have preserved more than 2,290 motion pictures—newsreels, actualities, cartoons, silent-era productions, avant-garde films, home movies, and other independent works that might otherwise have faded from public memory. Tremendous credit is due to the 284 public institutions that have participated in our programs to save culturally significant motion pic- tures. Once copied to film stock and safely archived, the works begin a new life through teaching, exhibition, broadcast, DVD, and most especially, the Internet. With international partners, the NFPF has helped archives in the United States bring home 240 early American films that had not been seen in decades.
    [Show full text]
  • Salutació SALUDO WELCOME
    Salutació SALUDO WELCOME Lleida tornarà a dibuixar-se a finals de febrer amb els colors del millor i més innovador cinema d’animació. Com cada any, des de ja en fa 24, torna l’Animac, consolidat com un referent nacional i internacional i que aplega a la ciutat el talent més rellevant d’una indústria potent i en permanent evolució que veu Lleida com el seu punt de trobada anual. Vull donar la benvinguda a la ciutat a tots els que ens visiten per participar, sigui com a convidats o com a públic, en aquest esdeveniment que organitza l’Ajuntament de Lleida i que és una de les puntes de llança del projecte de Lleida com a ciutat de festivals culturals que volem anar bastint. Enguany Animac vol ser una "càpsula del temps" que entén l’animació com un mitjà poderós per recuperar el passat, els records i la història, personal o compartida. Desitjo que aquest fil conductor de la memòria, tan necessari sempre, ens permeti gaudir d’una programació de primer nivell que ens inspiri, que ens faci somriure, reflexionar i somiar que altres mons són possibles. Aquest és un festival que vol ser un referent tant en l’àmbit cultural, amb la projecció de la millor animació mundial i activitats paral·leles de difusió i contacte amb els artistes, com en l’educatiu, amb la important tasca que es du a terme amb les sessions escolars, l’Animac Campus –enguany amb convidats molt especials– i els tallers Animacrea. A més, Animac esdevé cada any un punt de trobada del sector, un vessant professional cada cop més important que ofereix als animadors independents i als nous talents del món de l’audiovisual una porta d’accés a una indústria cultural en clar creixement i amb molt de futur.
    [Show full text]
  • Fundamentos Conceptuales Y Tendencias Gráficas En La Animación De Autor
    PONTIFICIA UNIVERSIDAD CATÓLICA DEL PERÚ FACULTAD DE ARTE FUNDAMENTOS CONCEPTUALES Y TENDENCIAS GRÁFICAS EN LA ANIMACIÓN DE AUTOR Tesis para optar el Título de Licenciado en Arte con mención en Diseño Gráfico que presenta el Bachiller: MICHAEL ARTURO RODRÍGUEZ TINCOPA Asesora: MIHAELA RADULESCU DE BARRIO DE MENDOZA Lima, 2015 Dedicada a mi madre por su amor, constancia y paciencia 2 AGRADECIMIENTOS Quisiera expresar mi agradecimiento a la profesora Mihaela Radulescu por su asesoría y confianza en el desarrollo de esta investigación. Asimismo, un agradecimiento especial a los artistas Michael Dudok de Wit (Inglaterra) y a Piotr Dumala (Polonia), así como al profesor Howard Lester de Rochester Institute of Technology – RIT (EE.UU.) por sus valiosos comentarios y sus significativas respuestas. Gracias también a mis compañeros, amigos y colegas diseñadores que me apoyaron de distintas maneras en la realización de esta investigación. Finalmente, quiero agradecer de todo corazón a mis padres y a mi hermana por su eterno apoyo y por acompañarme en el largo camino que ha significado la culminación de esta tesis. 3 ÍNDICE Introducción .................................................................................................. 6 Capítulo 1. La animación 1.1. ¿Qué se entiende por animación hoy? .................................. 10 1.2. La animación comercial y la animación independiente .......... 17 1.2.1. Surgimiento de la animación comercial y la animación independiente .............................................................. 19 1.2.2. Métodos y diferencias ................................................. 26 1.2.3. Tendencias de animación en el mundo ........................ 41 Capítulo 2. La animación de autor 2.1. ¿Qué es la animación de autor? ............................................. 49 2.2. La construcción del estilo personal ......................................... 54 2.2.1. Análisis de caso: Michael Dudok de Wit ..........................
    [Show full text]
  • Of SHOWS SHOW ANIMATION
    11 ALL NEW ANIMATED INTERNATIONAL SHORTS ACME FILMWORKS PRESENTS the 17TH ANNUAL ANIMATION of Buy DVDs and downloads of films from past SHOW SHOWS Animated Show of Shows www.animationshowofshows.com “ The animated short film is a great art form - always beautiful, innovative, and extremely entertaining. The Animation Show of Shows is the best place to see all the latest and greatest animated short films. You will never be disappointed. ” John Lasseter, Chief Creative Officer Pixar and Walt Disney Animation Studios * Special appearance by Curator, Producer Ron Diamond, check theaters for dates and times. * Hollywood, CA • Arclight Cinemas • Sept 24 - Oct 1 Silver Spring, MD • AFI Silver Theatre • Oct 23 - Oct 29 * Santa Ana, CA • The Frida Cinema • Oct 2 - Oct 8 * Seattle, WA • SIFF Egyptian Theatre • Oct 30 - Nov 5 GLOUSTER, MA, • The Cape Ann Cinema • Oct 2 - Oct 4 Larkspur, CA • The Lark Theater • Oct 30 - Nov 5 ALBANY, NY • Spectrum 8 Theatres • Oct 5 one night only * VANCOUVER, BC • Rio Theatre • Nov 1 one night only * San Francisco, CA • Vogue Theatre • Oct 9 - Oct 15 * PORTLAND, OR • CINEMA 21 Theatre • Nov 13 - Nov 19 * CHICAGO, IL • Gene Siskel Film Center • Oct 16 - Oct 22 * Eugene, OR • Bijou Art Cinemas • Nov 13 - Nov 19 © 2015 The Animation Show of Shows, Inc. PittsburgH, PA • Melwood Screening Room • Oct 16 - Oct 22 Denver, CO • Denver Film Society SIE FilmCenter • Nov 27 - Dec 3 The 17th Annual (2014 - 2015) Animation Show of Shows A whimsical story about living an impractical life based on a childhood promise. While playing on stilts as a child, Percival Pilts declares that he’ll ‘never again let his John Lewis and Janette Goodey’s feet touch the ground!’ Australia 2014 The Story of Percival Pilts Golden Gate Award, San Francisco Intl.
    [Show full text]