Solidarity Rallies Across Michigan This Weekend AARP
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In the High Court of New Zealand Wellington Registry
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY I TE KŌTI MATUA O AOTEAROA TE WHANGANUI-Ā-TARA ROHE CIV-2014-485-11220 [2017] NZHC 2603 UNDER The Copyright Act 1994 EIGHT MILE STYLE, LLC BETWEEN First Plaintiff MARTIN AFFILIATED, LLC Second Plaintiff NEW ZEALAND NATIONAL PARTY AND First Defendant GREG HAMILTON Second Defendant STAN 3 LIMITED AND First Third Party SALE STREET STUDIOS LIMITED Second Third Party Continued Hearing: 1–8 May 2017 and 11–12 May 2017 Appearances: G C Williams, A M Simpson and C M Young for plaintiffs G F Arthur, G M Richards and P T Kiely for defendants A J Holmes for second third party T P Mullins and C I Hadlee for third and fourth third parties L M Kelly for fifth third party R K P Stewart for fourth party No appearance for fifth party Judgment: 25 October 2017 JUDGMENT OF CULL J EIGHT MILE STYLE v NEW ZEALAND NATIONAL PARTY [2017] NZHC 2603 [25 October 2017] AND AMCOS NEW ZEALAND LIMITED Third Third Party AUSTRALASIAN MECHANICAL COPYRIGHT OWNERS SOCIETY LIMITED Fourth Third Party BEATBOX MUSIC PTY LIMITED Fifth Third Party AND LABRADOR ENTERTAINMENT INC Fourth Party AND MICHAEL ALAN COHEN Fifth Party INDEX The musical works ............................................................................................................................. [8] Lose Yourself .................................................................................................................................. [9] Eminem Esque ............................................................................................................................. -
1 [27] Ficvaldivia 2 [27] Ficvaldivia 3 [27] Ficvaldivia 4 [27] Ficvaldivia 5
[27] FICVALDIVIA 1 [27] FICVALDIVIA 2 [27] FICVALDIVIA 3 [27] FICVALDIVIA 4 [27] FICVALDIVIA 5 [27] FICVALDIVIA Palabras6 9 Words FILMES DE INAUGURACIÓN Filmes de inauguración 26 Opening films Y CLAUSURA OPENING AND CLOSING Filmes de clausura 28 FEATURES P. 25 Closing films Cortometraje de Ceremonia de Premiación 30 Awards Ceremony Short Film JURADO Y ASESORES 33 JURY AND ADVISORS P.33 EN COMPETENCIA Selección Oficial Largometraje Internacional 45 IN COMPETITION Official International Feature Selection P. 44 Selección Oficial Largometraje Chileno 59 Official Chilean Feature Selection Selección Oficial Largometraje Juvenil 67 Internacional Official International Youth Feature Selection Selección Oficial Cortometraje 75 Latinoamericano Official Latin-American Short Film Selection Selección Oficial Cortometraje Infantil 89 Latinoamericano Official Latin-American Children’s Short Film Selection Selección Oficial Cine Chileno del Futuro 96 Future Chilean Cinema Official Selection [27] FICVALDIVIA 7 MUESTRA PARALELA CINEASTAS EN FOCO 105 Video y Estallido Social 178 PARALLEL PROGRAM FILMMAKERS IN THE Video and Social Uprising P. 105 SPOTLIGHT MUESTRA CINE 185 Ana Poliak 106 RETROSPECTIVA RETROSPECTIVE PROGRAM Colectivo Los Hijos 112 Clásicos 186 Latinas a la vanguardia 122 Classics Guillaume Brac 131 VHS Erótico 190 Erotic VHS MUESTRA CINE 139 CONTEMPORÁNEO Vazofi: Bazofi en Valdivia 193 CONTEMPORARY CINEMA Vazofi: Bazofi in Valdivia PROGRAM Gala 140 PÁSATE UNA PELÍCULA 201 Gala WHAT’S YOUR STORY! HOMENAJES 146 Largometrajes familiares 202 TRIBUTES -
Eminem Song Composer: New Zealand Ad Is 'Blatant Rip-Off'
lifestyle WEDNESDAY, MAY 3, 2017 MUSIC & MOVIES Eminem song composer: New Zealand ad is 'blatant rip-off' he composer of the opening guitar riff for in the courtroom. He said he wrote the song responded. The lawyer asked if it was weaker Eminem's "Lose Yourself" says the sound- with Eminem and Luis Resto over 18 months. because it was different. "It doesn't feel like Ttrack of a New Zealand political ad is a "I picked up a guitar and started playing that 'Lose Yourself""? the lawyer asked. "It doesn't "blatant rip-off." Jeff Bass told the High Court in opening guitar chord," he said. "At that time, I feel like me playing 'Lose Yourself,'" Bass said. Wellington yesterday that the song titled didn't know if it was a song or not." He said The lawyer asked Bass if he'd agree that the Led "Eminem Esque" that was used by the ruling Eminem, aka Marshall Mathers III, put together Zeppelin song "Kashmir" has a similar chord National Party during its 2014 election cam- a drum track but then they got stuck. "It took pattern. paign sounds like "Lose Yourself Lite." But, he him a number of months to author the perfect "No. None whatsoever," Bass responded. added, "It doesn't taste so good, though." lyrics that were just right for the beat," Bass Judge Helen Cull asked Bass if the guitar strum Eminem's music publishers Eight Mile Style sued said. He said they finished as Eminem complet- he'd performed in the courtroom was common. -
Johnny, Be Good Tonight – the 100 Greatest Songs of All Time
Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Johnny, Be Good Tonight The 100 Greatest Songs of All Time 1st Edition by Eric Mack www.theattackzone.com © Copyright The Attack Zone. You may not copy this book. Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Contents PREFACE........................................................................................................................4 INTRODUCTION.......................................................................................................... 5 CHAPTER 1: #100-91.............................................................................................................. #100: The Verve – “Bitter Sweet Symphony” (1997).........................................................8 #99: Buffalo Springfield – “For What It's Worth” (1967)................................................9 #98: James Taylor – “Fire and Rain” (1970)......................................................................10 #97: Adele – “Rolling in the Deep” (2010)..........................................................................11 #96: Bill Haley and His Comets – “(We're Gonna) Rock Around the Clock” (1954).....12 #95: DJ Shadow – “Midnight in a Perfect World” (1996)................................................13 #94: Dire Straits – “Sultans of Swing” (1978).................................................................... 14 #93: The Mamas and the Papas – “California Dreamin'” (1965)....................................15 #92: Eminem – “Lose Yourself” (2002)...............................................................................16 -
Female Authorship in the Slumber Party Massacre Trilogy
FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY By LYNDSEY BROYLES Bachelor of Arts in English University of New Mexico Albuquerque, NM 2016 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2019 FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Thesis Approved: Jeff Menne Thesis Adviser Graig Uhlin Lynn Lewis ii Name: LYNDSEY BROYLES Date of Degree: MAY, 2019 Title of Study: FEMALE AUTHORSHIP IN THE SLUMBER PARTY MASSACRE TRILOGY Major Field: ENGLISH Abstract: The Slumber Party Massacre series is the only horror franchise exclusively written and directed by women. In a genre so closely associated with gender representation, especially misogynistic sexual violence against women, this franchise serves as a case study in an alternative female gaze applied to a notoriously problematic form of media. The series arose as a satire of the genre from an explicitly feminist lesbian source only to be mediated through the exploitation horror production model, which emphasized female nudity and violence. The resulting films both implicitly and explicitly address feminist themes such as lesbianism, trauma, sexuality, and abuse while adhering to misogynistic genre requirements. Each film offers a unique perspective on horror from a distinctly female viewpoint, alternately upholding and subverting the complex gender politics of women in horror films. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 -
Guide to The
GUIDE TO THE If you are looking for a place to live during your time in the D, you have a rich variety of neighborhoods to choose from, each with their own personalities, history, and amenities. Please refer to the below guide, written by our residents, to help you choose the best place to enjoy the city and people! Created by James Jermls VandenBerg MD & The Residents of DRH Neighborhoods Downtown If you want to fully experience the D, then this is the place for you. The city is experiencing a unique renaissance as historic buildings have been renovated, new restaurants and bars continue to flourish, and large scale murals decorate the faces of our skyscrapers. If you enjoy the hustle and bustle of city life and want to celebrate the most resilient city in the country, then you should find yourself here. o Pros: Not only are you in the heart of all the action, more importantly you can get to work in about 5-10 minutes. There’s a wealth of new and historic bars and restaurants in every direction. This includes Campus Martius Park, which is in the center of downtown and converted into a beach bar in the summer and an ice- skating rink in the winter! You are in the center of all the major attractions in the area, including proximity to all professional Detroit sports, landmark buildings/sculptures to explore, and it’s very dog friendly with numerous dog parks. It borders the Detroit River with multiple running trails including the Dequindre Cut. If you like to gamble there are multiple casinos, and if you like feta and moussaka we have Greektown; o Cons: Generally more expensive than other neighborhoods, and almost exclusively apartment-high-rise living (the city is your backyard now). -
Blue Cross Likes That Mutual Feeling
20150309-NEWS--0001-NAT-CCI-CD_-- 3/6/2015 5:50 PM Page 1 ® www.crainsdetroit.com Vol. 31, No. 10 MARCH 9 – 15, 2015 $2 a copy; $59 a year ©Entire contents copyright 2015 by Crain Communications Inc. All rights reserved One year into life LOOKING BACK Minoru Page 3 as a nonprofit Yamasaki was hired mutual, to design Brookfield Office Honigman hires Carl Levin expect more to design Brookfield Office change, Blue Cross Park, a high-end complex to advise on government CEO Loepp in Farmington Hills says. At Roush Industries, theme park biz ups, downs are OK likes that 2 Cobo events allow young innovators to see the D CRAIN’S MICHIGAN BUSINESS COURTESY OF BLUE CROSS BLUE SHIELD OF MICHIGAN mutual feeling Hotel demand raises supply – that’s good, maybe, Page 15 has garnered more than Insurer uses its 100,000 subscribers and ar- guably forced competitors to lower prices. new nonprofit “We have the opportu- nity to grow nationally as we are now a nonprofit mutual status to mutual,” Loepp said. “We are in a spot where we are COURTESY OF ETKIN LLC looking” at possible in- Brookfield Office Park (above) was one of the final chart growth works of Minoru Yamasaki but one of many local Loepp vestments in health com- buildings he designed, including Temple Beth El. BY JAY GREENE panies or joint ventures CRAIN’S DETROIT BUSINESS with other Blues plans, he said. For example, Loepp said, the Accident Fund Dan Loepp says there have been many Insurance Co. of America, a Blue Cross for- changes at Blue Cross Blue Shield of Michigan profit subsidiary that sells workers’ com- The new Crainsdetroit.com: during its first full year as a nonprofit mutu- pensation insurance, “now has the ability to Yamasaki’s al health insurance company. -
Apartment Features
Welcome Bienvenido Chào Mừng Quý Vị 欢迎 Bienvenue Modern Living in New Center Welcome to The Boulevard in Detroit’s New Center, featuring modern rental apartments located in the heart of an international city, in a neighborhood of professional institutions and cultural gems. With its walkability and access to public transportation and major expressways, The Boulevard is home to long-term Detroiters, new residents, and visitors. The Boulevard offers attached parking, ground floor retail and restaurants, and is both family and pet friendly. 01 Apartment Features The Boulevard offers 231 apartments with a variety of studio, 1, and 2 bedrooms layouts featuring: Modern Design Wood Style Flooring Stainless Appliances Dishwasher Air Conditioning Walk In Closets In Home Laundry Private Balconies* *Available in Select Apartments 03 Community Amenities Situated on 1.5 acres in New Center, The Boulevard provides five floors of high-quality residential over ground floor retail. City Views Ground Floor Retail Controlled Access Entry Fitness Center Club Room Lounge Room BBQ Terrace Interior Courtyard Attached Parking* Bike Storage & Repair* Storage Lockers* Pet Friendly *Available to Rent 05 Clairmont Ave In the Neighborhood 2nd Ave 3rd Ave 45 52 51 51 Lothrop St 53 New Center 6 50 Brush St 34 17 57 Anchor Institutions Food & Drink Fisher 55 20 1 Cadillac Place 11 Avalon Café & Biscuit Bar 1 Building 56 4 11 8 2 College for Creative Studies 12 Bucharest Grill 42 14 3 Detroit Medical Center 13 Chartreuse Kitchen & Cocktails 15 21 12 49 4 Henry Ford Hospital -
High Court of New Zealand 25 October 2017 MEDIA
High Court of New Zealand 25 October 2017 MEDIA RELEASE - FOR IMMEDIATE PUBLICATION EIGHT MILE STYLE V NATIONAL PARTY [2017] NZHC 2603 This summary is provided to assist in the understanding of the Court’s judgment. It does not comprise part of the reasons for that judgment. The full judgment with reasons is the only authoritative document. The full text of the judgment and reasons can be found at www.courtsofnz.govt.nz What the case is about The key issue for determination by the Court was whether a “sound-alike” production track, called Eminem Esque, used by the National Party in its 2014 election campaign advertising, is sufficiently similar to the 2002 music of Eminem’s hit song, Lose Yourself, so as to constitute a breach of copyright. Lose Yourself was composed by Marshall Mathers III (Eminem), Jeffrey Bass and Luis Resto (all called Eight Mile Style) in 2002. The composition is regarded by Eight Mile Style as the most valuable work in their catalogue and has only rarely been licensed for use, and never as part of a political campaign. Eight Mile Style,1 who own the copyright in Lose Yourself, sought damages against the National Party after Eminem Esque featured in Party advertisements played on television, the internet and at a Party conference in the lead up to the 2014 election. Between 20 to 30 1 Eight Mile Style are the owners of 50 percent and exclusive licensees of the other 50 per cent of the musical work Lose Yourself. August 2014, the advertisements, with Eminem Esque synchronised to them, were played 186 times on New Zealand television. -
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
ITINERARY TSKW Detroit Arts Trip FINAL 18.5.30
FINAL ITINERARY FOR 2018 TSKW ARTS & CULTURE TRIP TO DETROIT Monday 20 August thro Friday 24 August Day 1 – Mon Aug 20 Travel to destination Check in at the Detroit Foundation Hotel, Larned Street, Detroit 313-915-4422 www.detroitfoundationhotel.com 5:45pm Welcome cocktail party and private dinner at Hotel With presentation by Local Art Historian to provide background for our week of Arts & Culture in Detroit Day 2 – Tue Aug 21 Breakfast – on your own 8:45 walk to trolley station at Congress at Woodward to Detroit Institute for the Arts 9:15 Meet with the Executive Director followed by Private guided tour of DIA (Detroit Institute for the Arts) The Detroit Institute of Arts has one of the largest and most significant art collections in the United States. With more than 65,000 artworks that date from the earliest civilizations to the present, the museum offers visitors an encounter with human creativity from all over the world. 11:30am -Lunch at the DIA in Dining Room B www.dia.org 1pm Bus picks up at DIA to take us to Motown Museum Afternoon 1:30pm Tour of The Motown museum Originally the recording studios and residence of Berry Gordy and Motown Records. Information for visitors to the museum, and profiles of the label's featured artists including Stevie Wonder, The Supremes, Jackson 5, and Four Tops. Located in Detroit, Michigan, US www.Motownmuseum.org Take bus back to hotel for freshen up 4:30pm Promptly Bus picks up from hotel to take us to Bay View Yacht Club for Private yacht & dinner trip down Detroit river to view the beautifully renovated River park.