Virtual Instruments, Simulation and Performativity
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The Vocaloids~!
ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Blog: djdatemasamune.wordpress.com • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Additionally, will ask lvl of familiarity w/ every Vocaloid • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI AOKI LAPIS MERLI CALNE CA (骸音シーエ Karune Shii-e) DAINA DEX Sharkie P VY1 VY2 ANON & KANON FUKASE UTATANE PIKO YOWANE HAKU TETO KASANE ARSLOID HIYAMA KIYOTERU KAAI YUKI LILY YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa SeeU MAIKA GALACO QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards If you have any questions, comments, feedback, etc., contact me however – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles -
New Vocaloid in the Making?
Competition New Vocaloid in the Starting to Rise for Vocaloid making? page 12 page 1 New Faces Meet Anon & Kanon page 5 Facts About Vocaloid By Bill Treadway 5. VOCALOID CAN RAISE THE DEAD... SORT OF 10. MEET MIKU HATSUNE Vocaloid techniques have been handy for concert promoters, using the Voiced by actress Saki Fujita, Miku Hatsune is the most popular Vocaloid technology to bring back such dead entertainers as 2Pac, Michael Jackson to date. Crypton took Fujita’s voice and ran it through Vocaloid 2 software and Elvis Presley. Vocaloid software has even produced a posthumous to create Miku’s unique sound. Miku is often treated as a real person by singer in tribute of the late singer Hitoshi Ueki, although so far only his fans, especially men who actually fall for the Vocaloid as if she was flesh family has exclusive use of Ueki-loid. Just think, that Beatles reunion and blood. Not since Betty Boop has a virtual idol taken such a hold. could be possible after all! 9. VOCALOID USES DVD-ROM TECHNOLOGY 4. THE AVERAGE VOCALOID CONCERT-GOER IS MALE Yamaha and Crypton produced three software DVDs each containing While Vocaloid appeals to almost everybody, the average concert ticket the Vocaloid 2 and 3 programs. These DVDs allow you to manipulate her buyers in Japan are males aged 18-42. I’m not surprised, considering video voice and make her “sing”. Her voice banks are known as Hatsune Miku, store rental statistics in the 1990s stated that anime videos were largely Miku English, Dark Append, Light Append, Soft Append, Sweet Append, rented by males. -
Albuquerque Daily Citizen, 10-05-1898 Hughes & Mccreight
University of New Mexico UNM Digital Repository Albuquerque Citizen, 1891-1906 New Mexico Historical Newspapers 10-5-1898 Albuquerque Daily Citizen, 10-05-1898 Hughes & McCreight Follow this and additional works at: https://digitalrepository.unm.edu/abq_citizen_news Recommended Citation Hughes & McCreight. "Albuquerque Daily Citizen, 10-05-1898." (1898). https://digitalrepository.unm.edu/abq_citizen_news/2138 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Citizen, 1891-1906 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. --ta.4 u . at. Job Printing Hook Binding r and Blank Book Tork In all iltnumerota) Aivtm fi Of fKT pl reeutrd tn fend brioche done a ft thotild ClTLZliN br at THE CI IIZEN Job tyW THE Kooiiii. ALBUttUERUDE Das Or ZEN. Bindery. .VOLUME 12. ALHUQUEKQUE, NEW MEXICO, WEDNESDAY AFTERNOON, OCTOBER 5, 1890. NUMBER 302. line wax started yetrdiy afterninin at the Cathanla. The latter two have an American register. They range from the land otoee dmir, and mxt Blere A TUB. iNsneniM t.fyo to 7, Tim tin capacity, and are aiAPLMNj'imm Artfer m tnye.1 In line all nlaht. There waa no Ori- Areat Dr. modern vessel. Ttie California and tor Jaetw't ru-- however, on prerioiH company le syndi- aalrary rrand at ental tttramehip the Batttrlck The land la nearly all In th cate controlling this new Trane l'acillc Waolta orrlnn. hen He Denies His In Syatea C. Sent to the Peace of W00.I" country, and U Tragic Death, of a Prominent service. -
2017 EFRC-Hub-CMS PI Meeting Book
2017 EFRC-HUB-CMS PI MEETING – TABLE OF CONTENTS Table of Contents FULL AGENDA .................................................................................................. 1 PLENARY SPEAKER BIOGRAPHIES ........................................................................... 5 EARLY CAREER NETWORK ORGANIZED EVENTS ......................................................... 6 EARLY CAREER NETWORK (ECN) REPRESENTATIVES .............................................................................. 7 SOCIAL EXCURSIONS ......................................................................................................................... 9 NATIONAL AIR AND SPACE MUSEUM, FOLLOWED BY DINNER SUNDAY, JULY 23, 2017, 1:30 – 5:30PM, 7:00– 9:00PM ........................................................................... 9 BOARD GAMES WITH DINNER MONDAY, JULY 24, 2017, 7:00PM – late ................................................................................................ 10 BASEBALL GAME TUESDAY, JULY 25, 2017, 6:15PM – late ................................................................................................. 11 PANEL DISCUSSIONS ....................................................................................................................... 12 CAREER PATHS FOR YOUNG PROFESSIONALS PANEL MONDAY, JULY 24, 2017, 11:50 – 12:50 PM, LINCOLN 3/4 ....................................................................... 12 DIVERSITY IN ENERGY SCIENCE BREAKFAST TUESDAY, JULY 25, 2017, 7:30 – 8:20 AM, LINCOLN 3/4 .......................................................................... -
Products of Interest
Products of Interest Pro Tools|HD Native and HD The PCIe card is shipped with inputs, and eight line outputs with Series Interfaces three DVDs: the Pro Tools software analog gain. Eight channels of ADAT and plug-ins installation DVD, a input/output, two eight-channel Avid (the use of the Digidesign name DVD of audio loops, and a training AES/EBU input/output connectors, was being phased out by Avid in 2010) DVD. An iLok USB Smart Key is used and two channels of S/PDIF in- has released Pro Tools|HD Native, a for software authorization. A 12-ft put/output are available on the inter- PCIe card that allows Macintosh and DigiLink Mini cable for use with the face, with sample rate convertors on PCs to run Pro Tools HD software. Pro Tools HD Series interfaces is also all the inputs. Audio can be routed Sessions can have up to 192 tracks included, along with an adapter for independently of a computer using with a single PCIe card providing older Pro Tools interfaces. The card a 14-input persistent monitor mixer. up to 64 channels of input/output. is compatible with Avid’s C|24 and A surround sound monitor section Pro Tools users can record, edit, ICON consoles, and with third-party supports up to 7.1 surround. Word and mix audio at sample rates up HUI consoles. Clock and Loop Synchronization in- to 192 kHz, with access to a Score The new series of HD audio inter- put/output are supported. Both the Editor, plug-ins, and MIDI tools. -
Ai Song Contest: Human-Ai Co-Creation in Songwriting
AI SONG CONTEST: HUMAN-AI CO-CREATION IN SONGWRITING Cheng-Zhi Anna Huang1 Hendrik Vincent Koops2 Ed Newton-Rex3 Monica Dinculescu1 Carrie J. Cai1 1 Google Brain 2 RTL Netherlands 3 ByteDance annahuang,noms,[email protected], h.v.koops,[email protected] ABSTRACT experiences were enabled by major advances in machine learning and deep generative models [18, 66, 68], many of Machine learning is challenging the way we make music. which can now generate coherent pieces of long-form mu- Although research in deep generative models has dramati- sic [17, 30, 39, 55]. cally improved the capability and fluency of music models, Although substantial research has focused on improving recent work has shown that it can be challenging for hu- the algorithmic performance of these models, much less is mans to partner with this new class of algorithms. In this known about what musicians actually need when songwrit- paper, we present findings on what 13 musician/developer ing with these sophisticated models. Even when compos- teams, a total of 61 users, needed when co-creating a song ing short, two-bar counterpoints, it can be challenging for with AI, the challenges they faced, and how they lever- novice musicians to partner with a deep generative model: aged and repurposed existing characteristics of AI to over- users desire greater agency, control, and sense of author- come some of these challenges. Many teams adopted mod- ship vis-a-vis the AI during co-creation [45]. ular approaches, such as independently running multiple Recently, the dramatic diversification and proliferation smaller models that align with the musical building blocks of these models have opened up the possibility of leverag- of a song, before re-combining their results. -
Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID. -
ICTM Abstracts Final2
ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants. -
Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection -
L'écho Du Collège
L’écho du Collège January–February 2013 The student run, student written ISB Middle School Newspaper Volume 1I, Issue I1 Editorial Black History Month Hi everyone! We’re As we all know, February is known as to Maryland to sorry that we haven’t “Black History Month.” It began in rescue her family had an edition of Echo 1926 in the United States. Carter G. members and led du Collège out for a Woodson and the Association for the other slaves to while. We’ve had sev- Study of Negro Life and History freedom. When eral problems but now declared the second week of February the Fugitive we’re back and running. “Negro History Week.” The reason Slave Act of The newspaper team why this week was chosen was because 1850 (which prepared a number of it was the birthday of Abraham Lincoln allowed people to articles for this issue and Frederick Douglas. In 1976, the try to recapture that are well written and government expanded the week into a their slaves) was passed, she led them to very interesting. We month. the north to Canada, where slavery have worked very hard Here are some famous figures that wasn’t allowed. She died on March 10, and dedicated lots of time to this issue. We changed history for African- 1913. enjoyed creating this Americans: edition and really hope Malcolm X: Born you like it. Right now, Harriet Tubman (also known as May 19, 1925, he we’re working on get- Moses): Born a slave in 1820, she was a Muslim ting another one out by rescued slaves by creating the minister and early spring and we are human rights Underground Railroad. -
ASIA-PACIFIC NEWSLETTER September-October 2009 Dear Commoners
ASIA-PACIFIC NEWSLETTER September-October 2009 Dear Commoners, We are very glad to present to you this first issue of the CC Asia Pacific Newsletter. Please take a moment to browse the many updates and stories brought to you by the fellow Creative Commons jurisdiction project teams in the Asia and Pacific region. We hope you will find the newsletter interesting and useful, and enjoy it as much as we do! It has been a while since some of jurisdiction project teams met at the “Commons Crossroads” conference (http://cc-asia-pacific.wikidot.com/) in Manila in February. At the meeting, collaborative projects utilizing the Creative Commons licenses were showcased, and observations about CC license usage in the region were presented. The participating jurisdiction project teams also exchange views on the organizational issues of their projects, and discuss the common challenges they are facing. Sensing the needs to maintain close contacts among the CC jurisdiction projects in this region, it was proposed to have a bi-monthly electronic newsletter from which each of us can be informed of CC activities in one another’s jurisdiction. It is also hoped that the newsletter serves as a venue to share experience and to enable collaboration. After the “Commons Crossroads” conference, the Creative Commons jurisdiction projects in Asia and the Pacific region jointly prepared and announced an Action Plan Statement. In the statement, several action strategies are outlined in defining the regional roadmap for Creative Commons. One of the action items listed in the Statement is to publish a bi- monthly newsletter. With your input and help, together we have given birth to this first issue. -
Hatsune Miku: the Reality of a Fake Pop Star Christopher Wicoff 12
COLORADO JOURNAL OF ASIAN STUDIES Volume 2, Issue 1 (Summer 2013) 1. Hatsune Miku: The Reality of a Fake Pop Star Christopher Wicoff 12. Aadhar: Bridging Cultural Gaps in a Developing India Tori DaHarb 27. A Marketing Plan: Crest Oral Care Products in Rural Indian Markets Rachel Young 49. Swinging for the Kaki: Major League Baseball and Japan Jonathan Campbell 60. Breaking Out of the Single Story: The Senkaku / Diaoyu Islands Dispute from a Transnational, Multilateral Perspective Elizabeth Chavez 73. Village Elections in the People’s Republic of China Dashiell H. Nathanson 92. Births of a Nation: Liberation and the One-Child Policy for Women in Urban China Emma Rafaelof Colorado Journal of Asian Studies Volume 2, Issue 1 (Summer 2013) Center for Asian Studies, University of Colorado 1424 Broadway Street, Boulder CO 80309 Colorado Journal of Asian Studies Volume 2, Issue 1 (Summer 2013) The Colorado Journal of Asian Studies is an undergraduate journal published by the Center for Asian Studies at the University of Colorado at Boulder. Each year we highlight outstanding theses from our graduating seniors in the Asian Studies major. EXECUTIVE BOARD AY 2012‐2013 Tim Oakes, Director Tim Weston, Associate Director Shu‐Ling Berggreen Steve Chan Lucy Chester Holly Gayley Carla Jones Faye Kleeman Dennis McGilvray Emily Yeh CURRICULUM COMMITTEE AY 2012‐2013 Tim Weston, Chair Holly Gayley Carla Jones Faye Kleeman Amy Liu, Editor, Colorado Journal of Asian Studies Emily Yeh Ex‐Officio Sylvie Burnet‐Jones, OIE Janice Oldroyd, Academic Advisor Center for Asian Studies, University of Colorado 1424 Broadway Street, Boulder CO 80309 Colorado Journal of Asian Studies Volume 2, Issue 1 (Summer 2013) NOTE FROM THE EDITOR Each year, the Center for Asian Studies at the University of Colorado at Boulder highlights one or two themes in its sponsored programs.