FEBRUARY 2016 WELCOME

Welcome to the US Open: the thrilling and unforgettable setting for Anna Ziegler’s The Last Match. This world premiere production marks the culmination of The Old Globe’s long and fruitful relationship with Anna’s play. We included an early version of the script in last season’s New Voices Festival, our annual reading series that brings the best new American writing to San Diego. The reading was a tremendous success; we all fell in love with the play—as did the audience— and we quickly programmed it in our 2015-2016 season. To support the play as it moved toward a full production, we DOUGLAS GATES worked closely last summer on a two-week Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. development process for the show with New York Stage and Film, a theatre specializing in new play development and a company with whom we frequently partner on new works. And finally, after more than a year of collaboration, we have the special pleasure of bringing you the world premiere of this funny, fiercely intelligent, and deeply moving play.

That pleasure is only deepened by the return of director Gaye Taylor Upchurch, who oversaw our 2014 production of Laura Marks’s Bethany on this same stage. GT’s sharp eye, impeccable staging, and deep emotional intelligence make her the perfect leader for this process.

Anna herself comes to the Globe fresh off the West End run of her critically acclaimed play Photograph 51, a production that marked the return of actress Nicole Kidman to the stage after 17 years. Anna’s work continues to receive national and international recognition, and we’re delighted to welcome her to the Globe family.

Like the tennis players in The Last Match, these two women are among the best in their field, and they’ve brought their A game for this spectacular event. We hope you enjoy the show!

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS PRODUCTION SPONSORS EXTRAORDINARY LEADERSHIP

TERRY ATKINSON Terry Atkinson serves as a member of The Old Globe’s Board of Directors and is a new Since the founding of The Old Globe in 1935, heroic leadership has made The following individuals and organizations, recognized for their production sponsor in 2016. Terry’s career spans more than 40 years of leading world-class the theatre a cultural icon in San Diego and a forerunner in the American tremendous cumulative giving, comprise a special group of friends financial institutions from UBS Municipal Securities to Morgan Stanley, heading the latter’s theatre. Many individuals have paved that way and enabled the theatre’s who have played leading “behind-the-scenes” roles, helping create the company’s West Coast infrastructure group. Currently, he is CEO of Atkinson Management extraordinary success, and the Globe would like to recognize and honor productions on the three stages, programs in the community, and our Consulting. He is a graduate of San Diego State University, where he earned both his Bachelor’s its most generous and committed philanthropists who have helped make influence beyond this region. and Juris Doctorate degrees, and he is currently on the boards of the Campanile Foundation that possible. and Worldreader, a not-for-profit organization with the mission of providing digital books to — $25 million and higher — children and families in the developing world. While actively working in investment banking, Donald* and Darlene Shiley he involved himself with many charitable efforts such as the Harlem Day School and Sheltering

Arms, a shelter for women and children. He also was PaineWebber’s national lead for the Juvenile — $11 million and higher — Diabetes Foundation. Conrad Prebys | San Diego Commission for Arts and Culture

— $8 million and higher — PAULA AND BRIAN POWERS Karen and Donald Cohn | Sheryl and Harvey White Paula and Brian Powers are pleased to sponsor the world premieres of The Last Match and Rain. Paula joined the Globe’s Board of Directors in 2011 and currently serves on the Executive and — $7 million and higher — Nominating Committees. She and Brian made Rancho Santa Fe their primary residence after living Kathryn Hattox in New York, Hong Kong, Australia, and the Bay Area, where they still own a home. Paula earned — $3 million and higher — her J.D. from the University of Michigan and specialized in trusts and estates, including work for Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego private foundations and not-for-profits. Brian’s J.D. comes from the University of Virginia, and he

is currently Chairman Emeritus of Hellman & Friedman LLC, a private equity firm in San Francisco. — $2 million and higher — Paula is also a member of the advisory board of ODC, a San Francisco-based modern dance company, The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation and sits on the board of the Rancho Santa Fe Foundation. Together they have sponsored numerous productions at the Globe, including Somewhere, Nobody Loves You, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, and In Your Arms, in addition to a 2015 free student matinee of — $1 million and higher — Dr. Seuss’s How the Grinch Stole Christmas! for Title I schools. Elaine and Dave Darwin The Kresge Foundation J. Dallas and Mary Clark* The Lipinsky Family Estate of Dorothy S. Prough Qualcomm Foundation Carolyn Yorston-Wellcome National Endowment for the Arts Bank of America California Cultural & Historical Endowment Helen Edison* Mary Beth Adderley Stephen & Mary Birch Foundation, Inc. Estate of Beatrice Lynds* Globe Guilders Jeannie and Arthur Rivkin Victor H.* and Jane Ottenstein Anonymous SAVE THE DATE Wells Fargo *In Memoriam

2016 GLOBE GALA SAVE THE DATE SATURDAY, SEPTEMBER 24

Presented by the Globe Guilders and Neiman Marcus Honorary Chairs: Barbara & Dick Enberg and Stacey & Robert Foxworth

Monday, August 22, 2016

New Location! – Marriott Marquis San Diego Marina Champagne Reception • Auctions • Luncheon • Fashion Show

To benefit the Globe’s artistic, arts engagement, education, and community programs. For an invitation, contact Executive Vice President Barbara Bolt at [email protected]. DOUGLAS GATES DOUGLAS GATES 2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS Season Sponsors ($60,000 and higher) In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is pleased to acknowledge the following Season Sponsors who have generously supported the 2015-2016 season.

Leading Season Sponsors ($75,000 and higher) JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER GILLIAN AND TONY THORNLEY Sponsors since 2002 Sponsors since 2005 Sponsors since 2009 U-T SAN DIEGO EDUARDO CONTRERAS / SCOTT SUCHMAN KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL JUNE E. YODER PAM FARR AND BUFORD ALEXANDER RHONA AND RICK THOMPSON Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Sponsor since 2010 Sponsors since 2011 Sponsors since 2013 Charter Sponsor since 1995

HAL AND PAM FUSON VICKI AND CARL ZEIGER Sponsors since 2013 Sponsors since 2014 KATHRYN AND JOHN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 Sponsors since 2004

Charter Sponsor since 1995 Sponsor since 2007

Leading Production Sponsors ($50,000 and higher)

PETER COOPER AND ELAINE AND DAVE DARWIN BRIAN AND SILVIJA DEVINE PAULA AND BRIAN POWERS NORMAN BLACHFORD Sponsors since 2011 Sponsors since 2012 Sponsors since 2012

Sponsors since 2008 JIM COX DIANE AND JOHN BEROL ELAINE LIPINSKY JEAN AND GARY SHEKHTER Sponsors since 1996 FAMILY FOUNDATION Sponsors since 2014 Sponsor since 2012

Photo for Globe Guilders: Adam LeFevre and Peter Kybart in the Shakespeare Theatre Sponsor since 2000 Company production of The Metromaniacs (photo courtesy of Shakespeare Theatre Company); for Anonymous, left: Tyler Hanes and Megan Sikora in Kiss Me, Kate, 2015; for Anonymous, right: Stephen Bienskie and T CHARLES ERICKSON CAROL ROSEGG Jenn Harris with cast members of In Your ANONYMOUS ANN DAVIES ANONYMOUS Arms, 2015; for Diane and John Berol: the cast of A Midsummer Night’s Dream, 2013; Sponsor since 2013 Sponsor since 2008 JIM COX for Dolores and Rodney Smith: Blake Segal, PAMELA J. WAGNER DOLORES AND RODNEY SMITH Liz Wisan, Euan Morton, and Usman Ally in For additional information on how you may become a Season Sponsor, AND HANS TEGEBO Sponsors since 2015 Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, 2015. please contact Major Gifts Officers Keely Tidrow or Rachel Plummer at (619) 231-1941. Sponsors since 2015 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY Welcome to the Globe! One of the great developments at the Globe right now is recognition from major institutions that are helping support this theatre’s productions, As a long-time supporter of the Globe and community programs, and arts engagement initiatives. Foundations as its Board Chair, I am very proud of the investing in the arts range from national powerhouses—such as The many programs we have in place that bring James Irvine Foundation, Shubert Foundation, Hearst Foundation, FROM THE great theatre to San Diego and make the and the NEA—to significant local partners—like the City of San Diego arts a crucial part of life in our city! The Commission for Arts and Culture, Price Philanthropies, Las Patronas, ARTISTIC staff and resources of the Globe, along with and Patrons of the Prado. The Folger Library is also honoring us (with artists from across the country, allow us San Diego Public Library) as the California host of First Folio! The Book DIRECTOR to present a broad range of programming. that Gave Us Shakespeare, which will visit San Diego this summer. This

DOUGLAS GATES World premieres like The Last Match network of support helps us fulfill many company-wide objectives as well As I talk to the many constituents of The Old Globe— frequently theatricalized sport, is essentially dramatic. illustrate a perfect synchronicity of time, as meet smaller, more specific goals. place, and talent: an intimate piece set in the sports world that examines audiences, donors, artists—I like to make the case that Two individuals face off and bang away at each other, much bigger subjects, first read at our New Voices Festival and then We also know full well that individual philanthropy is essential for us this institution’s considerable size and scope are among scoring points as they best their opposite. Each volley guided through the development process to reach you today. Next door to create great theatre. So we ask you to invest in the Globe and help its greatest assets. We’re the sixth-largest regional theatre is a kind of debate, and at the highest level of play, the at The Metromaniacs, the genius of David Ives is on full display in a unique one of San Diego’s largest not-for-profit performing arts organization in the country (perhaps fifth this year, as our budget sport becomes as purely dialectical as any finely wrought “translaptation” of a classic, delighting audiences in the theatre and close the 44% funding gap between the cost of producing our season and increases relative to those of our sister companies). An dramatic confrontation. The match is a metaphor, and in inspiring poets and musicians through events on our plaza. And following earned income from ticket sales. We are grateful to you, our audiences that is the brand new musical Rain, another show developed under and supporters, for everything you do, including purchasing tickets, institution this big can do many things at once. We can the clash between protagonist and antagonist we find a Globe auspices for San Diego audiences. World premieres, new musicals, attending performances, and spreading the word about our productions stage top-notch Shakespeare and tap-dancing Broadway space to consider some very large ideas: competition as classics—they all find their place in our repertoire. And this year’s 400th and programs to your friends. And we are thankful for your adventurous musicals. We can present lush productions in our state- the basic condition of American life; masculinity as a anniversary of Shakespeare’s death will focus particular attention on the and open-minded spirit, which encourages us to produce the best in of-the-art houses and our nimble Globe for All touring social construct as much as a biological state; celebrity as Bard, with the Summer Shakespeare Festival complemented by the visit entertaining and rewarding theatre. program in non-theatrical venues around the county. And both Holy Grail and purgatory, the precarious balancing of Shakespeare’s First Folio, the first published complete volume of his plays. It is indeed a full and bright season ahead. Thank you for being here and for being part of the Old Globe family. we can revive venerated works from the past, such as The act of family and career. Ziegler’s complex dramaturgy Metromaniacs playing next door, as we simultaneously mines very rich veins of human psychology as her The arts—and theatre in particular—are necessary to balance the give brand-new plays their world premieres. characters struggle with the disconnect between what demands and stresses of everyday life, and I am pleased to represent they think they want and how strange they feel when Vicki L. Zeiger and support this crucial institution. We are grateful to the Production Lately, the institution is doing more and more thinking— they get it. Tim and Mallory and Sergei and Galina, Sponsors of The Last Match: Terry Atkinson and Paula and Brian Powers. Chair, Board of Directors and investing more and more resources—into the last glamorous and gifted, are just like regular old us: defined item on that list. A great theatre company has an obligation by our professions, captive to our ambitions, buffeted by BOARD OF DIRECTORS to contribute new work to the field, to discover new talent love and loss, and bemused by twists and turns of events and new voices, and to nurture the artists and plays that we thought were ours to shape but that in the end are Vicki L. Zeiger† Elaine Bennett Darwin† Peter J. Cooper† CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, ARTS ENGAGEMENT will shape the future of theatre art. The Globe has a determined by forces we barely comprehend. It’s exciting Ann Davies† Anthony S. Thornley† Harvey P. White† long track record of doing just that, and plays that have to spend two hours with a writer grappling with big ideas VICE CHAIR, NOMINATING TREASURER SECRETARY premiered here have gone on to long and often illustrious like these—big thoughts about individuals and about † DIRECTORS Harold W. Fuson, Jr. Sue Sanderson HONORARY DIRECTORS EMERITUS DIRECTORS lives around the country. Now we are taking steps to build American society—and doing it with such witty and vivid Mary Beth Adderley Jack Galloway Crystal Sargent Mrs. Richard C. Adams* Garet B. Clark a program of in-house play development that will keep a theatricality. Elizabeth Altman Victor P. Gálvez Jean Shekhter Clair Burgener* J. Dallas Clark* † † Terry Atkinson Kathryn Hattox Ann Steck Mrs. John H. Fox* Bea Epsten constant pipeline of works in gestation and introduce the Stephanie R. Bulger, Ph.D. Patricia A. Hodgkin Steven J. Stuckey Audrey S. Geisel Sally Furay, R.S.C.J.* great works of tomorrow to our audiences today. Our New Anna Ziegler will long be a member of the Globe family: Pamela Cesak Daphne H. Jameson Karen Tanz Nicole A. Clay† Jo Ann Kilty Dean H. Thompson Paul Harter Bernard Lipinsky* Voices Festival, the third annual installment of which we’ve commissioned her to write another play for our Joseph J. Cohen Sheila Lipinsky Rhona Thompson Gordon Luce* Delza Martin* took place recently on this stage, is the centerpiece of our theatre. She’ll also be increasingly present on stages † Dolly Poet* Darlene Marcos Shiley Donald L. Cohn Keven Lippert Evelyn Mack Truitt new play program. throughout the English-speaking world. Her play Valerie S. Cooper† Thomas Melody Debra Turner Deborah Szekely Patsy Shumway George S. Davis David Jay Ohanian Stacey LeVasseur Vasquez Hon. Pete Wilson Carolyn Yorston-Wellcome Photograph 51 was a recent West End smash, and her play Angela DeCaro Paula Powers† Jordine Von Wantoch In last season’s New Voices Festival we read a superb new Boy premieres in New York not long after The Last Match † Silvija Devine Conrad Prebys Pamela J. Wagner *In Memoriam † play about an epic tennis match between an American and opens here. We’re thrilled to have her with us. We’re Stephen P. Embry Tim Rafalovich Reneé Wailes †Executive Committee Member Pamela A. Farr Gloria Rasmussen Lynne Wheeler a Russian champion. We were so intrigued by the piece also delighted to welcome back to the Globe the incisive Karen Fox Adam Ratner Karin Winner† that we helped shepherd it through a two-week workshop and imaginative director GT Upchurch. These two very Robert Foxworth Sandra Redman in collaboration with a company that does only new play talented women of the theatre, and the cast and creative ASSOCIATE ARTISTS OF THE OLD GLOBE development, New York Stage and Film. And the result of team they’ve assembled, bring us a special and memorable that work was so exciting that we decided to premiere the production even as they make the case for new work at In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and play in this season. That play is of courseThe Last Match, The Old Globe. We’re grateful. in our shops, that wherever else they may work, they remain the heart and soul of the Globe. and we are hugely gratified that it has made it through the whole course—game, set, and match, if I may—of our Thanks for coming. Enjoy the show. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* play development process. Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead What drew us to the play in the first place is its boldness. Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker The gifted Anna Ziegler is doing some very sophisticated Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski things here. Though sports plays are not rare in the Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G. Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks American theatre, tennis plays are few, and yet Ziegler Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers *In Memoriam understands that the game, like boxing, perhaps the most George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa* 6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 PRESENTS

CAST (in alphabetical order) THE LAST MATCH TIM...... Patrick J. Adams MALLORY...... Troian Bellisario SERGEI...... Alex Mickiewicz GALINA...... Natalia Payne BY

ANNA ZIEGLER UNDERSTUDIES...... for Tim – Amara James Aja†; for Galina – Talley Beth Gale†; for Sergei – Lorenzo Landini†; for Mallory – Suzelle Palacios†

Production Stage Manager...... Diana Moser

There will be no intermission. Tim Mackabee Denitsa Bliznakova Bradley King Bray Poor SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PRODUCTION STAFF Tennis Consultant...... Geoff Griffin Assistant Director...... Patrick Kelly Paul Peterson David Huber Caparelliotis Casting Diana Moser Assistant Scenic Design...... Eileen McCann VIDEO DESIGN VOCAL COACH Lauren Port, CSA PRODUCTION STAGE MANAGER Assistant Costume Design...... Shelly Williams CASTING Production Assistant...... Hannah May

DIRECTED BY GAYE TAYLOR UPCHURCH

A workshop production of The Last Match was presented by New York Stage and Film & Vassar at the Powerhouse Theater, Summer 2015.

The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. Sheryl and Harvey White Theatre † Conrad Prebys Theatre Center Student in the Old Globe and University of San Diego Shiley Graduate Theatre Program. February 13 – March 13, 2016 Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó esteprograma. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY LOVE, ADVANTAGE, AND INCREDIBLY CLOSE CALLS

Playwright Anna Ziegler and director Gaye Taylor Upchurch talk about bringing The Last Match to the stage

Interviews by Danielle Mages Amato

in until I heard Andy Roddick’s retirement Sergei talks about tennis in metaphorical speech at the US Open in 2012. I was so terms: “Everyone always says, ‘Sergei, isn’t moved by it—by the idea of an athlete having it amazing how much tennis is like life: you to say goodbye to the only life he’s known. can be down, you can come back, you can So I began to mull a play about a tennis take forever to get something done or not player in that position, contemplating the very much time at all; the match will come end of his career. When I had my first child to an end whether you want it to or not; in 2013, the play clicked into place for me. I there is love, there is advantage, there are found a way to connect to the idea personally incredibly close calls on which huge points GT, how did you become involved in get into a room with actors and designers a joy to collaborate with! The challenges by making the main character a new dad hinge; there is injustice, there is loneliness, the process, and what drew you to and Anna to explore how this could live in of bringing this piece to life have been and extending the metaphor of retirement and on and on.’ And what do I say? No. I play Anna’s play? space. This summer, we had the chance to figuring out the balance of naturalism and to apply to parenthood as well, another tennis because it is not life. In tennis, you workshop it at New York Stage and Film, heightened choreography, both in acting change that forces you to say goodbye to the lose and all you do is go home and mope. It Gaye Taylor Upchurch: I first heard about and we were given a generous amount of and design—as a former dancer, it’s the kind life you’ve known. It became a story about is not like losing something big. People… the play through The Old Globe, when you time along with a great cast and our sound of challenge I really love. aging, about finding and accepting one’s or losing the memories of the people you programmed it in your annual New Voices designer Bray Poor so we could really begin priorities in life and coming face to face with have lost.” Festival! to see how the play operates. mortality. This enlarged the play in a way that made it possible to write. I like this idea that tennis can serve (no pun When I read the play for the first time, I What has your collaboration been like so Anna Ziegler. intended) as both metaphor for life and also fell in love with the fact that it was unlike far? What have been the challenges and Anna, where did the idea for this piece Are there particular qualities about actual life for the players, but that in both anything I’ve read before. And, although pleasures of bringing this piece to life? come from? tennis that made it the right vehicle to cases it is not enough. As far as a metaphor I don’t play sports other than wiffle ball in tell this story? extends, it is still just a metaphor. It doesn’t the park, I’m a sports fan—particularly if AZ: We’ve so enjoyed working together Anna Ziegler: I’ve always been a huge get you through the day. And tennis itself, like I can go to a live event. There’s such drama so far. GT is endlessly creative and open- tennis fan (and was a one-time player) and AZ: Tennis always felt like rich terrain for any vocation, cannot take the place of the truly and suspense that plays out on courts and minded and I love just watching her at work! knew that at some point I wanted to write a story trying to tackle big topics. There important things in life. fields, and it was fantastic to be inside of As far as challenges go, it’s always difficult about the sport. I didn’t start to find my way used to be a monologue in the play in which a play that made great use of that. And, to activate a script that doesn’t adhere to ultimately, Anna’s writing lifts the play far typical play structure and style. But GT beyond the tennis court, and I was really intuitively understood how this play’s drama drawn to the opportunity to figure out could work and keeps finding interesting how to make that happen on a stage. How ways to mine it. to stage a US Open semifinal match in the theatre was a question I really wanted to GTU: Anna is a fearless cutter of text and wrestle with—and particularly, how to stage rewriter. We continue to collaborate by a tennis match while still being able to dive asking each other many questions about the into domestic scenes. characters of the play, the inner workings of the match itself, and how each scene works When reading a play, I know I’m connecting within the play as a whole. Anna has the to it when images start to emerge, and with ability to be both specific when she talks this play, I could see the choreography of about her writing and very open when she it, and I could hear it, and I could feel the thinks about how it might live onstage. That tension of it on the page. I couldn’t wait to kind of specificity and openness makes her Gaye Taylor Upchurch. PERFORMANCES MAGAZINE 11 THE PLAY

world has ever seen. But because he’s been ‘STILL’ LIFE “still great” for so long—because we keep seeing the end coming, even if it never ac- tually comes—Federer has also acquired an The long aura of weird sadness over the past few years that’s hard to reconcile with the way we autumn of used to think about him. And even though that’s only been possible because he’s still Roger Federer so good, it’s a jarring development because at his peak Federer was probably the best By Brian Phillips athlete in the world at making greatness look utterly natural. Nobody seemed more effortless, or more graceful, or more beyond The following is an excerpt from a longer piece time than Federer from, say, 2003 to 2007. that ran in Grantland on June 23, 2011. Now we’ve seen him lose [so many] French Open finals to Rafael Nadal, fall hopelessly The saddest moment in the career of a great behind in their personal rivalry, and struggle athlete is the one when he’s tagged with the to keep younger players like Novak Djokovic word “still.” One day you’re fast. One day and Andy Murray from overtaking him. you’re slow. There’s an in-between day when Had his decline been quicker—had he spent you’re “still fast,” and that’s the day when less time in that slow glide down through everything hollows out. “still”—a lot of that never would have hap- pened, and we’d have gone on seeing him as Think about this. You know people get old. the invincible icon he once was. As it is, he’s TENNIS BASICS You know things change. And you know been on the precipice for so long that we’ve Game scoring: In an individual tennis game, one player serves the entire time, and the that that’s especially true in sports, where stopped seeing him and started seeing only other receives. The first player to win fourpoints takes the game, but they must win by in tennis, for example, a 29-year-old can be the precipice. at least two points. The score begins at love (zero points) and then proceeds to 15 (one unironically described as having entered his point), 30 (two points), and 40 (three points). If both players reach 40, it’s called deuce. twilight years. But because the physical gifts What this means, though, is that Federer The player who wins the next point has theadvantage , since winning the next point (a of top-level athletes are so incredible—and has become something rarer and stranger, game point) will win them the game. If the players become tied again, the score reverts because their skills are so ingrained that they something arguably even more interesting. to deuce. For the next game, the other player now serves. seem like they’ve always been there—you He’s still good enough to win any tourna- fool yourself into thinking of them as stable ment he enters, but he’s always surrounded Game/Set/Match: The first player to win six games wins the set—but again, they must essences who are essentially immortal. They by that vague sadness, the result of his no win by at least two games. And in some men’s professional tennis competitions, like the might have good streaks and bad streaks, or longer being free from time. He’s become US Open, the player who wins three out of five sets wins thematch . develop their games in one direction or an- something like the world’s leading practi- other, but their basic abilities feel constant. tioner of mortality as a tactical position. He Then one day you’re watching a game and doesn’t exactly inspire the “rooting for the OTHER TERMS you think, “Wait, has Kobe lost a step? Well, old guy” cliché because he’s manifestly not Ace: A serve that the receiver can’t return and doesn’t even touch with their racquet. no, he can still get to the basket …” old; what he’s doing right now is completely different from, say, Jack Nicklaus winning Drop shot: A shot hit just barely over the net. Roger Federer has spent longer as a “still” the Masters at 46. That was a resurrection, athlete than any great player I can remem- a public spectacle. Watching Federer increas- Foot fault: When a player steps over the baseline while making a serve. ber. You could even argue that it’s one of ingly feels like looking in on something pri- the signs of his greatness. Other top play- vate. It’s as if his game is just somewhere Grand Slam: Winning the four major tournaments—US Open, Australian Open, ers hit the “still” moment, hang around for a else, on some secret corner of the map where French Open, and Wimbledon—all in one year. little longer, and then whoosh, they’re gone, it can stage its weird encounter between : A shot high and deep into the other player’s court. broken up into memorial clips and Hall of beauty and death. Lob Fame inductions, classic rock bands who’ve Net (verb): To hit the ball into the net. sold their copyrights. Federer, after three Brian Phillips is a writer living in Los Angeles. straight years of diminished results—11 to From 2011 to 2015 he was a staff writer for Passing shot: A shot hit past an opponent who is standing at the net. 12 singles titles a year from 2004 to 2006, Grantland, where this essay originally ap- then eight in 2007, and four to five every peared. In the four years since it was written, Volley: A shot hit before the ball bounces. year since—is … well, still really amazing. Roger Federer has remained one of the top-ranked He’s still near his best, which means he’s tennis players in the world, reaching the finals still playing some of the best tennis the at both Wimbledon and the US Open in 2015. 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 PETER MYERS ARTISTS PATRICK J. ADAMS member of the ensemble and the understudy Center National Playwrights Conference, The Whipping Man, Opus, and The Merry Wives PAUL PETERSON the Conways, Bethany, The Winter’s Tale, The (Tim) is honored to be to both male leads, Mr. Mickiewicz was Williamstown Theatre Festival, New York of Windsor. Her work has been seen nationwide (Video Design) has sound designed over 100 Few, Double Indemnity, The Rainmaker, Other making his Old Globe debut given the opportunity to play the role of Stage and Film, The Araca Group, Old Vic at venues such as Geffen Playhouse, The productions at The Old Globe, includingOther Desert Cities, Be a Good Little Widow, A Doll’s in the world premiere of Laurent opposite Ms. Knightley. His other New Voices, and Soho Repertory Theater’s Denver Center for the Performing Arts, The Desert Cities, The Brothers Size, God of Carnage, House, The Brothers Size, Pygmalion, and Good such a beautiful play. His credits include Robin Hood, The Coming World, Writer/Director Lab, among others. Kennedy Center, San Diego Opera, Cleveland Nobody Loves You, Odyssey, Engaging Shaw, People. Their Broadway casting credits include theatre credits include Bill Becoming Sylvia, Tripolitania, and The Comedy of Ms. Ziegler is a graduate of Yale College Play House, A Noise Within, New Repertory Life of Riley, Plaid Tidings – A Special Holiday Blackbird, An Act of God, Airline Highway, Fish in Cain’s Nine Circles (Back Stage Errors (Williamstown Theatre Festival), Three and holds an M.F.A. in Dramatic Writing from Theatre, Williamstown Theatre Festival, Edition of Forever Plaid, Welcome to Arroyo’s, the Dark, It’s Only a Play, Disgraced, The Country Garland Award, nominated Translations of Uncle Vanya at the Same Time New York University’s Tisch School of the Arts. Falcon Theatre, and others. Her costume Brighton Beach Memoirs, Broadway Bound, House, Holler If Ya Hear Me, Casa Valentina, The for a Los Angeles Drama Critics Circle Award) (New Saloon), and a workshop of The Last design and stylist credits for other media The Last Romance, Lost in Yonkers, I Do! I Do!, Snow Geese, Lyle Kessler’s Orphans, The Trip to and Equivocation (Geffen Playhouse, Best Match (New York Stage and Film). GAYE TAYLOR UPCHURCH include music videos for various artists and The Mystery of Irma Vep, Kingdom, Six Degrees Bountiful, Grace, Dead Accounts, The Other Place, Production winner at the 2010 Ovation (Director) made her Globe debut in 2014 films. A Bulgarian-born costume designer, of Separation, The Women, Dr. Seuss’ How the Seminar, The Columnist, Stick Fly, Good People, Awards), as well as the West Coast premiere NATALIA PAYNE directing Laura Marks’s Bethany. She has her academic background includes a B.F.A. Grinch Stole Christmas!, Bell, Book and Candle, Bengal Tiger at the Baghdad Zoo, The House of of Edward Albee’s The Goat, or Who Is Sylvia? (Galina) is making her Globe directed the Off Broadway productions of Nancy in Fashion Design from Parsons School of Two Trains Running, Hold Please, Restoration Blue Leaves, Fences, Lend Me a Tenor, and The (Center Theatre Group, Best Play at the 2004 debut. Her theatre credits Harris’s Our New Girl and Simon Stephens’s Design and an M.F.A. in Theatre Arts from Comedy, Pig Farm, Moonlight and Magnolias, Royal Family. They also cast for Manhattan Ovation Awards). He also produced and include the New York Harper Regan and Bluebird with Simon Russell Brandeis University. Ms. Bliznakova is a Vincent in Brixton, Lucky Duck, The Intelligent Theatre Club, Second Stage Theatre, Atlantic directed Marat/Sade (Best Production at the premieres of Edward Albee’s Beale (Atlantic Theater Company),Bethany professor in the School of Theatre, Television Design of Jenny Chow, Blue/Orange, Time Flies, Theater Company, LCT3, Ars Nova, Goodman 2006 LA Weekly Theater Awards). His film Me, Myself & I (Playwrights (Women’s Project Theater, Lucille Lortel and Film at San Diego State University and is Pentecost, Compleat Female Stage Beauty, The Theatre, McCarter Theatre Center, Arena Stage, and television credits include roles on “Lost,” Horizons), David Ives’s New Award nomination for Outstanding Play), and also the head of its M.F.A. Design and Boswell Sisters, Crumbs from the Table of Joy, and three seasons with Williamstown Theatre “Friday Night Lights,” “Without a Trace,” Jerusalem (Classic Stage Lucy Thurber’s Stay (Rattlestick Playwrights Technology program. Denitsa.com. and many more. His regional credits include Festival. Their recent film and television credits HBO’s “Luck,” and Old School, and he currently Company), Anna Ziegler’s Novel (Summer Theater, Obie Award for the play cycleThe Hill designs for Milwaukee Repertory Theater, San include HairBrained with Brendan Fraser, plays the role of Mike Ross on USA’s “Suits” Play Festival/Theatre Row),Jailbait (Cherry Town Plays). Regionally Ms. Upchurch directed BRADLEY KING Jose Repertory Theatre, Center Stage, La Jolla “American Odyssey” (NBC), “How to Get Away while also directing episodes of the series. He Lane Theatre),Aliens with Extraordinary Skills the world premieres of Clare Lizzimore’s (Lighting Design) is a lighting designer based Playhouse, Sledgehammer Theatre (Associate with Murder” (ABC pilot), “Ironside” (NBC), recently directed his first short film,We Are (Women’s Project Theater), anddeathvariations Animal (The Studio Theatre) and Melissa Ross’s in New York City. His recent work includes Artist), Mo`olelo Performing Arts Company, and Steel Magnolias (Sony for Lifetime). Here, which he wrote, produced, and starred (59E59 Theaters). Around the country, Ms. Of Good Stock (South Coast Repertory). She Natasha, Pierre and the Great Comet of 1812 San Diego Repertory Theatre, North Coast in with his fiancé and much better half, Troian Payne has appeared in Dirt (The Studio Theatre, has developed new work at New Dramatists, (American Repertory Theater, Kazino, Ars Repertory Theatre, Diversionary Theatre, DIANA MOSER Bellisario. Helen Hayes Award nomination), Sarah Ruhl’s New York Stage and Film, The Kennedy Nova), Empanada Loca, Sucker Emcee, and Ninth TheatreWorks Silicon Valley, Malashock (Production Stage Manager) recently stage Three Sisters (Berkeley Repertory Theatre, Center, Playwrights’ Center, and SPACE on and Joanie (LAByrinth Theater Company), Dance, University of San Diego, San Diego managed the Globe productions of Rich Girl, TROIAN BELLISARIO Yale Repertory Theatre), Acquainted with the Ryder Farm. Ms. Upchurch is an alumna of the Elijah Green (The Kitchen),A Winter’s Tale (The State University, and UCLA. Mr. Peterson Time and the Conways, and, for Globe for All, (Mallory) is a burgeoning Night (The Eugene O’Neill Theater Center), Women’s Project Theater Directors Lab, The Pearl Theatre Company), Jacuzzi (Ars Nova), received his B.F.A. in Drama with an emphasis Much Ado About Nothing and All’s Well That actor, writer, and producer Memory House (Martha’s Vineyard Playhouse), Drama League, and the University of North And I and Silence (Signature Theatre Company), in Technical Design from San Diego State Ends Well. Since 2004 she has worked on over best known for her starring and Trouble in Mind (Yale Repertory Theatre). Carolina School of the Arts. and Women or Nothing (Atlantic Theater University. 25 shows at the Globe including Other Desert role in the ABC Family Ms. Payne has acted in the filmsThe Loss of a Company). His work has been seen regionally Cities, The Brothers Size, August: Osage County, (now Freeform) television Teardrop Diamond, The Word, and Crazy Love, TIM MACKABEE at The Old Globe, American Repertory Theater, DAVID HUBER The Recommendation, Brighton Beach Memoirs series “Pretty Little Liars.” and her television credits include “Law & (Scenic Design) is making his Globe debut. Berkeley Repertory Theatre, La Jolla Playhouse, (Vocal Coach) previously worked on the Globe and Broadway Bound, The Whipping Man, I Do! I Recently she wrote, Order: Special Victims Unit,” “Sensitive Skin,” His Broadway credits include The Elephant McCarter Theatre Center, Penobscot Theatre productions of Ken Ludwig’s Baskerville: A Do!, Opus, Six Degrees of Separation, The Pleasure produced, and starred in the independent “Reign,” “Defiance,” “Dark Matter,” and the Man starring Bradley Cooper (also West End) Company, South Coast Repertory, Virginia Sherlock Holmes Mystery, Arms and the Man, of His Company, In This Corner, the 2007 feature Feed, her first produced feature-length upcoming television remake of Anne of Green and Mike Tyson: Undisputed Truth directed by Stage Company, Yale Repertory Theatre, and Buyer & Cellar, The Royale, Bright Star, and The Summer Shakespeare Festival, Restoration film. On stage she appeared inEquivocation Gables. In addition to narrating numerous Spike Lee. His Off Broadway credits include Williamstown Theatre Festival. His opera work Two Gentlemen of Verona. His previous Old Comedy, and The Intelligent Design of Jenny at Geffen Playhouse in Los Angeles. With the audiobooks, Ms. Payne lends her voice and Heathers: The Musical (New World Stages), includes Bard SummerScape, Boston Early Globe acting credits include The Winter’s Tale Chow. Ms. Moser’s regional credits include Casitas Group, a theatre company of which she movements to the Assassin’s Creed video Gigantic (Vineyard Theatre), Guards at the Taj Music Festival, Kentucky Opera, New York directed by Jack O’Brien, The Tempest, The La Jolla Playhouse, San Diego Repertory is a founding member, Ms. Bellisario appeared games. She is a graduate of Yale University’s and Our New Girl (Atlantic Theater Company), City Opera, Opera Omaha, Vancouver Opera, Two Gentlemen of Verona, and The Merchant of Theatre, Arena Stage, The Repertory Theatre in an exclusive engagement of The Pillowman as Theater Studies program and has trained with Luce (Lincoln Center Theater), Important Hats and Virginia Opera. bradleykingld.com. Venice, among several others. He has studied of St. Louis, New York Theatre Workshop, well as Fool for Love and True West. During her Soulpepper Theatre Company in her hometown of the Twentieth Century (Manhattan Theatre voice with Master Linklater Voice teacher Berkshire Theatre Festival, Children’s Theatre time as a B.F.A. at the USC School of Theatre, of Toronto, Canada. Club), and Much Ado About Nothing (The BRAY POOR David Smukler, Eric Armstrong, and Kate Company of Minneapolis, and Arizona Theatre she performed in productions of The Crucible, Public Theater). Regionally he has designed for (Sound Design) has designed the Broadway Burke. He is a graduate of the Graduate Voice Company. Ms. Moser received her B.A. from All’s Well That Ends Well, Red Light Winter, ANNA ZIEGLER American Conservatory Theater, South Coast productions of The Real Thing, The American Teacher Diploma Program at York University Bard College and her M.F.A. in Directing from Compleat Female Stage Beauty, and Cloud 9. (Playwright) Ms. Ziegler’s plays include Repertory, Center Stage, Portland Center Stage, Plan, and In the Next Room, or the vibrator play. in Toronto. His regional theatre credits Purdue. Proud member of Actors’ Equity. Ms. Bellisario would like to thank her partner Photograph 51, directed on the West End in Dallas Theater Center, Cleveland Play House, He has designed sound and created music for include Actors Theatre of Louisville, Cincinnati She lives in Nova Scotia, Canada, with her in crime, Mr. Adams, for supporting her in 2015 by Michael Grandage and starring Nicole Asolo Repertory Theatre, Yale Repertory many Off Broadway theatres, including The Playhouse in the Park, The Repertory Theatre husband, photographer Paul H. Williams. all her artistic adventures and for continuing Kidman, previously produced at Ensemble Theatre, Syracuse Stage, Philadelphia Theatre Public Theater, Signature Theatre Company, of St. Louis, Pittsburgh Playhouse, PCPA HaresignPhotoWorks.com. to build a life with her, both on stage and off, Studio Theatre, Seattle Repertory Theatre, Company, Williamstown Theatre Festival, Geva New York Theatre Workshop, Lincoln Center Theaterfest, Texas Shakespeare Festival, over the past seven years. She would also like to Theater J, and more; Boy at Keen Company/ Theatre, Denver Center Theatre Company, Theater, Playwrights Horizons, Second Center REP Theatre, and Centennial Theater BARRY EDELSTEIN dedicate her performance to her grandmother, Ensemble Studio Theatre (February–April Ford’s Theatre, The Studio Theatre, Theater Stage Theatre, Soho Repertory Theater, and Festival, among many others. Mr. Huber (Artistic Director) is a stage director, producer, Geraldine Marion Bryant Pratt. Nana, you 2016); A Delicate Ship at The Playwrights J, Paper Mill Playhouse, The Muny, and Clubbed Thumb. His regional credits include coaches voice, speech, and acting locally, works author, and educator. Widely recognized as taught me what it means to be a matriarch; Realm at the Peter Jay Sharp Theater and Pittsburgh Civic Light Opera. Mr. Mackabee’s Yale Repertory Theatre, Long Wharf Theatre, on speech issues with special needs students, one of the leading American authorities on may I one day live up to your bravery, your Cincinnati Playhouse in the Park; Another television credits include Amy Schumer: Live Trinity Repertory Company, Arena Stage, and is currently teaching at Actors Workshop the works of Shakespeare, he has directed selflessness, and your strength. You are loved Way Home, upcoming at Theater J, previously at the Apollo, “Gotham,” “Smash,” and “Today.” Berkeley Repertory Theatre, Actors Theatre Studios. He is a graduate of the Old Globe/ nearly half of the Bard’s plays. His Globe and missed by all your children. produced at Magic Theatre; Dov and Ali at He is an alumnus of the University North of Louisville, and more. Mr. Poor has been University of San Diego Graduate Theatre directing credits include The Winter’s Tale; Theatre503 and The Playwrights Realm Carolina School of the Arts and Yale School nominated for both Drama Desk and Lucille Program. Othello; the West Coast premiere of novelist ALEX MICKIEWICZ at Cherry Lane Theatre;The Minotaur at of Drama. timothymackabeedesign.com, Lortel Awards. Most recently he designed sound Nathan Englander’s play The Twenty-seventh (Sergei) is thrilled to be Rorschach Theatre and Synchronicity Theatre; @tmackabeedesign on Twitter, and for a production of The Glass Menagerie for CAPARELLIOTIS CASTING Man; and the upcoming world premiere of making his Old Globe and BFF with WET Productions at DR2 Theatre. @timmackabeedesign on Instagram. Toneelgroep Amsterdam. He has also designed (Casting) has cast the Globe productions of debut in The Last Match. She has been commissioned by The Old Globe, sound and created music for numerous videos Dr. Seuss’ How the Grinch Stole Christmas!, Michael John LaChiusa and Sybille Pearson’s He was most recently Manhattan Theatre Club, Seattle Repertory DENITSA BLIZNAKOVA and installations. He next travels to Louisville Ken Ludwig’s Baskerville: A Sherlock Holmes musical Rain. He also directed All’s Well seen on Broadway in Theatre, Ensemble Studio Theatre, Virginia (Costume Design) is happy to return to The to design sound and compose music for Sarah Mystery, Rich Girl, Arms and the Man, Buyer That Ends Well as the inaugural production the Roundabout Theatre Stage Company, and New Georges. Her plays Old Globe, where she has designed The Royale, Ruhl’s world premiere of For Peter Pan on her & Cellar, The White Snake, The Twenty-seventh of Globe for All, a new producing platform Company production of have been developed at Sundance Institute Good People, Anne Christie, Groundswell, Jane 70th Birthday at the Humana Festival. Man, The Royale, Vanya and Sonia and Masha that tours the works of Shakespeare to Thérèse Raquin starring Keira Knightley. As a Theatre Lab, The Eugene O’Neill Theater Austen’s Emma — A Musical Romantic Comedy, and Spike, Water by the Spoonful, Time and diverse communities throughout San Diego

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS

County. As Director of the Shakespeare JACK O’BRIEN numerous honors include the San Diego Union- Initiative at The Public Theater (2008-2012), (Artistic Director Emeritus) served as the Tribune list of 25 persons who shaped the city’s CONSTELLATIONS Edelstein oversaw all of the company’s Artistic Director of The Old Globe from 1981 history; the Governor’s Award for the Arts; Shakespearean productions, as well as its through 2007. Mr. O’Brien directed the 2014 University of Arizona Alumni Association’s By Nick Payne extensive educational, community outreach, Broadway revival of It’s Only a Play star- Outstanding Citizen, for his contribution to Directed by Richard Seer and artist-training programs. At The Public, ring F. Murray Abraham, Matthew Broder- their Fine Arts department; San Diego State he staged the world premiere of The Twenty- ick, Nathan Lane, Stockard Channing, and University’s Outstanding Alumnus; Conserva- seventh Man, Julius Caesar, The Merchant of Megan Mullally. His Broadway credits also tor of American Arts Award from American April 9 – May 8 Venice, Timon of Athens, and Steve Martin’s include: Macbeth with Ethan Hawke, The Conservatory Theater; the San Diego Press Constellations looks at how the tiniest change in the WASP and Other Plays. He was also Associate Nance, Dead Accounts, Catch Me If You Can, Club Headliner Award; San Diego Gentleman detail of our lives can lead us on completely different Producer of The Public’s Broadway production Impressionism, The Coast of Utopia (Tony of Distinc­tion Award; and a combined tribute paths. Old Globe favorite Richard Seer returns to direct of The Merchant of Venice starring Al Pacino. Award), Dr. Seuss’ How the Grinch Stole Christ- from the Public Arts Advisory Council and the this exciting new play that The New York Times called “Sexy. Sophisticated. Gorgeous. This story of parallel mas!, Dirty Rotten Scoundrels (Tony nomina- From 1998-2003 he was Artistic Director San Diego County Board of Supervisors. Mr. universes is universal in every sense of the word.” of Classic Stage Company. Edelstein’s other tion), Henry IV (Tony Award), Hairspray (Tony Noel was particularly proud of the following Contains strong language. Shakespearean directorial credits include The Award), Imaginary Friends, The Invention of Love three honors representing edu­cation and the- Winter’s Tale at Classic Stage Company; As You (Tony nomination, Drama Desk Award), The atre: Honorary Doctorate of Humane Letters, Like It starring Gwyneth Paltrow; and Richard Full Monty (Tony nomination), More to Love, University of San Diego; Honorary Doctorate in III starring John Turturro. Additional credits Getting Away with Murder, Pride’s Crossing, The Fine Arts, San Diego State University; and the include the Lucille Lortel Award-winning Little Foxes, Hapgood (Lucille Lortel Award, annual Awards for Excellence in Theatre named revival of Arthur Miller’s All My Sons; the world Best Director), Damn Yankees, Two Shakespear- in his honor by the San Diego Theatre Critics premiere of Steve Martin’s The Underpants, ean Actors (Tony nomination), Porgy and Bess Circle. In 2007, he received the National Medal which he commissioned; and Molière’s The (Tony Award). Metropolitan Opera: II Tritti- of Arts—the nation’s highest honor for artistic PATRON INFORMATION Misanthrope starring Uma Thurman in her stage co. London: Love Never Dies, Hairspray (Olivier excellence—in a ceremony at the White House. debut. Edelstein has taught Shakespearean nomination). National Theatre: His Girl Friday. Craig Noel died on April 3, 2010 at the age of 94. TICKET SERVICES HOURS SEATING OF LATECOMERS acting at The Juilliard School, NYU’s Graduate Six movies for PBS’s “American Playhouse.” Monday: Closed Although we understand parking is often at a premium, the seating of Acting Program, and the University of Awards: 2008 Theatre Hall of Fame Inductee, Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alternative Southern California. His book Thinking 2005 John Houseman Award, ArtServe Mich- Hours subject to change. Please call ahead. seating and will be seated at an appropriate interval. Shakespeare is the standard text on American igan 2008 International Achievement Award, PHONE (619) 23-GLOBE (234-5623) Shakespearean acting. He is also the author Honorary Doctorate, University of Michigan. FAX (619) 231-6752 YOUNG CHILDREN of Bardisms: Shakespeare for All Occasions. Honorary Doctor of Humane Letters, Uni- versity of San Diego. Film (actor): Sex and the CASTING EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. MICHAEL G. MURPHY City 2. Jack Be Nimble: The Accidental Education CAPARELLIOTIS CASTING WEBSITE www.TheOldGlobe.org (Managing Director) served as General Man- of an Unintentional Director, his memoir about David Caparelliotis, CSA ELECTRONIC DEVICES AND CAMERAS ager of The Old Globe from 2003 to 2012, the early years of his career, was released in the Lauren Port, CSA ADMINISTRATION HOURS The video and/or audio recording of this performance by any means overseeing the Production, Education, Human summer of 2013 by Farrar, Straus and Giroux. Monday – Friday: 9:00 a.m. – 5:00 p.m. whatsoever is strictly prohibited. Please silence all digital watches, Resources, Information Technology, and Facil- PHONE (619) 231-1941 pagers, and cellular phones prior to entering the theatre. ities Departments, as well as Front of House CRAIG NOEL WEBSITE www.TheOldGlobe.org operations. He also managed the construction (Founding Director) was born on August 25, ADDRESS ASSISTED LISTENING SYSTEM of the Globe’s new theatre and education facili- 1915, and in 2015 The Old Globe celebrated SPECIAL THANKS The Old Globe ties. Prior to the Globe, he was the Managing the 100th birthday of this theatre legend who LACOSTE P.O. Box 122171 For the convenience of our hard-of-hearing and hearing-impaired Director of Austin Lyric Opera in Austin, Texas; was instrumental in cultivating the San Diego Myles Thurman San Diego, CA 92112-2171 patrons, The Old Globe has an Assistive Listening System in all three Director of Administration of San Diego Opera; arts community. Noel was first appointed Cathy Cipriano theatres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and General Manager of San Diego Repertory director in 1939, directing 15 productions ORDERING TICKETS/CHANGE OF ADDRESS and the Lowell Davies Festival Theatre. A limited number of the Theatre. Before relocating to San Diego from prior to World War II. Since then he directed The Old Globe accepts Visa, Discover, MasterCard, and American lightweight headsets, as well as induction neck loops, may be obtained New York, he held similar positions at Theatre more than 200 plays of all styles and periods Express. Phone orders for non-subscribers are subject to a $3.50-per- from the house manager prior to performances. for a New Audience and the Joyce Theater Foun- and produced an additional 270 productions. dation’s American Theater Exchange. He also His vision for The Old Globe resulted in the This theatre operates under an agreement ticket service charge. Ticket exchanges are subject to a service charge for between the League of Resident Theatres non-subscribers. If you have moved, please notify the Ticket Services PUBLIC TOURS served as negotiating assistant for the League establishment of the Shakespeare Festival and Actors’ Equity Association, the union of of Resident Theatres and sales representative and the San Diego Junior Theatre in the late professional actors and stage managers in the Office to update our records. Call (619) 234-5623 during Ticket Services Go behind the scenes at The Old Globe to learn about the history, three United States. for Columbia Artists Theatricals Corporation. ’40s, the expansion to two theatres in the hours, mail your change of address to the Ticket Services Office, or stages, shops and craft areas. Open tours: most Saturdays and Sundays Mr. Murphy serves on the Board of Directors ’50s, Globe Educational Tours in the ’70s, and email [email protected]. at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Teatro Meta and the Old Globe/University of The Directors are members of the Society of the National Alliance of Musical Theatre, Call (619) 238-0043 x2145 for information/reservations. the National Corporate Theatre Fund, and the San Diego Graduate Theatre Program in the of Stage Directors and Choreographers, an independent national labor union. UNABLE TO ATTEND? Balboa Park Cultural Partnership and serves as ’80s. During the 1940s, Mr. Noel served as a Management Trustee for San Diego County dialogue director for the 20th Century Fox If you find you are unable to use your tickets, please give them to a LOST AND FOUND Theatrical Trusts, the pension and welfare trust Studios and was the director of the Ernie Pyle This Theatre operates under an Agreement friend, or turn them in to the Ticket Services Office and receive a tax If you have misplaced a personal item while at the theatre, please for IATSE stagehands in the San Diego region. Theatre in Tokyo. Described byVariety as the with the International Alliance of Theatrical receipt for your donation. Tickets must be received by show time. contact the Ticket Services Office or Security as soon as possible. If we Stage Employees Local No. 122. He was also an adjunct faculty member of the éminence grise of San Diego theatre, Mr. Noel are unable to locate your item, we’ll happily take down your contact Music Department at the University of San is one of the few San Diegans to have had an RESTROOMS information and a description of the item and contact you if it is found. Diego. Mr. Murphy earned his B.F.A. degree entire year (1987) proclaimed in his honor, The Scenic, Costume, Lighting and Sound Restrooms are located in the lower lobby of the Old Globe Theatre, The Old Globe does not assume liability for items left behind on the in Stage Management from Webster Univer- and to be named one of San Diego’s “Living Designers in LORT Theatres are represented by sity in St. Louis, Missouri, and his M.F.A. in Treasures.” He was a founder of the California United Scenic Artists Local USA-829, IATSE. the lobby of the Sheryl and Harvey White Theatre, and adjacent to the premises. Performing Arts Management from Brooklyn Theatre Council and a former vice president of Lowell Davies Festival Theatre. College of the City University of New York. the California Confederation of the Arts. His NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ENGAGEMENT FIRST FOLIO INTRODUCING FIRST FOLIO! THE BOOK THAT FREEDOME BRADLEY-BALLENTINE GAVE US SHAKESPEARE AND THE GLOBE’S NEW DEPARTMENT COMING TO SAN DIEGO IN JUNE OF ARTS ENGAGEMENT

Interview by Danielle Mages Amato The Old Globe, in partnership with the San Diego Public Library, is proud to host First Folio! The Book that Gave Us Shakespeare, a national traveling exhibition of the Shakespeare First Folio, one In the fall of 2015, The Old Globe announced a major milestone in an vast majority of people are not coming to The Old Globe or don’t of the world’s most treasured books. Commemorating the 400th ongoing transformation of its institutional structure: the formation feel as though it’s a place that’s representative of them. And we’re anniversary of Shakespeare’s death, the Folger Shakespeare of a Department of Arts Engagement, along with the appointment changing that perception, one community at a time. There aren’t Library, in partnership with Cincinnati Museum Center and the of a new Director of Arts Engagement, Freedome Bradley- many theatres that are doing this in the country, and to be able to American Library Association, is touring a 1623 original edition Ballentine. All of the Globe’s existing education and community- do it at this organization, which has set a high standard not only of the playwright’s first published collection to one site in all based programming will be brought together in this newly created in San Diego but in the nation, is incredibly exciting and rewarding. 50 states, the District of Columbia, Puerto Rico, and the U.S. department. When I started here, the Globe had plays simultaneously running on Virgin Islands. The Old Globe, in partnership with San Diego Broadway and in a homeless shelter. That really speaks to what we’re Public Library, is honored to have been selected as the only For eight years, Freedome was the Director of Theatrical Programs doing here. When you sit back and think about that, it’s exciting. I’m California stop during this year-long, high-profile event.

for the City Parks Foundation in New York City, a not-for-profit that excited to come to the Globe every day and do this work. That’s why works closely with the city’s Department of Parks and Recreation I came here: to be excited. The First Folio Exhibit will be in San Diego from Junev 4 to July 7, to bring a variety of programs into the hundreds of parks in all 2016, hosted at the Central Library @ Joan Irwin Jacobs five boroughs. He holds an M.F.A. in Theatre from Sarah Lawrence How do you define “engagement”? Common, and admission to the exhibit and all associated Title page of Shakespeare’s First Folio, 1623, with Droeshout engraving of College and a B.A. in Education from New York University, and he programming will be free. Accompanying the rare book will be a Shakespeare. Photo courtesy of Folger Shakespeare Library. also served in the United States Peace Corps in Ethiopia. Often, when people meet me, they say, “Oh, you’re doing the multi-panel exhibition exploring the significance of Shakespeare, outreach thing.” But that’s only part of my job. Engagement is more then and now, with additional digital content and interactive What made you want to come to San Diego and take this job than outreach: it means that I’m reaching out and you’re reaching activities. The Old Globe will also curate a section of the exhibit At the Central Library, weekly panel discussions will feature at the Globe? back. We’re holding on to each other, and we’re finding out what each space, drawing on archives from past Globe productions to share distinguished Shakespeare scholars and directors from across other wants. It means I’m really interested in what your goals are, the rich history of Shakespeare in San Diego. California and around the world, and weekly movie screenings What the Globe is trying to do right now is incredibly exciting. We and I’m trying to see how your goals match up with my goals, and will highlight great Shakespeare adaptations spanning 60 years are going out into communities where, for whatever reason, the how we can work together to accomplish those things in service to The Shakespeare celebration will extend outside the exhibition of film history. At multiple locations across the city, family our communities. hall with a wide range of events and family programming across workshops will offer hands-on opportunities for children of all the city. The month will kick off with an opening event tied to ages to engage with the history and legacy of the First Folio. Why do you think it is important for the Globe to be doing James Shapiro’s recent Library of America volume, Shakespeare in The Old Globe will also provide opportunities for educators to engagement work? America. Acclaimed actors and other luminaries, including many enhance their curricula with professional development programs from The Old Globe’s history, will read excerpts from plays and that incorporate a rich store of materials from the Folger Library. There’s no doubt that it will make us a richer organization. We’re not other historical documents to explore the long, deep relationship just going out there and saying what we want for San Diego—we’re between Shakespeare and the United States. The Old Globe will The First Folio is one of the most important literary volumes trying to find out what San Diego wants for the Globe. Even in the also host a public conversation with Shapiro, as well as a reprise ever published, and the plays printed in it—the plays that are the short time I’ve been here, I’ve learned how important the Globe is of Thinking Shakespeare Live!, Globe Artistic Director Barry lifeblood of The Old Globe—are cornerstones of our language, our to people in San Diego. San Diego is the Globe and the Globe is San Edelstein’s acclaimed program demonstrating the techniques worldview, and our very humanity. For the Globe to be able to give Diego. We can’t separate ourselves from our community, nor should professional actors and directors use in the rehearsal room to San Diegans—and all Californians—a chance to view firsthand we want to, and our community can’t separate itself from us. People bring Shakespeare alive. the pages on which those plays first appeared is an honor. really want to be part of the Globe experience, and we really want to be a part of the life of the community.

First Folio! The Book that Gave Us Shakespeare, on tour from the Folger Shakespeare Library, is made possible in part by a major grant from the National Endowment for the Humanities: Exploring the (from left) Director of Arts Engagement Freedome Bradley-Ballentine and Artistic Human Endeavor and by the generous support of Google.org and Vinton and Sigrid Cerf. Director Barry Edelstein at a Globe for All performance for South Bay Community Services at Castle Park Elementary School. The 2015 production of The Old Globe’s To learn more about the First Folio, please visit folger.edu/about-the-first-folio-tour. touring program Globe for All, Shakespeare’s Much Ado About Nothing, directed by Rob Melrose, toured community venues Nov. 10 – 22. Photo by Ken Jacques. PERFORMANCES MAGAZINE 19 CORPORATE DONORS ANNUAL FUND DONORS The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us Lead Season Sponsors ($75,000 or more) Season Sponsors ($60,000 - $74,999) in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Anonymous Globe Guilders Conrad Prebys & Debra Turner City of San Diego Commission for Arts & Culture Kathryn & John Hattox Qualcomm Foundation Karen & Donald Cohn The William Randolph Hearst Foundation Gloria Rasmussen Elaine & Dave Darwin HM Electronics, Inc. The Ted & Mary Jo Shen Charitable Gift Fund Mr. & Mrs. Brian K. Devine The James Irvine Foundation Darlene Marcos Shiley, in memory of Donald Shiley Audrey S. Geisel/Dr. Seuss Fund at Microsoft The Shubert Foundation The San Diego Foundation Paula & Brian Powers Sheryl & Harvey White Foundation

Production Sponsors ($30,000 - $59,999) Peter Cooper & Norman Blachford Hal & Pam Fuson Gillian & Tony Thornley Valerie & Harry Cooper Joan & Irwin Jacobs Fund of the United Ann Davies Jewish Community Foundation June E. Yoder Pamela Farr & Buford Alexander Rhona & Rick Thompson Vicki & Carl Zeiger

Production Sponsors ($30,000 to $59,999) Artist Circle ($20,000 - $29,999) Terry Atkinson Las Patronas S. Mark Taper Foundation Alan Benaroya Elaine Lipinsky Family Foundation Theatre Forward The Legler Benbough Foundation Jeffrey & Sheila Lipinsky Family Foundation Evelyn Mack Truitt Diane & John Berol Patrons of the Prado Union Bank County of San Diego The Prado at Balboa Park U.S. Bank Nina & Robert Doede Price Philanthropies Foundation ViaSat Hervey Family Non-endowment Fund Random House Children’s Books Viterbi Family Fund of the Jewish at The San Diego Foundation Jean & Gary Shekhter Community Foundation Leonard Hirsch, in memory of Elaine Hirsch Dolores & Rodney Smith Pamela J. Wagner & Hans Tegebo Hyatt Regency La Jolla at Aventine Ms. Jeanette Stevens Wells Fargo

Artist Circle ($20,000 to $29,999) Theatre Forward advances the American theatre and its communities by providing Mary Beth Adderley Elizabeth Dewberry Sanderson Family Foundation Director Circle ($15,000 - $19,999) funding and other resources to the country’s leading nonprofit theatres. Theatre Forward and our theatres are most grateful to the following funders ($10,000 and Bank of America Higgs, Fletcher & Mack, LLP Sheraton San Diego Hotel & Marina above): Barney & Barney Holland America Line The Harold and Mimi Steinberg California Bank & Trust Daphne H. & James D. Jameson Charitable Trust Buford Alexander & Pamela Farr McGraw Hill Financial Pamela & Jerry Cesak Jo Ann Kilty Torrey Pines Bank Allianz Global Corporate & Specialty MetLife Nikki & Ben Clay The Lodge at Torrey Pines Jordine Skoff Von Wantoch American Express Morgan Stanley Joseph Cohen & Martha Farish Charitable Gift MetLife/TCG A-ha! Program: Think It, Do It Mandell Weiss Charitable Trust AOL National Endowment for the Arts Fund of the Jewish Community Foundation Neiman Marcus Dr. Steve & Lynne Wheeler Bank of America OneBeacon Entertainment David C. Copley Foundation San Diego Gas & Electric The San Diego Foundation BNY Mellon Lisa Orberg Bloomberg Frank & Bonnie Orlowski The San Diego Foundation (This grant was made possible by the Ariel W. Coggeshall Fund of the San Diego Foundation Malin Burnham Center for Civic Engagement) Steven & Joy Bunson Pfizer, Inc. Chubb Group of Insurance Companies RBC Wealth Management Director Circle ($10,000 to $19,999) ($10,000 - $14,999) Cisco Systems, Inc. The Schloss Family Foundation Citi The Shubert Organization, Inc. Melissa Garfield Bartell & Michael Bartell Lee & Frank Goldberg Tom & Lisa Pierce Mister A’s ResMed Foundation DeWitt Stern Skadden, Arps, Slate, Meagher & Flom Jane Smisor Bastien Dr. & Mrs. Harry F. Hixson, Jr. Peggy & Peter Preuss Dorsey & Whitney Foundation George S. Smith, Jr. Richard & Kathy Binford Deni Jacobs Allison & Robert Price Family Foundation Fund Edgerton Foundation Southwest Airlines Founder Circle ($5,000 - $9,999) The Bjorg Family Jerri-Ann & Gary Jacobs of the Jewish Community Foundation Epiq Systems TD Charitable Foundation California County Superintendents Barbara G. Kjos Rivkin Family Fund I at GEN7 Wines Maxwell Technologies EY Theatermania.com/Gretchen Shugart Educational Services Association Brooke & Dan Koehler The San Diego Foundation Ford Foundation Travelers Entertainment The Anthony Cerami & Anne Dunne Carol & George Lattimer G. Joyce Rowland & Pamela A. Morgan Alan & Jennifer Freedman James S. & Lynne Turley Craig Noel Circle ($3,000 - $4,999) Foundation for World Health Sandy & Arthur Levinson Ryan Family Charitable Foundation Goldman, Sachs & Co. UBS Carlo & Nadine Daleo Susan & John Major Karen & Stuart Tanz Souplantation Ted Hartley & RKO Stage Wells Fargo Marsh & McLennan Companies, Inc. Willkie Farr & Gallagher LLP Dan & Phyllis Epstein The Musser Family Cherie Halladay Tirschwell Jonathan Maurer and Gretchen Shugart Karen Fox National Endowment for the Arts Karin Winner Carol L. Githens Caroline & Nicolas Nierenberg PUBLIC SUPPORT Diana R. Glimm The Kenneth T. & Eileen L. Norris Foundation

Major funding provided by the City of San Diego Commission for Arts and Culture. FOUNDER CIRCLE Barbara Charlton Barbara & Dick Enberg Community Foundation The Old Globe is funded by theCounty of San Diego. ($5,000 to $9,999) Colwell Family Distributable Fund Dr. & Mrs. Robert Epsten Drs. Tom & Jane Gawronski The Angelson Family Foundation at The San Diego Foundation Arlene & Richard Esgate Norm Hapke & Valerie Jacobs Hapke Joan & Jeremy Berg R. Patrick & Sharon Connell Carol Spielman-Ewan & Joel Ewan Gordon & Phyllis Harris Jay Biskupski & Catherine Imrie Bernard J. Eggertsen & Susanna & Michael Flaster David Whitmire Hearst, Jr. Barbara Bloom Florence Nemkov Elaine Galinson & Herbert Solomon Foundation Carol & Jeff Chang Marion Eggertsen Donor Advised Fund of the Jewish Liz & Gary Helming

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 Jay & Julie Sarno Drs. Betty Joan Maly & Nancy & Allan Chapman Dr. & Mrs. Paul E. Michelson Don Stanziano & Michael Sikich John Meyers Joseph & Ellen Checota Craig & Betsey Monsell THANKS Kathleen & Al Steele Mercy & Ron Mandelbaum Russ & Kathy Christiansen Mimi & Ernie Mortensen OUR John & Margery Swanson Rev. Stephen J. Mather John Cochran & Sue Lasbury Linda Mulcahy Alexa Kirkwood Hirsch Samuel I. & John Henry Mr. & Mrs. Thomas C. Pastore Ms. Lari Sheehan Casey & Julie Tibbitts Ronald McCaskill & Robyn Rogers Maggie Coleman Katherine Newton Hutcheson Family Fund at Fox Foundation Mr. & Mrs. L. Robert Payne Alan & Esther Siman Brenda & Robert Tomaras Bill & Mim McKenzie Michelle Conde Robert Nye The San Diego Foundation at Union Bank of California Petco Bob & Mike Stivers Stan & Anita Ulrich Dr. & Mrs. Robert Morrison Florence De Lucia June & Rich Nygaard Russell & Mary Johnson Charles Freebern Col. & Mrs. Ben Pollard Jack & Louise Strecker Karen Walker Charles & Susan Muha Angie DeCaro Thomas & Tanya O’Donnell William Karatz Charles & Millicent Froehlich Bill & Mo Popp Greta & Stephen Treadgold Joseph & Mary Witztum Shirley Mulcahy Caroline DeMar Susan & Jimmy Oxford Regina Kurtz, in loving memory Joy & Dr. Fred Frye Daniel Porte Jr., M.D. & Judith A. Wenker Charitable Fund Howard & Christy Zatkin Darrell Netherton Bethany Derrough Phil & Pam Palisoul of Al Isenberg Barbara & Albert* Garlinghouse Mrs. Sally Dubois at The San Diego Foundation Mark & Jan Newmark Steve & Sandy Drew Dennis & Nan Pennell Peter Landin & Michelle Cardinal Bill & Judy Garrett The Arthur & Jeanette Pratt GOLD Evy & Ed Newton Esther & Robert Feier In honor of Clifford T. Pentrack Chris & Louise Lischewski Joyce Gattas Memorial Fund PLATINUM ($500 to $999) Micki Olin & Reid Abrams Dr. William & Judith Friedel Dr. & Mrs. Richard Perlman Peter Manes & Yoko Sakaguchi Daniel & Arline Genis Joseph & Jane Rascoff ($1,000 to $1,499) Howard E. Abrams Lori Partrick Dr. & Mrs. Richard Friedman Abigail Pike Paul & Maggie Meyer Teresa George John Rebelo & Brenda Marsh-Rebelo Anonymous (2) Mrs. Marilyn Adams Julius J. Pearl Fund at Peter & Christine Gault Nancy Plummer Money/Arenz Foundation, Inc. Terrie Georgi Fund at The San Diego Foundation Arleene Antin & Leonard Ozerkis B.J. Adelson The San Diego Foundation Rita J. Geisel D. & V. Povall Michael G. Murphy Arthur Getis & Roberta King Wade and Candi Rich Jonathan & Alicia Atun George Amerault, Jr. In Memory of Margaret Peninger Mr. & Mrs. Bruce Gemberling Adele Rabin & Stephen Cohen Bernard D. Paul Gilcrest Family: Andy, Karen Nancy J. Robertson Amnon & Lee Ben-Yehuda Anonymous (5) Nancy & Michael Pfeiffer Ruth Gilbert & Stacy Cromidas Gilbert & Cynthia Raff Matthew & Judith Pollack A.J. & Tommy Cathy & Larry Robinson Sondra & Robert Berk Fund of the Earl Asbury Dianne & Bruce Ramet Dr. Katrin & Charles Gillespie C. Jay & Kathleen Rains The Jerome Robbins Foundation Wendy Gillespie Carole Sachs Jewish Community Foundation Katherine Austin Gerry & Jeannie Ranglas Doug Gillingham & Dana Friehauf Charles & Joyce Revlett Chrissy & Roger Roberts Robert Gleason & Marc Matys Warren & Beverly Sanborn Edgar & Julie Berner Bruce & Patricia Becker Dr. Robert Reese Russell Ginns & Beverly DiGregorio Cecile Richards Patricia K. Shumway Sheila & Tom Gorey The Sargis Family Elaine Chortek Mrs. Lazare F. Bernhard Robert Reid Nedra Zall Glasser, Ph.D Susan & Adrian Roberts Beth & Kevin Smith George C. Guerra Dr. Myron & Doreen Schonbrun Katharine Cline & Michael Lee John & Sally Berry Stuart & Linda Robinson Fred & Lisa Goldberg Dr. & Mrs. Stephen Rockwood Pat & Jack Thomas Ms. Cheryl Haimsohn Todd Schultz & Paul Scott Silvera Ronald D. Culbertson Bob & Joyce Blumberg T. Wayne & Christine Rounsavell Judi Gottschalk Dr. Norman & Barbara Rozansky Carol Vassiliadis Guy & Laura Halgren Robert & Lisa Shaw Dorothy R. Dring Deb & Brand Brickman Mr. & Mrs. Todd Ruth Bill Green & Tim Simmons Fund of the Jewish Carol & Larry Veit Pat & Rick Harmetz Charles & Sherry Sheppard Jackie & Stan Drosch Robert & Pamela Brooks Sue & Haddon Salt Dorothy & George Green Community Foundation Mary Kay West Patrick Harrison & Eleanor Lynch Drs. Joseph & Gloria Shurman Berit & Tom Durler The Bunn Family Paul Searby Euvoughn L. Greenan George & Karen Sachs Pamela & Marty Wygod Rhonda Heth & Thomas Mabie Dee E. Silver, MD Devora & Ron Eisenberg Brent Carey Linda J. Seifert Craig & Catherine Greene Samiljan Family Fund of the Jewish Bill & Nancy Homeyer Dave & Phyllis Snyder Richard & Beverly Fink Luc Cayet & Anne Marie Pleska Tim & Luci Serlet Gary & Anne Grim Community Foundation CRAIG NOEL CIRCLE Gary & Carrie Huckell Nancy & Alan Spector and Family Family Foundation Ms. Lisa Churchill & Linda & Andrew Shelton Robert Halleck & Della Janis Jerome Scally ($2,500 to $4,999) Drs. Sonia & Andy Israel Nancy Steinhart & Dr. Ben & Sue Frishberg Dr. Susan Forsburg Stella Shvil Professional Fiduciary Stanley C. Harazim Lillian Schafer Dr. & Mrs. Wayne Akeson Pat JaCoby Rebecca Goodpasture Steven & Susan Garfin Richard T. Clampitt Beverly & Howard Silldorf George D. Hardy Mr. & Mrs. Martin Schroeder Anonymous (9) Jackie Johnston Miriam Summ Norman & Patricia Gillespie Boyd & Rita Collier Anne & Ronald Simon James & Ruth Harris Fund of the Jeff & Karen Shabel Drs. Gabriela & Mike Antos Katleman Family Fund of the Karen & Don Tartre Joyce Glazer Hon. Vincent Di Figlia Mr. William D. Smith & Jewish Community Foundation Glenda Allen Shekell Judith Bachner & Eric Lasley Jewish Community Foundation Tim & Judy Tillyer Mr. William & Dr. Susan Glockner Georgia Ellis Dr. Carol Harter Gail Harriss Alex V. Sher Jan & Rich Baldwin Dr. Gerald & Barbara Kent C. Anne Turhollow & Geraldo & Scarrain Gomes Fund Nate & Margaret Englund Norman & Judith Solomon Mark & Corrine Harvey Curt Sherman Bobbie Ball Edythe Kenton Michael J. Perkins Louise & Doug Goodman Drs. George & Susan Dersnah Fee Ronald & Susan Styn Garry & Sharon Hays Allen & Judy Shumate Jan Bart J. Robert & Gladys H. King Michael T. Turner & Chris Graham & Michael Albo Pauline Forman Clifford & Kay Sweet Joan Henkelmann Dr. Hano & Charlotte Siegel Mr. & Mrs. Bear Family Trust Suzanne Poet Turner Denise Graham & Frank Ruyak J. M. Gillman John & Gail Tauscher Jeff & Debbie Hertel Joseph Slobodny Marian Benassi Ken & Sheryl King Natalie C. Venezia & Paul A. Sager Isaacs Brothers Foundation at Morris & Phyllis Gold Fund of the Roger Thieme & Sylvia Steding Suzanne & Lawrence Hess Malcolm E. Smith Joan Jordan Bernstein Webster & Helen Kinnaird Mary R. Warkentin The San Diego Foundation Jewish Community Foundation Jeffrey & Sheila Truesdell Christine Hickman & Dennis Regan Barbara & Bill Sperling Linda & Robert Bernstein Jack Kirkland The Patricia and Christopher Weil Louis & Mary Beth Kelly Robert & Edry Goot The Ward Family Charitable Trust Frank Hobbs Susanne Stanford Fund of the Charlotte & Charles Bird Jane & Ray* Klofkorn Family Foundation Warren & Karen Kessler Carol & Don Green Drs. Christine White & Peggy & John Holl Jewish Community Foundation Joan Bishop, in memory of Curt & Nancy Koch Shirli Fabbri Weiss and Sons Bill & Linda Kolb Richard & Candace Haden Joseph Traube Robert Hyman Ann & Robert Steiner Harold McNeil Rosalie Kostanzer & Michael Keefe Stephen & Joy Weiss Jennifer Lake & Jeff & Judy Handler Sandy Wichelecki & Steven M. Jaeger, M.D. & Dave & Jan Stormoen Paul Black Bob & Laura Kyle James E. & Kathryn A. Whistler Fund Donald Francis Donovan Virginia Hawkins Suzanne Dukes Joseph H. Zilvinskis Eric & Marian Suggs Steve & Elizabeth Bluhm Jean & David Laing at The San Diego Foundation Susan Lane & Torrey Harmon Kaaren Henderson Dennis & Carol Wilson Natasha Josefowitz Mrs. J.B. (Cruz) Swedelius Barbara Bolt Terry & Mary Lehr Nowell Wisch Dr. & Mrs. James E. Lasry Jamie Henson & Cass Witkowski Family James I. Justeson Janet & Brian Taylor Dr. Herman & Irene Boschken The Leist Family Stephen & Carolyn Locke Robert Houskeeper Brendan M. & Kaye I. Wynne Drs. Irvin & Nancy Kaufman Marshall & Leila Taylor Beatrice & William Briggs Ronald & Ruth W. Leonardi DIAMOND Mary Lyman Gerald M. Hermanson & Chester Yamaga & Jean Samuels David C. & Betty J. Kennedy Reed & Solange Thompson Anita Busquets & William Ladd James & Pamela Lester ($1,500 to $2,499) Jasna Markovac & Gary Miller Donna L. Buckner Robert & Elena Kucinski K. Jean Timmons Mary-Kay Butler Paul Levin Jeff & Donna Applestein Marcia A. Mattson Donald J. Hickey SILVER Patricia Lamont & Roberta Fields Doug & Lynn Todd Dr. & Mrs. Edgar D. Canada Robin J. Lipman David A. & Jill Wien Badger Dennis A. McConnell Robert & Sabine Hildebrand ($250 to $499) James Lare & Jacquelyn McCoy Robert C. & Melesse W. Traylor Edward & Pamela Carnot Barbara & Mathew Loonin Gary & Barbara Blake Family Fund James & Estelle Milch Fund of the Bruce & Jane Hopkins Don & Diana Ambrose Dixon & Pat Lee Ginny Unanue Cecilia Carrick & Stan Nadel Carlos Malamud of the Jewish Community Jewish Community Foundation Stephanie & Carl Hurst Mrs. Cyla Andrus & Ellen & Ira Levine Nancy Alice Vaughn Harry & Sandra Carter Dr. Robert & Marcia Malkus Foundation Charles & Ilene Mittman Joseph & Donna Hynes Mr. Darrell Mead B. Leonard Levy Peggy Ann Wallace George & Ellen Casey Jackie & Charlie Mann Greg & Loretta Cass Ursula & Hans Moede Mrs. Susan Inot Anonymous (8) Morris & Zita Liebermensch Barbara C. Ward Rudy & Carol Cesena Lois I. Marriott Bill Eiffert & Leslie Hodge Terry & Sandra Moore Ed & Linda Janon Lynell Antrim Eric & Lori Longstreet Char Webster The Charitable Foundation Dr. Ted & Marcy Mazer Gay and Lesbian Fund for San Diego Jim & Ruth Mulvaney Foundation Tony & Nancy Janus John & Elizabeth Bagby Sam Losh & Liz Losh Joyce Wharton Garet & Wendy Clark Oliver McElroy & Karen Delaurier at The San Diego Foundation at The San Diego Foundation James Jaworski Francis & Diane Bardsley Bill Luckow Jean Wilkinson Ms. Heidi Conlan/ Elizabeth & Edward McIntyre Cathryn Golden Nata5mAI Dr. & Mrs. Clyde W. Jones Judy & Larry Belinsky Mr. & Mrs. Howard Lund Caroleen Williams The Sahan Daywi Foundation Don & Judy McMorrow Robert D. Heylmun Marsha J. Netzer Wilfred Kearse & Lynne Champagne Joni & Miles Benickes Mr. Neil A. Malmquist Colleen & Dennis Williams Richard & Stephanie Coutts Judi Menzel Robert J. Kilian & The Oceanaire Seafood Room Carol Keppel Drs. John & Karen Burger Jeanne Maltese Olivia & Marty Winkler Susan Barlow Cowell Elizabeth B. Meyer Kathleen M. Slayton Virginia Oliver Dr Marvin M. Kripps Giovanni & Carolyn Bertussi Deborah & Frederick Mandabach Omar & Carol Winter Jane Cowgill Dr. Howard & Barbara Milstein Dr. Morton & Susan La Pittus Rod & Barbara Orth LABS, Inc. Robert Blanton & Ann Clark Russell Mangerie John & Lenora Witt Gigi Cramer, in memory of Judith Morgan Magic Snow Christopher & Susan Pantaleoni Allen Lemberg & Family Gaylyn N. Boone & James R. Dorcy Katherine Mannen Caryl Lees Witte Ed Cramer Akiko Charlene Morimoto & Joy & Ronald Mankoff Tim & Leslie Paul Sherry & Rick Levin Joann Boone & Nancy Danniger Patricia Manning William F. & Norah D. Wolff Darlene G. Davies, in memory Hubert Frank Hamilton, Jr. Dr. & Mrs. M. Joseph McGreevy James & Judith Queenan Lois & Larry Lewis Helen & Douglas Boyden Heidi & Peter Maretz Clarence & Nina Woods of Lowell Davies Sara Moser Rena Minisi & Rich Paul Robert & Doris Reed Mack Lewis & Kate Herring LaVerne & Blaine Briggs Kathleen Markham Mary Ann Yaghdjian Dr. Cynthia & Mr. Martin Davis Nancy & James Mullen Carol Moran & Greg Pfleger Bernard Reiter Fund of the Marshall & Judy Lewis Fund of the Donor Advised Fund at the Joseph L. Marshall & RADM. & Mrs. Guy Zeller Andrew M. DeCaminada Joyce & Martin Nash Barbara Oswalt Jewish Community Foundation Jewish Community Foundation Rancho Santa Fe Foundation Dr. Rosemarie Marshall Johnson Jim & Sally Ditto Lyn Nelson Dr. Sara Rosenthal & Josette & John Rekettye Edward & Nancy Lyon Roger Brown & Erika Lefren Paul Massatt *In Memoriam Mary & David Fitz Arthur & Marilyn Neumann Dr. Julie Prazich Michael Robertson & Dale Johnston Carl Maguire & Margaret Sheehan Beth Bruton Mr. & Mrs. Gerald P. May, Jr. Jean & Sid Fox Lawrence Newmark Ryde Family Memorial Foundation Esther Rodriguez Sally & Luis Maizel William & Shirley Carrington Robert McCommins This list current as of Mark C. Niblack, MD at The San Diego Foundation The Ralph B. Rogers Foundation Jain Malkin Leslie & Shlomo Caspi Teresa McEuen December 31, 2015. Susan C. Parker Marilies Schoepflin, Ph.D. Crystal Rubin Dr. & Mrs. Stephen Center Gregory & Phyllis Mellot 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager LIGHTING DEVELOPMENT Dave Henson...... Director of Marketing and Communications Shawna Cadence...... Lighting Director Annamarie Maricle...... Associate Director, Mark Somers...... Director of Finance Ryan Osborn...... Master Electrician, Globe Institutional Grants Richard Seer...... Director of Professional Training Nicole Davison...... Master Electrician, White Bridget Cantu Wear...... Associate Director, Planned Giving Robert Drake...... Director of Production Kevin Liddell...... Master Electrician, Festival Eileen Prisby...... Events Director Freedome Bradley-Ballentine.... Director of Arts Engagement Steve Schmitz...... Lighting Assistant Rachel Plummer, Keely Tidrow...... Major Gifts Officers Bradley Bergholtz, Kaelyn Kappes, Xavier Luevano, Robin Hatfield...... Annual Fund Manager ARTISTIC Andrew Lynch, Kyle Montgomery Matthew B. Williams...... Major Gifts Associate Eric Louie, Justin Waldman...... Associate Producers Kevin Orlof, Laura Zingle...... Electricians Diane Addis...... Membership Administrator Danielle Mages Amato...... Literary Manager/Dramaturg Rico Zamora...... Development Assistant Bernadette Hanson...... Artistic Associate SOUND Sarah Ditges...... V.I.P. Donor Ticketing Tom Ridgely...... TCG Mentorship Grant Recipient Paul Peterson...... Sound Director Derek Floyd...... Grants Assistant Jeremy Nelson...... Master Sound Technician, Globe Charlie Huettner...... Telefunding Specialist PRODUCTION Clayton Nicodemus...... Master Sound Technician, White Debra Pratt Ballard...... Associate Director of Production Kevin Dawes, RJ Givens, Adrian Gonzalez, DONOR SERVICES Alex Heath, Jaclyn Skingel...... Sound Technicians Ron Cooling...... Company Manager Silvana Burrato, Jyothi Doughman, Janette Jack, Carol Donahue...... Production Coordinator Barbara Lekes, Richard Navarro, Stephanie Reed, ADMINISTRATION Jackson Smith...... Assistant Company Manager Laura Regal, Stephen Wade...... Suite Concierges Alexandra Hisserich...... General Management Associate Carolyn Budd...... Assistant to the Artistic STAGE MANAGEMENT MARKETING and Managing Directors Leila Knox...... Production Stage Manager Susan Chicoine...... Public Relations Director Darlene Davies...... The Old Globe Historian Ed Hofmeister...... Associate Director of Marketing TECHNICAL Mike Hausberg...... Public Relations Associate INFORMATION TECHNOLOGY Benjamin Thoron...... Technical Director Chanel Cook...... Digital and Print Publications Coordinator Dean Yager...... Information Technology Director Wendy Berzansky...... Associate Technical Director Jordyn Case...... Marketing Assistant John Ralston...... Information Technology Assistant Manager Lucas Skoug...... Assistant Technical Director Stephen Wade...... Marketing/Events Assistant Brittany Summers...... Information Technology Assistant Eileen McCann...... Resident Design Assistant Carolann Malley...... Distribution Staff Eliza Korshin...... Technical Assistant/Buyer HUMAN RESOURCES Gillian Kelleher...... Master Carpenter SUBSCRIPTION SALES Sandy Parde...... Human Resources Director Carole Payette...... Charge Scenic Artist Scott Cooke...... Subscription Sales Manager Manny Bejarano...... Human Resources Coordinator Christian Thorsen...... Stage Carpenter/Flyman, Globe Arthur Faro, Stephen Jones, Janet Kavin, Daniel Capiro...... Charge Carpenter, White Pamela Malone, Yolanda Moore, Philip Patterson, MAINTENANCE Ken Seper, Cassandra Shepard, Jerome Tullmann, Jack Hernandez...... Master Carpenter, Festival Ramon Juarez...... Facilities Director Grant Walpole...... Subscription Sales Representatives Chris Chauvet, Jason Chohon, Mack Benjamin, Violanda Corona, Ismael Delgado, Veronica Hernandez, Sloan Holly, Roberto Gonzalez, Bernardo Holloway, TICKET SERVICES Kurtis Weichers...... Carpenters Reyna Huerta, Johnny Kammerer, Jason McNabb, Bob Coddington...... Ticket Services Director W. Adam Bernard...... Lead Scenic Artist Jose Morales, Victor Quiroz, Leonardo Rodriguez, Marsi Bennion...... Ticket Operations Manager Vielka Smith...... Building Staff Cristal Salow...... Group Sales Manager COSTUMES Kathy Fineman, Stacy Sutton...... Costume Director PROFESSIONAL TRAINING Caryn Morgan...... Lead Ticket Services Representative Charlotte Devaux Shields...... Resident Design Associate Shana Wride...... Program Coordinator Christian Amezcua, Kari Archer, Matt Costa, Maureen Mac Niallais...... Assistant to the Director Brian Byrnes, Maria Carrera, Cynthia Caywood, Merri Fitzpatrick, Bea Gonzalez, Lauryn Greschke, Shelly Williams...... Design Assistant/Shopper Ray Chambers, Gerhard Gessner, Jan Gist, Alejandro Gutierrez, Amanda King, Miriam Neigus, Corrine Roache...... Design Assistant Fred Robinson, Abraham Stoll...... M.F.A. Faculty David Simpson, John Sweeney, Ticket Services Representatives Erin Cass...... Draper Peet Cocke, Corey Johnston, Jake Zamzow...... Wendy Miller...... Tailor/Draper Nate Parde, Robin Roberts...... M.F.A. Production Staff Anne Glidden Grace, PATRON SERVICES Nicole Sukolics-Christianson...... Assistant Cutters ARTS ENGAGEMENT Mike Callaway...... Patron Services Director Mary Miller...... Tailoring/Construction Karen Ann Daniels...... Arts Engagement Programs Manager Juliana Johnson, Mary Taylor...... House Managers Heather Premo...... Stitcher Michelle Panek...... Arts Engagement Coordinator Angela Montague Kanish...... Front of House Assistant Stephanie Parker...... Craft Supervisor/Dyer/Painter Lisel Gorell-Getz...... Master Teaching Artist Nic Hagan...... Food and Beverage Manager Kim Parker...... Interim Wig and Makeup Supervisor Carolyn Agan, Catherine Hanna, Jason Heil, Stephanie Passera, Brandon Potter...... Pub Shift Supervisors Ana Maldonado...... Wig Assistant Erika Malone, Crystal Mercado, Heather Pauley, Erika Beth Phillips, James Pillar, Tanika Baptiste, Deborah Montes, Angela Price, Beverly Boyd...... Wardrobe Supervisor Christopher Salazar ...... Teaching Artists Michelle Thorsen, Jennifer Van Atta, Beth Merriman...... Wardrobe Crew Chief, Globe Jacquelyn Weber...... Pub Staff Anna MacDonald...... Wardrobe Crew Chief, White FINANCE Linda Bahash, Amy Brooks, Garrett Bazzle...... Wardrobe Running Crew, Globe Cindy Hunt...... Senior Accountant Stephanie Rakowski...... Gift Shop Supervisors Sunny Haines...... Wig Running Crew, Globe Trish Guidi...... Accounts Payable/Accounting Assistant Marie Jezbera...... Rental Agent Adam Latham...... Payroll Coordinator/Accounting Assistant SECURITY/PARKING SERVICES Edward Camarena...... Security Manager PROPERTIES Tim Cole...... Receptionist Sherisa Eselin...... Security Officer Neil A. Holmes...... Properties Director Jonathon Ayon, Joshua Caldwell, Kristin Steva Campbell...... Assistant to the Director Francisco Dukes, Jeff Howell, Janet Larson, M.H. Schrenkeisen...... Shop Foreman Jonathan Martinez, Eleuterio Ramos, Nick Pecher, Jacob Sampson...... Properties Craftsmen Anna Salgado, Jakob Schmidt...... Security Guards Rory Murphy...... Lead Craftsman Alexander Thomas...... VIP Valet Attendant David Medina...... Properties Buyer David Buess...... Property Master, Globe Kristen Flores...... Stage and Property Master, White Jack O’Brien...... Artistic Director Emeritus Andrew Recker...... Property Master, Festival Craig Noel...... Founding Director Kristine Hummel-Rosen...... Assistant Prop Buyer

24 PERFORMANCES MAGAZINE