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Special Wuhan Composition Makes European Debut
18 | Monday, February 24, 2020 HONG KONG EDITION | CHINA DAILY LIFE Museums exhibit tech Shows of solidarity nous for home users XI’AN — Li Bin, an avid visitor of museums from the northwestern Chinese city of Xi’an, has never had a better view of the upholstery of a chair in Beijing’s Palace Museum. Sitting comfortably at home and putting on a device featuring virtual reality technology, Li toured the museum through its online exhibi- tion program, getting an up-close and personal view of the precious exhibits presented in crystal-clear 3D. “During a field trip to the Palace Museum, it can be tough to visit some of its hidden places and view all of the palace decorations in detail,” says Li. “VR technology has made these expe- The nation’s performing arts riences possible.” Amid the coronavirus outbreak, industry is working hard to many museums and galleries in Chi- na have been closed to visitors to pre- lessen the potential financial vent the spread of the epidemic. impact of COVID-19, as well as However, they have launched or repackaged various online exhibi- using technology to serve tions to provide a satisfactory touring audiences as best it can now, experience for the country’s vast number of stay-at-home visitors. Chen Nan reports. In Chongqing in Southwest China, the Chongqing China Three Gorges Museum and the Chongqing Natural History Museum are among those offering exhibitions online. Visitors can find audio guides to nevitably, the novel coronavi- promoting charity performances According to Zheng Honglin, who more than 30 exhibitions and videos rus outbreak has had a mas- and offering free shows to medical is in charge of Gong’s program, it is on 10 others through CCTGM’s offi- sive impact on China’s workers on the front line of the about training young talent to cial account on WeChat during their performing arts market. -
2015 Next Wave Festival DEC 2015
2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian. -
October 2017 New Releases
new releases october 2017 2 LABELS p.9 p.30 p.10 p.30-32 p.10-17 p.32-33 p.17-19 p.33 p.19-20 p.68 p.21 p.34 p.21 p.35 p.22-23 p.36 p.65-67 p.36 p.23 p.37 p.24 p.25-26 p.38-39 p.27-28 p39 p.28 p.68-69 p.28-29 p.39 p.29 p.40-41 LABELS p.41 p.69-70&74 see attachment p.52-53 p.73 p.41-42 p.54 p.43 see attachment p.54 p.54-55 p.43-44 p.55 p.45 p.56 p.45 p.56-58 p.58-60 p.46-47 p.47-48 p.61 p.48-49 p.49-50 p.51 BREAKING NEWS Hello everybody, Starting October Outhere Music will do the honour to distribute our label in the Benelux. Then we would like to introduce you briefly Bonsaï Music. Bonsaï Music takes its first steps in 2004 in the music industry and has been quickly catalogued as a “Jazz record label”. However this image is a little simplistic because we believe that “Jazz” is more a musical philosophy than a specific musical genre. For thirteen years our work consisted in reconciling jazz and popular music and then promote and release Artists albums that can be enjoyed by jazz fans and lay people with this musical genre. The characteristics that most defines Bonsaï Music is our constant search of melody and/or great voices. -
WIN TOGETHER 32 His Keen Interest in Detecting Criminal Cases
WIN TOGETHER 32 his keen interest in detecting criminal cases. Hu Yuhai fleeing away "A family with coldness and warmness, a kind of worry and a after causing one dead in a group affray shocks Qu Erqun heavily. loyal heart, all of them light tens of thousands of households; Safety He begins to reflect profoundly and was determined to pay back of a place, devotion of a life and a bleeding heart, all of them bring the debt he owed to Xihu citizens by his practical actions of chasing the repay of tens of thousands of citizens…" The manly and virile, and and arresting Hu Yuhai. He walks into the masses and helps those in passionate and high-pitched theme song Good Policeman is sung by poverty or trouble, helping them out of worries and problems, and Han Lei for the first time; Tan Jing, a famous female singer expressed finally wins the trust and esteem of the people. While Hu Yuying, with deep emotions the internal monologue of one that is alone and who used to fight in cold wars with Qu Erqun is also touched by him helpless in the song entitled Have a Clear Conscious at the end of the at last and leads him to the far Northwest to search for her brother play: "Walking in the rain alone, and who can I lean against? Standing Hu Yuhai.The true image of a grassroots "local policeman" who is in the wind alone, and I am most in need of comfort tonight!Looking smart, patient, helpless, earnest and kind in serving the people is for youth alone, but the youth is always drenched by the rain and vividly displayed on the screen. -
De La Música Tradicional De China. Selección
Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China. -
Official Guide 21 June to 9 September
<^]S^]" !"6TbcXeP[ Official guide 21 June to 9 September Welcome to the London 2012 Festival! When the UK won the bid for the 2012 Olympic and Paralympic Games, we promised that this ‘once in a lifetime’ event would include a great cultural programme that could involve people nationwide. When we are asked why, we go back to the example of Ancient Greece, where the Olympic Games included artists as well as athletes. As recently as the London 1948 Games, artists were awarded medals along with the athletes. This Festival has invited artists from all over the world to create amazing events from Shetland to Cornwall, from Enniskillen to Edinburgh, from Hackney to Hadrian’s Wall – with more than 10 million FREE opportunities to take part. The Festival would not be possible without our cultural and community partners throughout the UK. But most of all, it simply would not have happened without our great funding partners and sponsors. We offer our huge thanks to them for what we hope will be a fantastic Festival for the Olympic and Paralympic Games. 9]bXSTcWTVdXST 5 Have a fabulous Festival 6 The Director’s cut Director Ruth Mackenzie gives a taste of the Seb Coe Tony Hall Festival programme Chair, London 2012 Chair, Cultural Organising Committee Olympiad Board 8 Where will you be on 21 June? Four sensational performances taking place on opening day The London 2012 Festival is only possible thanks to the exceptional 12 The unforgettable and generous support of our funders, sponsors and partners. We summer of 2012 are enormously grateful to the -
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Cork Open Research Archive Title Sounding the Bromance: The Chopstick Brothers' 'Little Apple' music video, genre, gender and the search for meaning in Chinese popular music Author(s) Stock, Jonathan P. J. Publication date 2016-01 Original citation Stock, Jonathan P. J. (2016) 'Sounding the Bromance: The Chopstick Brothers' 'Little Apple' music video, genre, gender and the search for meaning in Chinese popular music'. Journal Of World Popular Music, 3 (2):167-196. doi: 10.1558/jwpm.v3i2.32607 Type of publication Article (peer-reviewed) Link to publisher's https://journals.equinoxpub.com/index.php/JWPM/article/view/32607 version http://dx.doi.org/10.1558/jwpm.v3i2.32607 Access to the full text of the published version may require a subscription. Rights © Equinox Publishing Ltd 2017, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX. Embargo information Access to this article is restricted until 12 months after publication by the request of the publisher. Embargo lift date 2018-01-31 Item downloaded http://hdl.handle.net/10468/3852 from Downloaded on 2018-08-23T18:35:31Z 1 Name & Contact Details Prof. Jonathan P. J. Stock Head, Department of Music University College Cork Sunday’s Well Road Cork, Ireland +353 21 4904535 (t) [email protected] (e) University College Cork Brief Biography Jonathan P.J. Stock is Professor and Head of Music at University College Cork. A former chair of the British Forum for Ethnomusicology, he’s currently co-editor of Ethnomusicology Forum and an Executive Board Member of the International Council for Traditional Music. -
Storyteller in Song
20LIFEMonday, July 24, 2017 CHINA DAILY » CHINADAILY.COM.CN/LIFE STORYTELLER IN SONG Cloud River Mountain, a collaborative work by four Western composers, is based on Chinese myths and legends and features the expressive voice of Chinese folk singer Gong Linna. Chen Nan reports. ne day in 2011, while on a tour of China with four other international Ocomposers, the American composer Michael Gordon We had an amazing walked into a small music experience of store filled with televisions, all playing different music videos. cross-cultural One in particular caught his attention. It was Gong Linna, a musical Chinese folk singer known for her expressive voice. communication.” “I had never seen or heard anything like Gong Linna and Gong Linna, folk singer I was deeply impressed by her performance artistry,” recalls Gordon, who, through hand than I expected,” says Zol- signals, asked the store owner litsch. to write down the name of the He also brought Chinese artist. sheng (a traditional Chinese A few days later, Gordon wind instrument) player Nie attended a symposium on con- Yunlei to the project for the temporary Chinese music, and first time. one of the speakers was the “When the sound of the German composer Robert Zol- sheng was mixed with Western litsch, Gong’s husband. instruments, such as an elec- Gordon and Zollitsch kept tric guitar and clarinet, it func- in touch and decided to tioned as a secret ingredient, explore the possibilities of powerful and very Chinese,” cooperation. says Zollitsch. Along with fellow compos- The German composer ers, Julia Wolfe — his wife— grew up in Munich, Germany, and David Lang, Gordon is the and came to China on a schol- co-founder of Bang on a Can, a arship to study guqin (the Chi- New York-based musical orga- nese seven-stringed zither) in nization, which is known for Shanghai in 1993. -
The Glimmerglass Festival
A 2017 Guide FEATURE ARTICLE Training Opera’s Next Generation A Tale of Two Festivals April 2017 Festivals Editor’s Note In our largest and most varied Guide to Summer Festivals yet, we focus on a common thread: training the next generation of performers and the artistic personnel who support them. At many festivals, young artists receive private lessons, coaching sessions, master classes, or all of the above during the day. By night they are either performing, observing the seasoned pros who train them by day, or a combination of the two. But honing or developing the skills of tomorrow’s generation of musicians is only part of the equation. It’s summertime, after all, and while the living may not exactly be “easy,” it’s certainly a lot more relaxed than during the season or school year. Consider the difference between waiting in the green-room line post-concert A 2017 Guide to shake the maestro’s hand vs. running into him in the festival cafeteria line, or at the local pub after the concert, or on a morning jog. Such is the kind of cross-fertilization for which festivals are known, and one of the reasons they are such ideal settings for rising artists. Sometimes the trainees are fully integrated into the schedule, such as at the Santa Fe Opera, where young artists are featured, often in leading roles. Sometimes they work independently of the main event, such as at Tanglewood, where the Tanglewood Music Center Orchestra, for instance, is comprised entirely of TMC Fellows and plays its own concerts, alongside the center-stage Boston Symphony Orchestra (whose members form much of the faculty). -
China Pop Love, Patriotism and the State in China’S Music Sphere
115 CHINA POP LOVE, PATRIOTISM AND THE STATE IN CHINA’S MUSIC SPHERE ANDREAS STEEN Popular culture in China is highly dynamic, involving individuals and private companies, both local and international, as well as state-governed institutions. The mass media and new communication technologies naturally play an impor- tant role in production, selection and dissemination, while also increasing in- teraction with international trends and standards. Sheldon H. Lu underscores popular culture’s importance in today’s China by emphasizing that it is “a dein- ing characteristic of Chinese postmodernity”.1 To him, three factors are crucial, namely it’s potential to undermine the censorship and “hard-line” cultural he- gemony of the Chinese Communist Party (CCP), its rise as a “major player in the commodiication process,” and “its sugar-coated apoliticism, [which] paciies the masses and represses the memory of China’s political reality” (ibid.). Popular cul- ture, therefore, is the battleground of various ideologies, forces and interests. Its ambivalent and complex entanglement with politics, society and the musical in- dustry is also addressed in the work of other scholars, such as Kevin Latham, who expresses that “understanding Chinese popular culture very often requires care- ful attention to how precisely the state is involved in and related to forms of social and cultural activity and practices. Popular culture does not exist outside of or in contrast to the state but very often in a constant and evolving dialogue with it.”2 This article looks at both conlicts and dialogue in the realm of popular music and attempts to lay out the main contours of China’s current popular music scene. -
Isolation and Identification of Components From
ISOLATION AND IDENTIFICATION OF COMPONENTS FROM IXERIS SONCHIFOLIA HANCE AS POTENTIAL ANTI-STROKE AGENTS ZHANG YAOCHUN B.Sc. (Pharm.), Shandong University M.Sc. (Pharm.), Peking Union Medical College A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF PHARMACY NATIONAL UNIVERSITY OF SINGAPORE 2010 Acknowledgement I would like to express my sincere gratitude to my dear supervisor Dr Chew Eng-Hui for her continuous encouragement, wise advice and kind support. Her support, understanding, advice and mentoring have helped guide me through my doctoral program and my dissertation. Without her, none of this would have been possible. I know that I will continue to benefit from her advice and the skills that she has helped me achieve for the rest of my career. Deep appreciation also goes to my co-supervisor Dr Ng Ka-yun for his great help throughout the Ph.D project. Special thanks to Dr Chui Wai Keung for his kind agreement for me to use his HPLC equipment, and Dr Koh Hwee Ling for her kind agreement for me to use her Blood Coagulation Analyzer. Their expertise advice on equipment techniques and analyzing methods accelerated my research progress. A big thank-you owned to Dr Keith Rogers from Institute of Molecular and Cell Biology, who helped me process the tissue immunohistological staining. I would like to thank Dr Chan Lai Wah and Dr Go Mei Lin for their valuable guidelines on my Ph.D candidature and graduate study. Thanks to the department lab technicians namely, Ms Ng Sek Eng, Ms Ng Swee Eng, Mdm Oh Tang Booy, Ms Wong Meiyin, Ms Lye Peypey and Mr Goh Minwei.