Georgia Southern University Digital Commons@Georgia Southern Honors College Theses 2017 Gangsta Rap and the Trapped Mentality Mikalah M. Guyton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Guyton, Mikalah M., "Gangsta Rap and the Trapped Mentality" (2017). Honors College Theses. 572. https://digitalcommons.georgiasouthern.edu/honors-theses/572 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in Honors College Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact
[email protected]. Gangsta Rap and the Trapped Mentality An Honors Thesis submitted in partial fulfillment of the requirements for Honors in Communication Arts. By Mikalah Guyton Under the mentorship of Shana Bridges ABSTRACT This research paper provides historical background into the evolution of Hip Hop culture and further investigation into the evolution and foundation of Gangsta Rap music. Throughout this investigation, five recurring fundamental themes are recognized through patterns presented by its pioneers. The five themes that are addressed within this subgenre include: (1) masculinity, (2) respect, (3) violence and retaliation, (4) misogyny, and (5) wealth. As Gangsta Rap emerged into popular culture, it became socially acceptable to exploit issues and limitations experienced within African American communities. In turn, Gangsta rappers overcame limitations typically experienced by black males. In what follows I will provide origins and characteristics of Gangsta Rap. I will discuss the emergence of Trap music from Gangsta Rap.