Alicia Hall Moran and Gordon Voidwell
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Community Services Report 2009-2010
Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals. -
Am Ir El S Affar
Two RiversTwo Ensemble AMIR E Visiting Artist Series presents L SAFFAR’S ARTIST PARTNER PROGRAM March 3, 2017 . 7&9PM KOGOD THEATRE at The Clarice VISITINGVAS ARTIST SERIES Visiting Artist Series presents AMIR ELSAFFAR’S Two Rivers Ensemble Amir ElSaffar,trumpet/santur Francois Moutin, bass Nasheet Waits, drums Ole Mathisen, tenor saxophone/soprano saxophone Tareq Abboushi, buzuq Zafer Tawil, percussion/oud This performance will last approximately 1 hour 10 minutes without intermission. The Two Rivers Ensemble is a sextet of jazz and Middle Eastern musicians that has made innovative strides in using the maqam modal system to transform the jazz idiom. Deeply rooted in musical forms of Iraq and the Middle East, the music still speaks the language of swing, improvisation, and group interaction, resulting in a sound that is distinct from other contemporary cross-cultural musical fusions. After more than a decade of extensive performing and touring and the release of three critically- acclaimed albums, the Two Rivers Ensemble has developed an instinctive ease PROGRAM NOTES with ElSaffar’s innovative music, playing with a creativity in a style that is rooted in tradition, while venturing into an entirely novel aesthetic. Tonight’s program consists of Amir ElSaffar’s composition entitled Crisis was commissioned by Newport Jazz Festival in 2013 and called by Downbeat Magazine, “certainly the first Middle Eastern-imbued jazz combo at Newport to win a standing ovation for its first song.” The music was composed after Amir ElSaffar spent a year living in Egypt, where he witnessed the Arab Spring protests first-hand, and Lebanon, where he worked with Syrian musicians who were living through that country’s harrowing civil war. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
An Integration of the Visual Media Via Fat Albert and the Cosby Kids Into the Elementary School Curriculum As a Teaching Aid and Vehicle to Achieve Increased Learning
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1976 An integration of the visual media via Fat Albert and the Cosby kids into the elementary school curriculum as a teaching aid and vehicle to achieve increased learning. Bill Cosby University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Cosby, Bill, "An integration of the visual media via Fat Albert and the Cosby kids into the elementary school curriculum as a teaching aid and vehicle to achieve increased learning." (1976). Doctoral Dissertations 1896 - February 2014. 3217. https://scholarworks.umass.edu/dissertations_1/3217 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. AN INTEGRATION OF THE VISUAL MEDIA VIA FAT ALBERT AND THE COSBY KIDS INTO THE ELEMENTARY SCHOOL CURRICULUM AS A TEACHING AID AND VEHICLE TO ACHIEVE INCREASED LEARNING A Dissertation Presented WILLIAM HENRY COSBY, JR. Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION September 1976 Education c William Henry Cosby Jr., 1976 All Rights Reserved AN INTEGRATION OF THE VISUAL MEDIA VIA FAT ALBERT AND THE COSB Y KIDS INTO THE ELEMENTARY SCHOOL CURRICULUM AS A TEACHING AID AND VEHICLE TO ACHIEVE INCREASED LEARNING A Dissertation Presented By WILLIAM HENRY COSBY, JR. Approved as to style and content by: ‘Norma Jean Anderson, Chairperson Reginald Damerell, Member Eugene Piedmont, Member Louis Fischer, Acting Dean School of Education ACKNOWLEDGEMENTS At the outset I wish to recognize the intellectual, moral, fraternal and practical support of my Dissertation Committee Dr. -
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – Piano Rolls
MUNI 20101013 Piano 02 – Scott Joplin, King of Ragtime – piano rolls An der schönen, blauen Donau – Walzer, op. 314 (Johann Strauss, Jr., 1825-1899) Wiener Philharmoniker, Carlos Kleiber. Musikverein Wien, 1. 1. 1989 1 intro A 1:38 2 A 32 D 0:40 3 B 16 A 0:15 4 B 16 0:15 5 C 16 D 0:15 6 C 16 0:15 7 D 16 Bb 0:17 8 C 16 D 0:15 9 E 16 G 0:15 10 E 16 0:15 11 F 16 0:14 12 F 16 0:13 13 modul. 4 ►F 0:05 14 G 16 0:20 15 G 16 0:18 16 H 16 0:14 17 H 16 0:15 18 10+1 ►A 0:10 19 I 16 0:17 20 I 16 0:16 21 J 16 0:13 22 J 16 0:13 23 16+2 ►D 0:16 24 C 16 0:15 25 16 ►F 0:15 26 G 14 0:17 27 11 ►D 0:10 28 A 0:39 29 A1 16 0:16 30 A2 0:12 31 stretta 0:10 The Entertainer (Scott Joplin) (copyright John Stark & Son, Sedalia, 29. 12. 1902) piano roll Classics of Ragtime 0108 32 intro 4 C 0:06 33 A 16 0:23 34 A 16 0:23 35 B 16 0:23 36 B 16 0:23 37 A 16 0:23 38 C 16 F 0:22 39 C 16 0:22 40 modul. 4 ►C 0:05 41 D 16 0:22 42 D 16 0:23 43 The Crush Collision March (Scott Joplin, 1867/68-1917) 4:09 (J. -
Juilliard Jazz Orchestra Wynton Marsalis , Conductor
Tuesday Evening, April 3, 2018, at 7:30 The Juilliard School presents Juilliard Jazz Orchestra Wynton Marsalis , Conductor A Tribute to Blue Note Records JACKIE MCLEAN , arr. Wynton Marsalis Appointment in Ghana MCCOY TYNER , arr. Chris Crenshaw Search for Peace WOODY SHAW , arr. Victor Goines The Moontrane HORACE SILVER , arr. Carlos Henriquez Señor Blues Intermission JOE HENDERSON , arr. Ted Nash Inner Urge HORACE SILVER , arr. David Berger Peace WAYNE SHORTER , arr. Ted Nash Fee-Fi-Fo-Fum DEXTER GORDON , arr. Sherman Irby Ernie’s Tune WAYNER SHORTER , arr. Wynton Marsalis Free for All Performance time: approximately 1 hour and 30 minutes, including one intermission Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Meet the Artist more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, and Yale. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music for his Z E N I oratorio Blood on the Fields . In 2001 he T R A was appointed Messenger of Peace by M E O Kofi Annan, secretary-general of the J Wynton Marsalis United Nations, and in 2005 Mr. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Jason Moran.Indd
BOOK NOW MORE FROM THE RUSSIAN STANDARD VODKA HUB SESSIONS Anna Calvi and Heritage Orchestra Tuesday 18 – Thursday 20 August, 10.30pm eif.co.uk/calvi Magnetic Rose | Oneohtrix Point Never Saturday 22 August, 9.30pm eif.co.uk/oneohtrix Alexi Murdoch Thursday 27 August, 9.30pm eif.co.uk/murdoch JASON MORAN | ALL RISE – A JOYFUL ELEGY FOR FATS WALLER Thursday 13 August, 10.30pm | The Hub The performance lasts approximately Charity No SCO04694 | Front cover photo Clay Patrick McBride 2 hours with no interval EIF.CO.UK/MORAN JASON MORAN TARUS MATEEN BASS CHARLES HAYNES DRUMS LISA HARRIS VOCALS LERON THOMAS TRUMPET, VOCALS US pianist, composer, bandleader and educator Visual art has long played a hugely influential Fats Waller was a remarkable figure for his Moran immediately approached revered soul/ Jason Moran is one of the most influential role in Moran’s output, and he’s worked with time, as much a larger-than-life showman as jazz singer Meshell Ngedeocello to front his figures in jazz today, and as artistic director for renowned artists including Adrian Piper, Joan he was a musical innovator, dubbed the ‘black band for the project, expanding his Bandwagon jazz at the Kennedy Center, Washington DC, Jonas, Glenn Ligon, Stan Douglas and Adam Horowitz’ because of his keyboard virtuosity, and trio with trumpet, trombone, sax and additional and with teaching positions at Boston’s New Pendleton. His second album, Facing Left (2000), called a ‘bubbling bundle of joy’ by his closest drums, and hiring professional dancers to help England Conservatory of Music and New York’s was named after a painting by Egon Schiele (and collaborator, lyricist Andy Razaf. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.