CUMULATIVE INDEX: SECTION (A): ARTICLES
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Journal of the American Viola Society Volume 9 No.2/3, 1993
JOURNAL afthe AMERICAN VIOLA SOCIETY Chapter of THE INTERNATIONAL VIOLA SOCIETY Association for the Promotion of Viola Performance and Research Vol. 9 Nos. 2&3 1993 The Journal ofthe American Viola Society is a publication ofthat organization and is produced at Brigham Young University, © 1993, ISSN 0898-5987. The Journalwelcomes letters and articles from its readers. Editorial andAdvertising Office: BYU Music Harris Fine Arts Center Provo, UT 84602 (801) 378-4953 Fax: (801) 378-5973 Editor: David Dalton Assistant Editor: David Day Production: Helen Dixon JAVS appears three times yearly. Deadlines for copy and art work are March 1, July 1, and November 1; submissions should be sent to the editorial office. Ad rates: $100 full page, $85 two-thirds page, $65 halfpage, $50 one-third page, $35 one-fourth page. Classifieds: $25 for 30 words including address; $40 for 31-60 words. Advertisers will be billed after the ad has appeared. Payment to "American Viola Society" should be remitted to the editorial office. OFFICERS Alan de Vertich President School ofMusic University of So. California 830 West 34th Street Ramo Hall 112 Los Angeles, CA 90089 (805) 255-0693 Thomas Tatton Vice-President 2705 Rutledge Way Stockton, CA 95207 Pamela Goldsmith Secretary 11640 Amanda Drive Studio City, CA 91604 Ann Woodward Treasurer 209 w. University Ave. Chapel Hill, NC 27514 David Dalton Past President Editor, JA VS Brigham Young University Provo, Utah 84602 BOARD Mary Arlin J~ffery Irvine John Kella William Magers Donald !v1cInnes Kathryn Plummer Dwight Pounds -
A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
ART, and TATUM Through the Jazz Medium but Who Has Since Departed from Those Beginnings Into His Own Peculiar, Restless Firma Ment of Expression
44 long ago should have been placed, as a remarkably gifted technician who happened to learn his instrument ART, AND TATUM through the jazz medium but who has since departed from those beginnings into his own peculiar, restless firma ment of expression. ATUM's individuality as a musician Tis partl. y the result of his unique ex perience as a jazz performer. Since his professional emergence in 1931 he has worked almost entirely as a solo mu sician, with the exception of his vari ous sublimated trios (guitar and bass), a few studio bands, and occasional all- star recordings. In contrast, there are the remaining ninety-nine jazz pian ists who have had to work either with their own groups or as sidemen: Jess Stacy and Teddy Wilson with Benny Goodman; Billy Kyle with John Kir- by; Basie with Bennie Moten and his own band; Bud Powell with Cootie Williams and Charlie Parker, and so forth. Tatum, then, with his burgeon ing technical facilities, has been chiefly By WHITNEY BALLIETT who, a little overripe on the bough, responsible to himself. As a result, he exhibits, within the confines of his does not fit easily into the collective areas of big and small-band jazz. ART Tatum, the partly blind, fifty- materials, an extraordinary set of There was always the feeling, in fact, /% year-old pianist from Dayton, pianistic exercises that are, simpjy, in many of his recordings made in the -^•*-Ohio, who has undistinguished, demonstrations of how to play the Forties with his trios, that he was stubby fingers and a dumpy figure, has piano perfectly. -
APRIL 2009 LIST See Inside for Valid Dates
tel 0115 982 7500 fax 0115 982 7020 APRIL 2009 LIST See inside for valid dates Dear Customer As the weather here becomes positively agreeable and the evenings lengthen, we offer you a cornucopia of delights containing both new growth and old returning favourites in a seductively priced spring bouquet - we hope you cannot resist! The major new release this month is Angela Hewitt’s re-visit of the Bach 48, a fresh look at this masterpiece of the keyboard repertoire. The reports indicate a quite different approach from her original recordings a decade ago, resulting from her years of performing and living with this music - a ‘new-found freedom’ as Ms Hewitt calls it. We have made it available at a special price for this list, along with reductions on the whole of her Hyperion back catalogue. The LSO Live Gergiev Mahler series continues with Symphony no.8 recorded in the mammoth acoustic of St Paul’s Cathedral. DG, in this Handel year, provide us with the first ever studio recording of his neglected Ezio, first performed in London in 1732 and a fine example of ‘opera seria’. For fans of the Gheorghiu/Alagna duo, there is a fascinating new world premiere recording on the Larghetto label (see page 8) of excerpts from a little known opera by Vladimir Cosma, Marius and Fanny, inspired by the writings of Marcel Pagnol. As always, we have negotiated reduced price offers - HM Gold, Praga, Delphian, Accord, Handel sets on Hyperion, EMI Gemini and British Composers, and the Medici Arts DVD catalogue. Make the most of them. -
Alla Zingarese August 5 and 6
Concert Program V: Alla Zingarese August 5 and 6 Friday, August 5 F RANZ JOSEph HAYDN (1732–1809) 8:00 p.m., Stent Family Hall, Menlo School Rondo all’ongarese (Gypsy Rondo) from Piano Trio in G Major, Hob. XV: 25 (1795) S Jon Kimura Parker, piano; Elmar Oliveira, violin; David Finckel, cello Saturday, August 6 8:00 p.m., The Center for Performing Arts at Menlo-Atherton HErmaNN SchULENBURG (1886–1959) AM Puszta-Märchen (Gypsy Romance and Czardas) (1936) PROgram OVERVIEW CharlES ROBERT VALDEZ A lifelong fascination with popular music of all kinds—espe- Serenade du Tzigane (Gypsy Serenade) cially the Gypsy folk music that Hungarian refugees brought to Germany in the 1840s—resulted in some of Brahms’s most ANONYMOUS cap tivating works. The music Brahms composed alla zinga- The Canary rese—in the Gypsy style—constitutes a vital dimension of his Wu Han, piano; Paul Neubauer, viola creative identity. Concert Program V surrounds Brahms’s lusty Hungarian Dances with other examples of compos- JOHANNES BrahmS (1833–1897) PROGR ERT ers drawing from Eastern European folk idioms, including Selected Hungarian Dances, WoO 1, Book 1 (1868–1869) C Hungarian Dance no. 1 in g minor; Hungarian Dance no. 6 in D-flat Major; the famous rondo “in the Gypsy style” from Joseph Haydn’s Hungarian Dance no. 5 in f-sharp minor G Major Piano Trio; the Slavonic Dances of Brahms’s pro- Wu Han, Jon Kimura Parker, piano ON tégé Antonín Dvorˇák; and Maurice Ravel’s Tzigane, a paean C to the Hun garian violin virtuoso Jelly d’Arányi. -
October 26, 2017: (Full-Page Version) Close Window
October 26, 2017: (Full-page version) Close Window WCPE's Fall Pledge Continues! Start Buy CD Stock Program Composer Title Performers Record Label Barcode Time online Number Sleepers, 00:01 Buy Now! Dvorak Piano Concerto in G minor, Op. 33 Firkusny/Saint Louis Symphony/Susskind MMG 7114 04716371142 Awake! 00:39 Buy Now! Mozart Oboe Concerto in C, K. 314 Koch/Berlin Philharmonic/Karajan EMI 69014 077776901428 01:01 Buy Now! Tchaikovsky Andante cantabile ~ String Quartet No. 1 in D, Op. 11 New Symphony Orchestra of London/Agoult Decca 289 466 710 028946671023 01:11 Buy Now! Bax Summer Music Ulster Orchestra/Thomson Chandos 8307 N/A 01:22 Buy Now! Borodin String Quartet No. 1 in A St. Petersburg String Quartet Sony 64097 074646409725 02:01 Buy Now! Weber Concertino in E flat for Clarinet & Orchestra, Op. 26 Meyer/Dresden State Orchestra/Blomstedt EMI 47351 077774735124 02:11 Buy Now! Glazunov Symphony No. 8 in E flat, Op. 83 Bavarian Radio Symphony/Jarvi Orfeo 093 201 N/A 02:50 Buy Now! Moreno Torroba Castles of Spain Christopher Parkening EMI 49404 077774940429 03:01 Buy Now! Mendelssohn Hebrides Overture, Op. 26 Vienna Philharmonic/Dohnanyi Decca 475 8089 028947580850 03:12 Buy Now! Vivaldi Recorder Sonata in G minor, RV 58 Camerata of Cologne Harmonia Mundi 77018 054727701825 03:22 Buy Now! Beethoven Piano Concerto No. 3 in C minor, Op. 37 Cliburn/Philadelphia Orchestra/Ormandy RCA 60419 090266041923 04:00 Buy Now! Mozart Serenade No. 9 in D, K. 320 "Posthorn" Academy of St. Martin-in-the-Fields/Brown Hanssler Classics 5180807 717794808025 04:41 Buy Now! Schubert Impromptu in A flat, D. -
Jan Panenka – Český Pianista a Pedagog
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra klavírní interpretace Hra na klavír Jan Panenka – český pianista a pedagog Diplomová práce Autor práce: BcA. Zuzana Bouřilová Vedoucí práce: doc. MgA. Vladimír Hollý Oponent práce: odb. as. Mgr. Helena Weiser Brno 2014 Bibliografický záznam BOUŘILOVÁ, Zuzana. Jan Panenka – český pianista a pedagog [Jan Panenka – Czech pianist and pedagogue]. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra klavírní interpretace, rok. 2014. Vedoucí diplomové práce doc. MgA. Vladimír Hollý. Anotace Diplomová práce Jan Panenka – český pianista a pedagog pojednává o významném českém pianistovi, který se značně podílel na propagaci české hudby, připomínal opomíjené nebo méně hrané skladatele u nás i v zahraničí a stal se předním interpretem Beethovenových klavírních skladeb. Po mnoho let byl sólistou České filharmonie a působil v jednom z předních komorních těles, Sukovu triu. V neposlední řadě se také zabýval pedagogickou činností. Práce obsahuje podrobný chronologický přehled jeho uměleckých aktivit, popis jeho interpretačních vlastností a pedagogických postupů, řadu dobových recenzí a rozhovorů. Annotation The thesis Jan Panenka - Czech pianist and pedagogue discusses the significant Czech pianist who greatly contributed to the promotion of Czech music, like a neglected composer or less played both at home and abroad and became a leading interpreter of Beethoven's piano pieces. For many years he was a soloist of the Czech Philharmonic Orchestra and worked in one of the leading chamber music ensembles, Suk Trio. Finally, he also dealt with the teaching activities. The work includes a detailed chronological overview of his artistic activities, a description of its properties interpretive and educational practices, a number of contemporary reviews and interviews. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
CM 2-10.Indd
czech music quarterly Jan Mikušek The Bartered Bride Jazz of the 50s and 60s 2 0 1 0 2 | CM 2-10 obálka strany.indd 1 21.6.2010 14:51:46 International Music Festival Radio Autumn 12|10>16|10>2010 www.radioautumn.cz 12| 10| Tue 7.30 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.30 pm| Bethlehem Chapel PRAGUE PREMIERS Contemporary Music Showcase Ferenc Liszt Concert of Laureates of Concertino Praga International Music Competition 2010 Hungarian Rhapsody No. 2 14| 10| Thu 7.30 pm| Martinů Hall Fryderik Chopin | Piano Concerto No. 2 Antonín Rejcha | Overture in D Major Béla Bartók Antonio Vivaldi | Guitar concerto Pavel Zemek (Novák) Dance Suite for orchestra Johann Sebastian Bach Concerto (Consonance) for Cello and Chamber Orchestra Maurice Ravel | La Valse Violin concerto in A minorr Wojciech Widłak | Shortly „on Line“ Wolfgang Amadeus Mozart Aleksander Nowak PRAGUE RADIO SYMPHONY Piano Concerto No. 23 Dark Haired Girl in a Black Sports Car ORCHESTRA Joseph Haydn | Symphony No. 45 „Farewell“ Tomáš Netopil | conductor Raminta Šerkšnytė Fairy Tale about the Little Prince Alexander Ghindin | piano COLLEGIUM OF PRAGUE RADIO SYMPHONY PLAYERS Erkki-Sven Tüür | Symphony No. 8 Tickets prices Alfonso Scarano | conductor 690, 490, 290, 90 CZK Veronika Hrdová | guitar CZECH CHAMBER PHILHARMONIC Julie Svěcená | violins ORCHESTRA PARDUBICE 13| 10| Wed 7.30 pm| Rudolfi num - Dvořák Hall Anastasia Vorotnaya | piano Marko Ivanovič | conductor Tickets prices Tickets prices Bedřich Smetana 290, 190, 90 CZK 150, 100 CZK Šárka, symphonic poem Witold Lutoslawski | Cello concerto 16| 10| Sat 7.00 pm| Rudolfi num - Dvořák Hall 15| 10| Fri 7.00 pm| Martinů Hall Zygmunt Noskowski Wojciech Kilar | Orawa for string orchestra Eye of the Sea, symphonic poem Wojciech Kilar Ignacy Jan Paderewski Leoš Janáček Ricordanza for string orcherstra Piano Concerto in A Minor Taras Bulba, rhapsody for orchestra Anatolius Šenderovas Antonín Dvořák | Symphony No. -
82890-5 First Book Dvorak Jb.Indd 3 8/22/18 12:09 PM Pastorale from Czech Suite Op
Contents Author’s Note i v Pastorale 1 Kyrie 2 Symphony No. 9, Mvt. IV (Theme) 3 Silhouettes 4 String Quintet No. 12 5 Prague Waltzes 6 Romance 7 Symphony No. 8, Mvt. IV (Theme) 8 Waltz 9 Romantic Pieces 1 0 Symphony No. 9, Mvt. I (Theme) 1 1 Song to the Moon 1 2 In a Ring! 1 4 Bacchanale 1 6 Songs My Mother Taught Me 1 7 Mazurka 1 8 Cypresses 2 0 Cello Concerto 2 1 Grandpa Dances with Grandma 2 2 Mazurka 2 4 Stabat Mater 2 6 The Question 2 7 Chorus of the Water Nymphs 2 8 Capriccio 2 9 The Water Goblin 3 0 Ballade 3 1 Serenade for Strings 3 2 Dumka 3 3 The Noon Witch 3 4 Symphony No. 9, Mvt. II (Largo) 3 6 Serenade for Wind Instruments 3 7 Slavonic Dances 3 8 Violin Concerto Mvt. I 3 9 Violin Concerto Mvt. II 4 0 Six Piano Pieces 4 2 Humoresque 4 4 82890-5 First Book Dvorak jb.indd 3 8/22/18 12:09 PM Pastorale from Czech Suite Op. 39 A pastorale is a musical composition intended to evoke images of nature and the countryside. This rustic melody is supported by a static left hand playing an open fifth (C–G). The effect is known as a drone and is reminiscent of old folk instruments. 1 82890-5 First Book Dvorak jb.indd 1 8/22/18 12:09 PM Kyrie from Mass Op. 86 The Kyrie is the traditional first movement of the Mass. -
Mise En Page 1
Cover and back cover: YELLOW MAGENTA CYAN BLACK Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 1 marti n˚u robert kolinsky , piano vladimir ashkIesnmaozy Eskelinen sinfonieorchester basel Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 2 Bohuslav Martin u˚ in Paris (1932) Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 3 BOHUSLAV MARTI NU˚ (1890–1959) 1 Overture , H. 345 (1953) 6’30 Concerto for piano and orchestra No. 2 , H. 237 (1934) 21’13 2 I. Allegro moderato 8’22 3 II. Poco andante 6’31 4 III. Poco allegro 6’21 Les Fresques de Piero della Francesca , H. 352 (1955) 19’05 5 I. Andante poco moderato 7’40 6 II. Adagio 6’06 7 III. Poco allegro 5’19 Concerto for piano and Orchestra No. 4 “Incantation” , H. 358 (1956) 18’33 8 I. Poco allegro 8’56 9 II. Poco moderato 9’37 3 [65’54] ROBERT KOLINSKY , piano (2–4, 8–9) Sinfonieorchester Basel VLADIMIR ASHKENAZY Produced in association with Internationale Musikfesttage B. Martin u˚, Basel Publishers: Éditions Max Eschig (Overture), Panton International (Piano Concerto No. 2), Universal Edition (Les Fresques), Edition Bärenreiter (Piano Concerto No. 4) Recordings: Musiksaal Stadtcasino Basel, 29 & 30 October 2005 (live; 1–7) & 23 January 2007 (8–9) Executive Producer: Reijo Kiilunen Recording Producer: Andreas Werner Recording Engineer: Jakob Händel Digital Mastering: Enno Mäemets Piano Technician: Heinz Becker P 2009 Ondine Inc., Helsinki © 2009 Ondine Inc., Helsinki Booklet Editor: Jean-Christophe Hausmann Cover Photo: Alberto Venzago (Vladimir Ashkenazy, Robert Kolinsky) Photos of Bohuslav Martin u˚ reproduced with the kind permission of the Bohuslav Martin u˚ Centre/ Poli cˇka Cover Design and Booklet Layout: Eduardo Nestor Gomez Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 4 n November 1953, within just five days, Bohuslav Martin u˚ (1890 Poli cˇka, Bohemia – 1959 Liestal, Switzerland) composed the Overture H. -
Czech Music Culture in London and Post-1989 Developments in Czechoslovakia at the Time
International Journal of Arts and Commerce ISSN 1929-7106 www.ijac.org.uk CZECH MUSIC CULTURE IN LONDON AND POST-1989 DEVELOPMENTS IN CZECHOSLOVAKIA AT THE TIME Markéta Koutná Univerzita Palackého v Olomouci, Filozofická Fakulta, Katedra muzikologie Czech Republic E-mail: [email protected] Abstract: The study deals with Czech-London musical relations, particularly Czech music culture in London within the context of cultural, social and political change in 1989. An analysis of the opera, chamber music, and symphonic production of Czech music in London between 1984 and 1994 identifies how and whether the Czechoslovak Velvet Revolution affected the firm position that Czech music culture had held in the capital of the United Kingdom. Key words: Czech musical culture, London, emigration, composers, the Velvet Revolution, 1989 The musical relations between the Czechs and London represent an important current issue. As the capital of the United Kingdom, London naturally takes the lead within the British cultural scene. With its population, budget, and institutional capacities, it is one of the world’s major social and cultural centres, and thanks to the high interest of London-based institutions in Czech music, it is also one of the world's top producers of Czech music. The current research examines how, if at all, the events of November 1989 influenced the position of Czech musical culture in London and the relationship between Czech and London musicians. I became interested in this issue while researching data for my dissertation on Czech musical culture in London.1 Using the specific example of interpretations of Czech opera, chamber music and 1 The study is a part of the student grant project IGA_FF_2015_024 Influence of the Velvet Revolution on Czech Musical Culture in London and all the data used in the study draw on the author’s research for her dissertation Czech Musical Culture in London Between 1984 and 1994.