The BG News November 14, 1978
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Intermezzo May/June 2021
Virtual Membership Meeting: Virtual Membership Meeting: May/June 2021 Monday, May 10th, 2021 Monday, June 14th, 2021 Vol. 81 No. 3 @ 6:00 pm @ 6:00 pm Musician Profile: Chicago’s Jimmy Pankow and Lee Loughnane Page 6 Looking Back Page 11 The Passing of Dorothy Katz Page 28 Local 10-208 of AFM CHICAGO FEDERATION OF MUSICIANS TABLE OF CONTENTS OFFICERS – DELEGATES 2020-2022 Terryl Jares President Leo Murphy Vice-President B.J. Levy Secretary-Treasurer BOARD OF DIRECTORS FROM THE PRESIDENT Robert Bauchens Nick Moran Rich Daniels Charles Schuchat Jeff Handley Joe Sonnefeldt Janice MacDonald FROM THE VICE-PRESIDENT CONTRACT DEPARTMENT Leo Murphy – Vice-President ASSISTANTS TO THE PRESIDENT - JURISDICTIONS FROM THE SECRETARY-TREASURER Leo Murphy - Vice-President Supervisor - Entire jurisdiction including theaters (Cell Phone: 773-569-8523) Dean Rolando CFM MUSICIANS Recordings, Transcriptions, Documentaries, Etc. (Cell Phone: 708-380-6219) DELEGATES TO CONVENTIONS OF THE RESOLUTION ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS Terryl Jares Leo Murphy WHO, WHERE, WHEN B.J. Levy DELEGATES TO CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL Rich Daniels Leo Murphy LOOKING BACK Terryl Jares DELEGATES TO CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS Rich Daniels B.J. Levy HEALTH CARE UPDATE Terryl Jares Leo Murphy Alternate: Charles Schuchat PUBLISHER, THE INTERMEZZO FAIR EMPLOYMENT PRACTICES COMMITTEE Terryl Jares CO-EDITORS, THE INTERMEZZO Sharon Jones Leo Murphy PRESIDENTS EMERITI CFM SCHOLARSHIP WINNERS Gary Matts Ed Ward VICE-PRESIDENT EMERITUS Tom Beranek OBITUARIES SECRETARY-TREASURER EMERITUS Spencer Aloisio BOARD OF DIRECTORS EMERITUS ADDRESS AND PHONE CHANGES Bob Lizik Open Daily, except Saturday, Sunday and Holidays Office Hours 9 A.M. -
AXS TV Schedule for Mon. July 1, 2019 to Sun. July 7, 2019 Monday
AXS TV Schedule for Mon. July 1, 2019 to Sun. July 7, 2019 Monday July 1, 2019 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Classic Albums Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Black Sabbath: Paranoid - The second album by Black Sabbath, released in 1970, has long at- Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! tained classic status. Paranoid not only changed the face of rock music forever, but also defined the sound and style of Heavy Metal more than any other record in rock history. 4:30 PM ET / 1:30 PM PT Cyndi Lauper 7:00 AM ET / 4:00 AM PT Punk princess Cyndi Lauper performs “Walk On By” and fun flashbacks like “Time After Time”, Rock Legends “True Colors” and “Girls Just Want To Have Fun”. Jimi Hendrix - Hailed by Rolling Stone as the greatest guitarist of all time, Jimi Hendrix was also one of the biggest cultural figures of the Sixties, a psychedelic voodoo child. Leading music 5:30 PM ET / 2:30 PM PT critics cast fresh light on the career of Jimi Hendrix. Rock Legends Blondie - The perfect punk pop band fronted by the most iconic woman in music. Always 7:30 AM ET / 4:30 AM PT creating, never following, always setting trends. After forming in the 1970s, Blondie continue to Rock & Roll Road Trip With Sammy Hagar make music and tour the world. Sunset Strip - Sammy heads to Sunset Blvd to reminisce at the Whisky A-Go-Go before visit- ing with former Mötley Crüe drummer Tommy Lee at his house. -
CONGRESSIONAL RECORD— Extensions of Remarks E2431 HON
November 15, 2007 CONGRESSIONAL RECORD — Extensions of Remarks E2431 their staff on many of our most critical edu- Chicago reached the top of the charts with fa- In 1959, he was appointed by U.S. Presi- cational issues. In the past 10 years, she has vorites such as ‘‘If You Leave Me Now,’’ ‘‘Hard dent Dwight D. Eisenhower to serve as special specialized in elementary and secondary edu- to Say I’m Sorry,’’ and ‘‘Look Away.’’ In addi- assistant to U.S. Secretary of State John Fos- cation, including No Child Left Behind. Sandra tion to their incredible commercial success, ter Dulles. A year later, he ran and was elect- was involved in helping to pass NCLB and has Chicago has garnered considerable respect ed to the U.S. House of Representatives from kept the lines of communication open between among critics and has won numerous awards, the 10th Congressional District of Pennsyl- the Executive and Legislative branches of including three Grammy Awards as well as a vania. Government. Favorite Rock Group award at the American In 1962, he was elected governor of the Sandra is a career civil servant who knows Music Awards. Commonwealth of Pennsylvania and, during that Federal education policy matters. She has Awards and honors aside, Chicago has a his term, he signed into law sweeping reforms served under administrations of both parties special gift for bringing people together, some- in the State’s educational system including and has consistently received internal recogni- thing I have personally experienced. My wife, creation of the State community college sys- tion for her professionalism and commitment Judy, and I are long-time fans of the band, tem, the State board of education and the to excellence. -
Pacad286-All Access#7
The band Chicago has always boasted multiple singer/songwriters—that’s one reason they’ve been able to generate so many memorable hits during their 38-year career. But the man most responsible for the songs that put the group on the map is keyboardist/vocalist Robert Lamm, who wrote such classics as “Beginnings,” “Does Anybody Really Know What Time It Is?” and “Saturday in the Park.” “P EOPLE HAVE NO IDEA HOW MUCH I APPRECIATE IT WHEN THEY TELL ME In the ensuing years, Lamm created four solo albums, most how much those songs have meant in their lives,” says recently 2003’s Subtlety and Passion . While they’ve never Lamm. “That’s always been hard to grasp for me. But I do sold as astronomically as some Chicago discs, they are “I realized the Motif know that I love doing what I do, and I’m lucky to be able beloved by many of the group’s fans, some of whom insist could do everything to have done it for so long. And I’m still engaged in the the Lamm records are closer to the original sound and spirit exploration and discovery that is songwriting.” of Chicago than many of the group’s own releases. Says that’s required in the Lamm, “Those solo albums have been as necessary to me as Brooklyn-born Lamm relocated to Chicago as a teen, where live version of Chicago, life itself.” he studied classical music while also playing in bands. “By so now it’s the only the time Chicago formed, I was a total Beatles kid,” he recalls. -
Band Program
t tapam ow 10/16/70 Mfttft row want somoont know you anprwctofo ovofythtng about hot, Try a prodout gom from IUPUI News Wo know you goto ■ lot Students make parking hard for handicapped uoahowyquhowtotolhor. byJehaRaatey Student* at IUPUI are making a dtl la OUbart, an iaeatod hcuit altuatloo warn by cenUnut* to aide at Blake Straat Library whan tha lag dock ana. at both M b Straat Igaora univanity regulation by pari- tag »a spaces raaarvad far uaa by baa- dkappad atudonta and staff, tayi Ma areat at tha lav acbool. waat of the It la important tor tha studant body jor John OUbart ot tha ua!vanity Union Building, on Middle Street araat to watch out for Um ot tha Nuntng Building, aouth of Riley Gilbert laid White no proctea (Utiatica ara avaii- ot ear* toured APO sets blood drive record by JehnKmky APO plant to have another blood coataa* that at many aa T or I can a A record waa aat by the aomi-annual * t n , in coopantton with Um Central day have bean towed from ouch teca- Omega (APO) blood (blve Indiana Regional Blood Cantor in ttoaa. Tha importance ot maintaining bold at IUPUI during the Pobranry, according to Oermaan, tbaao apacoa for Um hambeappod waa flrat weak at October After two dnye and It tentatively la planning to devote atnaaoa by Don Wakafleid. director ot at taking pledgee and throe daya at re ana day at Um frtve to each at Um ceiving dona tiaaaot blood, thefrator mN at IUPUI lUPUI'a Hambeappod Student Sor- nity obtoinad l « pinto at wboto blood ricoa, arhoa boaaid that the phyaicaliy for Um Central Indiana Regional Blood Cantor IUPUI Band organizes igaatad for handicapped parting have Jim Tagbort, co-chairman at tbo baaa datign to mittgato Um taadkapa APO blood *tvo, termed the drive aa Tom Woodward, IUPUI Band Dir actor, taid that aU inatrumonta ara ■aid. -
CHICAGO TRANSIT AUTHORITY 50 Th ANNIVERSARY REMIX
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] CHICAGO TRANSIT AUTHORITY 50 th ANNIVERSARY REMIX Chicago feiern das 50-jährige Jubiläum ihres bahnbrechenden Debüts mit einer neu abgemischten Version ihres 2-fach Platin-ausgezeichneten Doppelalbums LOS ANGELES – Chicagos Debütalbum Chicago Transit Authority (bei Erscheinen noch selbstbetitelt) war eine bahnbrechende Doppel-LP, die das einfallsreiche Songwriting der Band, ihre meisterliche Musikalität und eine Genre-übergreifende Mixtur aus Rock, Jazz, Funk und Pop unter Beweis stellte. In Anerkennung seines prägenden Einflusses wurde das Album 2014 in die Grammy Hall of Fame aufgenommen. Anlässlich des 50. Jubiläums des Albums haben sich Chicago mit Toningenieur Tim Jessup zusammengetan, um das gesamte Album neu abzumischen. CHICAGO TRANSIT AUTHORITY (50th ANNIVERSARY REMIX) erscheint am 30. August auf CD und Doppel-LP auf 180g-Vinyl. Es wird auch eine nummerierte Limited Edition des 2LP-Sets auf Gold-Vinyl geben, die über rhino.com erhältlich ist. Das neu abgemischte Album wird am 30.August auch als Download und Stream veröffentlicht. Ursprünglich veröffentlicht am 28. April 1969, stieg Chicago Transit Authority in die US-Charts ein, erreichte Doppel- Platin und erhielt eine Grammy-Nominierung als „Best New Artist“. Das Werk erreichte zudem das seltene Alleinstellungsmarkmal, sich ganze drei Jahre (171 Wochen) in den US-Charts zu halten – zur damaligen Zeit ein neuer Rekord. Das zeitlose Doppelalbum enthält einige der unvergesslichsten Hits der Band: „Beginnings”, „Does Anybody Really Know What Time It Is?” und „Questions 67 and 68”. Es enthält außerdem das unverkennbare Gitarrenspiel des 1978 verstorbenen Terry Kath auf „South California Purple”, „Free Form Guitar” und ein gleißendes Cover von „I’m A Man”. -
Obert Gordon with Y Campi & His Ockabilly Rebels Rbin Williamson Horslips Hicago
E N T TALhave always focused on catchy, heavily ac- foremost high-energy rock. the finest tradition of rock'n'roll, Chicago obert Gordon With cented rock riffs, and his playing style is an The set's highpoint was a rendition of the keeps delivering it to them. Link Wray/ outgrowth of his compositions. side -long first movement from the group's ken terry Riffs were the core of Ferguson's offer- LP, y & His concept "The Book Of Invasions." Irish Campi ings on this vanguard date of a current tour, folk elements were certainly present here, ockabilly Rebels introducing his tight, hard -rocking new ranging from keyboard/flute player Jim band. His familiar style was evident in Lockhart's flowery embellishments to the title cut from his first solo album for Charles O'Connor's expert handling of a aryl Hall & WHISKY, L.A. - Robert Gordon made an Elektra/Asylum, "Thunder Island," from fast fiddle tune. Nevertheless, the impulse John Oates impressive debut in Los Angeles despite the "Sha la la's" of the opening verse. Varia- to rock out conquered all as lead guitarist problems with sound monitors which tions included the reggae -influenced John Fean (whose vocals recalled Jethro "Babylon" and the heavy shuffle of "Losing Tull's Ian Anderson) sounded an electrify- caused him to cut his set short. UCLA PAULEY PAVILION, L.A. - In a daz- Along with legendary 1950s guitarist Link Control," in which Ferguson left the piano ing transformation of the fiddle theme zling ninety -minute show, Daryl Wray, Gordon performed about 40 minutes bench to cajole a little participation out of which was then taken up by the rest of the Hall & John Oates thrilled a nearly full of material which demonstrated his keen the audience. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
The Roots Report: E-Nnoying!: Those Highway Signs Should Hit the Road
The Roots Report: E-nnoying!: Those highway signs should hit the road Okee dokee folks… Have you noticed the illuminated message signs along our major highways and the annoyingly punny sayings on them? Personally, I think that these signs should be used for one thing only: emergencies. Instead, they visually shout stupidity at you as you pass. They are such a turn-off because they never seem to be turned off so I TRY to ignore them, which is exactly the opposite of what they are there for. Last month, with St. Paddy’s approaching, they constantly flashed out messages like, “Make your own luck, drive sober” and “You’re someone’s pot of gold, drive sober.” Yes, I agree, drive sober, but a driver has to take their eyes off the road to read the message. If you don’t know enough to drive sober, I seriously doubt that this electronic conscience is going to influence your imbibing, especially with puerile quips such as these. Other examples read: “Use yah blinkah,” “That seat belt looks good on you” and “Santa sees you when you’re speeding.” Maybe the sign people just aren’t getting enough emergencies to light write about. Maybe they should become songwriters and hit the open mics; they might be less annoying this way. Am I alone? Read on… Ding, Da-Ding, Ding, Ding, Ding, Ding, Ding, Ding… Does that sound familiar? Ha! Well, it’s the plucking banjo intro of the instrumental “Dueling Banjos” from the motion picture, Deliverance. The film was about four friends taking an ill-fated canoe trip through northern Georgia and starred Burt Reynolds, Jon Voight, Ned Beatty and Ronny Cox. -
Reprinted by Permission of Modern Drummer Publications, Inc
Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. Reprinted by permission of Modern Drummer Publications, Inc. Copyright 2006. t’s not often in a career as a journalist that Today, it’s difficult sitting with Danny, hear- you feel as though you’ve reached the core ing a story of betrayal and personal agony. But of someone’s being, as though you’ve been he’s the perfect example of how one endures, Igiven an honest look into someone’s soul. self-investigates, points the right fingers (even It’s rare that an artist will be so open and self- at himself), and gets through it. Listening to analytical that he’ll give you a true picture of him tell the story of his recent and reclusive what he’s been through. Well, in the following years was upsetting. But I also had a sense of interview, Danny Seraphine bares his soul. relief knowing that the musician I always Danny Seraphine was my first cover story for admired was speaking from the heart and was Modern Drummer, in the December ’78/January finally emerging from what was obviously a ’79 issue. Like millions of fans around the terrible time in his life. world, I loved Chicago. Their music was an “I went from one lifestyle to another,” innovative fusion of rock and jazz, featuring Seraphine says of his firing. “I was in a great tight horn arrangements in a rock setting and band, and then I wasn’t. It was as if the Lord great songwriting. At the center of it all was a had flicked a switch and said, ‘Guess what? Your drummer with inventive chops and a swing sen- life is changing.’ I went from one extreme to sibility. -
Hot Streets Chicago Full Score Set of Parts Sheet Music
Hot Streets Chicago Full Score Set Of Parts Sheet Music Download hot streets chicago full score set of parts sheet music pdf now available in our library. We give you 6 pages partial preview of hot streets chicago full score set of parts sheet music that you can try for free. This music notes has been read 3477 times and last read at 2021-10-01 13:13:28. In order to continue read the entire sheet music of hot streets chicago full score set of parts you need to signup, download music sheet notes in pdf format also available for offline reading. Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Take Me Back To Chicago Chicago Full Score Set Of Parts Take Me Back To Chicago Chicago Full Score Set Of Parts sheet music has been read 3345 times. Take me back to chicago chicago full score set of parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-01 07:29:26. [ Read More ] Together Again Chicago Full Score Set Of Parts Together Again Chicago Full Score Set Of Parts sheet music has been read 3664 times. Together again chicago full score set of parts arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-10-02 00:40:53. [ Read More ] One More Day Chicago Full Score Set Of Parts One More Day Chicago Full Score Set Of Parts sheet music has been read 3455 times. One more day chicago full score set of parts arrangement is for Advanced level. -
Democrats Retain Control of State Fob James Donald Stewart
Tuesday, November 14, 197C '01. 20-No. 11 Jacksonviile (Alabama) State University Democrats retain control of state Fob James Donald Stewart Receives his mandate Breakfast to Senate By DAVID FORD By DAVID FORD Editor Editor Democratic candidates swept the state in last week's What began in the early months of last year as a series general election. Led by gubernatorial candidate Fob of breakfasts with influential people in the state ended last James, the party retained its tight control of the state week in the election of former State Sen. Donald Stewart government. to the U. S. Senate. Although not stiff competition, Republican Guy Hunt Bucking all odds, the 38-year-old legislator of Anniston surprised many observers by garnering 25 percent of the told people at that time he planned on being thenext vote on what could be termed a low-key campaign. senator Alabamians sent to Washington. That prediction Estimates vary, but the figure most often quoted for proved true, though not in the way Stewart originally campaign expenses of Hunt is $500,000. In spite of a small planned. scale rush of media advertising in the waning days of the At the time of his decision, Stewart was attempting to campaign, Hunt spent most of his efforts on personal succeed retiring Sen. John Sparkman. His chief opponent appearances across the state, would probably be GQV.George Wallace. By contrast, Fob James igncredprevious trends instate Former state Supreme Court Chief Justice Howell politics and continued his media blitz following his victory Heflin entered the race. Wallace announced he would not in the DemocraticPartyprirnary.