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Spice Large.Pdf
Gernot Katzer’s Spice List (http://gernot-katzers-spice-pages.com/engl/) 1/70 (November 2015) Important notice Copyright issues This document is a byproduct of my WWW spice pages. It lists names of spices in about 100 different languages as well as the sci- This document, whether printed or in machine-readable form, may entific names used by botanists and pharmacists, and gives for each be copied and distributed without charge, provided the above no- local name the language where it is taken from and the botanical tice and my address are retained. If the file content (not the layout) name. This index does not tell you whether the plant in question is is modified, this should be indicated in the header. discussed extensively or is just treated as a side-note in the context of another spice article. Employees of Microsoft Corporation are excluded from the Another point to make perfectly clear is that although I give my above paragraph. On all employees of Microsoft Corporation, a best to present only reliable information here, I can take no warrant licence charge of US$ 50 per copy for copying or distributing this of any kind that this file, or the list as printed, or my whole WEB file in all possible forms is levied. Failure to pay this licence charge pages or anything else of my spice collection are correct, harm- is liable to juristical prosecution; please contact me personally for less, acceptable for non-adults or suitable for any specific purpose. details and mode of paying. All other usage restrictions and dis- Remember: Anything free comes without guarantee! claimers decribed here apply unchanged. -
The Last of the Thai Traditional Music Teachers
Uncle Samruay — the Last of the Thai Traditional Music Teachers The SPAFA crew visited the Premjai House of Music to explore its hospital-based concept of a school/repair centre, where Patsri Tippayaprapai interviewed the 69-year-old renowned master musician Samruay Premjai. The people of Thailand have been making indigenous musical instruments since ancient times, during which they also adapted instruments of other countries to create what are now regarded as Thai musical instruments. Through contact with Indian culture, the early Thai kingdoms assimilated and incorporated Indian musical traditions in their musical practices, using instruments such as the phin, sang, pi chanai, krachap pi, chakhe, and thon, which were referred to in the Master Samruay Premjai Tribhumikatha, an ancient book in the Thai language; they were also mentioned on a stone inscription (dated to the time of King Ramkhamhaeng, Sukhothai period). During the Ayutthaya period, the Thai instrumental ensemble consisted of between four and eight musicians, when songs known as 'Phleng Rua' were long and performed with refined skills. The instrumental ensemble later expanded to a composition of twelve musicians, and music became an indispensable part of theatre and other diverse occasions such as marriages, funerals, festivals, etc.. There Illustration ofSukhotai period ensemble of musicians are today approximately fifty kinds of Thai musical instruments, including xylophones, chimes, flutes, gongs, stringed instruments, and others. SPAFA Journal Vol. 16 No. 3 19 Traditionally, Thai musicians were trained by their teachers through constant practising before their trainers. Memory, diligence and perseverance were essential in mastering the art. Today, however, that tradition is gradually being phased out. -
National~ Pastime
'II Welcome to baseball's past, as vigor TNP, ous, discordant, and fascinating as that ======.==1 of the nation whose pastime is cele brated in these pages. And to those who were with us for TNP's debut last fall, welcome back. A good many ofyou, we suspect, were introduced to the Society for American Baseball Research (SABR) with that issue, inasmuchas the membership of the organization leapt from 1600 when this column was penned last year to 4400 today. Ifyou are not already one of our merry band ofbaseball buffs, we ==========~THE-::::::::::::================== hope you will considerjoining. Details about SABR mem bership and other Society publications are on the inside National ~ Pastime back cover. A REVIEW OF BASEBALL HISTORY What's new this time around? New writers, for one (excepting John Holway and Don Nelson, who make triumphant return appearances). Among this year's crop is that most prolific ofauthors, Anon., who hereby goes The Best Fielders of the Century, Bill Deane 2 under the nom de plume of "Dr. Starkey"; his "Ballad of The Day the Reds Lost, George Bulkley 5 Old Bill Williams" is a narrative folk epic meriting com The Hapless Braves of 1935, Don Nelson 10 parison to "Casey at the Bat." No less worthy ofattention Out at Home,jerry Malloy 14 is this year's major article, "Out at Home," an exam Louis Van Zelst in the Age of Magic, ination of how the color line was drawn in baseball in john B. Holway 30 1887, and its painful consequences for the black players Sal Maglie: A Study in Frustration, then active in Organized Baseball. -
Her Royal Highness Princess Adorndibyanibha and the Emergence of Lakhon Wang Suan Sunandha
HER ROYAL HIGHNESS PRINCESS ADORNDIBYANIBHA AND THE EMERGENCE OF LAKHON WANG SUAN SUNANDHA SOMSAK BUAROD Assistant Professor, Faculty of Fine and Applied Arts, SuanSunandhaRajabhat University, Bangkok, Thailand E-mail: [email protected], [email protected] Abstract— In 1898, King Chulalongkorn purchased land, with funds from his Privy Purse The King named this area Dusit Garden Palace in honour of his love to his first consort Queen SunandhaKumariratana. Thirty two residential houses were built for the King’s consorts and daughters. The house from which LakornWang SuanSunandha (dance-drama of Suanandha Garden Palace) originated was the residence of HerRoyal Highness Princess Adorndibyanibha. The Princess loved a female Mahori (Thai orchestra) ofSunandha Garden Palace and therefore started a dance-drama practice as an activity for the band. In1917, Chao ChomManda Kian, mother of His Royal Highness Prince VoravarnakaraKromPhraNarathipPrabandhabongse was invited to teach the dance drama, for example, Sung Silp Chai, Krai Thong andNitrachakrit. In addition, Teacher Long was sent by the King’s consort, PhraRajachayaRasami, to teacha Northern dance-drama called NoiJaiya and MarnMui Chiang Tai dance to Princess Adorndibyanibha’speople. The troupe became well-known as the dance-drama of Sunandha Garden Palace and was theorigin of Lakorn Wang SuanSunandha. Keywords— The Origin of Wang Suansunandha’s Dance – Drama, Sunandha Palace. I. INTRODUCTION was the significant foundation for the Lakhon SuanSunandha development. In 1898, King Chulalongkorn) Rama V (had desired to purchase the land from the farmer with funds of his II. OBJECTIVES Privy Pursein order to build the new 32 royal residences for the Queens, his consorts and his 1 .To study the emergence ofLakhon Wang daughters .He gave this place name ”Dusit Garden SuanSunandha. -
Egan Trial Ends; Both Sides Rest
' ' ' ‘ r : ': ;•: ' . ' ' ’ - ■ 'Vv%\^- 'i - '' *' ..... -' '"I. t e e WEATHER NET PRESS RUN , PofCffMt br:0.'-«i'.W«*h«* B«fe*«,- AVERAGE nAlhV CIRCULATION Maw M«ran for the Month of March, 1020 Member of the Aedlt Bureau of ' Clrrulattona PRICE THREE CENTS SOUTH MANCHESTER, CtoN ., TUESDAY, APRIL 16, 1929. ‘ ‘ ^ ' s - ; W PAGES VOL. XLIIL, NO. 155. (Classifled Advertising on Page 10) Rival Candidates for D. A. R. Post. EGAN TRIAL ENDS; <zn BOTH SIDES REST Lawyer Changes Story He STATE, COUNTY Iji Diiasaany Short Hessase, Chief Executive Proposes Atlantic Told last Friday— Healy LEADERSHONOR , P r o g ^ for Special Session of Congress—Asks Exonerated from Connec In Grip Changes in National-Origins Clause of Immigration tions With Watkins Case. SENATOR SMITH Act— Wants Reapportionfflent of Congress and Legis- New York City and the entire^ The New Jers«y eastern seaboard from Massachu especlaliy l?ard hit by the f«ry oi Hartford, April 16.— The case of Testimonial Dinner to Local the elements. At Point PlespaRti ladon Provi^ng for the Census of 1030; Speech Read seussetts to rFlorida lui lua. was>vtt» held fast to-ww ----------------: , v . *^1 t • the state against William E. Egan, day in the grip of one of the most N. J., the Leighton lawyer accused of conspiracy in Man Given by 150 at Ho severe storms that has visited this largest structures on the beach was connection wltn the affairs of Rogei part of the country in the last ten partially wrecked by the wlmj ao4 , by Clerks in BoA Houses. W. Watkins, broker now in years. -
Central Gives
AUG. 3, 1935 THE INDIANAPOLIS TIMES PAGE 11 ANNOUNCEMENTS HELP WANTED Braves Loom Highly Touted 1 Death Notices 14 Situations Wanted Stepped TANARUS, 10’5 A- Police In HOI 8 ISM t I I or Race - A DAY Before Selections husband of F.usher ? JUST 20c beloved Effie Hop. and father of William, passed awav i .s 10-word *d will apprai under tht* as Threat to Sandlot Nines By Tom Koone Wednesday Jti'v 31 Funeral Saturday, , ciasstflcanoa fo r low as 20c a day cash m BROfe with order to o!!te. 21* (Copyright 1935 ev United Presal Aug 3. i p from FINN Coma The Times FUNERAL HOME. i*J9 N Merid an-o W Maryland oue square from Iliinol* aud Interment F;orai Park cemetery. Friends Washmcton-its down Kentucky-av and let invited Friends mav call at the us he.p you secure ?ob Loop Record in Twin Show Funeral Home ?ny time. FSPM hand, experienced. 931'a N. Ala- NOONEY’S SELECTIONS FOR TODAY HIGH. JANICE MAE Os 4158 W bama Rooms 11 and 12 Bertha-st. beinved daughter of Mr and Day's Best—Treasury Key. Mrs. Edsar Leigh, sister of Tiiitha. Juanita and John Leigh; granddaughter INSTRUCTIONS Boston Club Nears Mark for City Amateur Association to Best Longshot—Gold Step. of John Hook of Burnettsviile. Ind and David Leigh of Petersburg. Ind . passed DO YOU REALIZE wnat it means t nata Won; Best Parlay—Chief Cherokee and Narise. away July 31 age 3 rears Funeral Sat- a guatan:eed position? Wi guarantee a Fewest Games Offer Bargain Sill at urday 2 p m . -
BASEBALL August 6, 2015
elcome to Huggins and Scott Auctions, the Nation's fastest growing Sports & W Americana Auction House. With this catalog, we are presenting another extensive list of sports cards and memorabilia, plus an array of his- torically significant Americana items. We hope you enjoy this. V E RY I M P O RTA N T: Due to size constraints and the cost factor in the print version of most catalogs, we are unable to include all pic- tures and elaborate descriptions on every single lot in the auction. However, our website has no limitations, so we have added many more photos and a much more elaborate description on virtually every item on our website. Well worth checking out if you are serious about a lot! WEBSITE: WWW. H U G G I N S A N D S C O T T. C O M Here's how we are running our August 6, 2015 high bid for, and which lots you have been outbid on. IF YOU auction: HAVE NOT PLACED A BID ON AN ITEM BEFORE 10:00 pm EST (on the night the item ends), YOU CANNOT BID ON BIDDING BEGINS: THAT ITEM AFTER 10:00 pm EST, in the extended bidding Monday July 27, 2015 at 12:00pm Eastern Ti m e session (STEP 2). However, at 10:00 pm on August 6th, if you are the only bidder on an item that ends that day, that Our auction was designed years ago and still remains item will close and you will be declared the winner. We can- geared toward affordable vintage items for the serious collec- not stress enough; you will want to get your bids in early. -
Download the PDF of the National Pastime, Volume 20
THE ----------- National G Pastime A REVIEW OF BASEBALL HISTORY The Lost Art of Fair-Foul Hitting Robert H. Schaefer 3 Ila Borders, Pitcher jean Hastings Ardell 10 Strike Out: A 1946 Baseball Strike Bill Swank 16 Dick Higham: Umpire at the Bar of History Larry R. Gerlach and Harold ~ Higham 20 My Start in the Newspaper Business Eddie Gold 33 The Polo Grounds Stew Thornley 35 Harry and Stanley Coveleski Dave Anderson 39 The Hawaii Winter League, 1993-1997 Frank Ardolino 42 Finding Andy Nelson Bob Tholkes 46 Pepper: The House of David Way joel H. Hawkins and Terry Bertolino 51 Chick and Jake Stahl: Not Brothers Dick Thompson 54 The Southern California Trolley League jayBerman 58 The Last Days of the New England League Charlie Bevis 61 Bill Frawley and the Mystery Bat Rob Edelman 66 Nelly Kelly's Waltz Edward R. Ward 69 Utica Indoor Baseball Scott Fiesthumel 70 Willard Hershberger and the Legacy of Suicide Brian j. Wigley, Dr. Frank B. Ashley, Dr. Arnold LeUnes 72 Ronald Reagan and Baseball james C. Roberts 77 Carroll Hardy, Pinch Hitter Bill Deane 82 Throwbacks: The Erie-Buffalo Baseball Club Mike Ward 84 Joe Gedeon: Ninth Man Out Rick Swaine 87 A Celebrity Allegory Larry Bowman 90 George Sisler Paul Warburton 93 Rube Marquard's Lucky Charm Gabriel Schechter 98 Millor League Pla'yer Ross Horning 101 Tilly Walker Marky Billson 105 Waite Hoyt, Conveyor of Baseball Memories Rob Langenderfer. 109 1907 Pacific Coast Championship Series Tom Larwin 112 Urban Shocker: Free Agency in 1923? Steve L. Steinberg 121 SaiIll Mally and lile Prince of Darkness Martin D. -
Debut Year Player Hall of Fame Item Grade 1871 Doug Allison Letter
PSA/DNA Full LOA PSA/DNA Pre-Certified Not Reviewed The Jack Smalling Collection Debut Year Player Hall of Fame Item Grade 1871 Doug Allison Letter Cap Anson HOF Letter 7 Al Reach Letter Deacon White HOF Cut 8 Nicholas Young Letter 1872 Jack Remsen Letter 1874 Billy Barnie Letter Tommy Bond Cut Morgan Bulkeley HOF Cut 9 Jack Chapman Letter 1875 Fred Goldsmith Cut 1876 Foghorn Bradley Cut 1877 Jack Gleason Cut 1878 Phil Powers Letter 1879 Hick Carpenter Cut Barney Gilligan Cut Jack Glasscock Index Horace Phillips Letter 1880 Frank Bancroft Letter Ned Hanlon HOF Letter 7 Arlie Latham Index Mickey Welch HOF Index 9 Art Whitney Cut 1882 Bill Gleason Cut Jake Seymour Letter Ren Wylie Cut 1883 Cal Broughton Cut Bob Emslie Cut John Humphries Cut Joe Mulvey Letter Jim Mutrie Cut Walter Prince Cut Dupee Shaw Cut Billy Sunday Index 1884 Ed Andrews Letter Al Atkinson Index Charley Bassett Letter Frank Foreman Index Joe Gunson Cut John Kirby Letter Tom Lynch Cut Al Maul Cut Abner Powell Index Gus Schmeltz Letter Phenomenal Smith Cut Chief Zimmer Cut 1885 John Tener Cut 1886 Dan Dugdale Letter Connie Mack HOF Index Joe Murphy Cut Wilbert Robinson HOF Cut 8 Billy Shindle Cut Mike Smith Cut Farmer Vaughn Letter 1887 Jocko Fields Cut Joseph Herr Cut Jack O'Connor Cut Frank Scheibeck Cut George Tebeau Letter Gus Weyhing Cut 1888 Hugh Duffy HOF Index Frank Dwyer Cut Dummy Hoy Index Mike Kilroy Cut Phil Knell Cut Bob Leadley Letter Pete McShannic Cut Scott Stratton Letter 1889 George Bausewine Index Jack Doyle Index Jesse Duryea Cut Hank Gastright Letter -
Relative Nature of Thai Traditional Music Through Its Tuning System
IJCAS: Vol. 2, Number 1 June 2015 Relative Nature of Thai Traditional Music through its Tuning System Nattapol Wisuttipat Bharat Vidyalaya School Srinakharinwirot University email: [email protected] ABSTRACT Thai traditional music exhibits number of relative characteristics, though many of them are not expressed explicitly but only demonstrated orally. Its tuning system, despite having been put through many scientific studies for decades, cannot be given the absolute pitch frequencies. It is therefore possible that the tuning system does not have any absolute pitch frequencies but possesses relative nature. This papers aims to present the historic background, characteristics, past, current practices of Thai traditional music’s tuning system and to put forward the theoretical idea of non-existence of absolute tuning frequency and that of relative nature of Thai traditional music’s tuning system. The data was collected from previous researches on Thai traditional music’s tuning system and from sample instruments. The latter was then compared to each other and analyzed with respect to the former. The preliminary results were that tuning system of Thai traditional music was in the form of seven-tone equal temperament without any sharps or flats. But practically, it was not exactly equal as musicians still prefer the traditionalbiased tunings which is believed to be more tuneful. Regarding the tuning practices, the tuning of Fine Arts Department are most dominating among several others. Even though, the tuning of Fine Arts Department measure from various sources are slightly different in terms of frequencies and intervals. It can be concluded that the tuning system of Thai traditional music does not rely on specific pitch frequency, but is relative to intervals and personal preferences and its absolute pitch frequency is yet to be established. -
Esearc JOURNAL
THE ase a esearc JOURNAL OMPARISONS BETWEEN athletes of to; Fourteenth Annual Historical and Statistical Review day and those of yesteryear are inevitable. In of'the Society for American Baseball Research C many respects baseball lends itself'to such as; sessments to a greater degree than any sport. This is so for at least two reasons: l;The nature of the game remains Cobb, Jackson and Applied Psychology, David Shoebotham 2 Protested Games Muddle Records, Raymond]. Gonzalez 5 essentially the same now as when itfirst was played, and Honest John Kelly, James D. Smith III 7 2;Statistical documentationofplayerachievements spans Milwaukee's Early/Teams, Ed Coen 10 bas~. more, than a century, thus providing a solid data Pitching Triple Crown, Martin C. Babicz 13 As Pete ,Rose approached - and then broke - the Researcher's Notebook, Al Kermisch 15 hallowed record for career hits held by T y Cobb, another Alabama Pitts, Joseph M. Overfield 19 flood of comparisons began taking shape. Pete was quick Dickshot's Hitting Streak, Willie Runquist 23 to say hedidn't feel he was a greater player than Cobb had A Conversation with BilLJames; Jay Feldman 26 been, but added merely that he had produced more hits. Tim McNamara, Jim Murphy 30 The two men had much in common, of cQurse.Both Change of Allegiance, HenryL. Freund, Jr. 33 were always known as flerce competitors. Each spent most Stars Put'Syracuse on Map, Lloyd Johnson 35 of his CHreer with on,e club and eventually managed that Counting Stats, New Stats, Bobby Fong 37 team. And in a touch of irony, Cobb was in his eighty; Ruth's 1920 Record Best Ever, Larry Thompson 41 Lifetime 1.000 Hitters, Charles W. -
19Th Century Musical Instruments in the Smithsonian Collection of Thai Royal Gifts
Instruments of Diplomacy: 19th Century Musical Instruments in the Smithsonian Collection of Thai Royal Gifts Paul Michael Taylor William Bradford Smith Abstract—This paper discusses two groups of musical instruments gifted by Thai monarchs to the United States: six instruments accompanying the Harris Treaty (1856) and nineteen instruments sent for Philadelphia’s Centennial Exposition (1876). We suggest that the selection of these pieces was primarily for aesthetic quality or display, not for their acoustic properties. Though they are visually impressive, sometimes a single item was given of normally paired instruments; some pairs given are not of matching design; non-visible components required to play them were originally missing; and one cannot assemble the instruments given into most traditional ensembles. Yet they served well as symbols, in King Mongkut’s words to U.S. President Pierce, of “heartful and true friendship” and to confirm the “power in manufactures” of Thailand’s “workmen and artists.” We conclude by briefly contrasting these with the instruments presented to the Library of Congress by King Bhumibol Adulyadej, Rama IX (a musician himself), during his 1960 visit to Washington, D.C. The collection of Thai objects held within the anthropology department of the National Museum of Natural History, Smithsonian Institution, reflects a long history of scientific collecting and donations of many kinds in addition to the component for which this collection is most widely known, the Royal Gifts1 from monarchs of Thailand to the United States, the earliest of which were transferred to the Smithsonian as the national museum of the United States in 1858. These are of priceless historical significance, and the gifts from King Mongkut in 1856 comprised one of two sets of objects (the other being material collected during Matthew Perry’s 1854 expedition to Japan) which were cataloged together after these and other “government collections” (see Hinsley 1981: 67-8) of exotic and valuable objects were in 1858 transferred to the Smithsonian Institution from the U.S.