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The Vocaloids~!
ALL THE VOCALOIDS~! BY D J DATE MASAMUNE NEED TO KNOWS • Panel will be available online + list of all my resources – Will upload .pdf of PowerPoint that will be available post-con • Contact info. – Blog: djdatemasamune.wordpress.com • Especially if you have ANY feedback • Even if you leave mid-way, feel free to get one before you go • If you have any questions left, feel free to ask me after the panel or e-mail me DISCLAIMERS • Can only show so many Vocaloids – & which songs to show from each – Not even going to talk about costumes • B/c determining what’s popular/obscure btwn. Japanese/American culture can be difficult, sorry if you’re super familiar w/ any Vocaloid mentioned ^.^; – Based ‘popular’ ones off what I see (official) merch for the most (& even then) • Additionally, will ask lvl of familiarity w/ every Vocaloid • Every iteration of this panel plan to feature/swap out different Vocaloids • Only going over Vocaloids, not the history of the software, appends, etc. • Format of panel… POPULAR ONES VOCALOIDS YUKARI YUZUKI AOKI LAPIS MERLI CALNE CA (骸音シーエ Karune Shii-e) DAINA DEX Sharkie P VY1 VY2 ANON & KANON FUKASE UTATANE PIKO YOWANE HAKU TETO KASANE ARSLOID HIYAMA KIYOTERU KAAI YUKI LILY YOHIOloid V FLOWER Name: Don’t Say Lazy Lyrics: Sachiko Omori Composition: Hiroyuki Maezawa SeeU MAIKA GALACO QUESTIONS? BEFORE YOU GO… • Help yourself to my business cards If you have any questions, comments, feedback, etc., contact me however – My blog, e-mail, comment on a relating blog post, smoke signals, carrier pigeons, whatever tickles -
New Vocaloid in the Making?
Competition New Vocaloid in the Starting to Rise for Vocaloid making? page 12 page 1 New Faces Meet Anon & Kanon page 5 Facts About Vocaloid By Bill Treadway 5. VOCALOID CAN RAISE THE DEAD... SORT OF 10. MEET MIKU HATSUNE Vocaloid techniques have been handy for concert promoters, using the Voiced by actress Saki Fujita, Miku Hatsune is the most popular Vocaloid technology to bring back such dead entertainers as 2Pac, Michael Jackson to date. Crypton took Fujita’s voice and ran it through Vocaloid 2 software and Elvis Presley. Vocaloid software has even produced a posthumous to create Miku’s unique sound. Miku is often treated as a real person by singer in tribute of the late singer Hitoshi Ueki, although so far only his fans, especially men who actually fall for the Vocaloid as if she was flesh family has exclusive use of Ueki-loid. Just think, that Beatles reunion and blood. Not since Betty Boop has a virtual idol taken such a hold. could be possible after all! 9. VOCALOID USES DVD-ROM TECHNOLOGY 4. THE AVERAGE VOCALOID CONCERT-GOER IS MALE Yamaha and Crypton produced three software DVDs each containing While Vocaloid appeals to almost everybody, the average concert ticket the Vocaloid 2 and 3 programs. These DVDs allow you to manipulate her buyers in Japan are males aged 18-42. I’m not surprised, considering video voice and make her “sing”. Her voice banks are known as Hatsune Miku, store rental statistics in the 1990s stated that anime videos were largely Miku English, Dark Append, Light Append, Soft Append, Sweet Append, rented by males. -
Albuquerque Daily Citizen, 10-05-1898 Hughes & Mccreight
University of New Mexico UNM Digital Repository Albuquerque Citizen, 1891-1906 New Mexico Historical Newspapers 10-5-1898 Albuquerque Daily Citizen, 10-05-1898 Hughes & McCreight Follow this and additional works at: https://digitalrepository.unm.edu/abq_citizen_news Recommended Citation Hughes & McCreight. "Albuquerque Daily Citizen, 10-05-1898." (1898). https://digitalrepository.unm.edu/abq_citizen_news/2138 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Citizen, 1891-1906 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. --ta.4 u . at. Job Printing Hook Binding r and Blank Book Tork In all iltnumerota) Aivtm fi Of fKT pl reeutrd tn fend brioche done a ft thotild ClTLZliN br at THE CI IIZEN Job tyW THE Kooiiii. ALBUttUERUDE Das Or ZEN. Bindery. .VOLUME 12. ALHUQUEKQUE, NEW MEXICO, WEDNESDAY AFTERNOON, OCTOBER 5, 1890. NUMBER 302. line wax started yetrdiy afterninin at the Cathanla. The latter two have an American register. They range from the land otoee dmir, and mxt Blere A TUB. iNsneniM t.fyo to 7, Tim tin capacity, and are aiAPLMNj'imm Artfer m tnye.1 In line all nlaht. There waa no Ori- Areat Dr. modern vessel. Ttie California and tor Jaetw't ru-- however, on prerioiH company le syndi- aalrary rrand at ental tttramehip the Batttrlck The land la nearly all In th cate controlling this new Trane l'acillc Waolta orrlnn. hen He Denies His In Syatea C. Sent to the Peace of W00.I" country, and U Tragic Death, of a Prominent service. -
2017 EFRC-Hub-CMS PI Meeting Book
2017 EFRC-HUB-CMS PI MEETING – TABLE OF CONTENTS Table of Contents FULL AGENDA .................................................................................................. 1 PLENARY SPEAKER BIOGRAPHIES ........................................................................... 5 EARLY CAREER NETWORK ORGANIZED EVENTS ......................................................... 6 EARLY CAREER NETWORK (ECN) REPRESENTATIVES .............................................................................. 7 SOCIAL EXCURSIONS ......................................................................................................................... 9 NATIONAL AIR AND SPACE MUSEUM, FOLLOWED BY DINNER SUNDAY, JULY 23, 2017, 1:30 – 5:30PM, 7:00– 9:00PM ........................................................................... 9 BOARD GAMES WITH DINNER MONDAY, JULY 24, 2017, 7:00PM – late ................................................................................................ 10 BASEBALL GAME TUESDAY, JULY 25, 2017, 6:15PM – late ................................................................................................. 11 PANEL DISCUSSIONS ....................................................................................................................... 12 CAREER PATHS FOR YOUNG PROFESSIONALS PANEL MONDAY, JULY 24, 2017, 11:50 – 12:50 PM, LINCOLN 3/4 ....................................................................... 12 DIVERSITY IN ENERGY SCIENCE BREAKFAST TUESDAY, JULY 25, 2017, 7:30 – 8:20 AM, LINCOLN 3/4 .......................................................................... -
Ai Song Contest: Human-Ai Co-Creation in Songwriting
AI SONG CONTEST: HUMAN-AI CO-CREATION IN SONGWRITING Cheng-Zhi Anna Huang1 Hendrik Vincent Koops2 Ed Newton-Rex3 Monica Dinculescu1 Carrie J. Cai1 1 Google Brain 2 RTL Netherlands 3 ByteDance annahuang,noms,[email protected], h.v.koops,[email protected] ABSTRACT experiences were enabled by major advances in machine learning and deep generative models [18, 66, 68], many of Machine learning is challenging the way we make music. which can now generate coherent pieces of long-form mu- Although research in deep generative models has dramati- sic [17, 30, 39, 55]. cally improved the capability and fluency of music models, Although substantial research has focused on improving recent work has shown that it can be challenging for hu- the algorithmic performance of these models, much less is mans to partner with this new class of algorithms. In this known about what musicians actually need when songwrit- paper, we present findings on what 13 musician/developer ing with these sophisticated models. Even when compos- teams, a total of 61 users, needed when co-creating a song ing short, two-bar counterpoints, it can be challenging for with AI, the challenges they faced, and how they lever- novice musicians to partner with a deep generative model: aged and repurposed existing characteristics of AI to over- users desire greater agency, control, and sense of author- come some of these challenges. Many teams adopted mod- ship vis-a-vis the AI during co-creation [45]. ular approaches, such as independently running multiple Recently, the dramatic diversification and proliferation smaller models that align with the musical building blocks of these models have opened up the possibility of leverag- of a song, before re-combining their results. -
Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID. -
Vocaloid and the Future of Songwriting
Vocaloid and the future of Songwriting Vocaloid is a concept that requires two explanations – it is a software developed at Pompeu Fabra University in Barcelona, Spain, with the backing of Yamaha Corporation and commercially marketed as a virtual instrument, similar to any other music creation and editing software, except that instead of instrumental sounds, Vocaloid gives digital music producers a powerful tool to enhance their music – the human voice. Vocalists are contracted by software companies with a licensing agreement with Yamaha, such as Crypton Future Media, to produce and sell software utilizing the Vocaloid technology, record vast libraries of phonemes that allow for the construction of lyric tracks, complete with pitch modulation and a multitude of other available effects. This allows digital music producers to record music and lyrics directly from their computers without needing recording equipment or, most importantly, a live vocalist. In this sense, Vocaloid has opened the doors of democracy to the music production industry – anyone with the time and passion for songwriting can record professional-quality music in their own home regardless of their own vocal talent or ability to hire talent. The second facet of Vocaloid began as a marketing ploy – the first generation of Japanese Vocaloid software featured two voices, one male and one female, named “Meiko” and “Kaito”. Their box art featured illustrations of the “performer”, depicting Meiko as a slender brunette in red pleather and Kaito with blue hair in a white jacket and scarf matching his hair. Japan’s cultural history of Shinto Animism cultivated an environment with a preference for anthropomorphism, leading fans to closely associate with the virtual pair, boosting the software’s popularity. -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc. -
The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation
The Vocaloid Phenomenon of Vocal Synthesis and Sample Concatenation Cole Masaitis University of Mary Washington Department of Music Dr. Mark Snyder January 30, 2017 Masaitis, 1 Imagine a future where a singing voice synthesizer sang to you, instead of a real human. Instead of imagining that, what if I told you that this particular future has been around for quite some time? Vocaloid, or computer software that matches this exact description has been blowing up in Japan for over a decade, with other areas including the West being largely in the dark about it. In reality, Vocaloid has been slowly but surely seeping into pop-culture in other countries as well and was created all the way back in the early 2000’s. Vocaloid originated in the early 2000’s and was developed by a man named Hideki Kenmochi who some refer to as “the father” of the software, for a research project at Pompeu Fabra University in Barcelona, Spain. Following his time at university, Yamaha Corporation funded his research which allowed for the further development of his creation and since then, the software has evolved into the worldwide phenomenon called Vocaloid that exists today. Vocaloid employs sample concatenation or sequence that replicates the human voice, based on actual recordings of different individuals for each voicebank found in the Vocaloid editor programs. Originally, it was only capable of pronouncing vowels, and by the year 2003, the team released their product which was now able to sing simplistic words. Over the years the product went through several iterations before it reached the modern version of vocal synthesis it exemplifies today, in the form of Yamaha’s Vocaloid 4 software with more advanced phonetic, linguistic, and vocal than ever before. -
Newport Tiles: 4800 North 55-71
Newport Tiles: 4800 North 55-71 Block Present location* Address Tile ID No. Line 1 Line 2 Line 3 Line 4 Year Installed 4800N Arco lot 4810 55.0001 (HEART) FIRE CAPTAIN (SURFER) STEPHEN PERRY STEVIE,JOSH 1999 4800N Arco lot 4810 55.0002 ZITA M. AKEY REALTY COMPANY 1946-1959 4800N Arco lot 4810 55.0003 (BLANK) 4800N Arco lot 4810 55.0004 WORK FOR PEACE 4800N Arco lot 4810 55.0005 (BLANK) 4800N Arco lot 4810 55.0006 (BLANK) 4800N Arco lot 4810 55.0007 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0008 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0009 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0010 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0011 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0012 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0013 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0014 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0015 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0016 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0017 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0018 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0019 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0020 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0021 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0022 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0023 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0024 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0025 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0026 (BLANK PLANTER TILE) 4800N Arco lot 4810 55.0027 (BLANK) 4800N Arco lot 4810 55.0028 (BLANK) 4800N Arco lot 4810 55.0029 BILL & VELMA STARMAN 7-4-39 7-4-89 4800N Arco lot 4810 55.0030 (BLANK) 4800N Arco lot 4810 55.0032 HEMPSTEADS BRENNANS SINCE 1971 4800N Arco lot 4810 55.0033 (BLANK) 4800N Arco lot 4810 55.0034 PAUL HOLBROOK DOROTHY DIANA PATRICIA JEAN 4800N Arco lot 4810 55.0035 (BLANK) 4800N Arco lot 4810 55.0036 (BLANK) 4800N Arco lot 4810 55.0037 AL CLOUGH AND SCHATZIE 4800N Arco lot 4810 55.0038 TO CHRISTINE, MY FRIEND, MY LOVE. -
Spring 2021 TE TA UN S E ST TH at I F E V a O O E L F a DITAT DEUS
Commencement 2021 Spring 2021 TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2021 May 3, 2021 THE NATIONAL ANTHEM CONTENTS THE STAR-SPANGLED BANNER The National Anthem and O say can you see, by the dawn’s early light, Arizona State University Alma Mater ................................. 2 What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight Letter of Congratulations from the Arizona Board of Regents ............... 5 O’er the ramparts we watched, were so gallantly streaming? History of Honorary Degrees .............................................. 6 And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. Past Honorary Degree Recipients .......................................... 6 O say does that Star-Spangled Banner yet wave Conferring of Doctoral Degrees ............................................ 9 O’er the land of the free and the home of the brave? Sandra Day O’Connor College of Law Convocation ....................... 29 ALMA MATER Conferring of Masters Degrees ............................................ 36 ARIZONA STATE UNIVERSITY Craig and Barbara Barrett Honors College ................................102 Where the bold saguaros Moeur Award ............................................................137 Raise their arms on high, Praying strength for brave tomorrows Graduation with Academic Recognition ..................................157 From the western sky; Summa Cum Laude, 157 Where eternal mountains Magna Cum Laude, 175 Kneel at sunset’s gate, Cum Laude, 186 Here we hail thee, Alma Mater, Arizona State. -
Primary Care in the COVID-19 Pandemic
Sponsored by the CareQuest Institute for Oral Health and the Milbank Memorial Fund Primary Care in the COVID-19 Pandemic Improving access to high-quality primary care, accelerating transitions to alternative forms of care delivery, and addressing health disparities EDITED BY Sanjay Basu, MD, PhD, Director of Research | Jessica L. Alpert, Case Writer Russell S. Phillips, MD, Center Director, William Applebaum Professor of Medicine; Professor of Global Health and Social Medicine | Harvard Medical School Center for Primary Care The Harvard Medical School Center for Primary Care is strengthening health care by supporting primary health care systems, teams, and leaders. The Center’s mission is to foster a dynamic community in and around Harvard Medical School to promote and support primary care resilience, equity and antiracism, and healthcare value with a goal of improving global health and well-being. The Center collaborates with partners at Harvard and in the broader community in advocacy and leadership training, and advances the ability of primary care practices to survive and thrive by researching and disseminating knowledge about how to build capacity for practice resil- ience, health care equity and high-value care through best practices and innovation. Finally, the Center studies how access to care is being preserved or improved given current and emerging challenges to health care, what aspects of practice challenges and responses are opportunities for accelerating transitions from traditional care to alternative care strategies such as virtual care, and how to identify the care strategies that can best address health disparities heightened by the COVID-19 pandemic. CareQuest Institute for Oral Health is a national nonprofit championing a more equitable future where every person can reach their full potential through excellent health.