Childe Harold's Pilgrimage
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Byron's Romantic Adventures in Spain
1 BYRON’S ROMANTIC ADVENTURES IN SPAIN RICHARD A. CARDWELL UNIVERSITY OF NOTTINGHAM I On the July 2nd 1809, after several delays with the weather, Byron set off from Falmouth on the Lisbon Packet, The Princess Elizabeth , on his Grand Tour of the Mediterranean world not controlled by France. Four and a half days later he landed in Lisbon. From there, across a war-ravaged Portugal and Spain, he headed on horseback to Seville and Cádiz, accompanied by Hobhouse, details recorded in the latter’s diary. But we know little of Byron’s stay in Seville and Cádiz save what he relates in a letter to his mother, Catherine Byron, from Gibraltar dated August 11th 1809. It is ironic that Byron never saw her in life again. The first part of the letter reads as follows: Seville is a beautiful town, though the streets are narrow they are clean, we lodged in the house of two Spanish unmarried ladies, who possess six houses in Seville, and gave me a curious specimen of Spanish manners. They are women of character, and the eldest a fine woman, the youngest pretty but not so good a figure as Donna Josepha, the freedom of woman which is general here astonished me not a little, and in the course of further observation I find that reserve is not the characteristic of the Spanish belles, who are on general very handsome, with large black eyes, and very fine forms. – The eldest honoured your unworthy son with very particular attention, embracing him with great tenderness at parting (I was there but three days) after cutting off a lock of his hair, & presenting him with one of her own about three feet in length, which I send, and beg you will retain till my return. -
BYRON COURTS ANNABELLA MILBANKE, AUGUST 1813-DECEMBER 1814 Edited by Peter Cochran
BYRON COURTS ANNABELLA MILBANKE, AUGUST 1813-DECEMBER 1814 Edited by Peter Cochran If anyone doubts that some people, at least, have a programmed-in tendency to self-destruction, this correspondence should convince them. ———————— Few things are more disturbing (or funnier) than hearing someone being ironical, while pretending to themselves that they aren’t being ironical. The best or worst example is Macbeth, speaking of the witches: Infected be the air whereon they ride, And damned all those that trust them! … seeming unconscious of the fact that he trusts them, and is about to embark, encouraged by their words, on a further career of murder that will end in his death. “When I find ambiguities in your expression,” writes Annabella to Byron on August 6th 1814, “I am certain that they are created by myself, since you evidently desire at all times to be simple and perspicuous”. Annabella (born 1792) is vain, naïve, inexperienced, and “romantic”, but she’s also highly intelligent, and it’s impossible not to suspect that she knows his “ambiguities” are not “created by” herself, and that she recognizes in him someone who is the least “perspicuous” and most given to “ambiguities” who ever lived. The frequency with which both she and she quote Macbeth casually to one another (as well as, in Byron’s letters to Lady Melbourne, Richard III ) seems a subconscious way of signalling that they both know that nothing they’re about will come to good. “ … never yet was such extraordinary behaviour as her’s” is Lady Melbourne’s way of describing Annabella on April 30th 1814: I imagine she’d say the same about Byron. -
Biographies of Computer Scientists
1 Charles Babbage 26 December 1791 (London, UK) – 18 October 1871 (London, UK) Life and Times Charles Babbage was born into a wealthy family, and started his mathematics education very early. By . 1811, when he went to Trinity College, Cambridge, he found that he knew more mathematics then his professors. He moved to Peterhouse, Cambridge from where he graduated in 1814. However, rather than come second to his friend Herschel in the final examinations, Babbage decided not to compete for an honors degree. In 1815 he co-founded the Analytical Society dedicated to studying continental reforms of Newton's formulation of “The Calculus”. He was one of the founders of the Astronomical Society in 1820. In 1821 Babbage started work on his Difference Engine designed to accurately compile tables. Babbage received government funding to construct an actual machine, but they stopped the funding in 1832 when it became clear that its construction was running well over-budget George Schuetz completed a machine based on the design of the Difference Engine in 1854. On completing the design of the Difference Engine, Babbage started work on the Analytical Engine capable of more general symbolic manipulations. The design of the Analytical Engine was complete in 1856, but a complete machine would not be constructed for over a century. Babbage's interests were wide. It is claimed that he invented cow-catchers for railway engines, the uniform postal rate, a means of recognizing lighthouses. He was also interested in locks and ciphers. He was politically active and wrote many treatises. One of the more famous proposed the banning of street musicians. -
Turkish Tales” – the Siege of Corinth and Parisina – Were Still to Come
1 THE CORSAIR and LARA These two poems may make a pair: Byron’s note to that effect, at the start of Lara, leaves the question to the reader. I have put them together to test the thesis. Quite apart from the discrepancy between the heroine’s hair-colour (first pointed out by E.H.Coleridge) it seems to me that the protagonists are different men, and that to see the later poem as a sequel to and political development of the earlier, is not of much use in understanding either. Lara is a man of uncontrollable violence, unlike Conrad, whose propensity towards gentlemanly self-government is one of two qualities (the other being his military incompetence) which militates against the convincing depiction of his buccaneer’s calling. Conrad, offered rescue by Gulnare, almost turns it down – and is horrified when Gulnare murders Seyd with a view to easing his escape. On the other hand, Lara, astride the fallen Otho (Lara, 723-31) would happily finish him off. Henry James has a dialogue in which it is imagined what George Eliot’s Daniel Deronda would do, once he got to the Holy Land.1 The conclusion is that he’d drink lots of tea. I’m working at an alternative ending to Götterdämmerung, in which Brunnhilde accompanies Siegfried on his Rheinfahrt, sees through Gunther and Gutrune at once, poisons Hagen, and gets bored with Siegfried, who goes off to be a forest warden while she settles down in bed with Loge, because he’s clever and amusing.2 By the same token, I think that Gulnare would become irritated with Conrad, whose passivity and lack of masculinity she’d find trying. -
Women in Computing
History of Computing CSE P590A (UW) PP190/290-3 (UCB) CSE 290 291 (D00) Women in Computing Katherine Deibel University of Washington [email protected] 1 An Amazing Photo Philadelphia Inquirer, "Your Neighbors" article, 8/13/1957 2 Diversity Crisis in Computer Science Percentage of CS/IS Bachelor Degrees Awarded to Women National Center for Education Statistics, 2001 3 Goals of this talk ! Highlight the many accomplishments made by women in the computing field ! Learn their stories, both good and bad 4 Augusta Ada King, Countess of Lovelace ! Translated and extended Menabrea’s article on Babbage’s Analytical Engine ! Predicted computers could be used for music and graphics ! Wrote the first algorithm— how to compute Bernoulli numbers ! Developed notions of looping and subroutines 5 Garbage In, Garbage Out The Analytical Engine has no pretensions whatever to originate anything. It can do whatever we know how to order it to perform. It can follow analysis; but it has no power of anticipating any analytical relations or truths. — Ada Lovelace, Note G 6 On her genius and insight If you are as fastidious about the acts of your friendship as you are about those of your pen, I much fear I shall equally lose your friendship and your Notes. I am very reluctant to return your admirable & philosophic 'Note A.' Pray do not alter it… All this was impossible for you to know by intuition and the more I read your notes the more surprised I am at them and regret not having earlier explored so rich a vein of the noblest metal. -
Ada Lovelace the first Computer Programmer 1815 - 1852
Ada Lovelace The first computer programmer 1815 - 1852 Biography Ada Lovelace Day I Born on December 10th, 1815 in London as Augusta Ada Byron Each second Tuesday in October is Ada Lovelace Day. A day to raise the I Parents separated when she was a baby profile of women in science, technology, engineering, and maths to create new role models for girls and women in these fields. During this day the I Father Lord Byron was a poet and died when she was 8 years old accomplishments of those women are celebrated. I Mother Lady Wentworth was a social reformer I Descended from a wealthy family I Early interest in mathematics and science, encouraged by her mother Portrait I Obtained private classes and got in touch with intellectuals, e.g. Mary Sommerville who tutored her and later introduced Lovelace to Charles Babbage at the age of 17 I Married in 1835 William King at the age of 19, shortly after becoming the Countess of Lovelace I By 1839, she had given birth to 3 children I Continued studying maths, supported among others by Augustus De Morgan, a math professor in London who taught her via correspondence I In 1843, she published a translation of an Italian academic paper about Babbage's Analytical Engine and added her famous note section (see Contributions) I Died on November 27th, 1852 at the age of 36 Contributions I First computer programmer, roughly a century before the electronic computer I A two decade lasting correspondence with Babbage about his idea of an Analytical Engine I Developed an algorithm that would enable the Analytical Engine to calculate a sequence of Bernoulli numbers, unfortunately, the machine was never built I First person to realize the power of computer programs: Not only used for calculations with numbers I Combined arts and logic, calling it poetical science Figure 3:Ada Lovelace I First reflections about artificial intelligence, but she rejected the idea Bernoulli Numbers Quotes I Play an important role in several domains of mathematics, e.g. -
1 Byron: Six Poems of Separation
1 Byron: Six Poems of Separation edited by Peter Cochran If one’s marriage were to collapse in humiliating, semi-public circumstances, and if one were in part to blame for its collapse, one’s reaction would probably be to maintain a discreet and (one would hope) a dignified silence, and to hope that the thing might blow over in a year or so. Byron’s reaction was write, and publish, poetry about it while it was still collapsing. The first two of these poems were written in London – the first is to his wife, and the next about and to her friend and confidante Mrs Clermont – before he left England, on Thursday April 25th 1816. The next three were written in Switzerland after his departure, and are addressed to his half-sister Augusta. The last one is again to his wife. They show violent contrasts in style and tone (the Epistle to Augusta is Byron’s first poem in ottava rima), and strange, contrasting aspects of Byron’s nature. That he should wish them published at all is perhaps worrying. The urge to confess without necessarily repenting was, however, deep within him. Fare Thee Well! with its elaborate air of injured innocence, and its implication that Annabella’s reasons for leaving him remain incomprehensible, sorts ill with what we know of his behaviour during the disintegration of their marriage in the latter months of 1815. John Gibson Lockhart was moved, five years later, to protest: … why, then, did you, who are both a gentleman and a nobleman, act upon this the most delicate occasion, in all probability, your life was ever to present, as if you had been neither a nobleman nor a gentleman, but some mere overweeningly conceited poet? 1 Of A Sketch from Private Life , William Gifford, Byron’s “Literary Father”, wrote to Murray: It is a dreadful picture – Caravagio outdone in his own way. -
Another Look at Cain: from a Narrative Perspective
신학논단 제102집 (2020. 12. 31): 241-263 https://doi.org/10.17301/tf.2020.12.102.241 Another Look at Cain: From a Narrative Perspective Wm. J McKinstry IV, MATS Adjunct Faculty, Department of General Education Presbyterian University and Theological Seminary In the Hebrew primeval histories names often carry significant weight. Much etymological rigour has been exercised in determining many of the names within the Bible. Some of the meaning of these names appear to have a consensus among scholars; among others there is less consensus and more contention. Numerous proposals have come forward with varying degrees of convincing (or unconvincing as the case may be) philological arguments, analysis of wordplays, possi- ble textual emendations, undiscovered etymologies from cognates in other languages, or onomastic studies detailing newly discovered names of similarity found in other ancient Semitic languages. Through these robust studies, when applicable, we can ascertain the meanings of names that may help to unveil certain themes or actions of a character within a narrative. For most of the names within the primeval histories of Genesis, the 242 신학논단 제102집(2020) meaning of a name is only one feature. For some names there is an en- compassing feature set: wordplay, character trait and/or character role, and foreshadowing. Three of the four members in the first family in Genesis, Adam, Eve, and Abel, have names that readily feature all the elements listed above. Cain, however, has rather been an exception in this area, further adding to Genesis 4’s enigmaticness in the Hebrew Bible’s primeval history. While three characters (Adam, Eve, and Abel) have names that (1) sound like other Hebrew words, that are (2) sug- gestive of their character or actions and (3) foreshadow or suggest fu- ture events about those characters, the meaning of Cain’s name does not render itself so explicitly to his character or his role in the narrative, at least not to the same degree of immediate conspicuousness. -
Does Anyone Know Lord Byron?
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1998 Does anyone know Lord Byron? Dianne Marie Waylett Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Literature in English, British Isles Commons Recommended Citation Waylett, Dianne Marie, "Does anyone know Lord Byron?" (1998). Theses Digitization Project. 1507. https://scholarworks.lib.csusb.edu/etd-project/1507 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DOES ANYONE KNOW LORD BYRON? A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies by Dianne Marie Waylett September 1998 DOES ANYONE KNOW LORD BYRON? A Thesis Presented to the Faculty of California State University, San Bernardino by Dianne Marie Waylett September 1998 Approved by; ^^rtram H. Fairdhild, Chair7- English Date Susan'Melsenhelder, English Mlfchael Weiss/ Psychology ABSTRACT Lord Byron's seductive personality has enthralled, titillated, and mesmerized his followers, past and present, with a power unequaled and unattained by other celebrity poets. With equal power he has shocked, estranged, angered, and enraged his antagonists. He has been loved and adored as a heroic champion of the oppressed masses, and shunned as an evil genius. His extremes of temperament have earned him the label manic depressive—a catch-all disorder that has become an abyss into which current researchers have system atically thrust scores of the world's best-known, exception ally creative minds. -
Don Juan from Norton.Pdf
http://www.englishworld2011.info/ DON JUAN / 669 [MANFRED expires.] ABBOT He's gone—his soul hath ta'en its earthless flight- Whither? I dread to think—but he is gone. 1816-17 1817 Don juan Byron began his masterpiece (pronounced in the English fashion, Don Joo-nn) in July 1818, published it in installments beginning with cantos 1 and 2 in 1819, and continued working on it almost until his death. Initially he improvised the poem from episode to episode. "I have no plan," he said, "I had no plan; but I had or have materials." The work was composed with remarkable speed (the 888 lines of canto 13, for example, were dashed off within a week), and it aims at the effect of improvisation rather than of artful compression; it asks to be read rapidly, at a con- versational pace. The poem breaks off with the sixteenth canto, but even in its unfinished state Don Juan is the longest satirical poem, and indeed one of the longest poems of any kind, in English. Its hero, the Spanish libertine, had in the original legend been superhuman in his sexual energy and wickedness. Throughout Byron's version the unspoken but persistent joke is that this archetypal lady-killer of European legend is in fact more acted upon than active. Unfailingly amiable and well intentioned, he is guilty largely of youth, charm, and a courteous and compliant spirit. The women do all the rest. The chief models for the poem were the Italian seriocomic versions of medieval chivalric romances; the genre had been introduced by Pulci in the fifteenth century and was adopted by Ariosto in his Orlando Furioso (1532). -
Dear Visitor, We Are Delighted to Welcome You to Chillon Castle! This
sys tematically scraped, reinforced and restored, particularly the walls where The murals and ceiling were restored in 1898. Marks on the walls are the result This room was then used as a kitchen until the end of the 15th century and sub- A refuge tower and symbol of power, the keep was also used as a defence obser- the paintings were most damaged. Spoilt by water seepage, they were partly of a subdivision of floors dating from earlier times. sequently partly destroyed in the 16th century and turned into a command post vation post, provisional residence, storehouse and, more recently, a prison and pow- restored between 1985 and 1995 and most of the repainting undertaken to guard the first courtyard. A blacksmith’s forge was installed at the end of the der house. For safety reasons the door of the keep, which is located high from the between 1914 and 1916 has been removed. The remaining painted decorations of the transom, capital and post are excep- 17th century. Finally, in 1836 it was used as a storage area for artillery crates. ground, could only be reached by a ladder or a drawbridge. The height of the keep tional as they are very rare. They date from the last third of the 13th century. was raised for the first time at an unknown date and then a second time at the Despite their fragmented appearance, these paintings were designed as a schol- 37. BASTION (C) | Built for the soldiers of the garrison responsible for guarding beginning of the 14th century to reach its current height (approx. -
Manfred Lord Byron (1788–1824)
Manfred Lord Byron (1788–1824) Dramatis Personæ MANFRED CHAMOIS HUNTER ABBOT OF ST. MAURICE MANUEL HERMAN WITCH OF THE ALPS ARIMANES NEMESIS THE DESTINIES SPIRITS, ETC. The scene of the Drama is amongst the Higher Alps—partly in the Castle of Manfred, and partly in the Mountains. ‘There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.’ Act I Scene I MANFRED alone.—Scene, a Gothic Gallery. Time, Midnight. Manfred THE LAMP must be replenish’d, but even then It will not burn so long as I must watch. My slumbers—if I slumber—are not sleep, But a continuance of enduring thought, 5 Which then I can resist not: in my heart There is a vigil, and these eyes but close To look within; and yet I live, and bear The aspect and the form of breathing men. But grief should be the instructor of the wise; 10 Sorrow is knowledge: they who know the most Must mourn the deepest o’er the fatal truth, The Tree of Knowledge is not that of Life. Philosophy and science, and the springs Of wonder, and the wisdom of the world, 15 I have essay’d, and in my mind there is A power to make these subject to itself— But they avail not: I have done men good, And I have met with good even among men— But this avail’d not: I have had my foes, 20 And none have baffled, many fallen before me— But this avail’d not:—Good, or evil, life, Powers, passions, all I see in other beings, Have been to me as rain unto the sands, Since that all—nameless hour.