Text Interpretation Through Short Stories by and About Women
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Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol. -
U.S. Sheet Music Collection
U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES B (VOCAL) Consists of vocal sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 181 Abbot, Jno. M. Gently, Lord! Oh, Gently Lead Us. For Soprano Solo and Quartette. Harmonized and adapted from a German melody. Troy, NY: C. W. Harris, 1867. Abbot, John M. God Is Love. Trio for Soprano, Tenor, and Basso. Adapted from Conradin Kreutzer. New York: Wm. A. Pond & Co., 1865. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Alphonzo Smith, 1862. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: Charles C. Sawyer, 1862. 3 copies. Abbot, John M. Hear Our Prayer. Trio for Soprano, Contralto, and Basso. Brooklyn: J. W. Smith, Jr., 1862. 3 copies. Abbot, John M. Softly now the light of day. Hymn with solos for Soprano, Tenor, and Contralto or Baritone. New York: S. T. Gordon, 1866. Abbott, Jane Bingham. Just For To-Day. Sacred Song for Soprano. Words by Samuel Wilberforce. Chicago: Clayton F. Summy Co., 1894. Abraham’s Daughter; or, Raw Recruits. For voice and piano. New York: Firth, Pond & Co., 1862. Cover features lithograph printed by Sarony, Major & Knapp. Abt, Franz. Absence and Return. For voice and piano. Words by J. E. Carpenter, PhD. From “New Songs by Franz Abt.” Boston: Oliver Ditson & Co., [s.d.]. Abt, Franz. Autumnal Winds (Es Braust der Herbstwind). Song for Soprano or Tenor in D Minor. -
RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299
RCA Discography Part 13 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299 LSP 4000 – All Time Christmas Hits – Piano Rolls and Voices by Dick Hyman [1968] Winter Wonderland/Silver Bells/It's Beginning To Look Like Christmas/Sleighride/The Christmas Song/I Saw Mommy Kissing Santa Claus/Let It Snow! Let It Snow! Let It Snow!/The Chipmunk Song/All I Want For Christmas Is My Two Front Teeth/Frosty The Snow Man/White Christmas LSP 4001 – Cool Crazy Christmas – Homer and Jethro [1968] Nuttin' Fer Christmas/Frosty The Snowman/I Saw Mommy Kissing Santa Claus/Santa Claus, The Original Hippie/All I Want For Christmas Is My Upper Plate/Ornaments/The Night Before Christmas/Jingle Bells/Randolph The Flat-Nosed Reindeer/Santa Baby/Santa's Movin' On/The Nite After Christmas LPM/LSP 4002 – I Love Charley Brown – Connie Smith [1968] Run Away Little Tears/The Sunshine Of My World/That's All This Old World Needs/Little Things/If The Whole World Stopped Lovin'/Don't Feel Sorry For Me/I Love Charley Brown/Burning A Hole In My Mind/Baby's Back Again/Let Me Help You Work It Out/Between Each Tear/There Are Some Things LPM/LSP 4003 – The Wild Eye (Soundtrack) – Gianni Marchetti [1968] Two Lovers/The Desert/Meeting With Barbara/The Kiss/Two Lovers/Bali Street/Don't Go Away/The Sultan/All The Little Pictures/The End Of The Orient/Love Comes Back/Nights In Saigon/The Letter/Life Goes On/Useless Words/The Statue/Golden Age/Goodbye/I Love You LSP 4004 – Country Girl – Dottie West [1968] -
Sunday, February 10 Featuring Sharyn Lee and the Sundowners
PO Box 14003 Mill Creek, WA 98082 Celebrating Founded Our 30th Year In 1983 Volume 30, Issue 2 A News Letter For and About Our Members February 2013 Meet the NW Western Swing Music Society’s Vice-President for 2013 Jerry Seitz It was the fall of 1947, when I returned from a day at school, that I found a violin sitting in its case in my dad's easy chair. It was the last thing I ever expected to see there. I was told that I was going to take violin lessons; and, my grandmother had procured this instrument for me to use. It seems an outfit had hit town, much like in the "Music Man," that famous musical. They were offering group violin lessons at various facilities around Seattle and the "hook" was that the best players were going to play a concert in the HOLLYWOOD BOWL. Within six months they had folded their tents and left town, but they left me hooked on music. The teachers they had hired were local chaps and the one for our group, Mr. Katz, approached a few of the parents and offered private lesson for something like $1.00 an hour. This time I was asked if I wanted to continue and, of course, I was excited at the prospect. The next year I was in the orchestra at Magnolia grade school. I took lessons from Mr. Katz for the next two years. Then, in 1949, my family moved to Richland. There wasn't much of a music program in the grade school but the following year, when I started Jr. -
The Presence Of
“The Presence of God” (Exodus 33)(7.11.21) Exodus 33 (NIV84) 33 Then the Lord said to Moses, “Leave this place, you and the people you brought up out of Egypt, and go up to the land I promised on oath to Abraham, Isaac and Jacob, saying, ‘I will give it to your descendants.’ 2 I will send an angel before you and drive out the Canaanites, Amorites, Hittites, Perizzites, Hivites and Jebusites. 3 Go up to the land flowing with milk and honey. But I will not go with you, because you are a stiff-necked people and I might destroy you on the way.” 4 When the people heard these distressing words, they began to mourn and no one put on any ornaments. 5 For the Lord had said to Moses, “Tell the Israelites, ‘You are a stiff-necked people. If I were to go with you even for a moment, I might destroy you. Now take off your ornaments and I will decide what to do with you.’ ” 6 So the Israelites stripped off their ornaments at Mount Horeb. 7 Now Moses used to take a tent and pitch it outside the camp some distance away, calling it the “tent of meeting.” Anyone inquiring of the Lord would go to the tent of meeting outside the camp. 8 And whenever Moses went out to the tent, all the people rose and stood at the entrances to their tents, watching Moses until he entered the tent. 9 As Moses went into the tent, the pillar of cloud would come down and stay at the entrance, while the Lord spoke with Moses. -
Zonophone Records Complete Catalogue 1922
NOTE. 'C t u; e firWt fev," pe;9 s, A to this isst will b'. found ail the Taxtest Supp)z- nentary F:ecorais. T. Records shown on the following pages, A to L, comprise all the new :.embers issued in the Supplementary Lists since the complete- Catalogue wrs nrst issued, and are not shown in the Alphabetical List on pages 49 to 88. GRAND OPERA, &c. BANDS. (l.a Colombe Entracte (Violin) BLACK DIAMONDS. ?j Miss Mary Law A251 "La Selection, Pt. 1. (Puccini) Romance (Violin) Miss Mary Law "L a BBoheme"oheme' Selection, Pt. 11. (PuccLai) '--+.0.4Z Mad Scene, "Hamlet" "L'lncognita" A252 Fcr You Waltz (May Ostere) Rosebuds "L'incognita" La Barcarolle Waltz (1Vaidteutel) A253 3ien Ames Waltz (Waldteufel) Czardas (Violin)Miss Mon Reve Waltz (Waldteufel) Mariorie Hayward A254 Mettle England Fantasia, Part 1. and The Waltzing Doll (Violin) 11. (German) Miss Marjorie Hayward A256 Delilah Valse (Nicholls) Thrills Valse (Anciiffe) Calm and Peaceful was the Night (Taccola "ll Trova- 1924 Valse Delight (Franklin) notte placida), The Ladbroke (Pearce) tore" "L'Incognita" .0.44t Gentle Goddess, Virgin Spirit (Casa 1925 Uncle Sam (Fox-trot) (Dane) Splashes (Fox-trot) (Comer) Diva, the margenti cavatina), - I "Norma" "L'Incognita" 1926 Dolores, Waltz (Waldteufel) Chantilly Waltz (Waldteufel) Barcarolle, op 135, No. 1 (Violin) 1940 Monsieur Beaucaire, Selections 1. and Miss Marjorie Hayward 11. (Messager) -0.45 Celebre Gavotte (Violin) Blue Blazes (Fox-trot) (Tcnbridge) Miss Marjorie Hayward 1941- Yankyana (Jazz Fox-trot) (Dave Doll Song, "Tates of Hoffman" Coster) '-i 0.46 "L'incognita" Songs of the Season, Part 1.