Material Deviance Artists' Biographies
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R Eport and Financial Statements for the Year Ended 31 July 2018
Report and Financial Statements For the year ended 31 July 2018 2 University of the Arts London Report and Financial Statements for the year ended 31 July 2018 www.arts.ac.uk 3 Contents 6 Officers and advisers 7 Court of Governors 8 Summary of key statistics 11 Vice-Chancellor’s foreword 12 Strategic review 17 Financial review 24 Public benefit 24 Governance review 26 Corporate governance statement 29 Statement of the Court of Governors’ responsibilities 30 Independent auditor’s report to the Court of Governors 32 Consolidated and University statement of comprehensive income and expenditure 33 Consolidated and University statement of changes in reserves 34 Consolidated and University balance sheet 35 Consolidated cash flow statement 36 Statement of principal accounting policies 40 Notes to the accounts www.arts.ac.uk 5 Officers and advisers Vice-Chancellor Nigel Carrington University Secretary Stephen Marshall and Registrar Principal office 272 High Holborn, London WC1V 7EY External auditor KPMG LLP Chartered Accountants 15 Canada Square, London E14 5GL Internal auditor PwC PricewaterhouseCoopers LLP 1 Embankment Place, London, WC2N 6RH Bankers Lloyds Bank Plc 39 Threadneedle Street, London EC2R 8AU National Westminster Bank Plc Piccadilly and New Bond Street 63 – 65 Piccadilly, London W1J 0AJ Solicitor CMS Cameron McKenna Nabarro Olswang LLP Cannon Place, 78 Cannon Street, London, EC4N 6AF Insurers UM Association Limited and Hasilwood Management Services Limited 4th Floor, 5 St Helen’s Place, London, EC3A 6AB 6 University of the Arts -
Accommodation Guide 2013–2014
ACCOMMODATION GUIDE 2013–2014 www.arts.ac.uk/housing Contents The Costume 15 Store Furzedown Student Halls 17 Village Welcome from the Vice Chancellor and 3 Accommodation team Glassyard 19 Building Woodland 23 Court What you need to know 5 Brooke Hall Manna 25 Ash 27 House Bernard Coming to live in Myers 7 the UK from overseas 29 House Camberwell 31Campus Will Wyatt 33 Court Don Gratton Cordwainers The Social Programme 35 House 37 Court How to Apply, 9 11Step by Step Private rental Designer 39 advice and 41 Credits 13 Tenancy rates and Map UNIVERSITY OF THE ARTS LONDON www.arts.ac.uk/housing . T: +44 (0)20 7514 6240 3 4 If you’ve accepted your place at University of the Arts London, you need to begin thinking about where you are going to live when you arrive. If you are already studying with us, don’t forget that all students in every year of study are welcome in our halls of residence. On behalf of University of the Arts At the Accommodation Services office we are here to London, I would like to welcome provide you with a clean, safe home in London. you to our halls of residence. Halls of residence are places to relax, study, create and make friends. They are a place of your own where you Nigel Carrington never need to feel alone because you are always part of Vice-Chancellor our community. For 2013/14 we have 12 halls of residence across London which provide a home for around 3,000 students. -
General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
ART NORTH WEST July 2019 Open Call for Artists Based in North West England Application Deadline: 10 September, 12:00 Tate Liver
ART NORTH WEST July 2019 Open call for artists based in north west England Application deadline: 10 September, 12:00 Tate Liverpool Royal Albert Dock Liverpool L3 4BB United Kingdom Website <http://www.tate.org.uk> Twitter <https://www.twitter.com/tateliverpool> Facebook <https://www.facebook.com/tateliverpool> Instagram<http://www.instagram.com/tateliverpool> Tate Liverpool is launching a new programme for artists living and working in the north west of England (Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside), offering the opportunity for one selected artist or artist collective to have their work represented at the internationally renowned art museum in spring 2021. We invite artists to respond to this open call for a new commission or exhibition of new or existing work. The selected artist will work closely with Tate Liverpool staff throughout an 18-month period between November 2019 and March 2021 to develop a presentation of their work in Spring 2021 (exact dates tbc), in either the ground floor Wolfson gallery or part of the 4th floor galleries. The exhibition or project will be free and open to all our visitors. The artist will receive a fee and production/presentation budget of up to £30,000 and will have the opportunity to spend time with Tate Liverpool staff across Curatorial, Learning, Development, Communications and Art Handling as required, in support of their artistic development and project planning. A schedule will be agreed with the artist depending on their other commitments. Tate Liverpool is the most visited gallery of modern and contemporary art outside of London, showing the Tate Collection alongside ambitious temporary exhibitions. -
DEFINING FORM / a GROUP SHOW of SCULPTURE Curated by Indira Cesarine
DEFINING FORM / A GROUP SHOW OF SCULPTURE Curated by Indira Cesarine EXHIBITING ARTISTS Alexandra Rubinstein, Andres Bardales, Ann Lewis, Arlene Rush, Barb Smith, Christina Massey, Colin Radcliffe, Daria Zhest, Desire Rebecca Moheb Zandi, Dévi Loftus, Elektra KB, Elizabeth Riley, Emily Elliott, Gracelee Lawrence, Hazy Mae, Indira Cesarine, Jackie Branson, Jamia Weir, Jasmine Murrell, Jen Dwyer, Jennifer Garcia, Jess De Wahls, Jocelyn Braxton Armstrong, Jonathan Rosen, Kuo-Chen (Kacy) Jung, Kate Hush, Kelsey Bennett, Laura Murray, Leah Gonzales, Lola Ogbara, Maia Radanovic, Manju Shandler, Marina Kuchinski, Meegan Barnes, Michael Wolf, Nicole Nadeau, Olga Rudenko, Rachel Marks, Rebecca Goyette, Ron Geibel, Ronald Gonzalez, Roxi Marsen, Sandra Erbacher, Sarah Hall, Sarah Maple, Seunghwui Koo, Shamona Stokes, Sophia Wallace, Stephanie Hanes, Storm Ascher, Suzanne Wright, Tatyana Murray, Touba Alipour, We-Are-Familia x Baang, Whitney Vangrin, Zac Hacmon STATEMENT FROM CURATOR, INDIRA CESARINE “What is sculpture today? I invited artists of all genders and generations to present their most innovative 2 and 3-dimensional sculptures for consideration for DEFINING FORM. After reviewing more than 600 artworks, I selected sculptures by over 50 artists that reflect new tendencies in the art form. DEFINING FORM artists defy stereotypes with inventive works that tackle contemporary culture. Traditionally highly male dominated, I was inspired by the new wave of female sculptors making their mark with works engaging feminist narratives. The artworks in DEFINING FORM explode with new ideas, vibrant colors, and display a thoroughly modern sensibility through fearless explorations of the artists and unique usage of innovative materials ranging from fabric, plastic, and foam to re-purposed and found objects including chewing gum, trash and dirt. -
Michael Portnoy CV WL 1.2.2020
Michael Portnoy (1971) Works and lives in New York (US) Education 1995 MA Performance Studies, Tisch School of the Arts, New York University, New York, US 1993 BA Comparative Literature/Creative Writing, Vassar College, New York SELECTED SOLO-EXHIBITIONS AND PERFORMANCES 2020 Progressive Touch, 3-Channel Video Installation, De Vleeshal, Middelburg (NL) URGENT, Wilfried Lentz Rotterdam (NL) 2018 Touching on Everything, steirischer herbst ’18, Graz (AT) Performance, FIAC, Paris (FR) Relational Stalinism - The Musical, American Realness, Abrons Center, NY (US) wrixling.com, online performances presented by CAC Vilnius (LT) A new performance at Hauser & Wirth, New York on November 30th: 2017 Character Assassination (performance), Akademie der Künste der Welt, Cologne (DE) Progressive Touch - Total Body Language Reprogramming (performance), KW Institute for Contemporary Art, Berlin (DE) 2016 Relational Stalinism — The Musical, 6 weeks of world-bending, Witte de With Center for Contemporary Art, Rotterdam (NL) 2015 Fiktion:POPPPAPPP, performance with Momus and Michael Portnoy, 7 pm. Haus der Kulturen der Welt, Berlin (DE) 2014 100 Beautiful Jokes, Stedelijk Museum Amsterdam(NL) 100 Beautiful Jokes, Crikoteca, Krakow (PL) 2013 Thrillochromes, Wilfried Lentz Rotterdam (NL) Thrillochromes, Nuit Blanche Paris (FR) 100 Big Entrances, Palais de Tokyo, Paris (FR) 27 Gnosis, The Kitchen, New York (US) 27 Gnosis, STUK, Leuven (BE) The Bet, A Study About Doubt, Contingency and Meaning in the Economy and in Society, Kunst Werke, Berlin (DE) (performance -
Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 in & Around, NYC
2015 NEW YORK Association of Art Museum Curators 14th Annual Conference & Meeting May 9 – 12, 2015 Around Town 2015 Annual Conference & Meeting Saturday, May 9 – Tuesday, May 12 In & Around, NYC In addition to the more well known spots, such as The Metropolitan Museum of Art, Museum of Modern Art, , Smithsonian Design Museum, Hewitt, Solomon R. Guggenheim Museum, The Frick Collection, The Morgan Library and Museum, New-York Historical Society, and the Whitney Museum of American Art, here is a list of some other points of interest in the five boroughs and Newark, New Jersey area. Museums: Manhattan Asia Society 725 Park Avenue New York, NY 10021 (212) 288-6400 http://asiasociety.org/new-york Across the Fields of arts, business, culture, education, and policy, the Society provides insight and promotes mutual understanding among peoples, leaders and institutions oF Asia and United States in a global context. Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024 (212) 501-3023 http://www.bgc.bard.edu/ Bard Graduate Center Gallery exhibitions explore new ways oF thinking about decorative arts, design history, and material culture. The Cloisters Museum and Garden 99 Margaret Corbin Drive, Fort Tyron Park New York, NY 10040 (212) 923-3700 http://www.metmuseum.org/visit/visit-the-cloisters The Cloisters museum and gardens is a branch oF the Metropolitan Museum oF Art devoted to the art and architecture oF medieval Europe and was assembled From architectural elements, both domestic and religious, that largely date from the twelfth through fifteenth century. El Museo del Barrio 1230 FiFth Avenue New York, NY 10029 (212) 831-7272 http://www.elmuseo.org/ El Museo del Barrio is New York’s leading Latino cultural institution and welcomes visitors of all backgrounds to discover the artistic landscape of Puerto Rican, Caribbean, and Latin American cultures. -
CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
Spatial Practices Manifesto
A manifesto for Spatial Practices 1 at Central Saint Martins 2 WE SEE THE WE SUPPORT PRODUCTION OF NOT ONLY THE SPACE AS FUNDA- DEVELOPMENT MENTALLY SOCIAL OF RADICAL AND POLITICAL IDEAS, BUT ALSO THE RADICAL 3 POTENTIAL OF WE USE OUR MAKING AND NAME TO RETHINK BUILDING OUR PROFESSION, IMAGINING ROLES BEYOND DISCIPLINARY LIMITS, AND ACTIVELY ENGAGING IN OUR ART SCHOOL 4 SETTING WE ENGAGE CREATIVELY WITH 5 THE REALITY WE PROVIDE OF THE CITY FLEXIBLE, AROUND US, AND ALTERNATIVE ITS LEGISLATIVE PATHWAYS AND ECONOMIC FOR STUDY CONSTRAINTS ENCOURAGING BY UNDERTAKING DIVERSE CAREERS LIVE PROJECTS AND INNOVATIVE THAT HAVE FUTURE PRACTICES AGENCY A manifesto for Spatial Practices BA (Hons) Architecture at Central Saint Martins Part Ⅰ This course explores design for the human environment through the buildings and spaces we inhabit, engaging in the technical, material, cultural, social and political concerns of the contemporary world. It offers the first step towards becoming a registered architect yet drawing from its critical context in an art and design school, remains open to a range of practices. Live Spatial Practices projects, mentorships and industry collaborations embedded in the fabric of London enrich the student The contemporary city is subject to ever-increasing fixity and control. Faculty experience through the course of study. Its physical spaces and places are constrained by regulation and Jeremy Till Contact the powerful forces of commodification, and this rigidity renders Mel Dodd Alex Warnock-Smith, Course Leader the city incapable of responding to the social, the temporal, and Tricia Austin [email protected] www.arts.ac.uk/csm/courses/undergraduate/ the political aspects of everyday life. -
Guide to Liverpool Waterfront
Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary. -
LIC Comprehensive Plan Phase 1
LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 LONG ISLAND CITY Phase Comprehensive Plan 1 SUMMARY REPORT 1 LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 ACKNOWLEDGMENTS The Long Island City Comprehensive Plan has received pivotal support from public and private funders: NYS Senator Michael Gianaris NYC Economic Development Corporation NYS Assemblywoman Catherine Nolan Consolidated Edison Co. of N.Y., Inc. NYC Council Speaker Melissa Mark-Viverito Cornell Tech NYC Council Majority Leader Jimmy Van Bramer Ford Foundation Queens Borough President Melinda Katz TD Charitable Foundation Empire State Development Verizon Foundation NYC Regional Economic Development Council The LICP Board Comprehensive Plan Steering Committee provided invaluable input, feedback and support. Members include, Michelle Adams, Tishman Speyer Richard Dzwlewicz, TD Bank Denise Arbesu, Citi Commercial Bank Meghan French, Cornell Tech David Brause, Brause Realty John Hatfield, Socrates Sculpture Park Tracy Capune, Kaufman Astoria Studios, Inc. Gary Kesner, Silvercup Studios Mary Ceruti, SculptureCenter Seth Pinsky, RXR Realty Ebony Conely-Young, Long Island City YMCA Caryn Schwab, Mount Sinai Queens Carol Conslato, Consolidated Edison Co. of N.Y., Inc. Gretchen Werwaiss, Werwaiss & Co., Inc. Jenny Dixon, The Isamu Noguchi Foundation Jonathan White, White Coffee Corporation and Garden Museum Richard Windram, Verizon Patricia Dunphy, Rockrose Development Corp. Finally, thank you to the businesses and organizations who responded to our survey and to everyone who participated in our focus groups and stakeholder conversations. Your participation was essential to informing this report. Summaries and lists of participants can be found in the Appendices. 2 LONG ISLAND CITY COMPREHENSIVE PLAN PHASE 1 ABOUT THIS REPORT TABLE OF CONTENTS Phase 1 of the Comprehensive Plan and this report was completed by Long Island City Partnership with the assistance of Public Works Partners and BJH Advisors. -
Design & Empire [Working Title]
Design & Empire [working title] 24 – 26 November 2017 Liverpool, various venues Design & Empire [working title] is a weekend of events exploring the power structures embedded within contemporary and historical design, visual art, and consumer culture. Presented by Liverpool Biennial and Liverpool John Moores University and curated by Prem Krishnamurthy, Emily King, and Joasia Krysa, Design & Empire brings together practitioners from the fields of art, design, architecture, and fashion. Framed by guided city tours exploring Liverpool’s architectural past and a cooking event serving a colonial-style Christmas, the weekend presents a series of talks from leading creative voices. These conversations touch upon topics ranging from national identity and the display of museum collections, copying within creative manufacturing, distributed models of property ownership, postcolonial approaches to contemporary fashion, reuse and revaluation of bio-industrial materials, the politics of computer interfaces, and beyond. With Liverpool as both the subject and stage, Design & Empire will collaborate with its citizens in challenging aspects of Liverpool’s imperial legacy whilst reflecting on current practices within design and visual culture. All events are free with booking required via www.biennial.com Delivered in partnership with RIBA North and The Serving Library at Liverpool John Moores University’s Exhibition Research Lab. Funded by Arts Council England. Organised with support from Jana Lukavečki. Thanks to Ian Mitchell, Mike O'Shaughnessy and