Rosalind Kirby Fighting American Goody
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Fully Authorized $4.95 By The In The US Kirby Estate CELEBRATING THE LIFE & CAREER OF THE KING! Issue #10, APR. 1996 A special humor issue , exploring the lighter side of Jack! A funny and Touching interview with Jack’s wife Rosalind Kirby McCarthy In long underwear? Fighting American You begged! you pleaded! But he’s still in this issue: Goody Rickels The creator of Destroyer Duck interviewed: Steve Gerber Fans & Pros Tell Favorite Stories About Jack Features On: Kirby’s Lockjaw The Alligator, Earl The Rich Rabbit, My Date, Brand Echh, modern art, y b r Professional i K sports and more! k c a J d n a n o m i S Unpublished Art e o J including Jack’s © Pencils From Jimmy y o b Olsen, destroyer d e e p duck and Thor S & Before They Were n a c i Inked-- And Much r e More!! m A g n i t h g i ¬ F this mess was edited by: (Our front cover is the art from a poster John Morrow sold in conjunction with Jack’s 1979 Design and Layout are the fault of: Masterworks Portfolio. John & Pamela Morrow Shown here are the uninked pencils Proofreading errors were missed by: from the portfolio’s cover.) Richard howell We didn't have anything to Be Colored this issue By: Tom Ziuko (He’s off the hook!) The following contributors are guilty by association: Jim Amash Terry Austin Jerry Boyd Tom Brevoort Len Callo Nicholas Caputo Jon B. Cooke Al Czarnecki Stuart Deitcher Jim Engel Steve Gerber David Hamilton Chris Harper Joe Heffernan Randy Klauzer Richard Kolkman Jim Korkis Marty Lasick Mark Marderosian Harold May Harold May Michael O’Hara Marc Pacella Leo Pando David Penalosa Pat Price Danny Serafin Scott Shaw! Steve Sherman Joe Sinnott John Stangeland Jim Steranko Greg Theakston Rich Vitone Peter Von Sholly Bob Wiacek Erez Yakin (Each contributor Receives one free issue for their efforts, whether they want one or not!!) The following were involved in behind-The-Scenes mischief (for which we’re Grateful): Len Callo Steve Gerber D. Hambone Marc Pacella Greg Theakston & of course, Roz Kirby. The following got a large number of paper Cuts while stuffing this issue into envelopes: Glen Musial Ed Stelli Patrick Varker Bob Permer and all the other Kirby fans in Raleigh, NC. We respectfully dedicate this issue to the amazing woman behind the man: Rosalind Kirby Thanks for keeping Jack Fighting American & Speedboy and Uncle Giveaway are © Joe Simon & Jack Kirby. • Morgan Edge, Goody Rickels, Jimmy Olsen, Guardian, Ugly Mannheim, Big Barda, so happy (& productive) all Superman, Lois Lane, Green Arrow, Captain Marvel, Billy Batson, Sivana, Mr. Miracle, Demon and Orion are TM and © DC Comics, Inc. • Earl The Rich Rabbit, Lockjaw The those years, and for Alligator, Swifty Chase, Sunny Daye and House-Date Harry are © Hillman Periodicals. • Tarzan is TM and © Edgar Rice Burroughs, Inc. • Lone Ranger and Tonto are TM and putting up with all us fans. © Broadway Video. • Goozlebobber is © Jack Kirby. • Destroyer Duck, Battle Axe, Medea and Woblina Strangelegs are © Steve Gerber and Jack Kirby. • Cyclops, Human Torch, Captain America, Scarlet Witch, Marvel Girl, Mr. Fantastic, Thing, Iron Man, Daredevil, Quicksilver, Invisible Girl, Thor, Sub-Mariner, Dr. Strange, Sgt. Fury, Rawhide Kid, Hulk, Spider-Man, Red Skull, Patsy & Hedy, Ikaris, Silver Surfer, Magneto, Dr. Bloom, Hawkeye, Beast, Iceman and Angel are TM and © Marvel Entertainment Group, Inc. The Jack Kirby Collector , Vol. 3, No. 10, Apr. 1996. Published bi-monthly by TwoMorrows Advertising, 502 Saint Mary’s St., Raleigh, NC 27605, USA. 919-833-8092. John Morrow, Editor. Pamela Morrow, Assistant Editor. Single issues: $4.95 each U.S., $5.40 Canada, $7.40 outside North America. Six-issue subscriptions: $24.00 US, $32.00 Canada and Mexico, and $44.00 outside North America. First printing. The initial printing of this issue was mailed the week of April 15, 1996. All characters are © their respective companies. All artwork is © Jack Kirby unless otherwise noted. All editorial matter is © the respective authors. m o c . l o a @ w o r r o m o w T : L I A M E - - 3 2 0 8 - 3 3 8 ) 9 1 9 X A F - - 2 9 0 8 - 3 3 8 ) 9 1 9 ( e n o h p - - A S U 5 0 6 7 2 C N , h g i e l a R - ( 2 “Don’t Ask! Just Buy It!” The Wacky World of Jack Kirby, Cartoonist by Scott Shaw! he first time I met Jack, I blurted out, “Jack Kirby!?! You’re my favorite cartoonist! ” And surprisingly, Jack seemed quite pleased to TTbe described by that simple term, usually applied to those of us who write and draw nothing but the funny stuff. I suppose that’s because Jack probably saw himself as a cartoonist, too. Most people tend to think of Jack Kirby in melodramatic superlatives. He’s been described as the ultimate comic book artist, a master’s master of graphic fiction, an incredibly talented creator of dynamic heroes, dramatic action and cosmic conflicts. Comics afi - cionados have dubbed him “King” Kirby (a title he wore with some discomfort), and have compared his work to that of Da Vinci, Rembrandt and Rockwell, among other artistic greats. He was, with - out a doubt, the single most imaginative individual ever to work in the field of comic books. He was equally comfortable working in any of the familiar comic book genres of super-heroics, romance, west - erns, science fiction and war, among other dramatic themes. But Jack Kirby was also very funny as a writer, as an artist and as a person, and left behind a surprisingly large body of work to prove it. One of the strangest paradoxes in comics is that most “straight” comic books (in such “realistic” genres as super-heroes, western, romance, war, etc.) are drawn in styles that actually bear almost no resemblance to truly realistic illustration! Yet, many fans (and even editors) of these comics turn up their noses at anything resembling the kind of humorous cartooning sometimes referred to within the business as “big-foot drawing.” In my estimation, Jack Kirby’s art - work somehow bridges this aesthetic gulf. Judging by life-drawings that he had done as a young man, Jack had always possessed a natural ability to work in a much more realistic foreshortening that have become such a Kirby trademark may have been style than that with which he is now usually associated. It appears that the result of a conscious aesthetic decision on Jack’s part. One thing is the exaggerated and dynamic anatomy, poses, design, composition and certain, however; once he began his professional career (under a variety of pen names), no matter what the character or genre, whether the subject was serious or light-hearted, Jack Kirby could only draw like Jack Kirby—and if humorous illustra - tion could be described as an exaggeration of realistic art, then Jack Kirby’s humor work is nothing less than an even greater exaggeration of his normally exaggerated style! Some of Jack’s earliest professional work was doing “in-betweening” on the animated Popeye shorts at the Max Fleisher Studios. Although he soon tired of the job and left the studio, citing that the work was far less than creatively fulfilling, it’s apparent that his experiences at Fleisher’s had some influence on him, because one of his early comic strips was Socko the Seadog , which was a fairly blatant Popeye imitation. But it’s likely that this early animation training also had a long-range effect on Jack throughout his six-decade career. Not coincidentally, in the 1980s Jack found himself back where he started, working in the ani - mation field, doing character designs and concept devel - opment for Hanna-Barbera and Ruby-Spears Productions (including extremely cartoony designs for H-B’s Scooby Doo cartoons!). Here are a few notable examples of prime (left) S&K’s movie parody as seen in From Here To Insanity #1 (August 1955). (above) Earl The Rich Rabbit splash page from Punch & Judy Comics Vol. 3, #2 (Dec. 1947). - . t S s ’ y r a M t n i a S 2 0 5 - - g n i s i t r e v d A s w o r r o m o w o / c - - r o t i d E , w o r r o M n h o J - - ! g n i k e h t e v i l g n o L - - ¬ T 3 “Would You Like To See My Etchings?” Rosalind Kirby Interviewed (conducted by John Morrow on December 12, 1995) THE JACK KIRBY COLLECTOR: What’s your favorite color? ROZ: Yes. It was the summer of 1940. I was telling everyone I was dis - ROSALIND KIRBY: Yellow. I love yellow roses. appointed. I thought he was going to fool around! (laughter) And 1 from that time on... let’s see, I was 17 ⁄2, on my 18th birthday I TJKC: What’s your favorite ice cream flavor? became engaged. We were engaged for a year, and when I was 19 and ROZ: Choc... no, actually, I like cherry jubilee. he was 24, we were married. TJKC: Wow, that’s an interesting choice! So where were you born? TJKC: What did your parents think of Jack when they first met him? ROZ: I was born ROZ: Well, they thought, “He’s an artist. He’ll never make a living.” in Brooklyn, (laughter) His parents always wanted him to be a mechanic so he could September 25, make a living.