Sunday, February 10 Featuring Sharyn Lee and the Sundowners
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Lone Star Region NL211.Pub
Featured Lincoln of the Month Lincoln Lingo A publication of the LCOC Lone Star Region 27 Years for Lincoln, Since 1984 Published Quarterly: This issue; April, May, June , 2011 Danny Langston’s ‘48 Hot-Rod Lincoln. Vol. 11, Issue 2 “Fun with Lincoln.” Director’s Message—Pat Corbett Table of Contents Director’s Message - Page 1 It occurred to me, as I was preparing some of the copy for Lincoln of the Month - Page 2 this newsletter, that after twenty-seven years there is one The Charlie Ryan, Hot-Rod Lincoln Story - Page 3 common thread that makes the Lone Star Region the suc- Other News Around the Region - Page 4 thru 7 cess it is. Doc Ellis, in his effort to make the regional club a Officials Winner’s List - Page 8 success, focused on one thing; having fun with Lincoln. In the Beginning, A Story about Lone Star Region - Page 9 Pat’s Garage - Page 10 Fine dining, fine driving, and fine people were the simple Membership, Lincoln Sightings, Classifieds - Page 11 formula for success. Really, no effort required. I mean, how Words of Advice and Encouragement - Page 12-13 hard is it to find a good meal in San Antonio, or a pleasant Lone Star Region, Roster of Events - Page 13 drive around the hill country? The charter members were Member Classified Ads - Page14 Roster of Events - Page 15 fun loving people, so that was a no-brainer. LCOC Membership Application - Page 16 When I joined LCOC four years ago, I was the quintes- sential newbie as a car club member. -
FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen
7/12/2021 Kauffman Center View in browser FOR IMMEDIATE RELEASE Monday, July 12, 2021 Contact: Ellen McDonald, Publicist Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing and Community Outreach Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] TWO PERFORMANCES ADDED TO KAUFFMAN CENTER PRESENTS FALL 2021 CALENDAR Pink Martini featuring China Forbes coming Tuesday, Oct. 26; Asleep at the Wheel coming Saturday, Oct. 30. Kansas City, MO – This October on Muriel Kauffman Theatre stage, audiences can revel in two exciting Kauffman Center Presents performances: Pink Martini featuring China Forbes on Oct. 26 and Asleep at the Wheel on Oct. 30. Kauffman Center Presents is made possible by the John N. and Marilyn P. McConnell Foundation. Tickets for Pink Martini featuring China Forbes range from $39 to $79 plus applicable fees. Tickets for Asleep at the Wheel range from $39 to $59 plus applicable fees. Both shows go on sale to the public at 10 a.m. Friday, July 16. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222 or online at kauffmancenter.org. ABOUT PINK MARTINI “Pink Martini is a rollicking around-the-world musical adventure… if the United Nations had a house band in 1962, hopefully we’d be that band.” – Thomas Lauderdale, bandleader/pianist. Featuring a dozen musicians, with songs in 25 languages, Pink Martini performs its multilingual repertoire on concert stages on six continents. After making its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, the band has gone on to play with more than 50 orchestras around the world. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970. -
Freewheelin-On-Line Take Twenty One
Freewheelin-on-line Take Twenty One Freewheelin’ 219 This month’s cover could be the ultimate statement on the art of minimalism. Or, as Chris Cooper suggests, it could be a picture of Dylan in a snowstorm. Actually it’s neither of these. In fact, this month’s cover is meant to be a visual representation of silence which I suppose is quite natural when you consider that the journal itself concerns the comings and goings of an artist who makes a lot of noise. Before you accuse me of being a pretentious git let me plead for your sympathy and say that it wasn’t meant to be this way. I had planned a festive cover with bangles, baubles, beads and lots of angles. But then one foggy November eve some malicious spam spreader cast his spell my way and sent me an email, purporting to be from Paypal, inviting me to open an attachment. Dutifully, ignorantly and very stupidly I opened the attachment whereupon some worm leapfrogged my internet security system and crashed my pc. I tried to boot, boot boot the machine into life which only made matters worse. So I was left with no hardware, no software, no email facility and, worst of all, no access to Expecting Rain. Total silence on all fronts. I am now waiting for Santa Baby to hurry down the chimney with a brand new pc packed tight with some massive gigs and other things. Yet all I really wanna do is plug in a machine that works. So that I can hear that Windows jingle. -
With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
“The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks. -
April 18, 2013 Salado Village Voice
Candidate Forum 4:30 p.m. April 25 at Civic Center Salado illageillage oiceoice VOL. XXXV, NUMBER 52V VTHURSDAY, APRIL 18, 2013 254/947-5321 FAX 254/947-9479 V V SALADOVILLAGEVOICE.COM 50¢ Village Aldermen set hearing to annex part of I-35 Salado aldermen will A public display of classic and antique Lincolns will be conduct a public hearing at Stagecoach Inn on April 20. on the annexation of I-35 and its service roads dur- ing their regular meeting Lincolns gather 6 p.m. April 18 at the Mu- nicipal Building, 301 N. Stagecoach Rd. here April 19-21 In other business, the (PHOTOS BY ROYCE WIGGIN) board will conduct a pub- Happy The 25th Anniversary according to the group’s lic hearing before consid- Lincoln and Continental secretary Dean Forbes. ering renewing the Village Anniversary Owners Club meet will be The Lincoln group then Burn Ordinance. Tim and Marilyn Fleisch- held in Salado April 19-21. began meeting on the third Aldermen will also con- er celebrated their 25th A quarter of a century weekend of April here sider appointing Josh Brat- anniversary April 16 with ago, the three Texas Re- in Salado so that it could ton to the Village Planning a Salado Chamber After gions of the Lincoln & accommodate holding and Zoning Commission. Hours party at the news- Continental Owners Club the Mid-America meet in The board will also paper office. Marilyn is joined for the first time to Salado for the National review Emergency Op- shown above with Troy put on a car show in Sala- LCOC. -
Big Ed and Steel Country
PO Box 14003 Mill Creek, WA 98082 Celebrating Founded Our 31st Year In 1983 Visit us on the web at: www.nwwsms.com Volume 31, Issue 6 A News Letter For and About Our Members June 2014 Preserving the music that is too country for Jazz and too jazz for Country The Enduring Legend of the Light Crust Doughboys The world’s longest continually performing and recording country band Written by Terry Reid, Chairman, Sunnyvale Chamber of Commerce (Editor’s Note: Many thanks to Terry Reid, Chairman of the Sunnyvale Chamber of Commerce, for giving us permission to print her article and the photos provided by Misti Pierce avid fan and promoter. Western swing, sometimes referred to as the North Texas-born love child of rural Americana and urban cosmopolitanism, became a sensation -- especially in the Southwest -- in the '30s and '40s with such acts as Bob Wills and His Texas Playboys and the Light Crust Doughboys. Long-running acts like the Doughboys and Austin's Asleep at the Wheel are still today's standard-bearers of Western Swing. A declaration by the Texas Legislature on June 17, 2011, which adopted Western swing as the state's official music gave new legitimacy to this American music style that often has been caught between genres. For more information on the Light Crust Doughboys, check out their videos on YouTube! Here is a link to their newest video, produced their newest member, Marek Eneti Leszczynski: https://www.youtube.com/watch?v=9XX-GFpBInI) This is a story about a band and its members that reads like The original Light Crust Dough Boys in 1931, from left: a classic American novel, and contains all the poignant Herman Arnspiger, Bob Wills, Milton Brown, Truett Kemsey, elements that demand the eventual telling of the tale in some Borris Mills (official), W. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
2011 Catalog
Acoustic Amplification 2011 CATALOG Sonny Louvin Ned Luberecki Claire Lynch Colin Lyndon Jason Mallory Maroon 5 Vic Mastrianni Dave Matthews Will Matthews Jimmy Mat- tingly John Mayer Peter Mayer Paul McCartney Country Joe McDonald Michael McKean John McLaughlin Lori McKenna Sarah McLachlan John Mellencamp Victor Mendoza Eric Messerschmidt Buddy Miller Steve Miller Keb’ Mo’ Andra Moran James Morrison Stephen Mougin Jason Mraz Peter Mulvey Isato Nakagawa Graham Nash Bebo Norman Northern Lights The Oak Ridge Boys John Oates Tim O’Brien Mark O’Connor Old Crow Medicine Show Braxton Olita Florian Opahle Brad Paisley Charles Parente Mario Parga Jeff Paris Ellis Paul Tom Paxton Alice Peacock Joe Perry Paul Pesco John Petrucci Jeff Pevar Todd Phillips Glen Phillips Gary Pihl Monte Pittman Steve Poltz Lorenza Ponce Diane Ponzio Willy Porter Don Potter Grace Potter and The Nocturnals Jon Pousette-Dart The Pretenders Chris Proctor Puddle of Mudd Joe Pug Pure Prairie League Ra Ra Riot Radiohead Rage Against The Machine Missy Raines Bonnie Raitt Kevin Rapillo Jon Rauhouse Harvey Reid REO Speedwagon Tim Reynolds Jonathan Richman The Rolling Stones Gavin Rossdale Darius Rucker Robin Ruddy Tom Rush Rick Salazar Les Sampou Brett Scallions Matt Scannell Mark Schatz Marty Schiff Lincoln Schliefer Mike Scott Kristin Scott-Benson Derick Sebastian John Sebastian Charlie Sexton Shankar & Gingger Harry Shearer Duncan Sheik Jake Shimabukuro Todd Sickafoose Paul Simon Rickie Simpkins Ronnie Simpkins Martin Simpson Ricky Skaggs Slash Patti Smith Tim Smith Matt Sorum -
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol.