p l a n e t a l e x

a film by uli m schüppel - i n f o - info - planet alex

- synopsis

there is an order - but we don’t know it

Berlin Alexanderplatz 2000 - within 24 hours, various stories rotate between the heights and depths of the square, between the television tower and the subway shafts, between larger and smaller fates, that slowly but surely become entangled.

There is ASAKI (Marusha) - she knows about the planetary catastrophe, that is approaching and foresees the correlating dramatic events. Her mission is to save the city. Or ANNA (Marie Zielcke), who just wanted to spend a weekend in town to finally find out what it feels like to “take off”. But she imagined something totally different. Also KATJA (Nadeshda Brennicke) thought it would be easier to bring her carefully planned coup to an end. But before finally leaving behind, she needs to find out: How did her boyfriend Franz die? Was it really just an accident?

And not only at this point JO (Baki Davrak) enters the game. He is roaming between the stories, can’t or doesn’t want to remember how it all happened with Franz. And he doesn’t understand, why the security employee WALTER (Ben Becker) and the dubious MILAN (Birol Uenel) are after him... All he wants is to take ANNA on a flight to another dimension. But for that the planets aren’t too favourable...

Love, murder, fairytale, drugs, madness, humor and a lot of music - planet alex moves playfully through various genres. A sparkling firework of ideas that come together in a greater story. With its driving rhythm, the film sketches the seeming loss of orientation in city as a pulsating, shimmering network.

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- main actors marusha known worldwide as the “techno- queen”, her DJ-set is the yearly opener for the “Love Parade” in Berlin. With her techno-version of “Somewhere over the Rainbow” she had a million-seller at the beginning of the 90s. In planet alex she has her first appearence in a film. marie zielcke is regarded as the most interesting new discovery in German film. For her acting in “Sylvester Countdown” (97) by Oskar Roehler she won the prize for the most talented young actress. Cinema films a.o.: “Schrei des Schmetterlings” (98); “Lammbock” (00) nadeshda brennicke Cinema films a.o.: “Alles ausser Mord/Black Out” (95); “Workoholik” (96); “Kanack Attack (99) baki davrak drew attention for the first time in 97 with “Lola & Bilidikid”. Other supporting roles in “Dealer” and “Die Braut” (98). ben becker Cinema films a.o.: “Schlafes Bruder” (94); “Comedian Harmonists” (97); “Gloomy Sunday (98). Awards a.o. “Goldene Camera”, and “Grimmepreis” in gold and silver. andreas schmidt Cinema films a.o.: “Linie 1” (86); “Schwarzfahrer” (94); “Das Leben ist eine Baustelle” (96); “plus-minus-null” (97) jochen nickel Cinema films a.o.: “Happy Birthday Türke”((91); “Stalingrad” (92); “Nordkurve” (93); “Schindlers Liste” (93); “Still Movin” (95) Cinema films a.o..: “Kleine Haie” (91); “Das Versprechen” (93); “Die Sieger” (94); “Rossini” (95); “Painted Angels (97).

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- uli m schüppel , filmo-biographie

Uli M Schüppel was born in 1958 in Odenwald. After numerous music clips and experimental films, he studied at the German Film and Television Academy (dffb) in Berlin. His first feature film Nihil (1987) was a big surprise at the Hof Film Days in 1988 and won, among others, the Special Jury Award in Montreal (1988) and the 2nd Nino Rota Prize in Trento (1989). He graduated from the Film Academy in 1990 with the film The Road, to God knows where, a documentary about Nick Cave & The Bad Seeds. His next feature film, Vaterland (1992), won the OCIC-Award in 1993. His other documentary and music films also received recognition at countless international film festivals (Berlin, Rotterdam, Montreal, Edinburgh, New York, Leipzig): The Virus Breaks Through (1992); Frozen Stories (Jahre der Kälte) (1994); Sid&Nancy - Ex&Pop (1996); The Place (1997). With planet alex Schüppel combines, in a rather unusual manner, his experience from music clips, documentary essays and feature films.

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- uli m schüppel about planet alex (extracts of an inyerview)

- Why was it interesting for you to put the Alexanderplatz in the center of a film? ums: First of all Döblin’s “Alexanderplatz” has always been one of my favourite books and one of the essential reasons for me to move to Berlin in the early 80s. Still today the Alexanderplatz is a place in the center of Berlin, where countless stories take place. At the same time it’s one of the “non- places” of the modern city - one doesn’t especially go there, one just passes by, crosses it. To stand at the Alex and to watch people is like watching through a peep hole - you see merely fragments and you’ve got to imagine the rest - the whole story.

- You show us some of these stories in “planet alex” - what concept stands behind the film? ums: The camera follows - like a person of its own - this or that character, let’s itself go with the flow, is being carried away, guided. And if everything works out, the seemingly totally disconnected moments patch together in the course of the film. The main stories crystallize and only the spectator in his distance is away far enough to see that all of them belong together in some way or the other. Like the planets of a solar system and the ball on top of the TV tower is the sun.

- Aren’t you afraid that this confusing, complicated structure might expect too much from the audience? ums: If you come to the cinema with strictly conventional expectations and permanently desperately search for a red thread, you can get lost. But that’s not what’s intended. I think, “planet alex” is trying to question the same old ways of reception. One has to open up to a whole new way of story telling, let the subconscious be part of your reception, immerse in the atmosphere, let yourself be carried away and stop clinging to your logic and the permanent asking “why?” - then, I think, the film becomes a very unusual, thrilling experience, and 100 minutes later you find yourself thinking: “Wow, what was that? Well, I didn’t really get all of it - I gotta see it again!”

./.. - Sometimes the film seems almost documentary - under which conditions did you shoot it? ums: Well, at the one hand side, the stories, the characters and the structure are of course extremely fictional and artificial - in no way the approach of creating a picture of the Alexanderplatz very close to reality. On the other side, if you look at the situation we were shooting in, you really could say so. We had a very small crew working without blocking the set, using close to no extra lighting, camera always hand held, plus it was a small, very unspectacular amateur DV camera... To me this was about creating a kind of “live” situation for the actors and the crew, which at all times let reality shine through. All the places and people that make the Alexanderplatz so characteristic. Despite these regulations on our minds there was always the intention to make a film for the big screen. I think you can see that in the images. That’s also why in the postproduction we put against the - as you call it - “documentary” approach the unconventional editing, the high-effort music and sound design and most of all the absolutely new technique of digital transfer to film. The look we created for “planet alex” is something between Super 8 and technicolor...

- You use the most different devices from documentary, fiction film, music clip and commercial - it is rather uncommon that this kind of experiment with unknown results gets financed in ... ums: Well, we did have a very low budget from the Kleines Fernsehspiel at ZDF. To german distributers and film funds the project seemed too risky. That had the avantage that no one interferred, we had a lot of freedom to work differently, to search and try things out and with that of course take a risk. That’s why I wanted to surround myself with a very young crew, that is not yet stuck in conventions and “rules” of filmmaking. In the very essential positions of screenplay, camera, editing and production design there were young people, none of whom had realized another long feature film before. I think, watching “panet alex” you sense the passion the crew and the actors felt in making the film we had been missing in German Cinema for so long...

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- actors

asaki marusha anna marie zielcke katja nadeshda brennicke

jo baki davrak walter ben becker harald andreas schmidt

lisa regine zimmermann milan birol uenel kovàcs ralf knebel eric jens kraßnig

tom mario mentrup barkeeper ralf richter businessman jochen nickel

traffic light couple meret becker alex hacke

tourist couple katy beale mick harvey

interview victim peer martiny interviewer milena feßmann dealer on love peppi streich taxidriver steffen münster

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- team producer milanka comfort director uli m schüppel screenplay charlotte wetzel uli m schüppel director of photography alexander fischerkoesen production design donia hamdami costume jürgen knoll make up artist elzbieta bumbul editor elena bromund filmmusic jacki engelken ulrik spies sound christian lutz frank delle sound design markus böhm hanse warns soundmix robert jäger visual-postproduktion das werk, münchen film laboratory arri kopierwerk, münchen commissioning editor hans kutnewsky das kleine fernsehspiel production company de.flex - film schüppel - comfort gbr in co-production with z d f

additional music:

"save" bobo, engelken & spies

"anna" fetisch & meister

"jet" & "straight way up" marusha www.planetalex-film.de info - planet alex

- dates

Genre: Drama

Category: Feature Film Cinema

Length: 102min, 2790m

Format: 35mm, color, 1:1,85

Original Version: german

Subtitled Version: englisch

Sound-Technology: Dolby Digital SR

Year of Production: 2000

German Premiere: Max-Ophüls-Preis (in competition), Saarbrücken 2001

International Premiere: VPRO “Tiger Awards” Competition @ Int. Filmfestival Rotterdam 2001

Contact: de.flex-film, schüppel-comfort Husemannstr.33, 10435 Berlin, Germany Tel/Fax +49 (0)30 442 94 57 email: [email protected] www.planetalex-film.de

Sales Contact: meta film Lorenz Peters Anklamerstr. 33, 10115 Berlin, Germany Tel. +49 (0)30 - 440 41 236 Fax. +49 (0)30 - 440 41 237 e.mail: [email protected]