Route 3 Overhaul Tops DOT Priority List Senior Trip Scheduled Existing Ramps on the Rutherford Tion in FY '08
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PH - Songs on Streaming Server 1 TITLE NO ARTIST
TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V. -
T~I~In~~~Ar!~RCH I Du Pont Party ~T I NEW J Ll:~U'l\U
UNIVER ITY 0 L A'NA GET THE S E BLUE HEN CLA S LA "T~i~iN~~~Ar!~RCH IDu Pont Party ~t IN EW J_ll:~u'l\u T~~IGHT At~letic Council 19th IN woLF HALL EI . F Playhouse EnJoyed 1 G1ves Second Annual Large Audience Attended By University Body nnua tlon eatur Dinner In Common "The Night Cap," which might Special Train and Street Cars Trans· I terestiog Speech nd T lk on l;e on thi o ca. ion more prop- Various Ph s of Athletics Pro rl v termed "The Brown Der port Students and Faculty from bv," wa perpetrated on last Newark to Theatre Door vides Plea ant Evenin W dne day night in Wol Hall. This singular piece of melo Entire Univenity Attend (lrama ha only been producerl hv two ca. ts ince it comnosi Delaware be t fri nd, Mr. tion once on legitimate u picion Pi rre S. du P nt, g v to h and once in Newark. The two , tudent, and th faculty of the II ntlemen who compo ed thi Univer it\· the bigge t treat play may live down the econd that could p sibl:v b given. F oreiqn Studv Group Double T hat of Last Year U IVERSITY OF DELAWARE REVIEW 2 DuPONT PARTY AT PLAYHOUSE ENJOYED ( ontinued from Pag 1.) "JuJiet" expre, sed her anpr cia tion for the flower:;; and ~m olo SubRc•ri pi ion . 2 00 pt•r yeur. ------------------------------ fl"ized becau~e she had rhok "'d r•:ntPJ'C!I ut till' Nr•wark, Deluwur ·, Po. -
1019 View Industry Trends.Indd
view In B Ajithkumar’s Eeda (2018), Anand and Aishwarya play space in Malayalam cinema. “Feminist” has been turned a reimagined Romeo and Juliet. Their families are no Mon- into a bad word by the internet trolls of Kerala, bastardising tagues and Capulets, nor are they Sanjay Leela Bhansali’s it as “feminichi” to bestow it upon outspoken actors like Ram and Leela. Instead, Aishwarya comes from a family of Parvathy TK and Rima Kallingal. In Dileesh Pothan’s communists and Anand is from Thondimuthalum Driksakshi- a family of right-wing national- yum (2017), the town’s famous ists. The Shakespearean narra- right-wing rabble-rouser is sent tive is set against a backdrop of to the police station by his own political rivalry. Eeda minces no wife and mother, whom he dis- words and withholds no images. TRUTH misses as feminists. In this IIn Aishwarya’s home, there is a year’s smash-hit Kumbalangi framed portrait of Lenin. In a BE TOLD Nights, Bobby misbehaves with key scene, the right-wing politi- his girlfriend Baby in a theatre cal party’s chief alludes to the From taking on the right wing to and is taught a lesson on consent violent sacrifi ces that are re- outing everyday sexism, Malayalam while watching Arjun Reddy quired for their movement, near (2017). The choice of fi lm is no a picture of the current leader of cinema enters a new age of woke coincidence considering its tes- India. To the chief’s other side fi lmmaking, fi nds Aditya Shrikrishna tosterone-induced box-offi ce run are images of past RSS leaders. -
Appropriating Shakespearean Romance in Indian Cinema”, Shakespeare Association of America 2021
Romeo and Juliet, the Reinvention of the Romantic Love and the Blind Spots of the Kerala Model N. P. Ashley “Kerala Model”, a famed economic model, established around 1975, academically noted because of the likes of Amartya Sen and hugely popularised by the global media around the Covid-19 pandemic, has allowed this southernmost state of India a certain exceptionalism through debates in both the mass and social media since the 1970s. But away from this, Kerala could also be read as a hyper capitalist economy with feudal social values and a socialist political rhetoric, if the blind spots are explored. Among the Malayalam movies that started reflecting on these contradictions in the 21st century, two adaptations of Romeo and Juliet, stand out: Annayum Rasoolum (2013) and Eeda (2018). Both movies point to the impossibility of romantic love in a certain set of givens, pointing to the social vacuum that has come up due to the discourses becoming incapable of narrating the global techno- economic givens of the state, a condition translated as “Keralites are a lost people” in the suicide note of Subramanya Das. This paper attempts to look into how the Shakespearean trope, something of an archetype by now in the psyche of most Indians, negotiates social realities and how it points to the need of undoing the social order. The paper will also try to compare and contrast other Shakespeare adaptations in Malayalam and see how the spatio- temporal locations of these two movies are necessitated by their insistence on political critique. SAA 2021 Pompa Banerjee University of Colorado at Denver “Pale Hecate’s offerings”: Love as witchcraft in Macbeth and Maqbool Vishal Bhardwaj’s Maqbool (2003), an Indian film adaptation of Macbeth, grafts familiar attributes of contemporary Indian cinema to Shakespeare’s play to highlight the destructive coupling of witchcraft and love. -
The Eat Bulaga Star in Full Bloom
ittle anila L.M.Confidential APRIL 2014 Fil-Am Teen charged in Aid Food World Trade Thrown or Centre stunt Spoiled TACLOBAN CITY—Elation turned to Prostitution in horror for typhoon survivors in Barangay Gacao in Palo, Leyte, when maggots Singapore crawled out of the food packs that were distributed to them as relief. Reports of the distribution of rotten food followed two other incidents in the province in which food aid that had gone Cocaine bad was reported buried. Barangay Chairman Panchito Cortez confiscated said he saw residents converging on the barangay hall waiting for food packs delivered by the Municipal Social Welfare in Davao and Development Office of Palo. When they opened the boxes, however, worms as big as grains of rice crawled out of tetra packs and cup noodles. Biscuits were expired, and even the bottled mineral PAULEEN DND aks why water looked murky, Cortez said. Cortez said the goods were received by activists do Councilwoman Maria Anna Docena, and included 50 boxes of instant coffee, five not protest sacks of assorted biscuits, cup noodles, instant viand in tetra packs and five boxes of mineral water. against China Cortez said he immediately went to the Palo town hall and confronted MSWD LUNA officer Rosalina Balderas, who admitted that the goods came from their office. She said she didn’t know the food was Paris Hilton in already spoiled and infested with worms, Cortez added. The Eat Bulaga Pampanga Balderas admitted that truckloads of expired and spoiled food aid were dumped and buried in an open dumpsite in Barangay. -
El Derecho a Vivir Una Vida Libre De Violencia
No more! The right of women to live a life free of violence in Latin America and the Caribbean October 2007 No more! The right of women to live a life free of violence in Latin America and the Caribbean LC/L.2808 October 2007 This report was prepared under the supervision of Sonia Montaño, Head of the ECLAC Women and Development Unit, who, along with Diane Alméras, was responsible for the final version and organization of all the contributions. Contributions to the preparation of the report were also made by Verónica Aranda, who was in charge of the preliminary version, and by María de la Luz Ramírez in processing the data. Comments were provided by Víctor Abramovich, Eliana Arauco, Irma Arriagada, Reynaldo Bajraj, Haydée Birgin, Susana Chiarotti, Lorena Fries, Carlos Guïda, Rosario Mamani, Mary Marca, Cecilia Medina, Todd Minerson, Christine Norton, Laura Pautassi, Patricia Provoste, Nieves Rico, Jimena Rojas, Lorena Valdebenito and Carmen Rosa Villa-Quintana. Particular thanks are due to the United Nations Children’s Fund (UNICEF), the United Nations Development Fund for Women (UNIFEM) and the Joint United Nations Programme on HIV/AIDS (UNAIDS), as well as the other organizations, funds and programmes that currently make up the Inter-Agency Working Group on Violence against Women in all its Manifestations, which is coordinated by the Economic Commission for Latin America and the Caribbean (ECLAC): Office of the High Commissioner for Human Rights (UNHCHR), United Nations Population Fund (UNFPA), United Nations Educational, Scientific and Cultural Organization (UNESCO), International Labour Organization (ILO), Pan American Health Organization (PAHO), International Organization for Migration (IOM), United Nations Development Programme (UNDP), and the Inter-American Institute for Cooperation on Agriculture (IICA). -
^ Jvthe Check out 'Nova's Big East Tourney Hopes
A ' ^3!»*»*a»««((l||^'Wi'' !«iv ««'!!;';' ^-:.ii.^v:7rrsry>a5r:,„. .£iir^,iamm^f^r', 'mxf^rsata^. •*Cf -mt iin . ^ jvthe Check out 'Nova's Big East Tourney hopes. VlLLANOVAN See Paae 32. Vol.69, No. 15 VILLANOVA UNIVERSITY. VILLANOVA. PA. March 11, 1994 Haynes, Honorary Williams doctorate suspended conferred from game upon Dees By JONATHAN PASSMAN By KATE SZUMANSKI Staff Reporter Editor-in-chief Villanova men's basketball The University conferred an point guards Jonathan Haynes honorary degree of doctor of and Alvin Williams received a humane letters upon Morris Dees, continuance in their arraignment L.L.D., the chief counsel and co- at Radnor District Court on founder of the Southern Poverty assault charges Tuesday, March Law Center, Tuesday, Feb. 22. 8. The two players were arrested University administrators, by Radnor police Feb. 25 after faculty members and students allegedly assaulting fellow stu- processed into the Villanova Room dent Armando Bailey in St. Mary's of Connelly Center to the music Hall, which resulted in Bailey's of the Villanova University Band. being taken to Bryn Mawr Barbara E. Wall, O.P., Ph.D., Hospital. director of the Center for Peace The three were apparently and Justice Education welcomed arguing over a woman prior to the all present to the academic con- fight. The players spent the night vocation and introduced Dees to the in jail and were taken to Upper congregation. Wall stressed Darby on Feb. 26ior processing. the importance of honoring those Both Haynes and William^'were members of the community who suspended by Head CoachT Steve help the less fortunate and com- Lappas for the Seton Hall g^fhe pared Dees to a "20th century Feb. -
Shakespeare and Keraliyatha: Romeo and Juliet, Adaptation, and South Indian Cinemas
Shakespeare and 'Keraliyatha': 'Romeo and Juliet', Adaptation and South Indian Cinemas Burnett, M. (2021). Shakespeare and 'Keraliyatha': 'Romeo and Juliet', Adaptation and South Indian Cinemas. Cahiers Elisabethains, 105(1). https://doi.org/10.1177/0184767821999984 Published in: Cahiers Elisabethains Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2021 the authors. This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:30. Sep. 2021 Article Cahiers Elisab´ ethains:´ A Journal of English Renaissance Studies Shakespeare and 1–19 Keraliyatha: Romeo ª The Author(s) 2021 Article reuse guidelines: and Juliet, adaptation, sagepub.com/journals-permissions DOI: 10.1177/0184767821999984 and South Indian cinemas journals.sagepub.com/home/cae Mark Thornton Burnett Queen’s University Belfast, UK Abstract This article discusses two Romeo and Juliet adaptations from Kerala, Annayum Rasoolum (dir. -
PALESTINIAN CINEMA Landscape,Trauma and Memory
PALESTINIAN CINEMA Landscape,Trauma and Memory NURITH GERTZ AND GEORGE KHLEIFI PALESTINIAN CINEMA TRADITIONS IN WORLD CINEMA General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema by Linda Badley, R. Barton Palmer and Steven Jay Schneider (eds) 978 0 7486 1862 0 (hardback) 978 0 7486 1863 7 (paperback) Japanese Horror Cinema by Jay McRoy (ed.) 978 0 7486 1994 8 (hardback) 978 0 7486 1995 5 (paperback) New Punk Cinema by Nicholas Rombes (ed.) 978 0 7486 2034 0 (hardback) 978 0 7486 2035 7 (paperback) African Filmmaking: North and South of the Sahara by Roy Armes 978 0 7486 2123 1 (hardback) 978 0 7486 2124 8 (paperback) Forthcoming titles include: American Commercial-Independent Cinema by Linda Badley and R. Barton Palmer 978 0 7486 2459 1 (hardback) 978 0 7486 2460 7 (paperback) The Italian Sword-and-Sandal Film by Frank Burke 978 0 7486 1983 2 (hardback) 978 0 7486 1984 9 (paperback) Czech and Slovak Cinema: Theme and Tradition by Peter Hames 978 0 7486 2081 4 (hardback) 978 0 7486 2082 1 (paperback) PALESTINIAN CINEMA Landscape, Trauma and Memory Nurith Gertz and George Khleifi EDINBURGH UNIVERSITY PRESS © Nurith Gertz and George Khleifi, 2008 This book was first published (as Landscape in Mist: Space and Memory in Palestinian Cinema) in Hebrew in 2005 by Am Oved and the Open University, Tel Aviv. Edinburgh University Press Ltd 22 George Square, Edinburgh Typeset in 10/12.5 Adobe Sabon by Servis Filmsetting Ltd, Manchester, and printed and bound in Great Britain by Antony Rowe Ltd, Chippenham, Wilts A CIP record for this book is available from the British Library ISBN 978 0 7486 3407 1 (hardback) ISBN 978 0 7486 3408 8 (paperback) The right of Nurith Gertz and George Khleifi to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. -
Making Progress
Inside: Daycare shortage in Ely... See /3 Spring sports underway... See /1B Northern pike regulations...See /4B the Serving the communitiesIMBERJAY of northern St. Louis County since 1989 VOL. 32, ISSUE 18 May 7, 2021 00 T $1 NEWS ANALYSIS Thorny issues still on the table in PolyMet battle As all sides claim a legal victory, high court ruling foretells years of continued wrangling by MARSHALL HELMBERGER Environmental groups while the parties hash out rela- Managing Editor hailed the decision, which they tively minor matters before an argue has wiped away PolyMet’s administrative law judge. Those REGIONAL— Who really all-important permit to mine matters include an assessment “won” in last week’s Supreme pending what is likely to be of whether the use of bentonite Court decision on the future of years of additional administrative clay is a practical solution for the proposed PolyMet mine? process and legal wrangling. addressing issues surrounding That remains an open question Yet, officials from the PolyMet’s proposed tailings after all parties in the dispute Department of Natural Resources basin and the lack of a fixed term claimed legal vindication when and PolyMet, contend that the for the permit to mine. the high court issued its ruling decision keeps the existing on April 28. permit intact, albeit suspended, See...POLYMET pg. 10 BUSINESS DEVELOPMENT PUBLIC SAFETY Lawsuits pose rising risk to small town policing Rising cost of officer misconduct increases need for new calculus by MARSHALL HELMBERGER Managing Editor REGIONAL— The cost of a fatal police shooting is on the rise, and that elevates the risk for taxpayers, particular- ly in smaller communities that maintain their own police forces. -
TRULY GLOBAL Worldscreen.Com *LIST 0614 LIS 1006 LISTINGS 6/10/14 3:12 PM Page 2
*LIST_0614_LIS_1006_LISTINGS 6/10/14 3:11 PM Page 1 WWW.WORLDSCREENINGS.COM JUNE/JULY 2014 NATPE EUROPE & LICENSING EXPO EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_0614_LIS_1006_LISTINGS 6/10/14 3:12 PM Page 2 NATPE Europe Exhibitor Directory 03 Productions/MBC Group VB-26 KBS Media S5 108 Media Corp. M6a Keshet International 1023a 20th Century Fox Television Distribution 1099 KOCCA S5 3DD Entertainment VB-41 KSM M12 A+E Networks 1007 Lionsgate 1039/1040 Aardman Animations M7 MarVista Entertainment VB-9 ABS-CBN International Distribution VB-23 MBC S5 Absolutely Independent M17a Médiamétrie VB-59 Alfred Haber Distribution 1001 Mediaset España VB-52 all3media international 1107 Mediatoon Distribution VB-51 Antenna International Enterprises VB-19 MGM 1059/1061 Armoza Formats VB-2 Millimages VB-49 Artist View Entertainment VB-13 Mondo TV VB-44 ATM Grupa S0 Monolith Films S0 Atresmedia VB-53 MTVA Hungarian Public Media VB-27 Azteca 1002 National Film Board of Canada M15 Banijay International VB-12 NBCUniversal International TV Distribution 8064/8069 Barrandov Televizni Studio S3 New Films International VB-34 BBC Worldwide 1045/1047 Novovision VB-56 Berserk Media VB-6 NPO-Sales VB-10 Beyond Distribution M3 NTV Broadcasting VB-1 BRB Internacional VB-52 Octapixx Worldwide VB-33 Broadcasting Board of Governors VB-40 Off the Fence M18 CAKE M8 Optomen Television M16 Caracol Television 1106 ORF-Enterprise 1017 Carsey-Werner Television Distribution VB-17 Passion Distribution M9b CBS Studios International -
Governor's School for the Arts and Humanities
South Carolina Governor’s School for the Arts and Humanities 2006.2007 Accountability Report TRANSMITTAL FORM Agency Name: South Carolina Governor’s School for the Arts and Humanities (SCGSAH) Date of Submission: September 14, 2007 Agency Director: Dr. Bruce R. Halverson, President Agency Contact Person: Charles E. Tillotson Agency Contact’s Telephone Number: 864.282.3738 1 South Carolina Governor’s School for the Arts and Humanities 2006.2007 Accountability Report TABLE OF CONTENTS SECTION I: EXECUTIVE SUMMARY………………………………………………………..3 I.1 Mission & Values ………….………………………………………….3 I.2 Major 2006-2007 Achievements………………………..………..…....4 I.3 Key Strategic Goals………………….……………………………..….4 I.4 Opportunities & Barriers…….…………….…………………………..5 I.5 Accountability Report Utilization…………….……………………….6 SECTION II: ORGANIZATIONAL PROFILE………………………………………………….6 II.1 Main Products & Services……………………………………...……..6 II.2 Key Customers & their Expectations……………………………....…7 II.3 Key Stakeholders……………………………………………………...8 II.4 Key Suppliers & Partners……………………………………………..8 II.5 Operational Locations…………………………………………………8 II.6 Employees………………………………………………………..……8 II.7 Regulatory Environment………………………………………………8 II.8 Key Strategic Challenges………………………………………...……9 II.9 Performance Improvement System……………………………………9 II.10 Organization Chart…………………………………………………....10 II.11 Expenditures/Appropriations Chart……………………………...…....11 II.12 Major Program Areas Chart………………………………………..…12 SECTION III: ELEMENTS OF THE MALCOLM BALDRIGE AWARD CRITERIA………..13 III.1 Leadership…………………………………………………………….13