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Poetry, Rhyme, Is Probably the Syllable Foot Consisting of an Elements One That Is Least Used in Unaccented, Lightly Accented, Modern Poetry

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Poetry, Rhyme, Is Probably the Syllable Foot Consisting of an Elements One That Is Least Used in Unaccented, Lightly Accented, Modern Poetry is two stressed syllables: // Ironically, the one poetic pyrrhic foot: two Some technique that everyone unstressed syllables, --. Rare. immediately associates with dipodic foot: a four- poetry, rhyme, is probably the syllable foot consisting of an Elements one that is least used in unaccented, lightly accented, modern poetry. Instead, most unaccented, and heavily modern poets use far subtler accented syllable. and less obvious techniques to anacrusis: prefixing an create—and conceal—their art. unstressed syllable to a line of of Many of them are explained which it forms no metrical below. part: Sport that wrinkled Care derides / And Laughter Poetry holding both his sides. feminine ending: a final unstressed syllable appended Meter to an iambic or anapestic line. MC Thompson meter: the pattern of To be or not to be, that is the stressed (accented, long) and question. Those who are not well unstressed (unaccented, short) catalexis: dropping one acquainted with good poetry syllables in poetry. or two unaccented syllables often imagine that poetry is a cadence: rhythm not truly from the end of a line-- spontaneous emotional regular. Walt Whitman wrote necessarily a trochaic or production, involving perhaps in cadences rather than in dactylic line. Dust thou art to some rhyme, but relying meters. dust returnest / Was not largely on intuition and scansion: the analysis of spoken of the soul. fortuitous accident, the muse, meter and its variations in metrical lines: for the details of genius which poetry. monometer, dimeter, trimeter, make great poems great. foot: a unit of meter with tetrameter, pentameter, Actually, poets work in a two or three syllables of which hexameter, heptameter, manner more similar to great one is usually stressed. octameter. composers; there is a current iambic foot: a two-syllable sprung rhythm: Gerard of inspired genius, but this foot with the stress on the Manley Hopkins’s term for genius is worked out in second. It is the most common variable meter combining a meticulous professional detail. foot in English poetry: -/ stressed syllable with any Just as a composer trochaic foot: a two- number of unstressed consciously places each syllable foot with the stress on syllables. separate note of a symphony the first: /- Trochees are often on musical staff, so a poet used to suggest evil, as in the consciously controls each trochaic tetrameter of separate vowel and consonant Shakespeare’s witches in sound, organizing them within Macbeth:!“Double, double, toil Stanza the structure of rhythm. and trouble,” or in the trochaic stanza: a division of a octameter of Poe’s “Raven”: poem based on thought or Dylan Thomas’s habit was to “Once upon a midnight form. Stanzas based on form write each line of a poem at the dreary, while I pondered, weak are shown by their rhyme top of a separate sheet of and weary.” scheme. paper, so that he would have anapestic foot: a three- verso: a line of a poem. room below to laboriously syllable foot with stress on the arte menor: 1-8 syllables solve the poetic problems of third: --/ per line of poetry. the line. Only when he had dactylic foot: a three- arte mayor: 9 or more finished each line did he syllable foot with stress on the syllables per line of poetry. reassemble the lines into a first: /-- couplet: a two-line stanza, poem. spondaic foot: a spondee aa. triplet: a three-line stanza, iambic pentameter lines distich: a couplet. aaa. followed by an alexandrine, canto: a section or division quatrain: a four-line ababbcbcc. Named for of a long poem, such as the stanza, aaaa, abab, abba, aabb, Edmund Spenser, who cantos of the Divine Comedy abac. invented this form for his or Don Juan. quintet: a five-line stanza. "Faerie Queene." sestet: a six-line stanza. alexandrine: a line of septet: a seven-line stanza. iambic hexameter. The ninth octave: an eight-line stanza. line of a Spenserian stanza is nine-line, ten-line, etc., an alexandrine. Rhyme and stanzas: haiku: a three-line poem heroic couplet: Also called of 5, 7, and 5 syllables, Sound closed couplet. Two unrhymed, concerning nature, rhymed verse: verse with successive rhyming verses with and presenting juxtaposed end rhyme and usually regular a complete thought within the images which are meter. two lines. Usually iambic uninterpreted. blank verse: iambic pentameter. sonnet: a fourteen-line pentameter without end terza rima: a three-line stanza in iambic pentameter. rhyme. stanza with an interwoven Italian or Petrarchan free verse: verse with no rhyme scheme: aba, bcb, cdc, sonnet: a sonnet with an regular meter and no end ded, etc. Usually iambic octave and a sestet, abbaabba rhyme. pentameter. Shelley’s “Ode and cdecde or cdcdcd. The rhyme: a similarity of to The West Wind” octave makes a statement or sound between two words. limerick: a five-line states a problem, and the sestet True rhyme is identical nonsense poem in anapest, makes a summary of gives a sounding stressed syllables in aabba. Lines 1,2, and 5 have 3 solution. which the letters before the feet; lines 3 and 4 have only English or vowel sounds are different. two. Shakespearean sonnet: three end rhyme: rhyme at the ballad: four lines, abcb, quatrains and a couplet, abab ends of the lines in a stanza. lines 1 and 3 are iambic cdcd efef gg. internal rhyme: rhyme tetrameter, and lines 2 and 4 villanelle: a poem of five within a line of poetry. are iambic trimeter. tercets, all rhyming aba, and a masculine rhyme: one- ode: a complex, long lyric concluding quatrain, rhyming syllable rhyme. poem, in formal style, on a abaa. Lines 6, 12, and 18 feminine or double sublime subject. Shelley’s repeat line one; lines 9, 15, and rhyme: two-syllable rhyme. “Ode to the West Wind” is 19 repeat line 3. Theodore triple rhyme: three- an example. Roethke’s “The Waking” is a syllable rhyme. elegy: a poem mourning the nearly perfect villanelle. Dylan leonine rhyme: a scheme death of someone. Thomas’s "Do Not Go Gentle in which the word preceding a allegory: a story in which into That Good Night” is a caesura rhymes with the last characters represent abstract villanelle. word of the line: I bring fresh values or ideas, such as John tercet: a three-line stanza in showers // for the thirsting Bunyan’s Pilgrim’s Progress. which all lines rhyme either flowers. There is a meaning below the with each other or with the rhyme scheme: the pattern surface of the story. lines of an adjoining tercet. of end rhyme. Sounds are rime royal: seven lines of Shakespeare concluded “The identified by letters, aabb, iambic pentameter, ababbcc. Phoenix and the Turtle” with abab, abc abc, etc. Named because King James I five tercets. Sestets rhyming reversal: sense/madness, of Scotland used it. cdecde contain two tercets. Emily Dickinson ottava rima: eight lines of rondel: a fourteen-line alliteration: repetition of iambic pentameter, abababcc. poem rhyming the initial letter or sound. From the Italians. abbaabababbaab. Lines 7 and assonance: repetition of a Spenserian stanza: a nine- 8 and lines 13 and 14 repeat vowel sound. line stanza consisting of eight lines 1 and 2. consonance: repetition of a consonant sound. metaphor: an implied speaking tone of the poem. onomatopoeia: word comparison. He is a fish. trope: a figure of speech, imitation of natural sound. Whitman’s poem about the or figurative language. The words whippoorwill and death of Lincoln refers to bang are examples. Lincoln as Captain. repetition: reiterating of a extended metaphor: an word or phrase in a poem. elaborate comparison; much incremental repetition: longer than the typical one- the repetition of a line or lines, phrase or one-clause metaphor. but with a variation each time personification: that advances the narrative. describing inhuman things in refrain: repetition of one or human terms. The sad fish. more phrases or lines at synecdoche: letting a part intervals. represent the whole. All hands elision: running together of on deck. vowels in adjacent words in metonymy: letting a related order to eliminate a syllable: object represent something. th’eternal. payment to the crown. eye-rhyme: words or hyperbole: exaggeration, syllables spelled alike but also known as overstatement. pronounced differently: some litotes: emphasis through and home. opposite statement. Calling a approximate rime: near fat boy Skinny. rime, imperfect rime, slant rime, antithesis: balancing or oblique rime. contrasting terms. Fair is foul, enjambment: running of and foul is fair. one line into another. apostrophe: addressing end-stopped: lines not someone absent as though enjambed. present. O Captain! caesura: a break in the symbol: a word or image middle of a line of five or more that represents something else. feet. Represented by the The cross. syllable //. To err is human, // epithet: a descriptive name to forgive, divine. such as Catherine the Great, or Shakespeare’s Sonnet 29: the wine-dark sea. Haply I think on thee—. oxymoron: a figure of speech that combines opposite ideas, such as living death or sweet sorrow. allusion: a reference to Ideas something in literature or figure of speech: nonliteral history. Yeats’s “No Second expression Troy,” or Keats’s simile: a like or as “Chapman’s Homer” contain comparison. He swims like a examples. fish. cacophony: bad-sounding epic simile or Homeric sounds. simile: a simile as found in juxtaposition: stark side- Homer’s Iliad, in which the by-side contrast of two poet compares something in different voices, elements, or his poem to an elaborately phenomena, as in “After described scene, such as Taught Me.” hunters and dogs in pursuit of voice: the personality a lion or stag. adopted by the poet for the .
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