The Sound Repertoire Ain't Misbehavin' [ FATS WALLER

Total Page:16

File Type:pdf, Size:1020Kb

The Sound Repertoire Ain't Misbehavin' [ FATS WALLER 1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment The Sound Repertoire Ain’t Misbehavin’ It Had To Be You [ FATS WALLER ] [FRANK SINATRA,HARRY CONNICK,Jr ] Alright, Okay, You Win I’ve Got You Under My Skin [ VARIOUS ] [ FRANK SINATRA ] Autumn Leaves I Was Made For Loving You [ VARIOUS ] [ KISS ] Beyond The Sea Jumping With Symphony Sid [ BOBBY DARIN, ROBBIE WILLIAMS ] [ LESTER YOUNG, JOE JACKSON ] Bye Bye, Blackbird Lady Is A Tramp [ VARIOUS ] [ FRANK SINATRA ] Cheek To Cheek Let’s Fall In Love [ FRED ASTAIRE ] [ FRANK SINATRA ] Come Fly With Me Let’s Get Lost [ FRANK SINATRA ] [ CHET BAKER ] Don’t Get Around Much Anymore Mack The Knife [ FRANK SINATRA ] [ BOBBY DARIN ] Early In The Morning Moon River [ LOUIS JORDAN, HARRY NILSSON ] [ ANDY WILLIAMS ] Fever Mr PC [ PEGGY LEE ] [ JOHN COLTRANE ] Fly Me To The Moon Muddy Water [ FRANK SINATRA ] [ VARIOUS ] A Ghost Of A Chance My Baby Just Cares For Me [ FRANK SINATRA ] [ NINA SIMONE ] Gee Baby, Ain’t I Good To You My One And Only Love [ VARIOUS ] [ CHET BAKER ] Georgia On My Mind Night And Day [ RAY CHARLES ] [ FRANK SINATRA ] God Bless The Child One Note Samba [ BILLIE HOLIDAY ] [ VARIOUS ] How Long Has This Been Going On? On the Sunny Side Of The Street [ CHET BAKER ] [ VARIOUS ] I Love The Life I Live Ornithology [ GEORGIE FAME, ROYAL CROWN [ CHARLIE PARKER ] REVUE ] (Our) Love Is Here To Stay I’m Your Man [ FRANK SINATRA ] [ LEONARD COHEN ] Moody’s Mood For Love (I Say) Yeh Yeh [ GEORGIE FAME, AMY WINEHOUSE ] [ GEORGIE FAME ] Moondance I Thought About You [ VAN MORRISON ] [ FRANK SINATRA ] My Funny Valentine I Got Rhythm [ FRANK SINATRA, CHET BAKER ] [ VARIOUS ] Perhaps, Perhaps, Perhaps [ DORIS DAY ] Phone: 1300 738 735 Address: Level 9, 440 Collins Street, Melbourne, Victoria, 3000, Australia 1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment The Sound Repertoire Witchcraft Quando, Quando, Quando [ FRANK SINATRA ] [ VARIOUS ] Work Song Satin Doll [ NAT ADDERLEY ] [ FRANK SINATRA ] You’d Be So Nice To Come Home To Skylark [ MEL TORMÉ ] [ VARIOUS ] You’re Just Too Good To Be True Strollin’ [ CHRIS MONTEZ ] [ PRINCE ] Baby You Can Drive My Car St Thomas [ THE BEATLES ] [ SONNY ROLLINS, MARK MURPHY ] Bring It On Home To Me Summertime [ SAM COOKE ] [ VARIOUS ] Brown-Eyed Girl Sunny Afternoon [ VAN MORRISON ] [ THE KINKS ] Common People ‘Swonderful [ PULP ] [ VARIOUS ] Crazy Little Thing Called Love Tempation [ QUEEN, MICHAEL [ TOM WAITS, DIANNA KRALL ] BUBLE ] That Old Feeling Cigarettes Will Kill You [ CHET BAKER ] [ BEN LEE ] There Will Never Be Another You Dancing In The Street [ CHET BAKER ] [ MARTHA & THE VANDELLAS, MICK (Funny How) Time Slips Away JAGGER & DAVID BOWIE ] [ WILLIE NELSON, BRYAN FERRY, A Girl Like You VINCE JONES ] [ EDWYN COLLINS ] That Old Feeling Gin-Soaked Boy [ CHET BAKER ] [ TOM WAITS ] Too Close For Comfort Goin’ Out West [ MEL TORMÉ ] [ TOM WAITS ] The Way You Look Tonight Great Balls Of Fire [ FRED ASTAIRE ] [ JERRY LEE LEWIS ] They Can’t Take That Away From Me Hallelujah, I Love [ FRED ASTAIRE, ROD STEWART ] Her So This Guy’s In Love With You [ RAY CHARLES ] [ HERB ALPERT ] Have I Told you Lately (That I Love You) Watermelon Man [ VAN MORRISON, ROD STEWART ] [ HERBIE HANCOCK ] The Heart of Saturday Night What A Difference a Day Made [ TOM WAITS ] [ DINAH WASHINGTON ] High and Dry What A Wonderful World [ RADIOHEAD ] [ LOUIS ARMSTRONG ] Higher Ground What Is This Thing Called Love? [ STEVIE WONDER, RED HOT CHILI [ VARIOUS ] PEPPERS ] Where Or When How Sweet It Is (To Be Loved By You) [ FRANK SINATRA ] [ JAMES TAYLOR, MICHAEL BUBLE ] Phone: 1300 738 735 Address: Level 9, 440 Collins Street, Melbourne, Victoria, 3000, Australia 1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment The Sound Repertoire Hump De Bump Love is In the Air [ RED HOT CHILI [ JOHN PAUL YOUNG ] PEPPERS ] Lust For Life If I Only Had A Brain [ IGGY POP ] [ MC 900ft JESUS ] A Message to You, Rudy I Got You (I Feel Good) [ THE SPECIALS ] [ JAMES BROWN ] Miss You I Heard It Through The Grapevine [ THE ROLLING STONES ] [ MARVIN GAYE ] Moondance I Knew the Bride (When She Used to Rock & [ VAN MORRISON ] Roll) The New Pollution [ DAVE EDMONDS ] [ BECK ] Iko Iko Oliver’s Army [ DR JOHN ] [ ELVIS COSTELLO ] I’ll Be Your Baby Tonight The Outdoor Type [ BOB DYLAN, ROBERT PALMER ] [ LEMONHEADS ] In The Midnight Hour Psycho Killer [ WILSON PICKETT, ROXY MUSIC ] [ TALKING HEADS ] Into Your Arms Red Red Wine [ LEMONHEADS ] [ NEIL DIAMOND, UB40 ] (I Say) Yeh Yeh Rain Dogs [ GEORGIE FAME ] [ TOM WAITS ] It’s All Over Now Route 66 [ BOBBY WOMACK, RY COODER, THE [ THE ROLLING STONES ] ROLLING STONES ] The Ship Song I Will Survive [ NICK CAVE ] [ GLORIA GAYNOR, CAKE ] Such Great Heights Jackie Wilson Said (I’m in Heaven When [ THE POSTAL SERVICE, BEN FOLDS, You Smile) IRON & WINE ] [ VAN MORRISON, DEXY’S MIDNIGHT Surfin’ USA RUNNERS ] [ THE BEACH BOYS ] The Jean Genie Swordfishtrombone [ DAVID BOWIE ] [ TOM WAITS ] Jockey Full Of Bourbon Take Me To The River [ TOM WAITS ] [ AL GREEN, TALKING HEADS, BRYAN Kansas City FERRY ] [ VARIOUS ] Tequila Kiss [ ? ] [ PRINCE, TOM JONES ] That’s Alright, Mama Leaps And Bounds [ ELVIS PRESLEY ] [ PAUL KELLY ] These Boots Are Made for Walking Let’s Stay Together [ NANCY SINATRA, BOYS NEXT DOOR ] [ AL GREEN ] The Tide is High The Love Cats [ BLONDIE, ATOMIC KITTEN ] [ THE CURE ] Phone: 1300 738 735 Address: Level 9, 440 Collins Street, Melbourne, Victoria, 3000, Australia 1300 738 735 phone [email protected] email www.blueplanetentertainment.net.au web www.facebook.com/BluePlanetEntertainment The Sound Repertoire You Never Can Tell [ CHUCK BERRY ] Under The Boardwalk [ THE DRIFTERS, THE ROLLING STONES ] Viva Las Vegas [ ELVIS PRESLEY ] Walkin’ The Dog [ RUFUS THOMAS, THE ROLLING STONES ] Walkin’ On The Sun [ SMASHMOUTH ] Walk On The Wild Side [ DAVID BOWIE ] Waterloo Sunset [ THE KINKS ] What’s New Pussycat? [ TOM JONES ] Wonderful World [ SAM COOKE ] Phone: 1300 738 735 Address: Level 9, 440 Collins Street, Melbourne, Victoria, 3000, Australia .
Recommended publications
  • Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
    II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning.
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]
  • Cristina Branco Rain Dogs Revisited
    Musique NUIT DU FADO Musique Odéon Grand Théâtre Samedi 9 juillet , 21h Dimanche 10 juillet , 21h TARIF: 27 ¤ Cristina Branco TARIF: 30 ¤ Rain Dogs revisited Antonio Zambujo d’après l’album culte de tom Waits avec Arthur h, the tiger Lillies, Camille o’sullivan, Cristina Branco et Antonio Zambujo, deux éminents représentants de la jeune génération du stef kamil Carlens, st. vincent, Erika stucky fado, interprèteront leur répertoire à l’Odéon. Les volutes vocales de Cristina Branco survolent depuis une quinzaine d’années le fado Création 2011 Rain Dogs, sorti en 1985, est un objet de fascination pour les admirateurs de Tom Waits. contemporain. Elle ne s’imaginait pas chanteuse, encore moins fadiste ; c’est peut-être Évocation très personnelle des bas-fonds new-yorkais, les dix-neuf morceaux de l’album pour cela qu’elle a su rester libre vis-à-vis d’un héritage musical qu’elle a pourtant servi à Avec impressionnent par leur variété, empruntant au cabaret, à la polka, au jazz, au rock et même Arthur H populariser auprès d’une nouvelle génération d’auditeurs. Mettant en musique les poètes à la lecture poétique. Son originalité tient aussi à la multitude d’instruments utilisés : pianos portugais, s’inspirant des grandes voix du jazz féminin, privilégiant la joie à la mélancolie, The Tiger Lillies Camille O’Sullivan et orgues, saxophones, trompettes et trombones, batterie, marimba et congas et, bien sûr, elle a apporté au fado une fraîcheur qui lui a valu une reconnaissance internationale. Stef Kamil Carlens guitares et accordéons. Rain Dogs revisited propose une relecture intégrale mais libre de Antonio Zambujo, lui, s’intéresse très jeune au fado et notamment à la figure historique St.Vincent l’album.
    [Show full text]
  • Joe Bonamassa Jockey Full of Bourbon Mp3 Download
    Joe bonamassa jockey full of bourbon mp3 download LINK TO DOWNLOAD 17/03/ · Edna million in a drop-dead suit Dutch pink on a downtown train Two-dollar pistol but the gun won't shoot I'm in the corner on the pouring. Bajar musica de Joe Bonamassa Jockey Full Of Bourbon. DOWNLOAD MP3 Joe Bonamassa Jockey Full Of Bourbon FREE Descargar musica de Joe Bonamassa Jockey Full Of Bourbon es muy fácil y rápido, con este magnífico sitio web que facilitará tu vida, gracias a su motor integrado de descargas simultáneas, podras bajar todas las canciones de Maluma, escuchar musica Joe Bonamassa Jockey Full . More popular Joe Bonamassa mp3 songs include: Sloe Gin Lyrics, Dust Bowl Lyrics, Driving Towards The Daylight Lyrics, Slow Train Lyrics, Woke Up Dreaming Lyrics, Jelly Roll Lyrics, Athens to Athens Lyrics, Albion (Intro) Lyrics, If Heartaches Were Nickels Lyrics, Dislocated Boy, So Many Roads Lyrics, Around the Bend Lyrics, Asking Around For You, Mountain Time Lyrics, JOCKEY FULL OF BOURBON. Read about Jockey Full of Bourbon by Joe Bonamassa and see the artwork, lyrics and similar artists. Free guitar backing track for Jockey Full Of Bourbon by Joe Bonamassa in MP3 format. Download it for free. Check out Jockey Full of Bourbon by Joe Bonamassa on Amazon Music. Stream ad-free or purchase CD's and MP3s now on renuzap.podarokideal.ru Best Sellers Gift Ideas New Releases Whole Foods Today's Deals AmazonBasics Coupons Gift Cards Customer Service Free Shipping Shopper Toolkit Registry Sell. Amazon Music Unlimited HD Prime Music CDs & Vinyl Download Store Open Web Player MP3 cart Settings.
    [Show full text]
  • Introduzione Nuova Per L'inserto Sul Manifesto
    ARTICOLI DEL BULLA SU TOM WAITS Introduzione nuova per l’inserto sul Manifesto (recensione di Mule Variations e presentazione di Tom Waits) A sei anni di distanza dall’ultimo disco, torna in questi giorni Tom Waits con una raccolta di brani originali, Mule Variations, pubblicata dalla Epitaph, piccola etichetta indipendente californiana specializzata soprattutto in gruppi punk-rock. Nel periodo intercorso fra il precedente The Black Rider e l’attuale lavoro discografico, Waits – da vero mulo, come insinua autobiograficamente il titolo dell’album – non si è concesso pause, però ha convogliato la sua multiforme attività in svariate direzioni. Ha recitato in diversi film importanti (Short Cuts di Altman, per citare solo il più noto), ha firmato interamente o in parte molte colonne sonore (due suoi brani figurano nella soundtrack di Dead Man Walking, altrettanti in quella di The End of Violence di Wim Wenders; sua è la colonna sonora del cartone animato Bunny che, per l’incontenibile gioia del suo vecchio amico Roberto Benigni, ha recentemente ottenuto un Oscar). Tom Waits, nato a Pomona, California, il 7 dicembre del 1949 (ottavo anniversario, come gli piace ripetere, del bombardamento di Pearl Harbour), è uno straordinario mutante. Pur godendo di un’altissima stima presso i suoi colleghi, non è mai divenuto un fenomeno di massa. Colto e provocatore, ha sempre compiuto scelte selettive ed eccentriche. Partito da un country-blues di buona fattura, Waits s’è poi fatto assertore, nell’America reaganiana che la nostra mitologia provinciale voleva ‘edonistica’, di una visione particolarmente contorta e oscura del blues e di una sorta di estetica della sgradevolezza.
    [Show full text]
  • S Bill Bartholomew,Album of the Week
    Interview with High On Fire’s Matt Pike Photo Credit: Travis Shinn Tonight at The Met in Pawtucket, local metalheads Churchburn and New Orleans instrumental hellions Mountain Of Wizard will be opening up one hell of a show with Oakland, Calif., sludgeheads High On Fire. Before this evening’s festivities I got to have a chat with frontman Matt Pike about the reuniting of his old band Sleep; the rebirth of sludge, stoner and thrash metal bands; the genre’s credibility; performing without a shirt on and many other things. Rob Duguay: Along with being part of High On Fire, you’re the guitarist of the influential metal band Sleep. Eleven years after Sleep broke up in ’98, the band got back together and Sleep resumed performing live. Does managing your time ever get difficult when playing in both bands? Matt Pike: Oh Jesus, yeah. It’s now getting easier to deal with, but at first it was a nightmare. Playing in Sleep is only part time where being in High On Fire is a full-time thing, but it does get a little difficult when it comes to managing my time. I’ve had trouble with being at home because I’m never home. But that’s part of the business. RD: I can imagine that when Sleep got back together it must have taken you a little while to fall into a type of routine without destroying yourself. MP: It can get pretty hectic and it does take a lot out of me. RD: Lately in metal there’s been a huge boom in sludge, stoner and thrash metal bands.
    [Show full text]
  • 50-02 Tom Waits Musik
    Swend’s Bluesband celebrating Musik Swend’s Bluesband celebrating Discography Closing Time (Marts, 1973) 1. Ol' '55 2. I Hope That I Don't Fall In Love With You 3. Virginia Avenue 4. Old Shoes (& Picture Postcards) 5. Midnight Lullaby 6. Martha 7. Rosie 8. Lonely 9. Ice Cream Man 10. Little Trip To Heaven (On the Wings Of Your Love) 11. Grapefruit Moon 12. Closing Time (instrumental) The Heart Of Saturday Night (Oktober, 1974) 1. New Coat Of Paint 2. San Diego Serenade 3. Semi Suite 4. Shiver Me Timbers 5. Diamonds On My Windshield 6. (Looking For) The Heart Of Saturday Night 7. Fumblin' With The Blues 8. Please Call Me Baby 9. Depot Depot 10. Drunk On The Moon 11. The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House) Nighthawks At The Diner (October, 1975) 1. Opening Intro 2. Emotional Weather Report 3. Intro 4. On A Foggy Night 5. Intro 6. Eggs And Sausage (In A Cadillac With Susan Michelson) 7. Intro 8. Better Off Without A Wife 9. Nighthawk Postcards (From Easy Street) 10. Intro 11. Warm Beer And Cold Women 12. Intro 13. Putnam County 14. Spare Parts 1 (A Nocturnal Emission) 15. Nobody 16. Intro 17. Big Joe And Phantom 309 18. Spare Parts 2 And Closing (spoken word) Swend’s Bluesband celebrating Discography Small Change (September, 1976) 1. Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen) 2. Step Right Up 3. Jitterbug Boy 4. I Wish I Was In New Orleans 5. The Piano Has Been Drinking Not Me 6.
    [Show full text]
  • Rain Dogsrevisited
    d’après l’album culte de tom Waits avec Arthur h, the tiger lillies, Camille o’Sullivan, Stef Kamil Carlens, St. Vincent, erika Stucky Photographie originale © Anders Petersen, pochette Rain Dogs, 1985 Dogs, Rain pochette Petersen, Anders © originale Photographie RAiN DoGS ReViSiteD www.nuitsdefourviere.com Musique, Création 2011 GRAND THÉÂTRE 10 juillet, 21h Rain Dogs revisited d’après l’album culte de Tom Waits avec Arthur H The Tiger Lillies Martyn Jacques, voix, accordon, piano, guitare Adrian Stout, contrebasse Adrian Huge, batterie Stef Kamil Carlens Camille O’Sullivan St. Vincent Erika Stucky David Coulter, scie musicale, percussions, banjo Dave Okumu, guitare Terry Edwards, saxophones, trompette Steve Nieve, piano, hammond b3, harmonium, mélodica Thomas Bloch, ondes Martenot, cristal Baschet, glassharmonica Tom Herbert, contrebasse Seb Rochford, batterie, percussions David Coulter, direction musicale Franck Rivoire, son Aurélien Carret, son retours Fabrice Oudin, lumières Thierry Cabecas, régie générale Franck Toulza, régie Avec le concours de l’ensemble des équipes techniques des Nuits de Fourvière Production Les Nuits de Fourvière / Département du Rhône. Avec Salle Pleyel, Barbican Centre, Montreux Jazz Festival. TOURNÉE 11 juillet 2011 : Montreux Jazz Festival, Montreux 13 juillet 2011 : Barbican Centre, Londres 20 novembre 2011 : Muziegebouw Frits Philips, Eindhoven 22 novembre 2011 : Salle Pleyel, Paris Remerciements à Tom Waits & Kathleen Brennan Conservatoire à rayonnement régional de Lyon, Chris Long, Epitath Europe, Jalma Music Bryn Ormrod, Michaela Maiterth, Vincent Anglade, Frank Veenstra Richard Gamba, Tim Whitehead, Laurence Bourgeois, Morag Neil, James Alderman & Lever and Beam, Ralph Gluch. © Anders Petersen Anders © RépeRtoiRe RAiN DoGS ReViSITED Les compositions de Rain Dogs sont indiquées ici dans l’ordre original de Rain Dogs, sorti en 1985, est un objet de fascination pour les admirateurs de Tom l’album (1985).
    [Show full text]
  • Linjer I Tom Waits' Sanglyrikk
    What’s he building in there? Linjer i Tom Waits’ sanglyrikk © Anton Corbijn Av Anlaug Færevåg Masteroppgave i allmenn litteraturvitenskap Institutt for litteratur, områdestudier og europeiske språk Det humanistiske fakultet Veiledet av Hans H. Skei UNIVERSITETET I OSLO November 2010 II Sammendrag Denne avhandlingen undersøker det sanglyriske forfatterskapet til den amerikanske artisten Tom Waits, med det mål å finne særtrekk ved, og skaffe kunnskap om, Waits’ skrivemåte og lyrikk. Samfunnets skyggeliv har hele tiden vært et gjennomgående tema hos Waits. Min hypotese er at disse skildringene gjerne er sentimentale, nostalgiske og romantiserende tidlig i karrieren, men at det etter hvert utvikles et rikere og mørkere tekstunivers, preget av tapte illusjoner. For å få fram flere trekk ved tekstene er oppgavens hoveddel, lesningen, delt inn i tre innfallsvinkler. Ett kapittel undersøker et av motivene som går igjen gjennom hele karrieren: månen. Det undersøkes hvordan motivet brukes, om det har en statisk eller vekslende betydning, og om det kan det sies å binde sammen forfatterskapet. Ett kapittel ser på historien om og utviklingen til “Frank”, karakteren som opptrådte første gang i sangen “Frank's Wild Years” på albumet Swordfishtrombones, og som deretter ble til musikalen og albumet Franks Wild Years. Det siste lesningskapitlet tar for seg albumet Blood Money, som består av låter skrevet til Robert Wilsons oppsetning av Georg Büchners Woyzeck. Hvordan forholder sangtekstene seg til historien de er skrevet til, og hvordan leses de utenfor denne? Skiller skrivemåten seg ut på dette albumet, eller har den gjenkjennelige trekk? Det leses til sammen ni tekster i avhandlingen, tre for hver innfallsvinkel.
    [Show full text]
  • Full Repertoire 2019
    Full Repertoire 2019 Originals A Lover and His Lass Tom Leidenfrost Blow Thou Winter Winds Tom Leidenfrost Donato Tom Leidenfrost Lusty Horn Tom Leidenfrost The Fancy Tom Leidenfrost Under the Greenwood Tree Tom Leidenfrost Standards/Oldies: After You’ve Gone Turner Layton Bang Bang Nancy Sinatra Brother Can You Spare A Dime Bing Crosby Cabaret Louis Armstrong Edelweiss Sound of Music Everybody Loves Somebody Dean Martin Favorite Things Sound of Music Fly Me to the Moon Frank Sinatra Guilty Al Bowlly Hallelujah, I’m A Bum Again Al Bowlly Hello Dolly Louis Armstrong I Can’t Help Falling in Love with You Elvis Presley I Can’t Give You Anything But Love J. McHugh, D. Fields - 1928 I Put A Spell On You Screamin’ Jay Hawkins It Don’t Mean A Thing Duke Ellington Lady Be Good Gershwins 1924 Love is the Sweetest Thing Al Bowly Love Me Tender Elvis Presley Mack the Knife Kurt Weill New York, New York Frank Sinatra Night and Day Various - Ella, Frank Old Man River Paul Robeson Piano Man Billy Joel Smoke, Smoke, Smoke That Cigarette Tex Williams Somewhere Over the Rainbow Judy Garland Sunny Side of the Street Frank Sinatra Tennesse Waltz Patsy Cline The Girl from Impanema Frank Sinatra Those Were the Days Gene Rasking/Mary Hopkin What A Wonderful World Louis Armstrong When You Wish Upon A Star Pinocchio - Disney Where Is Your Heart (Moulin Rouge) Percy Faith Celtic/Irish/Maritime: All for Me Grog Traditional Black Velvet Band Traditional Botany Bay Traditional Cape Cod Girls Traditional Crayfish Song Traditional Coast of the High Barbary Traditional
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit “Protagonists and worldview in the work of Tom Waits“ Verfasser Emanuel Riedmann angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium der Anglistik Betreuerin: Ao. Univ.-Prof. Dr. Mag. Eva Zettelmann 2 Acknowledgements Special thanks to Alba, my family and friends (you know who you are). F and the gang. M and S for lending me their netbook when my own computer went down only a few weeks before deadline. The Alter Rhein Crew. El Equipo del CNB. Thanks to L, for introducing me to French existentialism while getting lost on a Spanish highway. I would also like to thank my supervisor, Ao. Univ.-Prof. Mag. Dr. Eva Zettelmann from the University of Vienna, and Dr. Jordi Coral from the Universitat Autònoma de Barcelona for their much appreciated help and support. Last but not least, many thanks to St. After reading one of my short stories about ten years ago, your comment, “This kind of reminds me of Tom Waits... Do you know that guy?” sent me off on quite a ride. 3 Table of contents Introduction ......................................................................................................................... 5 1.Outline of theoretical framework ..................................................................................... 8 2. Tom Waits ..................................................................................................................... 15 2.1. A short biography of
    [Show full text]
  • Tom Waits: Complete Lyrics
    Tom Waits: Complete Lyrics The Early Years I GOING DOWN SLOW Well it's a quarter a two and looking at you and going down, going down slow TV went off about one, we have only begun I know that the Wednesday may come but I have no intention of going home Well it's a quarter a three digging on me and going down, going down slow Could stay here all night, they claim you're outta sight please get up and turn out the light There ain't nothing better than the middle of the night And it's a quarter a four begging for more and going down, going down slow PONCHO'S LAMENT Well the stairs sound so lonely without you And I ain't made my bed in a week Coffee stains on the paper I'm writing And I'm too choked up inside to speak And yes, I know our differences pulled us apart Never spoke a word heart to heart And I'm glad that you're gone But I wish to the lord that you'd come home And I'm glad that you're gone Got the feeling so strong Well my guitar still plays your favorite song though the strings have been outta tune for some time Every time I strum a chord, I pray out to the lord That you'll quit your honkey-tonking sing my song So I'll throw another log onto the fire And I'll admit I'm a lousy liar As the coals die down and flicker I hear that guitar picker Play the song we used to sing so long ago I'M YOUR LATE NIGHT EVENING PROSTITUTE Well I got here at eight and I'll be here till two I'll try my best to entertain you Please don't mind me if I get a bit crude I'm your late night evening prostitute So drink your martinis and stare at the moon Don't
    [Show full text]