The Brooks to Matthews Letters
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A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 "Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism Gary Simons University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, English Language and Literature Commons, History of Art, Architecture, and Archaeology Commons, and the Journalism Studies Commons Scholar Commons Citation Simons, Gary, ""Show Me the Money!": A Pecuniary Explication of William Makepeace Thackeray's Critical Journalism" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3347 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “Show Me the Money!”: A Pecuniary Explication of William Makepeace Thackeray’s Critical Journalism by Gary Simons A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Pat Rogers, Ph.D., Litt. D. Marty Gould, Ph.D. Regina Hewitt, Ph.D. Laura Runge, Ph.D. Date of Approval March 24, 2011 Keywords: W. M. Thackeray, British Literature, Literary Criticism, Periodicals, Art Criticism Copyright © 2011, Gary Simons Dedication To my wife Jeannie, my love, my companion and partner in life and in learning, who encouraged me to take early retirement and enter graduate school, shared with me the pleasures of the study of English literature and thereby intensified them, patiently listened to my enthusiasms, and urged me onward at every stage of this work, Acknowledgments I would like to thank Dr. -
The Aspiring Men of Punch: Patrolling the Boundaries of the Victorian Gentleman a Thesis Submitted to the College of Graduate S
The Aspiring Men of Punch: Patrolling the boundaries of the Victorian gentleman A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History University of Saskatchewan Saskatoon By Marc Usunier © Copyright Marc Usunier, April 2010. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Master of Arts degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or in part should be addressed to: Head of the Department of History 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan, S7N 5A5 i ABSTRACT In the mid 1830s, the engraver Ebenezer Landells and the journalist Henry Mayhew began discussions about establishing a satirical news magazine together. -
Grindlay Or the Bank
GRINDLAYS BANK The following is extracted from the book: ‘100 Years of Banking in Asia and Africa, 1863 – 1963’ by Geoffrey Tyson: Chapter XV. Forming New Alliances.. Published in London in 1963. Prints of Indian scenes are by Grindlay. ROBERT MELVILLE GRINDLAY (1786-1877) was that peculiarly English product, the gifted amateur. He was born at St. Mary-le-Bone, then a village near London and, to put the event into historical perspective, it occurred two years after the passing of Pitt's India Act and two years before Warren Hastings' impeachment and trial began. The years of Grindlay's youth were thus a time when Indian affairs loomed large in English life, and at the age of 17 he secured a nomination as a cadet in the East India Company's Army, arriving in Bombay in 1803. A year later he was promoted to lieutenant, and by 1817 he had reached the exalted rank of captain which remained the high water mark of his military career. At the end of 1820 he retired on half-pay, which for his rank amounted to five shillings a day at that period. By this time he was 34 years old and it might have seemed that, with his relegation to a half-pay officer on the strength of the 2nd battalion of the 7th Bombay Native Infantry, his working days were over. Such were the conditions in which upper middle-class young Englishmen of the period might expect their careers to be moulded. At this stage a foreshortened and undistinguished record as a soldier and some talent as an artist were pretty well all Grindlay had to offer to the world of business or administration. -
Patrick Leary Shirley Brooks
1 PATRICK LEARY THE PUNCH BROTHERHOOD . TABLE TALK AND PRINT CULTURE IN MID- VICTORIAN LONDON (British Library, 2010) x + 197 pp. Reviewed by Michael Slater A number of books have been written about that phenomenon of Victorian magazine publishing, the comic weekly journal Punch, which was begun in 1841 and was destined to survive for a century and a half. Notable studies of it include M.H. Spielmann‘s monumentalThe History of “Punch” (1895) and, more recently, the late Richard D. Altick‘s richly detailed Punch. The Lively Years of a British Institution (1997). Both these books concentrated on the biographical background of the contributors and on the contents of the journals, on Punch as text. Patrick Leary is more concerned with the history of the magazine as a collaborative business enterprise and with its history in this respect from its beginnings to the death of its second editor, Shirley Brooks, in 1874. Leary explores the central role that oral culture, mainly in the form of ―table talk,‖ played in creating the ―collaborative dynamic‖ that drove everything connected with the journal. His study is founded on two major manuscript sources, both of them diaries. The first was kept by Henry Silver, who replaced Douglas Jerrold on the permanent staff of Punch in 1858. For the next twelve years, with one or two gaps, this shy, retiring man took detailed notes of the tumultuous, frequently scandal-mongering and bawdy discussions of contemporary events and personalities that took place every Wednesday evening in the course of a highly convivial dinner given by the magazine‘s proprietors and publishers-- William Bradbury and Frederick Mullett Evans-- to Punch‘s editors (Mark Lemon until 1870 and then Shirley Brooks) and the remarkable team of writers and artists who were salaried ―staffers‖ on the magazine. -
The Peal Collection: an Overview
The Kentucky Review Volume 4 Number 1 This issue is devoted to a catalog of an Article 3 exhibition from the W. Hugh Peal Collection in the University of Kentucky Libraries. 1982 The eP al Collection: An Overview John Clubbe University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Clubbe, John (1982) "The eP al Collection: An Overview," The Kentucky Review: Vol. 4 : No. 1 , Article 3. Available at: https://uknowledge.uky.edu/kentucky-review/vol4/iss1/3 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Peal Collection: An Overview John Clubbe During the past two decades W. Hugh Peal, Class of 1922 and one of the university's first Rhodes Scholars, has given to the University of Kentucky Library many of the valuable books and manuscripts he has acquired in over half a century of collecting. In October 1981 the great bulk of his magnificent collection arrived on campus, and for the past year the library staff has been processing it. The seminar held in the King Library on 15 October 1982 is intended to celebrate both this extraordinary gift and the man who made it. -
Punch in the Nineteenth Century
Gale Primary Sources Start at the source. ‘The Immortal Periodical’: Punch in the Nineteenth Century Patrick Leary Founder of the VICTORIA forum for Victorian Studies, author of The Punch Brotherhood Various source media, Punch Historical Archive 1841-1992 EMPOWER™ RESEARCH Introduction come and gone. The most successful of these, the In the long and lively history of publishing, there has penny weekly Figaro in London, had folded a couple of never been anything quite like Punch. With its eclectic years before, and nothing since had caught the public mix of jokes, puns, parodies, cartoons and social and fancy. Not that there was any shortage of available political commentary, the threepenny weekly quickly talent. Scores of young artists and writers haunted insinuated itself into the texture and rhythm of British Fleet Street, most of them living hand to mouth, middle-class life. Punch was not yet three years old contributing to this or that paper or pamphlet or when one writer hailed its 'permanent existence and theatre as the opportunity arose, meeting one another extensive success', and in 1858 a writer in the Atlantic in taverns between commissions, and keeping a lookout Monthly called it 'an institution and power of the age, no for paid work. [1] more to be overlooked among the forces of the nineteenth century than is the steam-engine or the magnetic telegraph'. Having acquired the Punch habit in Beginnings the 1840s, the British reading public clung to that habit It was in this bibulous and convivial, yet intensely for generations. So much a part of the cultural competitive atmosphere, in the dense warren of streets landscape had Punch become that forty years later adjoining the Strand, that Punch was born. -
This Attribution Listing Covers the Entire Run of The
Curran Index - Table of Contents Keepsake (The) KS The Conversazione, 141-159, Unknown. (08/16) KS The Deev Alfakir, 160-169, Unknown. (08/16) KS The False One, 170-214, Anna Brownell Jameson. Reprinted in For an essay on The Keepsake, see "Introduction to The Keepsake" on Anna Jameson, Visits and Sketches at Home and Abroad (New York: Romantic Circles at Harper & Brothers, 1834). (08/16) https://www.rc.umd.edu/editions/lel/ksintro.htm. Also see Kathryn Ledbetter, "'White Vellum and Gilt Edges': Imaging the Keepsake," KS To a First-Born Child, 214-215, Unknown. Reprinted and attributed Studies in the Literary Imagination 30.1 (Spring 1997): 35-47 and to Mrs. Sarah J. Starr. In Peterson's Magazine. 1869. Verse. (08/16) Kathryn Ledbetter, "Lucrative Requests: British Authors and Gift KS Rebecca, 216-217, Unknown. Verse. (08/16) Book Editors," The Papers of the Bibliographical Society of America KS Kalb Waschel and the Wasp, 218-227, Unknown. Sprit and 88.2 (June 1994): 206-16. Manners of the Day (1827) suggested that this was by the same pen as "Richter and his Stag-Hounds" which proportedly was (but, in fact, Volume 1, Nov 1827 was not) published in the 1826 Literary Souvenir. (08/16) KS The Danish Warrior's Death Song, 228-225, Letitia Elizabeth KS Preface, -, William Harrison Ainsworth. (08/16) Landon. Reprinted in The Miscellaneous Poetical Works of L.E.L. KS To ------ (What is the aim with which the poet glows), -, William (1835). Verse. (08/16) Harrison Ainsworth. prob. See the introduction by Paula Feldman to KS To the Five Oaks at Dullwitz (a translation of the German of the Broadview Edition of the Keepsake for 1829, pp 16-17.