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A Short Cultural History of Britain
S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain Ministry of Education and Science, Youth and Sports of Ukraine State Institution “Luhansk Taras Shevchenko National University” S. L. Yeliseyev T. O. Kupinska A Short Cultural History of Britain A manual for students of foreign languages departments of higher education institutions Luhansk SI “Luhansk Taras Shevchenko National University” 2012 УДК 908:81.2Англ (076) ББК 26:81.2Англ–9 Є51 Rewievers: Mihalskiy I. S. – Doctor of Historical Sciences, Professor, the chair of Political Studies of SI “Luhansk Taras Shevchenko National University” Krysalo O. V. - Candidate of Philological Sciences, Associate Professor of Translation Studies Department SI “Luhansk Taras Shevchenko National University” Demidov D. V. – Candidate of Pedagogical Sciences, senior lecturer of English Philology Department of SI “Luhansk Taras Shevchenko National University” Yeliseyev S. L. Є51 A Short Cultural History of Britain : a manual for students of foreign languages departments of higher education institutions / S. L. Yeliseyev, T. O. Kupinska ; State Institution “Luhansk Taras Shevchenko National University”. – Luhansk : Luhansk Taras Shevchenko National University Press, 2012. – 103 p. A Short Cultural History of Britain is a manual intended for students of foreign languages department, specialities “Language and Literature (English)”, “Philology. English and Oriental language and literature” and “Translation Studies”. Its aim is to give a general idea of artistic styles in European art from the Gothic style through the Romantic movement, and the detailed information on the history of theatre, music, visual arts and architecture of Great Britain. The content of the book conforms to the requirements of the syllabus of “Country Studies: the United Kingdom of Great Britain and Northern Ireland” for senior students. -
Aauk 393-David Chipperfield
20 21 SORTIR DU SOLILOQUE DAVID ARCHITECTURAL CHIPPERFIELD ABANDONING THE ARCHITECTURAL SOLILOQUY PAR / BY JONATHAN GLANCEY HEC PARIS Bâtiment d’accueil, entrance hall, Jouy-en-Josas, France, 2012. 22 23 « IL Y A DE LA PLACE POUR LA RADICALITÉ. » “THERE IS ROOM FOR RADICAL IDEAS.” Commissaire de la Biennale d’architecture de Venise en 2012, David Chipperfield, reconnu pour ses prestigieux projets culturels, ne renonce pas pour autant aux constructions « du quotidien ». Le Londonien confie sa lutte pour une culture architecturale basée sur des valeurs communes : érudition, responsabilité et réflexion. Curator of the 2012 Venice Architecture Biennale, David Chipperfield, known for his prestigious cultural projects, has nevertheless not turned his back on “ordinary” constructions. The London architect recounts for AA his battle for an architectural culture based on shared values: erudition, responsibility and reflection. L’ARCHITECTURE D’AUJOURD’HUI. Commençons L’ARCHITECTURE D’AUJOURDHUI. Let’s start with par Venise. Vous avez été le commissaire de la Biennale Venice. You were the curator of the 2012 Architecture BIENNALE d’architecture 2012. Quelle était l’idée phare de cette Biennale. What was the point of the show? What message DE VENISE édition et le message que vous vouliez faire passer ? were you trying to get across? VENICE BIENNALE 2012. DAVID CHIPPERFIELD. J’ai intitulé cette édition « Common DAVID CHIPPERFIELD. The title I chose for the show was Ground » [« socle commun », NDLR]. Il y a quelque temps de “Common Ground”. A while before, I’d been sitting in a late cela, j’étais en compagnie de Jacques Herzog dans un bar de night bar in Madrid with Jacques Herzog. -
Annual Review & Accounts 2011-2012
Life IN PARTNERSHIP NATIONAL stories WITH Life NATIONAL stories Review and Accounts Contact us Online catalogue access National Life Stories www.cadensa.bl.uk 2011/2012 The British Library 96 Euston Road Listen to the collection at the British Library London NW1 2DB Contact our Listening and Viewing Service: T +44 (0)20 7412 7404 T +44 (0)20 7412 7418 [email protected] [email protected] www.bl.uk/nls www.bl.uk/listening Listen online http://sounds.bl.uk National Life Stories Chairman’s When many people think about history, they think about oral history fieldwork. For twenty-five years it has initiated a Foreword books and documents, castles or stately homes. In fact series of innovative interviewing programmes funded almost history is all around us, in our own families and communities, entirely from sponsorship, charitable and individual donations in the living memories and experiences of older people. and voluntary effort. Everyone has a story to tell about their life which is unique to them. Whilst some people have been involved in Each collection comprises recorded in-depth interviews of momentous historical events, regardless of age or a high standard, plus content summaries and transcripts to importance we all have interesting life stories to share. assist users. Access is provided via the Sound and Moving Unfortunately, because memories die when people do, if Image Catalogue at www.cadensa.bl.uk and a growing we don’t record what people tell us, that history can be number of interviews are made available for remote web lost forever. use. Each individual life story interview is several hours long, covering family background, childhood, education, work, National Life Stories was established in 1987 and its mission leisure and later life. -
Royal Gold Medall
1912 - Basil Champneys 1977 - Sir Denys Lasdun Royal Gold Medall 1913 - Sir Reginald Blomfield 1978 - Jørn Utzon 1914 - Jean Louis Pascal 1979 - Charles and Ray Eames 1848 - Charles Robert Cockerell 1915 - Frank Darling, Canada 1980 - James Stirling 1849 - Luigi Canina 1916 - Sir Robert Rowand Anderson 1981 - Sir Philip Dowson 1850 - Sir Charles Barry 1917 - Henri Paul Nenot 1982 - Berthold Lubetkin 1851 - Thomas Leverton Donaldson 1918 - Ernest Newton 1983 - Sir Norman Foster 1852 - Leo von Klenze 1919 - Leonard Stokes 1984 - Charles Correa 1853 - Sir Robert Smirke 1920 - Charles Louis Girault 1985 - Sir Richard Rogers 1854 - Philip Hardwick 1921 - Sir Edwin Landseer Lutyens 1986 - Arata Isozaki 1855 - Jacques Ignace Hittorff 1922 - Thomas Hastings 1987 - Ralph Erskine 1856 - Sir William Tite 1923 - Sir John James Burnet 1988 - Richard Meier 1857 - Owen Jones 1924 - No award 1989 - Renzo Piano 1858 - Friedrich August Stüler 1925 - Sir Giles Gilbert Scott 1990 - Aldo van Eyck 1859 - Sir George Gilbert Scott 1926 - Prof. Ragnar Ostberg 1991 - Colin Stansfield Smith 1860 - Sydney Smirke 1927 - Sir Herbert Baker 1992 - Peter Rice 1861 - JB Lesueur 1928 - Sir Guy Dawber 1993 - Giancarlo de Carlo 1862 - Rev Robert Willis 1929 - Victor Alexandre Frederic 1994 - Michael and Patricia Hopkins 1863 - Anthony Salvin Laloux 1995 - Colin Rowe 1864 - Eugene Viollet-le-Duc 1930 - Percy Scott Worthington 1996 - Harry Seidler 1865 - Sir James Pennethorne 1931 - Sir Edwin Cooper 1997 - Tadao Ando 1866 - Sir Matthew Digby Wyatt 1932 - Dr. Hendrik Petrus Berlage 1998 - Oscar Niemeyer 1867 - Charles Texier 1933 - Sir Charles Reed Peers 1999 - Barcelona 1868 - Sir Austen Henry Layard 1934 - Henry Vaughan Lanchester 2000 - Frank Gehry 1869 - Karl Richard Lepsius 1935 - Willem Marinus Dudok 2001 - Jean Nouvel 1870 - Benjamin Ferrey 1936 - Charles Henry Holden 2002 - Archigram 1871 - James Fergusson 1937 - Sir Raymond Unwin 2003 - Rafael Moneo 1872 - Baron von Schmidt 1938 - Prof. -
Mauro Marzo Lotus. the First Thirty Years of an Architectural Magazine
DOI: 10.1283/fam/issn2039-0491/n43-2018/142 Mauro Marzo Lotus. The first thirty years of an architectural magazine Abstract Imagined more as an annual dedicated to the best works of architectu- re, urban and industrial design, during the first seven issues, the maga- zine «Lotus» shifts the axis of its purpose from that of information and professional updating to one of a critical examination of the key issues intrinsic to the architectural project. This article identifies some themes, which pervaded the first thirty years of «Lotus» life, from 1964 to 1994, re- emerging, with variations, in many successive issues. If the monographic approach set a characteristic of the editorial line that endures over time, helping to strengthen the magazine’s identity, the change in the themes dealt with over the course of the decades is considered as a litmus test of the continuous evolution of the theoretical-design issues at the core of the architectural debate. Keywords Lotus International — Architectural annual — Little Magazine — Pier- luigi Nicolin — Bruno Alfieri The year 1963 was a memorable one for the British racing driver Jim Clark. At the helm of his Lotus 25 custom-made for him by Colin Chapman, he had won seven of the ten races scheduled for that year. The fastest lap at the Italian Grand Prix held at Monza on 8 September 1963 had allowed him and his team to win the drivers’ title and the Constructors’ Cup,1 with three races to go before the end of the championship. That same day, Chap- man did “the lap of honour astride the hood of his Lotus 25”.2 This car, and its success story, inspired the name chosen for what was initially imagined more as an annual dedicated to the best works of archi- tecture, urban and industrial design, rather than a traditional magazine. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King's Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ ‘The Weight of a Rhetoric of Buildings’ Literary Uses of Architectural Space, 1909-1975 Vickery, Simon James Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 06. Oct. 2021 1 ‘The Weight of a Rhetoric of Buildings’: Literary Uses of Architectural Space, 1909- 1975 Simon Vickery Thesis for the degree of PhD in English King’s College London, 2015 2 Abstract This thesis examines the often uneasy dialogue between literature and architecture in twentieth-century Britain through reading literary representations of architectural space, with a particular focus on London. -
Conservation Management Plan for the National Theatre Haworth Tompkins
Conservation Management Plan For The National Theatre Final Draft December 2008 Haworth Tompkins Conservation Management Plan for the National Theatre Final Draft - December 2008 Haworth Tompkins Ltd 19-20 Great Sutton Street London EC1V 0DR Front Cover: Haworth Tompkins Ltd 2008 Theatre Square entrance, winter - HTL 2008 Foreword When, in December 2007, Time Out magazine celebrated the National Theatre as one of the seven wonders of London, a significant moment in the rising popularity of the building had occurred. Over the decades since its opening in 1976, Denys Lasdun’s building, listed Grade II* in 1994. has come to be seen as a London landmark, and a favourite of theatre-goers. The building has served the NT company well. The innovations of its founders and architect – the ampleness of the foyers, the idea that theatre doesn’t start or finish with the rise and fall of the curtain – have been triumphantly borne out. With its Southbank neighbours to the west of Waterloo Bridge, the NT was an early inhabitant of an area that, thirty years later, has become one of the world’s major cultural quarters. The river walk from the Eye to the Design Museum now teems with life - and, as they pass the National, we do our best to encourage them in. The Travelex £10 seasons and now Sunday opening bear out the theatre’s 1976 slogan, “The New National Theatre is Yours”. Greatly helped by the Arts Council, the NT has looked after the building, with a major refurbishment in the nineties, and a yearly spend of some £2million on fabric, infrastructure and equipment. -
Spring 2005 Talk About Her Painting, Pacif Commis- Ic Rem Sioned by the Pacific Art League
Calendar of Events April 29 and 30 ,Gamble Garden Spring tour. Wednesday, May 11, 6:30 pm. Breaking the Mold: British May 2005 Preservation Month: Restore America: Modernism and the National Trust lecture. See page 6. Communities at a Crossroad.. May 12-15 California Preservation Foundation Sunday, May 1, 2 pm. Sumi-e artist Drue Kataoka will Conference, Riverside, CA. See page 7 for details. PAST News talk about her painting, Pacific Reminiscences, commis- Saturday, May 21, 10 am. Presentation of centennial Vol. 18, No. 4 P.O. Box 308 • Palo Alto, California 94302 • (650) 299-8878 Spring 2005 sioned by the Pacific Art League. Palo Alto Historical plaques and PAST preservation awards followed by a Association, Lucie Stern Community Center, 1305 short tour. In the garden at 1056 Forest Avenue. Middlefield Road. Now through May 29, at the Museum of American Heritage: Sunday, May 1, 1-4 pm. Stanford Historical Society Mechanically Advantaged: Gears, Levers & Pulleys. Spring Home and Garden Tour. See page 4 and insert For information, call (650) 321-1004 or check their Website for details. at www.moah.org. Located at 351 Homer Avenue. Open Friday-Sunday, 11 a.m. to 4 p.m. Free admission. Saturday, May 7, 10 am-4 pm. Los Altos Hills Lifestyles Ongoing—Walking Tours of Downtown, Professorville, Along Historic Moody Road. Home & Garden tour to ben- May is Preservation Month! College Terrace, or Homer Avenue. $20 per docent efit the Los Altos History Museum. Call (650) 948-0427 for group of up to 10 people. To arrange a tour, call (650) 328- more information. -
Domestic 4: the Modern House and Housing
Domestic 4: Modern Houses and Housing Listing Selection Guide Summary Historic England’s twenty listing selection guides help to define which historic buildings are likely to meet the relevant tests for national designation and be included on the National Heritage List for England. Listing has been in place since 1947 and operates under the Planning (Listed Buildings and Conservation Areas) Act 1990. If a building is felt to meet the necessary standards, it is added to the List. This decision is taken by the Government’s Department for Digital, Culture, Media and Sport (DCMS). These selection guides were originally produced by English Heritage in 2011: slightly revised versions are now being published by its successor body, Historic England. The DCMS‘ Principles of Selection for Listing Buildings set out the over-arching criteria of special architectural or historic interest required for listing and the guides provide more detail of relevant considerations for determining such interest for particular building types. See https://www.gov.uk/government/publications/principles-of- selection-for-listing-buildings. Each guide falls into two halves. The first defines the types of structures included in it, before going on to give a brisk overview of their characteristics and how these developed through time, with notice of the main architects and representative examples of buildings. The second half of the guide sets out the particular tests in terms of its architectural or historic interest a building has to meet if it is to be listed. A select bibliography gives suggestions for further reading. This guide, one of four on different types of Domestic Buildings, covers modern houses and housing. -
1 Materiality, Monumentality and Modernism: Continuing Challenges
Materiality, monumentality and modernism: continuing challenges in conserving twentieth-century places Susan Macdonald Getty Conservation Institute, Los Angeles, USA INTRODUCTION It is now more than 25 years since the Sydney Opera House was first nominated to the World Heritage List in 1980, a mere 7 years after it first opened. This action was indicative of an emerging interest, at an international level, in the recognition of 20th century places as culturally valuable. Over the next decade, the first 20th-century places were inscribed on the World Heritage List starting with Auschwitz Birkenau German Nazi Concentration and Extermination Camp, Poland (1940-1945), inscribed in 1979 and the city of Brasilia (1956), the youngest place ever to be inscribed in 1987. The late 1980s and early 1990s saw a surge of interest and international activity in the conservation of recent heritage, the formation of influential international organizations such as DOCOMOMO, engagement by existing conservation organizations such as ICOMOS, and the Association for Preservation Technology (APT) and the emergence of many interest groups focused on specific issues or periods such as Art Deco and the 1930s.i A number of inter-war and post-war houses were bequeathed to, or acquired by organizations like the National Trust and opened as house museums, including architect Harry Seidler’s 1950 Rose Seidler House in Sydney and Ernö Goldfinger’s house, Willow Road in London. This wave of interest prompted governments in some countries to consider the identification and protection of 20th-century heritage, initially from the early-modern era and almost exclusively for their architectural significance. -
Spring/Summer 2019 Hello
Spring/Summer 2019 Hello Welcome to the 2019 catalogue for Artifice Press. We are delighted to offer a fascinating selection of new titles produced in close collaboration with some of the biggest and most emerging names of the architecture and design world. It has been an eventful yet rewarding year for Artifice – in February 2018, we came under the ownership of the SJH Group, a world-leading creative media group. This partnership has put us in an even stronger position, bringing more scope and enabling us to publish a wider selection of beautiful books to a consistently high standard. We are extremely proud of the titles we present on the following pages of this catalogue, which explore a variety of subject matters such as architecture as a discipline and its relation to the evolution of mankind, alternative ways of developing new cities, and how design can impact people’s lives. We have also worked closely with an international selection of revered architecture practices and institutions to produce beautifully illustrated monographs, which not only characterise their work and the various disciplines adopted, but also document the effect this is having on communities around the world. We are excited about the future for Artifice Press, what this offers for us, and also for our publishing partners. Read on and enjoy. NEW AND UPCOMING TITLES Image from The Evolution of a Building Complex: Louis I. Kahn’s Salk Institute for Biological Studies THINKING OUTSIDE THE BOX TELEVISION CENTRE REIMAGINED ARCHITECTS: AHMM During Britain’s post-war period, Television Centre was conceived and built as the new headquarters for the BBC.