Art Titles Fall 2017
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Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Annual Report 1 August 2011 – 31 July 2012
Annual Report 1 August 2011 – 31 July 2012 Department of Politics and International Relations University of Oxford, Manor Road, Oxford OX1 3UQ United Kingdom Tel: +44 1865 278700 Fax: +44 1865 278725 Email: [email protected] www.politics.ox.ac.uk www.politics.ox.ac.uk annual_report_cover_2012.indd All Pages 18/10/2012 09:28 Annual Report 1 August 2011 – 31 July 2012 Annual_Report_12th_2012_12KCeditsv3.indd 1 18/10/2012 09:27 Table of Contents Introduction …………………………………………………………………………… 3 Teaching ……………………………………………………………………………… 4 Graduate Studentships and Bursaries ……………………………………………………… 7 Appointments, Prizes and Awards ………………………………………………………… 8 Research ……………………………………………………………………………… 9 Sta …………………………………………………………………………………… 23 Academic Visitors ……………………………………………………………………… 25 Finance ………………………………………………………………………………… 27 Oce Holders ………………………………………………………………………… 28 Acknowledgments ……………………………………………………………………… 28 Cover images courtesy of Susan Taylor: [email protected] 2 Department of Politics and International Relations Annual Report Annual_Report_12th_2012_12KCeditsv3.indd 2 18/10/2012 09:27 Introduction Professor Stephen Whiteeld, Head of Department HE ACADEMIC YEAR just passed has been busy, against sti challenges from competitor departments Tchallenging and broadly successful. in the USA and in the UK/Europe. In part to that end, we Our academic standing remains outstanding in global have begun implementing the ‘size and shape’ review of terms. Politics and International Relations retained its the Department, which indicated that there was some position as World Number 2 in the annual QS World scope for a reduction in the total academic sta, through Rankings of universities and academic programmes. careful recruitment planning, without compromising With that, however, we are not complacent and have the excellent quality of our current academic provision. reviewed our activities internally and through the Savings are to be used where nancially possible to 5-year Divisional Review with an aim to ensure that our support graduate studentships. -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Geplante Veranstaltungen Ausstellungskalender
Varia scher Renaissance. (Salzburg Studien. Forschungen zu Wassily Kandinsky, Gabriele Miinter. Kiinstler des Geschichte, Kunst und Kultur, Band 5). Salzburg, Ver- »Blauen Reiter« in Murnau. Beitr. Brigitte Salmen. ein »Freunde der Salzburger Geschichte« 2003. 301 S., Murnau, Schlo&nuseum 2003. 116 S., z8 s/w. Abb., 14 Farbtaf., 80 s/w Abb. ISBN 3-9500712-8-8. 70 Farbabb. ISBN 3-932276-13-2. Wassily Kandinsky. Uber das Geistige in der Kunst ins- Horst Keining. »Mariakirchen«. Ausst.-Kat. Flott- besondere in der Malerei. Vorwort und Kommentar zur mann-Hallen Herne 2004. Beitr. Stephan Berg. Sieg revidierten Neuauflage. Jelena Hahn-Fontaine. Einf. burg, Rheinlandia Verlag 2004. 87 S., zahlr. Farbabb. Max Bill. Bern, Benteli Verlag 2004. 176 S., 8 s/w Taf. ISBN 3-935005-74-1. 10 Originalholzschnitte. € 15,-. ISBN 3-7165-1326-1. Geplante Veranstaltungen Observing Nature - Representing Expe Abstracts unter http://www.mpiwg-berlin. rience. Practices and Concepts 1800- mpg.de/VISION/ws_observing_nature/ws_ob 1850 serving_nature.html. Wegen des beschrankten Platzes werden auswartige Gaste um eine Workshop von TP Az »Protomodernes kurze Anmeldung gebeten. Sehen« des SFB 626 »Asthetische Erfahrung« Kontakt: Dr. Dr. Erna Fiorentini, Max- der FU Berlin am Max-Planck-Institut fur Planck-Institut fiir Wissenschaftsgeschichte, Wissenschaftsgeschichte - MPIWG Berlin, 28.- [email protected] 29.1.2005. Informationen und Programm mit Ausstellungskalender Der Ausstellungskalender erfafit die Ausstellungen Amstelveen (NL). Cobra Museum. -9.1.05: Lucebert. wahrend ihrer gesamten Laufzeit. Wenn der Veranstal- Work on paper.; Juul Kraijer. Winnaar de Kunstprijs ter das Erscheinen eines Ausstellungskatalogs mitteilt, 2004. 15.1.-6.3.: Rachid Ben AU. ist dem Titel das Zeichen (K) beigegeben. -
Hone Tuwhare Charitable Trust Newsletter 2014 from the Chair
Hone Tuwhare Charitable Trust Newsletter 2014 from the chair The Hone Tuwhare Trust was established in 2010 with Downes laid down a challenge by performing a new a simple kaupapa–’To inspire people through the song, and reminding us that our common purpose is preservation, promotion and celebration of Hone’s new forms of creativity and inspiration. In Dunedin, legacy.’ Hone Tuwhare was a poet, but he was many we saw that through musical and poetic performance, other things beside: husband, father, boilermaker, design and the art of the Dark Light Art Collective. soldier, scholar, and lover of people and this land. Today, we have the photographs of the remarkable Ans Westra, Catherine Griffiths’ and Kris Sowersby’s He was born in Northland, near Kaikohe, but spent typographic interpretations of Hone’s ‘Rain’ and his life almost equally in the North and South Islands. ‘Haiku,’ and a wonderful local seafood chowder In his later life, he chose to settle in Kaka Point, courtesy of the Kaka Point Cafe. centrally located in an arc between Invercargill, Gore and Dunedin. He also valued Kaka Point because it I’ll conclude with an extract from Hone’s poem provided a warm and welcoming community, who ‘Humming’, which fits well with our kaupapa, and has allowed him the time, inspiration, and solitary space a special place for me as I read it at my wedding to necessary to write. Amanda: Through his writings, and especially his readings at It is a house to be constructed with care halls such as this one, schools and prisons across for it has no confining walls New Zealand, he brought an emotive and humbling thus permitting expansion: vertical poetry into many people’s lives. -
Neues Aus Dem Netz/Zuschrift/Ausstellungskalender
KC_02:Layout 1 03.02.17 17:51 Seite 118 NEUES AUS DEM NETZ/ZUSCHRIFT/AUSSTELLUNGSKALENDER tles. How and Why Western Paint- Aarhus (DK). Aros. –5.3.: J. F. ings Acquired Their Names. Willumsen. Princeton, Princeton University Ahlen. Kunst-Museum. 19.2.–1.5.: Press 2015. 331 S., 16 Farbtaf., Helmuth Macke im Dialog mit sei - ZUSCHRIFT zahlr. s/w Abb. ISBN 978-0-691- nen expressionistischen Künstler - 16527-1. freunden. (K). Gesucht: Porträt der Kaiserin Alla Moderna. Antiche chiese e ri - Aix-en-Provence (F). Caumont facimenti barocchi: una prospettiva Joséphine von Jean-Jacques Centre d’Art. –12.3.: Marilyn Mon - europea. Old churches and Baroque Karpff (1805) roe, under the Photographer’s Renovations: a European Perspecti - Im Rahmen der Vorbereitung ei - Gaze. ve. Hg. Augusto Roca De Amicis, ner Retrospektive über den Alba (I). Fondazione Ferrero. –27.2.: Giacomo Balla. Claudio Varagnoli. Rom, Editoriale Zeichner und Miniaturmaler Artemide 2015. 286 S., zahlr. s/w Albstadt. Kunstmuseum. –12.3.: Abb. ISBN 978-88-7575-220-0. Jean-Jacques Karpff (Colmar Zeichnerische und druckgraphi - 1770–Versailles 1829), genannt sche Folgen und Mappen aus der Casimir, sucht das Musée Un - Slg. Walther Groz. (K). –26.3.: Ava terlinden in Colmar das Porträt Smitmans. 19.2.–18.6.: Hermann Stenner (1891–1914) und Christian von Kaiserin Joséphine de Beau - Landenberger (1862–1927). harnais, das 1805 entstanden ist. Altenburg. Lindenau-Museum. NEUES AUS DEM NETZ Bitte melden Sie sich, wenn Ih - –5.3.: Altenbourg in Altenburg. Die nen der Aufenthaltsort dieses Schenkung Pfäffle und die Stiftung Malerei des 19. Jahrhunderts Werkes bekannt ist. -
THEY WALKED the STREETS THAT WE DO the Reallty of Consplracles a LOVE LETTER to Llterature
THEY WALKED THE STREETS THAT WE DO THE REALITY OF CONSPIRACIES A LOVE LETTER TO LITERATURE ISSUE 10 Nina Harrap examines how Lucy Hunter explores the Laura Starling takes us on a journey May 5, 2014 Dunedin has impacted its most conspiracies that happened and the from Dunedin’s Scottish roots to critic.co.nz famous writers. PAGE 20 theories that didn’t. PAGE 24 lost poetry. PAGE 28 ISSUE 10 May 5, 2014 NEWS & OPINION FEATURES CULTURE ABOVE: From "They walked the 20 | THEY WALKED THE STREETS THAT WE DO 32 | LOVE IS BLIND streets that Dunedin has been impacted by its writers, but how have the writers 33 | ART we do” been impacted by Dunedin? Critic examines the lives of Janet Frame, 34 | BOOKS Illustration: James K. Baxter and Charles Brasch, the city’s instrumental place in Daniel Blackball their writing, and the legacy they’ve left behind. 35 | FASHION By Nina Harrap 36 | FILM COVER: 04 | OUSA TO BEER COMPETITION 38 | FOOD From "The OUSA’s Dunedin Craft Beer and Food reality of Festival will this year be held on 4 Octo- 39 | GAMES conspiracies” ber at Forsyth Barr Stadium, but finds 24 | THE REALITY OF CONSPIRACIES 40 | MUSIC competition from Brighton Holdings Illustration: The problem with laughing at conspiracy theories is that they actually 42 | INTERVIEW Daniel Blackball Ltd, who assisted OUSA in contacting happen. Governments, corporations, and regular people sometimes breweries and gaining sponsorship for do horrible things to each other for personal gain. And they 44 | LETTERS last year’s festival. sometimes even manage to keep it secret. -
2 – College Affairs the College Year
ST ANTONY’S COLLEGE RECORD 2009–2010 Designed and produced in the Development Office at St Antony’s College © The Warden and Fellows of St Antony’s College, 2010 Contact information: St Antony’s College, Oxford, OX2 6JF Tel – 01865 284 700 www.sant.ox.ac.uk CONTENTS 1 – Overview of the College The College.................................................................................................... ........... 1 The Fellowship.......................................................................................................... 3 The Staff.................................................................................................................... 8 2 – College Affairs The College Year....................................................................................................... 10 From the Bursar......................................................................................................... 11 The Graduate Common Room................................................................................... 13 The Library................................................................................................................ 20 The St Antony’s–Palgrave Series.............................................................................. 21 3 – Teaching and Research African Studies.......................................................................................................... 22 Asian Studies............................................................................................................ -
FAS Annual Report 2019
FRITZ ASCHER SOCIETY FOR PERSECUTED, OSTRACIZED AND BANNED ART, INC. T +1-917-834-3148 [email protected] 121 Bennett Avenue Suite 12A, New York, NY 10033, USA Annual Report 2019 _________________________________________________________________________________________ Die Fritz Ascher Society ist eine gemeinnützige Stiftung, Steuernummer 46-5766772 Spendenkonto: JP Morgan Chase Bank, N.A. 650227239, BLZ 021000021, Swift CHASUS33 1 Exhibitions In 2019 we brought the Fritz Ascher retrospective, which traveled in Germany the past two years to six museums, to the United States. The exhibition “Fritz Ascher, Expressionist,” was on view at New York University’s Grey Art Gallery in New York, NY from January 9 until April 6, 2019. 3,772 visitors saw the exhibition, which was above normal attendance for an exhibition at the Grey Art Gallery. The critical and public responses for the show were very positive (and at times emotional) with strong attendance up to the last day of the exhibition. Fritz Ascher was reviewed positively in both the Wall Street Journal and the Financial Times. In addition to other online reviews, Channel 13’s popular program NYC-ARTS aired a short piece on the exhibition. both photos: Grey Art Gallery, NYU, New York, NY, installation view. Photos Rachel Stern (left) and Nicholas Papananias (right) A 22 minute long biographical film was playing on loop in the exhibition, introducing the viewer to Fritz Ascher’s life and artwork, as well as the context of German and Jewish history. 28 events (receptions, gallery talks -
Exhibition of Works by the Old Masters and Deceased Masters of the British
Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/exhibitionofwork1906watt Under Revision.^ OF WOEKS BY THE OLD MASTEKS AND •eteaseU iWa0fer0 of tJ)e )5nti0l) S>cl)ool INCLUDING A COLI-EGTION OF WATER COLOUR DRAWINGS ALSO A SELECTION OF DRAWINGS AND SKETCHES BY GEORGE FREDERICK WATTS, R.A. WINTER EXHIBITION "miK'rY-SK MDCCCCVI WILLIAM CLOWES AND SONS, LIMITED I’lUNTEUS TO THE ROYAL ACADEMY The Exhibitiou opens on Monday, January 1st, and closes on Saturday, March 10th. Hours of Admission, from 9 a.m. to 6 p.m. Price of Admission, Is. Price of Catalogue, 6d. Season Ticket, 5s. General Index to the Catalogues of the first thirty Exhibitions, in three parts; Part 1. 1870-1879, 2s.; Part II. 1880-1889, 2s. ; Part III. 1890-1899, Is. 6d. No sticks, umbrellas, or parasols are allowed to be taken into the Galleries. They must be given iip to the attendants at the Cloak Eoom in the Entrance Hall. The other attendants are strictly forbidden to take charge of anything. The Refreshment Room is reached by the staircase leading out of the Water Colour Room. The Gibson (Sculpture) Gallery and the Diploma Galleries are open daily, from 11 a.m. to 4 p.m. Admission free. All Communications should be addressed to “ The SecrcturyT ROYAL ACADEMY OF ARTS. 1906. HONORARY MEMBERS. The Most Rev. W. D. Maolaqan, D.D., Lord Archbishop of York, Chaplain. Professor of Ancient History. The Rt. Hon. John Moelet, M.P., Professor of Ancient Literature. The Viscount Dillon, Antiquary. -
ONE HUNDRED DRAWINGS and WATERCOLOURS Dating from the 16Th Century to the 20Th Century
O N E H U N D R E D ONE HUNDRED D R A W I N DRAWINGS G S & W A AND T E R C O L O WATERCOLOURS U R S S T E P H E N O N G P I N G U Y P E P P I A T T Stephen Ongpin Fine Art Guy Peppiatt Fine Art Ltd. 2 0 1 5 Riverwide House - 2 0 6 Mason’s Yard 1 Duke Street, St James’s 6 London SW1Y 6BU GUY PEPPIATT FINE ART STEPHEN ONGPIN FINE ART ONE HUNDRED DRAWINGS AND WATERCOLOURS dating from the 16th Century to the 20th Century WINTER CATALOGUE 2015–2016 to be exhibited at Riverwide House 6 Mason’s Yard Duke Street, St. James’s London SW1Y 6BU Stephen Ongpin Fine Art Guy Peppiatt Fine Art Tel.+44 (0) 20 7930 8813 Tel.+44 (0) 20 7930 3839 or + 44 (0)7710 328 627 or +44 (0)7956 968 284 [email protected] [email protected] www.stephenongpin.com www.peppiattfineart.co.uk 1 We are pleased to present our eighth annual Winter catalogue of One Hundred Drawings and Watercolours, which will, as usual, be accompanied by an exhibition in our London gallery. This catalogue includes a wide range of British and European drawings, watercolours and oil sketches, placed more or less in chronological order, ranging in date from the 16th century to the first half of the 20th century. Although the areas of Old Master drawings, early British watercolours, 19th Century drawings and Modern drawings have long been regarded as disparate fields, each with their own enthusiasts, part of the purpose of this annual catalogue is to blur the distinction between these collecting areas. -
Exhibition of Works by the Old Masters and Deceased Masters of the British
I books N 5054 W78 1906oc Ropal flcademp of Arts EXHIBITION OF WORKS BY THE OLD MASTERS AND Rasters of tt)c Britts!) &rt)ool INCLUDING A COLLECTION OP WATER COLOUR DBA WINGS / ' ALSO A SELECTION OF DRAWINGS AND SKETCHES Br GEORGE FREDERICK WATTS, R.A, WINTER EXHIBITION THIRTY-SEVENTH YEAR MDCCCCYI WILLIAM CLOWES AND SONS, LIMITED PRINTERS TO THE ROYAL ACADEMY THEGETTYCENTERLIBRARY y a / DU ITS, • LONDON AMSTERDAM EXHIBITION OF WORKS BY THE OLD MASTERS AND ®eceaseb jllasters of tl)c 2&rtttsl) School INCLUDING A COLLECTION OF WATER COLOUR DRAWINGS ALSO A SELECTION OF DRAWINGS AND SKETCHES BT GEORGE FREDERICK WATTS, R.A. WINTER EXHIBITION THIRTY-SEVENTH YEAR A MDCCCCYI WILLIAM CLOWES AND SONS, LIMITED PRINTERS TO THE ROYAL ACADEMY The Exhibition opens on Monday, January 1st, and closes on Saturday, March 10 th. Hours of Admission, from 9 A.M. to 6 p.m. Price of Admission, Is. Price of Catalogue, 6rZ. Season Ticket, 5s. General Index to the Catalogues of the first thirty Exhibitions, in three parts; Part I. 1870-1879, 2s.; Part II. 1880-1889 2s.; Part III. 1890-1899, Is. Gd. Xo sticks, umbrellas, or paiasols are allowed to be taken into the Galleries. They must be given up to the attendants at the Cloak rioom in the Entrance Hall. The other attendants are strictly forbidden to take charge of anything. The Refreshment Room is reached by the staircase leading out of the Water Colour Room. The Gibson (Sculpture) Gallery and the Diploma Galleries are open daily, from 11 A.M. to 4 p.m.