DOCSLIB.ORG

FDT Free Access

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FDT Free Access Jon Fauer ASC www.fdtimes.com Sep 2019 Issue 97 Art, Technique and Technology in Motion Picture Production Worldwide Canon EOS C500 Mark II Sony PXW-FX9 SIGMA fp Camera ARRI ALEXA Mini LF Sony 16-35mm T3.1 G Panasonic LUMIX DC-S1H SIGMA FF Classic Art Primes Blackmagic PCC6K Camera ZEISS Supreme Prime 150mm Elisabetta Cartoni, Cartoni CEO Kazuto Yamaki, SIGMA CEO Jarred Land on RED RANGER Band Pro tests Optimo Primes FUJIFILM GFX100, ALPA XO Premista 28-100mm T2.9 Servicevison New K35 Teradek Bolt 4K MAX Atomos Shogun 7 SIGMA FF Primes Orson Welles’s 18.5mm Cooke Anamorphic/i LEITZ THALIA-T 90mm Anton/Bauer Dionic 26V Tiffen NATural ND Grads RED RANGER Family Scorpiorama 70 AJA Ki Pro GO Aaton Handgrip DENZ OIC FF MAXIMA 5.0 Small4K ARRI Orbiter IDX IPL Preston LR2 Ronford-Baker Easyrig STABIL cmotion cvision ZEISS Burbank Tilta Armor Man 3 Transvideo Monitors Angénieux Optimo Primes SIGMA fp Director’s Finder SHAPE Batteries and Cages Canon DP-V3120 4K Display Atomos RAW from S1H Anton/Bauer Titon-SL 14.4V Series Wooden Camera 26 V Gold Mounts OConnor Ultimate 1040 OConnor flowtech100 System RED RANGER HELIUM & GEMINI Wooden Camera LPL Mounts Bright Tangerine Left Field Cage IB/E Optics SmartFinder Pro SmallHD Camera Control Kino Flo and the Planckian Locus cmotion cPRO camera control Cover photo of Canon C500 Mark II and vintage K-35 by Jacob Niblett www.fdtimes.com Art, Technique and Technology On Paper, Online, and now on iPad Film and Digital Times is the guide to technique and technology, tools and how-tos for Cinematographers, Photographers, Directors, Producers, Studio Executives, Camera Assistants, Camera Operators, Grips, Gaffers, Crews, Rental Houses, and Manufacturers. Subscribe It’s written, edited, and published by Jon Fauer, ASC, an award-winning Cinematographer and Director. He is the author of 14 bestselling books—over 120,000 in print—famous for their user-friendly way Online: of explaining things. With inside-the-industry “secrets-of the-pros” www.fdtimes.com/subscribe information, Film and Digital Times is delivered to you by subscription or invitation, online or on paper. We don’t take ads and are supported by readers and sponsors. Call, Mail or Fax: © 2019 Film and Digital Times, Inc. by Jon Fauer Direct Phone: 1-570-567-1224 Toll-Free (USA): 1-800-796-7431 subscribe Fax: 1-724-510-0172 Film and Digital Times Subscriptions www.fdtimes.com PO Box 922 Subscribe online, call, mail or fax: Williamsport, PA 17703 Direct Phone: 1-570-567-1224 USA Toll-Free (USA): 1-800-796-7431 1 Year Print and Digital, USA 6 issues $ 49.95 1 Year Print and Digital, Canada 6 issues $ 59.95 Fax: 1-724-510-0172 1 Year Print and Digital, Worldwide 6 issues $ 69.95 1 Year Digital (PDF) $ 29.95 1 year iPad/iPhone App upgrade + $ 9.99 Film and Digital Times (normally 29.99) Get FDTimes on Apple Newsstand with iPad App when you order On Paper, Online, and On iPad a Print or Digital Subscription (above) Total $ __________ Print + Digital Subscriptions Film and Digital Times Print + Digital subscriptions continue to Payment Method (please check one): include digital (PDF) access to current and all back issues online. VISA Mastercard American Express iPad and iPhone Check Enclosed (payable to Film and Digital Times) Get Film and Digital Times for iPad and iPhone on the Apple Newsstand. Download our free app in the iTunes Store (search: Film Credit Card # _________________________________________ and Digital Times). Get individual issues, back issues, or an annual 3 or 4 digit security code_________________________________ subscription. Expiration Date________________________________________ Digital (PDF) subscriptions Signature ___________________________________________ Digital (PDF) subscriptions include unlimited access to the current and all back issues. www.fdtimes.com/issues Name ______________________________________________ FDTimes Customer Service Company ____________________________________________ For subscription or account questions, please contact us by phone Title________________________________________________ Monday–Friday, 9 am–5:30 pm EST. Address ____________________________________________ Phone: 1-570-567-1224 City ________________________________________________ Toll-Free (USA): 1-800-796-7431 State or Province ______________________________________ Fax: 1-724-510-0172 Email via website: fdtimes.com/contact Country _____________________________________________ Mailing address: Film and Digital Times Subscriptions Zip or Postal Code______________________________________ PO Box 922 Phone ______________________________________________ Williamsport, PA 17703 USA Fax________________________________________________ Editorial offices in New York City Email_______________________________________________ Contents: Sep 2019 Issue 97 Canon EOS C500 Mark II - Full-Frame 5.9K.................................................. 4 Anton/Bauer Dionic 26V Series .................................................................. 74 Size Comparison: Canon C500 Mark II and C700 FF ..................................... 5 Anton/Bauer Titon-SL 14.4 V Series ........................................................... 74 Canon C500 Mark II — Body Parts ............................................................. 6 Wooden Camera 26 V Gold Mounts ............................................................ 75 Canon C500 Mark II in Minimalist Mode ....................................................... 7 Wooden Camera LPL Mounts for Cameras.................................................. 76 Canon C500 Mark II — User Interchangeable Lens Mounts ........................... 8 Graduating from IRND to Tiffen Full Spectrum NATural ND Grads .................. 77 Expansion Unit EU-V2, LCD Monitor, Handle, GR-V1 Grip ............................... 8 DENZ OIC FF............................................................................................. 78 Canon C500 Mark II Connections ................................................................. 9 SHAPE Cages, Batteries and Chargers ........................................................ 79 Canon C500 Mark II Recording Formats and Speeds ................................... 10 cmotion cPRO camera control & cvision ..................................................... 80 Slow & Fast Motion ................................................................................... 10 Bright Tangerine Left Field Cage for Canon EOS C500 Mark II ...................... 81 Canon Cinema RAW Light .......................................................................... 11 Tilta Armor Man 3 ..................................................................................... 82 Sensor Modes .......................................................................................... 11 Canon DP-V3120 4K Reference Display .................................................... 83 Recording Formats: Relative Sizes .............................................................. 11 Kino Flo and the Planckian Locus: Turning Tables on LUTs ........................... 84 Canon EOS C500 MKII Specs .................................................................... 12 Easyrig STABIL .......................................................................................... 85 Canon EOS C500 MKII Production Stills by Jacob Niblett ............................. 13 ARRI Orbiter ............................................................................................. 86 ARRI ALEXA Mini LF .................................................................................. 14 Trading Faces: ARRI Orbiter Options ........................................................... 87 ARRI ALEXA Mini LF Studio Mode, Top View ................................................ 15 ARRI Orbiter Software, Control Panel, Connections ...................................... 88 ALEXA Mini LF Handheld, Front View .......................................................... 15 OConnor Ultimate 1040 flowtech100 System ............................................. 89 ARRI ALEXA Mini LF Studio Setup .............................................................. 16 RED RANGER HELIUM & RANGER GEMINI ................................................... 90 ARRI ALEXA Mini LF Handheld Setup .......................................................... 17 Jarred Land on RED RANGER HELIUM & RANGER GEMINI ........................... 91 Servicevison New K35 ............................................................................... 18 RED RANGER Family ................................................................................. 92 Servicevision Scorpiorama 70 Full-Frame 1.65x Anamorphics .................... 19 IB/E Optics SmartFinder Pro....................................................................... 93 AJA Ki Pro GO .......................................................................................... 20 Aaton Intelligent Handgrip, Aaton and Transvideo News ............................... 21 Elisabetta Cartoni and the Cartoni MAXIMA 5.0 ......................................22-23 Sony PXW-FX9 ....................................................................................24-27 Sony FX9 Full-Frame compared to FS7 II Super35 ...................................... 27 Sony FX9 Ergonomics ............................................................................... 28 Sony FX9 with XDCA-FX9 Extension Unit .................................................... 29 Sony FX9 .................................................................................................
Load more

Recommended publications
  • Wildfire Consultation Report Appendix.Pdf
    Appendix Appendix Contents 50 Issues / Gaps - Partner Agencies 54 Statistics from Emergency Operations 54 Public Information (Communications) 61 EOC Activation Levels & Orders/Alerts Issued 71 Presentation and Interview with Robert Gray, Fire Ecologist 72 Climate Maps from Environment Canada 72 Documentaries & Interviews Reviewed 73 Cariboo Regional District Population Statistics 76 Consultation Meeting Overview 79 Top Five Topics by Meeting Location based on number of recorded comments Meeting Profiles: 81 100 Mile House 83 108 Mile Ranch 85 150 Mile House 87 Alexis Creek 89 Anahim Lake 91 Big Lake 93 Forest Grove 95 Horsefly 97 Interlakes 99 Kersley 101 Lac la Hache 103 Likely 105 McLeese Lake 107 Miocene 109 Nazko 113 Nimpo Lake 115 Quesnel 117 Riske Creek 119 Tatla Lake 121 Watch Lake 123 Wells 125 West Fraser 127 Wildwood 129 Williams Lake 131 Facebook Live 133 Comments from All Consultations By community meeting: 133 100 Mile House 136 108 Mile Ranch 144 150 Mile House 148 Alexis Creek 150 Anahim Lake 152 Big Lake 156 Forest Grove 159 Horsefly 161 Interlakes 167 Kersley 167 Lac la Hache 170 Likely 172 McLeese Lake 173 Miocene 177 Nazko 183 Nimpo Lake 186 Quesnel 189 Riske Creek 193 Tatla Lake 196 Watch Lake 199 Wells 200 West Fraser 203 Wildwood 206 Williams Lake 215 Facebook Live / Recording 218 Received Emails, Calls, and Facebook Messages/Comments 234 Survey Results 300 Information from Other Sources 301 Cellular Coverage Maps 302 Weather Forecasts - July 6 and 7 306 Seasonal Weather Forecast 317 Ranks of Fires 319 Canadian Wildland Fire Information System 321 Cariboo Fire Centre Prep July 6-7 326 Post-Wildfire Hazard Risk Assessment - C10784 Plateau 332 Alberta Wildfire Trend 334 Samples of Evacuation Communications 343 Community Descriptions 350 Glossary 351 Additional Citations Issues / Gaps - Partner Agencies Issues and gaps which are generally outside the jurisdiction of the Cariboo Regional District, along with suggested solutions (where applicable).
    [Show full text]
  • 17156 NA-GFX100 Housing for Fujifilm GFX 100
    1 FORWARD Thank you for your purchase of a NAUTICAM housing. At NAUTICAM, we pride ourselves in the ability to recognize the requirements of professional as well as amateur underwater photographers and fulfill them through the innovative designs of our products. We strive to achieve a high level of user-friendliness by allowing stress-free installation and easy operation of all important functions of the camera. Each housing is individually inspected and water pressure tested to ensure optimum quality. Please read this manual carefully before using the housing, this will maximize its performance as well as its lifetime. 2 T ABLE OF CONTENTS Warranty ……………………………………………………………………………………………………………...... 4 Precautions ………………………………………………………………………………………………………….... 5 Package Contents ………………………………………………………………………………………………... 7 Specifications ……………………………………………………………………………………………………..... 8 Identification of Parts ………………………………………………………………………………………….. 9 Opening and Locking the Housing ……………………………………………………………………. 13 Preparation of the Housing ………………………………………………………………………………… 15 Installing the Camera ………………………………………………………………………………………….. 20 Mounting the Port ………………………………………………………………………………………………... 24 Changing the Viewfinder …………………………………………………………………………………….. 27 Care and Maintenance ……………………………………………………………………………………….. 29 Optional Accessories ………………………………………………………………………………………….. 30 3 W ARRANTY All NAUTICAM Products are warranted against any material and manufacturing defects for two years from the date of purchase for consumer use. The warranty period is defined
    [Show full text]
  • 4K Resolution Is Ready to Hit Home
    4K RESOLUTION 4K Resolution is ready to Hit Home 4K that became a digital cinema standard in 2005 is now recognized as the next high quality image technology of HD in the market. With a growing selection of 4K televisions and recent announcements of affordable cinema-style camcorders, 4K resolution is poised to become a new standard. VIVEK KEDAR 011 was a year of Tablets and mobile. - Hacktivism On one side where we saw new - 4G LTE technologies emerging, mobile devices became way more powerful than they 4K Buzzword 2were. TVs got better but their LG, Samsung and several others would showcase Technologies, especially, 3D, remained their 2012 range of products at CES 2012. The proprietary. major buzz this year would be about the 3D 4K TVs. 2012 would be all about: Not only these TVs would be large (~60″ they - Quad core Tablets, Mobile Phones would deliver super high definition content with a - 3D TVs with 4k resolution (4096x) smooth picture (~200hz and above). - Mobile payments One of the first companies to embrace the - Rise of NextGen Social networking resolution craze was Oakley founder Jim Jannard's 4K RESOLUTION company, RED DIGITAL CINEMA. In 2007, they strong need of building integrated and distributed released a new camcorder called the RED One that environment for high resolution applications. could shoot at 4K resolutions for a much lower In simple words, the 4K is the resolution of 8-9 MPix price than comparable 4K camcorders. Then, in having about 4 thousands points horizontally. The 2011, the EPIC camera upped the resolution even resolution often depends on the screen aspect further to 5K.
    [Show full text]
  • SIGMA Fp SIGMA Fp: Le Caméra Stylo
    Jon Fauer ASC www.fdtimes.com July 2020 Special Report Art, Technique and Technology in Motion Picture Production Worldwide SIGMA fp SIGMA fp: le caméra stylo If the Cannes Film Festival had not been canceled this year, a Truffaut was 27 years old at the time. The 400 Blows was a major beautiful film from Japan would have premiered there. Sin-Sin, coup for the French New Wave (La nouvelle vague). Little wonder. directed by Yu Yamanaka, is the touching story of a young boy Previously, Truffaut had been a film critic at Cahiers du Cinema, navigating a life made tough by grown-ups. espousing a new vocabulary for film students to memorize in the Read the interview with Yu Yamanaka that follows. following years: auteur, the director as author and le caméra stylo, writing with the camera as if it were a pen. You would be right if Antoine Doinel comes to mind in The 400 Blows (Les quatre cents coups), François Truffaut’s 1959 film that Actually, a lot of this theory was just that: theory. There was, of won Best Director at the Cannes Festival in 1959. course, an entire crew around the camera, behind the author and 2 SIGMA fp • July 2020 SIGMA fp: le caméra stylo Sigma fp camera. 2020 Eclair CM3 ca. 1961 the pen. Henri Decaë was the brilliant cinematographer of The 400 Blows. He is remembered for his work in “liberating the cam- era from its fixed tripod.” It has been said, at times ironically, that the new wave owed much to the fact that you could avoid pesky Parisian film permits by shooting without a tripod.
    [Show full text]
  • When You Buy the New Gfx100s and Trade in Any Working Full-Frame Or Medium Format Digital Camera
    OFFER ENDS 30 APRIL WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA FUJIFILM-CONNECT.COM/PROMOTIONS The GFX100S and GF50mmF3.5 lens shown are sold separately. See in-store or online for details. Terms and conditions apply To claim your trade-in bonus, simply fill out the details over the page. The bonus will be paid directly into your bank account after the claim has been validated by FUJIFILM UK. Once validated, the bonus will be paid within 14 days. CANON PHASE ONE CANON EOS-1D C PHASE ONE XF 100MP CANON EOS-1D MKII PHASE ONE 645DF+ CANON EOS-1D MKII N PHASE ONE IQ1 100MP CANON EOS-1D MKIII PHASE ONE IQ140 CANON EOS-1D MKIV PHASE ONE IQ150 €500 TRADE-IN BONUS CANON EOS-1D X PHASE ONE IQ160 WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING CANON EOS-1D X MKII PHASE ONE IQ180 CANON EOS-1D X MKIII PHASE ONE IQ250 FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA CANON EOS-1DS PHASE ONE IQ260 CANON EOS-1DS MKII PHASE ONE IQ280 HASSELBLAD NIKON CANON EOS-1DS MKIII PHASE ONE IQ3 50MP HASSELBLAD A5D-50C NIKON D3 NIKON D800 CANON EOS 5D PHASE ONE IQ3 60MP HASSELBLAD A5D-80 NIKON D3S NIKON D800E CANON EOS 5D MKII PHASE ONE IQ3 80MP HASSELBLAD H4D-31 NIKON D3X NIKON D810 CANON EOS 5D MKIII PHASE ONE P20+ HASSELBLAD H4D-40 NIKON D4 NIKON D850 CANON EOS 5D MKIV PHASE ONE P21+ HASSELBLAD H4D-60 NIKON D4S NIKON D810A CANON EOS 5DS PHASE ONE P25+ HASSELBLAD H5D-200C NIKON DF NIKON Z5 CANON EOS 5DS R PHASE ONE P30+ HASSELBLAD H5D-50C NIKON D600 NIKON Z6 CANON EOS 6D PHASE ONE P40+ HASSELBLAD H5X NIKON D610
    [Show full text]
  • Dodghboyis Popular in Frmhcity Ldhendahl Gun
    •T ■ " f ? " ’ ■ ■■ M ' *- .'■ ■■, • \ t '> ':. !OnB JS ^ a lM R Ur O. •. WentMur NBT PRB8S BtJN ' hew Bavea ^ AVBBAGB DAILT OIRCUIiATION OF THB BVBNING HBRAUD Partly Clondy and J j^ le r to>' ^or the month of Angusti 192T night; Ihnrsday fair.' 5 , 0 4 4 atV PRICE) IH BEB CENTS MANCHESTER, CONN;^ WEDNESDAY, SEPTEMBER 21, 1927. ( T E N P A ^ ’ ^" VOL. XLI., NO. 301. daMlfled Advertlilng on page 8 -L . \ SIAMESE TWINS LDHENDAHL Here is the $25,000 Witness DODGHBOYIS FIGHTING DEATH PILOT Joined at Hips, One Girl is POPULAR IN SiCk and the Other Tries to GUN SOUGHT Comfort Her. BYSlEUmS FRMHCITY Holyoke, Mass., Sept. 21.— The most unusual and drama­ tic race with death ever reC­ orded here seemed won today Class B Plan^ Nearing when Mary and Margaret Doctor’s Revolver Has Dis^ U. 5 . Vets Leave Hall Legionnaires With Snules Gibbs, 14, "AmeriCa’s Siamese Twins" emerged from the path appeared From His Home; Goal— Class A Group and Ready Cash Making a of the Great Reaper, safe from pneumonia but still sick with While Poincare Speaks Leave S t Paul; Machines Influensa. Police Promise an Arrest Great Hit In Paris— Are Joined by flesh at the hips with her twin sister, Mary for Strung .An Along the - hours lay Close to death’s door. In Two Days. Verdun. France. Sept. 21.— ^De-s right after luncheon. But the task " Behaving Themselves. Margaret, sensitive to every daring that they came to Verdun to of serving the 1,000 Legionnaires pain her sister experienced, en­ taxed the capacity - of the serving visit the battlefields, and not to staff, with the result that the Route, Many Down— Pa­ Couraged Mary to be brave, Hammonton, N.
    [Show full text]
  • Rapid Tuberculosis Diagnostic Kit Wins Good Design Grand Award 2019
    Rapid Tuberculosis Diagnostic Kit wins Good Design Grand Award 2019 4 products including binoculars and ultrasound equipment win the Good Design Gold Award Tokyo, October 31, 2019 — FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce that its “Rapid Tuberculosis Diagnostic Kit” has won the Good Design Grand Award in the Good Design Award 2019*1, organized by the Japan Institute of Design Promotion. The Grand Award is extended to a product with the most outstanding design that represents this year’s design and social trends, chosen out of 1,435 winners of the Good Design Award 2019. This is the first time Fujifilm has won the Good Design Grand Award. Also, four of its products, including binoculars “FUJINON TECHNO-STABI TS-X 1440” and ultrasound equipment “iViz air”, have won the Good Design Gold Award. The Gold Award is extended to 19 designs in recognition of their comprehensive excellence in addressing social issues, offering suggestions for the future and achieving a high degree of perfection. The Grand Award winner, Rapid Tuberculosis Diagnostic Kit for developing countries, is a diagnostic kit that uses urine as samples, designed for HIV-positive patients who have a compromised immune system and are therefore at high risk of contracting tuberculosis (TB) and developing severe symptoms. TB is one of the world's 3 major infectious diseases*2 killing some 1.5 million people*3 each year. Of all TB patients, 86% are living in developing countries in Africa and Southeast Asia*3. TB infections have a serious impact on the societies and economic activities of these countries due to its powerful transmission capability and high medical cost burden imposed on patients.
    [Show full text]
  • ENTSPANNT FOTOGRAFIEREN So Genießen Sie Auchdigitale Fotografie in Vollen Zügen
    JANUAR/FEBRUAR 2020 Schutzgebühr: 2,90 Euro MAGAZIN ENTSPANNT FOTOGRAFIEREN So genießen Sie auchdigitale Fotografie in vollen Zügen POWERED BY S001_Titel-I-EUROPAPHOTO-0120.indd 1 04.12.2019 14:23:06 25-€-ShoppingBON •Der ShoppingBON ist einlösbar gegen Geschenkgutscheine unserer Partner aus dem Einzelhandel, wie z. B. Media Markt, IKEA, Saturn, Amazon.de, Otto, Douglas, Obi u.v.m TOP- PRÄMIE Helios Table-Top Leuchte •Vielseitige und praktische Leucht- quelle für die Produkt- und Makro- fotografie •Farbtemperatur: Tageslichtcharakter •Abmessungen Leuchtfläche: (L xBxT) 20 x14x4cm, max. Höhe (auf Stativ mit Stand- fuß): 46 cm, Gewicht (ohne Kabel): 600 g • UVP: 59,90,Zuzahlung nur 1€ 6xCHIP FOTO-VIDEO mit DVD + tolle Prämie sichern! IhreVorteile Kostenlose Lieferung Kein Heft verpassen Gratis Ausgabe* Ausfüllen und Ja, ichbestelle:6xCHIPFOTO-VIDEO mit DVD fürnur 39,60€/6,60 €pro Ausgabe (inkl. MwSt. +Porto). 219FA08H14 Die Prämie erhalte ich umgehend nach Zahlungseingang. Das Abo kann ich nach Ablauf des Bezugzeitraums jederzeit wieder in Textform kündigen. Bei Weiterbezug gilt der regu- läreAbopreis (12 Ausgaben für z.Zt. nur 79,20 €/6,60 €pro Ausgabe). Das Angebot gilt nur in Deutschland und solange der Vorrat reicht. Auslandskonditionen auf Anfrage. Alle abschicken Preise inkl. MwSt. und Versand. Bei Fragen hilft unser Aboservice unter 0781/6394526 oder [email protected] gerne weiter. oder unter *Ich bezahle bequem per Bankeinzug, erhalte eine Ausgabe gratis vorab und mein Prämie Name, Vorname sofort. SEPA-Lastschriftmandat: Ich ermächtige die CHIP Communications GmbH, wieder- kehrende Zahlungen von meinem Konto mittels Lastschrift einzuziehen. Zugleich weise ich services.chip.de/ mein Kreditinstitut an, die vom Verlag auf mein Konto gezogenen Lastschriften einzulösen.
    [Show full text]
  • Consent Decree
    IN THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF WEST VIRGINIA UNITED STATES OF AMERICA, Plaintiff, v. Civ. No. ______________ BAYER CROPSCIENCE LP, Defendant. CONSENT DECREE TABLE OF CONTENTS I. JURISDICTION AND VENUE ..............................................................................1 II. APPLICABILITY ....................................................................................................2 III. DEFINITIONS .........................................................................................................3 IV. CIVIL PENALTY ....................................................................................................6 V. COMPLIANCE REQUIREMENTS ........................................................................7 VI. REVIEW OF DELIVERABLES ...........................................................................12 VII. SUPPLEMENTAL ENVIRONMENTAL PROJECTS .........................................14 VIII. REPORTING REQUIREMENTS .........................................................................19 IX. STIPULATED PENALTIES .................................................................................21 X. FORCE MAJEURE ...............................................................................................24 XI. DISPUTE RESOLUTION .....................................................................................26 XII. INFORMATION COLLECTION AND RETENTION ........................................28 XIII. EFFECT OF SETTLEMENT/RESERVATION OF RIGHTS ..............................30
    [Show full text]
  • Bestenliste 04/2020
    SERVICE•BESTENLISTE Alle Testergebnisse ie VIDEOAKTIV-Testverfahren sind 72–62 Punkte: gut auf www.videoaktiv.de nachlesen. Außerdem über viele Jahre immer wieder ver- 61–48 Punkte: befriedigend finden Sie dort Testbilder und Testvideos zu D feinert worden. Was geblieben ist: das 47–36 Punkte: ausreichend den Kameras. Die VIDEOAKTIV-Camcorder- 100-Punkte-Raster für die Endnote. Sie wird in 35–16 Punkte: mangelhaft Datenbank hilft weiter, wenn Sie Kameras folgenden Abstufungen vergeben: 15–0 Punkte: ungenügend mit spe ziellen Funktionen oder in bestimmten 100–90 Punkte: hervorragend Weitere Informationen zum Testproze dere Preisklassen suchen: 89–73 Punkte: sehr gut können Sie in der Sparte „Hintergrund info“ www.videoaktiv.de/camcorder-test 4K-CmO a C rder (COnsumer) P mrOFI-Ca COrder 8K/4K/Full-Hd Hersteller System Preis1 Punkte2 Test in Hersteller System Preis1 Punkte Test in Ak tuelle Kamera- Modell Urteil Heft Modell Urteil Heft emPFeHlunGen NEe U S 4K-TeSTverfaHren (SeiT aUSgabe 3/2018) 4K-TeT S verfaHren (SeiT aUSgabe 1/2016) Canon Legria HF G60 UHD 1699 71 gut VA 6/19 Canon EOS C700 EF 4K 43 923* 81 sehr gut 3/17 Diese Filmkameras haben uns bei den Panasonic HC-VXF 11 UHD 999 68 gut VA 3/18 Canon EOS C700 FF 4K 30 440* 80 sehr gut 4/19 Tests zuletzt am meisten beindruckt: Panasonic HC-VX 11 UHD 799 66 gut VA 3/18 Sony Venice Cine-Kit 4K 53 500* 80 sehr gut 6/18 Canon Legria HF G50 UHD 1099 65 gut VA 6/19 Sony PXW-Z 280 4K (UHD) 6935* 80 sehr gut 1/19 JVC Everio GZ-RY 980 HE UHD 1000 60 befr.
    [Show full text]
  • 111111.25 1~1I1.4 1"11~·6 ~»
    If you have issues viewing or accessing this file contact us at NCJRS.gov. ( , National Criminal Justice Reference Service nCJrs.~~----------------------------------------------------~--- This microfiche was produced from documents received for inclUsion in the NCJRS data base. Since NCJRS cannot 'exercise control over the physical condition of the documents submitted, the individual frame quality will vary. The resolution chart on this frame may be used to evaluate the document quality. MARY'LAND STATE'S ATTORNEYS' ARSON INVE.STIGATION AND PROSECUTION () MANUAL 1.0 ""I~ IIIII~ liii I 1.1 ,~, .- 111111.8 ~..... \ i, 'il o 111111.25 1~1I1.4 1"11~·6 ~» " (:' .-.:, MICROCOPY RESOLUTION TEST CHART NATIONAL BUREAU OF STANDARDS-1963-A u OFF I eE OF THE !, MARYLAND STATE'S ATTORNEYS' COORDINATOR o Microfilming procedures used to create this fiche, comply \iJit9 BALTIMORE the standards set forth in 41CFR 101-11.504. 198;1. 1 Points of view or opinions stated in this document are f i those of the author{s) and qp not represent the official i' \1 .", I,' position or policies of the U: S. Department of Justice. 'U.s. Departrnent of Justice Natlonallnslltute of Justice 0' ,,. .. This document has been reproduced exact/y as rer:elved from the person or organization originating it. 'f:iolnts Qf view o/!oplnlons stated In this document are those, of the authors' and do not necessarily National Institute of Justice represent the offlelal position or pOlicies of the National Institute of United States Department of Justice Just/ce. Washington, D. 20531 Permission to reproduce thrs copyrighted material has been C: granted by • Public Domain 1""'.
    [Show full text]
  • American Society of Cinematographers Motion Imaging Technology Council Progress Report 2018
    American Society of Cinematographers Motion Imaging Technology Council Progress Report 2018 By Curtis Clark, ASC; David Reisner; David Stump, Color Encoding System), they can creatively make the ASC; Bill Bennett, ASC; Jay Holben; most of this additional picture information, both color Michael Karagosian; Eric Rodli; Joachim Zell; and contrast, while preserving its integrity throughout Don Eklund; Bill Mandel; Gary Demos; Jim Fancher; the workflow. Joe Kane; Greg Ciaccio; Tim Kang; Joshua Pines; Parallel with these camera and workflow develop- Pete Ludé; David Morin; Michael Goi, ASC; ments are significant advances in display technologies Mike Sanders; W. Thomas Wall that are essential to reproduce this expanded creative canvas for cinema exhibition and TV (both on-demand streaming and broadcast). While TV content distribu- ASC Motion Imaging Technology Council Officers tion has been able to take advantage of increasingly avail- Chair: Curtis Clark, ASC able consumer TV displays that support (“4K”) Ultra Vice-Chair: Richard Edlund, ASC HD with both wide color gamut and HDR, including Vice-Chair: Steven Poster, ASC HDR10 and/or Dolby Vision for consumer TVs, Dolby Secretary & Director of Research: David Reisner, Vision for Digital Cinema has been a leader in devel- [email protected] oping laser-based projection that can display the full range of HDR contrast with DCI P3 color gamut. More recently, Samsung has demonstrated their new emissive Introduction LED-based 35 foot cinema display offering 4K resolu- ASC Motion Imaging Technology Council Chair: tion with full HDR utilizing DCI P3 color gamut. Curtis Clark, ASC Together, these new developments enable signifi- cantly enhanced creative possibilities for expanding The American Society of Cinematographers (ASC) the visual story telling of filmmaking via the art of Motion Imaging Technology Council (MITC – “my cinematography.
    [Show full text]