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CUMULATIVE INDEX to Czech Music and Other Society Journals: 1974-1994 Abstracted by Richard Beith Issue 2 July 1995 INTRODUCTION The Dvořák Society has always published a journal since the Society was founded in 1974. In the early years, the format and title changed frequently, but the name Czech Music has been used since 1978 and the familiar A5 format has been in use since 1980. Journal size has varied from the first issue, a single sheet of foolscap, printed on both sides, to the latest issue with 192 A5 size pages. Up until the Autumn 1987 issue, Czech Music also contained the “current information” listing concert dates, latest record news and forthcoming Society events. Since 1988 the entirely separate Newsletter has been published to cover such “current information”. Ephemeral items such as crosswords, concert announcements and new record issue news are omitted from the index, particularly such information appearing in the Journals prior to 1988, i.e. before the introduction of the separate Newsletter. The titles of articles, as printed, have occasionally been expanded by additional explanations in parenthesis. For example, “Music to Dismember” referring to cuts in live performances of Dvořák’s works now has the added comment: (Performance Cuts). Titles of musical works have generally been left in the language of the original articles, Czech, English or Slovak as appropriate. As the journals have not been given continuous pagination within one volume, i.e., as every separate issue starts with a page 1, a very full reference is given, egg: “March 74 1:1:1” = March 1974 issue, Volume 1, No 1, article starting on page 1; Summer 1993 18:1:87 = Summer 1993 issue, Volume 18, No 1, article starting on page 87. All articles and reviews are listed in date order of appearance under each heading or sub-heading. The Index is presented in three sections: (a) Articles by subject (b) Record reviews by composer (c) Authors of articles - 1 - PUBLISHING HISTORY Dates Title Editor(s) References March/April 1974 “Newsletter” Dv.Soc.G.B. Don Droughton Vol 1 No.1 June 1974/Feb 1975 “Journal” of the Dv.Soc.G.B Don Droughton Vol 1 No 2-5 April/Dec 1975 “Zpráva” • Journal Dv.Soc.G.B Ian T Trufitt Vol 2 No 1-5 March/June 1976 - " - Anon. Vol 2 No 6 - Vol 3 No 1 Jan 1977/Jan 1978 - " - H Ian Watt Vol 3 No2 - Vol 4 No 1 April 1978/ Spring 1988 “Czech Music” - J. Dv.Soc.G.B. H Ian Watt (*) Vol 4 No 2 - Vol 14 No 1 H Ian Watt & G Autumn 1988 - " - Vol 14No2 Melville-Mason Spring 1989/Winter 1994 - " - G Melville-Mason Vol 15 No 1- Vol 18 No 2 (*) Vol 5 No 1 produced by Mark Todd, Vol 5 No 2 - Vol 6 No 1 produced by Roger Apps and Vol 6 No 2 produced by Mark Todd and Roger Apps while the Editor was abroad. ISSUES AND PAGES PER ANNUM Year Issues total no of pages 1974 4 40 1975 6 88 1976 2 34 1977 4 75 1978 4 72 1979 3 68 1980 2 34 1981 4 68 1982 4 60 1983 4 60 1984 4 68 1985 2 36 1986 2 36 1987 2 32 1988 2 60 1989 2 76 1890 2 100 1991 1 52 1992 1 80 1993 1 108 1994 1 192 - 2 - CUMULATIVE INDEX: SECTION (a): ARTICLES Book reviews Book reviews are given in date order under each sub-heading. Each entry follows the style: Title and Author (Publisher) (Reviewer) Journal reference - Dvořák “Dvořák” by John Clapham (David & Charles) (Anon) Jan 1980 6:1:4 Which Dvořák Book? (John Clapham) Oct 1982 8:4:10 “Dvořák in Love” by Josef Skvorecký (Chatto & Windus) (Ian Watt) Winter 1986 12:2:11 “Dvořák and His World” by Michael Beckerman (Ed) (Princetown Univ P) (G Melville-Mason) Winter 1994 18:2:145 “Antonín Dvořák, My Father” by Otakar Dvořák (Czech Historical Research Centre) (G Melville-Mason) Winter 1994 18:2:148 “Dvořák a Anglie” by Jitka Slavíková (Paseka) (Karel Janovický) Winter 1994 18:2:152 “Dvořák in America 1892-1895” by John C Tibbetts (Ed) (Amadeus Press) (G Melville-Mason) Winter 1994 18:2:153 - Janáček “Káťa Kabanová” by John Tyrrell et al (Cambridge Univ. Press) (Anon) July 1982 8:3:14 “The First Editions of Leos Janáček” by Nigel Simeone (Hans Schneider Verlag) (G Melville-Mason) Summer 1992 17:2:49 “Janáček’s Operas, A Documentary Account” by John Tyrrell (Faber and Faber) (G Melville-Mason) Summer 1993 18:1:75 “Intimate Letters: Leos Janáček to Kamila Stösslová” by John Tyrrell (Ed) (Faber and Faber) (G Melville-Mason) Winter 1994 18:2:155 - Others Fact and Fiction about Czech Composers (John Clapham) Spring 198713:1:9 “Czech Opera” by John Tyrrell (Cambridge Univ. Press) (G Melville-Mason) Spring 198915:1:33 “Antonín Rejcha - A Biography and Thematic Catalogue” by Olga Šotolová (Alfred A Kalmus Ltd) (G Melville-Mason) Summer 1992 17:2:51 “Three Choirs - A History of the Festival” by Anthony Boden (Alan Sutton Publishing) (Richard Beith) Summer 1993 18:1:72 “Czech Music in the Web of Life” by Jana Marhounová (Empatie) (G Melville-Mason) Winter 1994 18:2:150 Burghauser Jarmil Burghauser - the composer at 60. A birthday tribute (H Alan Houtchens) Oct 1981 7:4:4 and Jan 1982 8:1:8 Clapham John Clapham: A birthday tribute (and bibliography) (Jarmil Burghauser) July 1978 4:3:4 John Clapham: An 80th Birthday tribute (Jarmil Burghauser) Autumn 198814:2:3 Concert Reviews - general Prague SO/Bělohlávek, RFH, London. (Roger Apps) July 1980 6:2:7 Moravian Teachers’ Choir/Lumír Mátl at Walthamstow (Mark Todd) Oct 1980 6:3:4 Czech Philharmonic/V Neumann (RFH, London) (Mark Todd) April 1983 9:2:5 Philharmonja/Pešek (RFH, London) (Roger Apps) Winter 1985 11:2:4 The October Celebration (of Czech and Slovak Music, in London) (Margot Leigh Milner) Winter 1985 11:2:6 LPO/Freeman (Croydon) (Mark Todd) Spring 198612:1:5 New Orchestra Features Czech music (New London Orch/Ronald Corp) (G Melville-Mason) Spring 198814:1:5 Concert of Czech Music (Leighton House, London) (G Melville-Mason) Spring 198814:1:7 Radoslav Kvapil at Walthamstow (G Melville-Mason) Autumn 1988 14:2:29 Dvořák - Early life Concerning one of the Myths about Dvořák: Dvořák the Apprentice Butcher (Jarmil Burghauser) Summer 1993 18:1:17 The Beginnings of Dvořák’s Musical Education (Jarmil Burghauser) Winter 199418:2:32 - Concert reviews Second Annual Dvořák Birthday Concert (Wigmore Hall) (K J Low) November 1975 2:4:8 - 3 - Fifth Symphony (London) (Roger Apps) April 198410:2:5 The Spectre’s Bride (Basildon) (Shawn Pullman) Winter 1985 11:2:4 - and Great Britain Dvořák and Elgar (P L Scowcroft) Sept 19741:3:6 Dvořák and the Philharmonic Society (of London) (John Clapham) April 1975 2:1:7 and June 1975 2:2:7 Dvořák in the (English) Midlands (Marie Burg) July 1977 3:4:14 Dvořák and Yorkshire (P L Scowcroft) Jan 1978 4:1:11 How Dvořák Learned English (Jitka Slavíková) July 1984 10:3:6 Dvořák’s Visit to Stratford (upon-Avon) (Jitka Slavíková) July 1984 10:3:15 A New Dvořák (Re)Discovery (Composer’s conducting copy of 8th Symphony in RCM Library, London) (Jitka Slavíková & G Melville-Mason) Autumn 1988 14:2:28 Dvořák and Elgar (Graham Melville-Mason) Autumn 1991 17:1:30 Sir Thomas Beecham and Antonín Dvořák (G Melville-Mason) Summer 1992 17:2:44 - and Opera Dimitrij at the 1973 Brno Festival (Harold Rosenthal) August 1975 2:3:12 Armida – Dvořák’s wrong turning? (Jan Smaczny) Octr 1977 3:5:10 Jakobín in Switzerland (E Herzog) April 1978 4:2:8 Dimitrij at Nottingham (Andrew Hubbard) Oct 1978 4:4:6 Rusalka (ENO, London) (Robert Milnes) April 1983 9:2:6 How Rusalka became Czech (John Tyrrell) Autumn 1988 14:2:18 A Concert Version of Dvořák’s Opera Dimitrij (Jitka Slavíková) Spring 198915:1:30 Dvořák’s Rusalka on Film and Video (Jiří Pilka) Winter 1990 16:2:39 - and the USA Dvořák and Spilville (W Wheelock) November 1975 2:4:6 Spilville (Iowa) (Anon) April 1979 5:2:4 The National Dvořák Festival, Spilville, Iowa (Warren Wheelock) July 1980 6:2:5 Antonín Dvořák (lecture given Chicago, 4 Oct 1961, for 120th anniversary of composer’s birth) (Karel Boleslav Jirák) Jan 1981 7:1:8 and April 1981 7:2:9 Dvořák’s American (financial) Ordeal (John Clapham) Summer 1985 11:1:10 and Winter 1985 11:2:9 Tracking the Wrong Indians: A Case of Mistaken Identity (The “Indians” at Spilville) (Peter Alexander) Winter 1994 18:2:52 The Dvořák Myths in Spilville (Harvey Klevar and Paul Polansky) Winter 1994 18:2:64 What’s American about Dvořák’s “American” Quartet and Quintet? (Hartmut Schick) Winter 1994 18:2:72 On the Real Value of Yellow Journalism: James Creelman and Antonín Dvořák (Michael Beckerman) Winter 1994 18:2:83 Dvořák in a New Role [Dvořák and the Economic Depression of 1883] (John Clapham and G Melville-Mason) Winter 1994 18:2:100 - Various Music to Dismember (Performance cuts) (H F Maybank) Sept 1974 1:3:3 The Sacred Music of Dvořák (W Wheelock) Feb 1975 1:5:13 Dvořák’s youthful Cello Concerto (J Burghauser) Dec 1975 2:5:9 The last two (String) Quartets (John Beale) June 1976 3:1:16 Dvořák’s dilemma over the Cello Concerto (John Clapham) April 1977 3:3:11 Joachim’s admiration for Dvořák (John Clapham) Jan 1978 4:1:8 A Delightful Dvořák letter (re.
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    Cover and back cover: YELLOW MAGENTA CYAN BLACK Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 1 marti n˚u robert kolinsky , piano vladimir ashkIesnmaozy Eskelinen sinfonieorchester basel Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 2 Bohuslav Martin u˚ in Paris (1932) Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 3 BOHUSLAV MARTI NU˚ (1890–1959) 1 Overture , H. 345 (1953) 6’30 Concerto for piano and orchestra No. 2 , H. 237 (1934) 21’13 2 I. Allegro moderato 8’22 3 II. Poco andante 6’31 4 III. Poco allegro 6’21 Les Fresques de Piero della Francesca , H. 352 (1955) 19’05 5 I. Andante poco moderato 7’40 6 II. Adagio 6’06 7 III. Poco allegro 5’19 Concerto for piano and Orchestra No. 4 “Incantation” , H. 358 (1956) 18’33 8 I. Poco allegro 8’56 9 II. Poco moderato 9’37 3 [65’54] ROBERT KOLINSKY , piano (2–4, 8–9) Sinfonieorchester Basel VLADIMIR ASHKENAZY Produced in association with Internationale Musikfesttage B. Martin u˚, Basel Publishers: Éditions Max Eschig (Overture), Panton International (Piano Concerto No. 2), Universal Edition (Les Fresques), Edition Bärenreiter (Piano Concerto No. 4) Recordings: Musiksaal Stadtcasino Basel, 29 & 30 October 2005 (live; 1–7) & 23 January 2007 (8–9) Executive Producer: Reijo Kiilunen Recording Producer: Andreas Werner Recording Engineer: Jakob Händel Digital Mastering: Enno Mäemets Piano Technician: Heinz Becker P 2009 Ondine Inc., Helsinki © 2009 Ondine Inc., Helsinki Booklet Editor: Jean-Christophe Hausmann Cover Photo: Alberto Venzago (Vladimir Ashkenazy, Robert Kolinsky) Photos of Bohuslav Martin u˚ reproduced with the kind permission of the Bohuslav Martin u˚ Centre/ Poli cˇka Cover Design and Booklet Layout: Eduardo Nestor Gomez Booklet_Martinu_ODE_1158:Livret Philadelphia 10/09/09 16:38 Page 4 n November 1953, within just five days, Bohuslav Martin u˚ (1890 Poli cˇka, Bohemia – 1959 Liestal, Switzerland) composed the Overture H.
  • Czech Music Culture in London and Post-1989 Developments in Czechoslovakia at the Time

    Czech Music Culture in London and Post-1989 Developments in Czechoslovakia at the Time

    International Journal of Arts and Commerce ISSN 1929-7106 www.ijac.org.uk CZECH MUSIC CULTURE IN LONDON AND POST-1989 DEVELOPMENTS IN CZECHOSLOVAKIA AT THE TIME Markéta Koutná Univerzita Palackého v Olomouci, Filozofická Fakulta, Katedra muzikologie Czech Republic E-mail: [email protected] Abstract: The study deals with Czech-London musical relations, particularly Czech music culture in London within the context of cultural, social and political change in 1989. An analysis of the opera, chamber music, and symphonic production of Czech music in London between 1984 and 1994 identifies how and whether the Czechoslovak Velvet Revolution affected the firm position that Czech music culture had held in the capital of the United Kingdom. Key words: Czech musical culture, London, emigration, composers, the Velvet Revolution, 1989 The musical relations between the Czechs and London represent an important current issue. As the capital of the United Kingdom, London naturally takes the lead within the British cultural scene. With its population, budget, and institutional capacities, it is one of the world’s major social and cultural centres, and thanks to the high interest of London-based institutions in Czech music, it is also one of the world's top producers of Czech music. The current research examines how, if at all, the events of November 1989 influenced the position of Czech musical culture in London and the relationship between Czech and London musicians. I became interested in this issue while researching data for my dissertation on Czech musical culture in London.1 Using the specific example of interpretations of Czech opera, chamber music and 1 The study is a part of the student grant project IGA_FF_2015_024 Influence of the Velvet Revolution on Czech Musical Culture in London and all the data used in the study draw on the author’s research for her dissertation Czech Musical Culture in London Between 1984 and 1994.