Appendix: Feature Films Used As Primary Sources
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APPENDIX: FEATURE FILMS USED AS PRIMARY SOURCES Number of Year Director Original title Translated title (in feature flms (in Turkish) English) 1 1982 Yılmaz Güney, Yol The way Şerif Gören 2 1986 Şerif Gören Sen Türkülerini Söyle You sing your songs 3 1986 Zeki Ökten Ses The voice 4 1986 Zeki Alasya Dikenli Yol Thorny path 5 1987 Ali Özgentürk Su da Yanar Water also burns 6 1987 Erden Kıral Av Zamanı Time of the hunt 7 1987 Şerif Gören Sen de Yüreğinde You, too, open your Sevgiye Yer Aç heart to love 8 1988 Zülfü Livaneli Sis The fog 9 1988 Melih Gülgen Kimlik Identity 10 1989 Ümit Kıvanç Bekle Dedim Gölgeye ‘Wait!’ said I to the shadow 11 1989 Tunç Başaran Uçurtmayı Don’t let them shoot Vurmasınlar the kite 12 1989 İrfan Tözüm İkili Oyunlar Games for two 13 1990 Memduh Ün Bütün Kapılar All the doors were Kapalıydı closed 14 1990 Ümit Efekan Darbe The coup 15 1991 Tomris Suyun Öte Yanı The other side of the Giritlioğlu water 16 1991 Oğuzhan Tercan Uzlaşma Understanding 17 1993 Yavuz Özkan Bir Sonbahar Hikayesi A fall story 18 1994 Handan İpekçi Babam Askerde Dad is in the army © The Editor(s) (if applicable) and The Author(s) 2017 293 P. Başcı, Social Trauma and Telecinematic Memory, DOI 10.1007/978-3-319-59722-5 294 APPENDIX: FeatuRE FILMS USED AS PRIMARY SOURCES Number of Year Director Original title Translated title (in feature flms (in Turkish) English) 19 1994 Bilge Olgaç Bir Yanımız Bahar A spring garden on Bahçe one side 20 1995 Tomris 80. Adım The 80th step Giritlioğlu 21 1999 İsmail Güneş Gülün Bittiği Yer Where the rose wilted 22 2000 Atıf Yılmaz Eylül Fırtınası September storm 23 2004 Yılmaz Erdoğan Vizontele Tuuba Vizontele Tuuba 24 2005 Çağan Irmak Babam ve Oğlum My father and my son 25 2006 Sırrı Süreyya Beynelmilel The internationale Önder, Muharrem Güler 26 2007 Ömer Uğur Eve Dönüş Homecoming 27 2007 Atıl İnaç Zincirbozan Zincirbozan 28 2008 Murat Saraçoğlu O… Çocukları Children of wh—s BIBLIOGRAPHY “1 Milyon YTL’lik Dizi Ekonomisi” [Series Economy Worth a Million Liras], Istanbul Chamber of Commerce Press Release. October 4, 2008. “12 Eylül Belgeleri” [Documents of September 12]. In Belgenet.http://www. belgenet.com/12eylul/12eylidam.html. Access February 11, 2010. 12 Eylül [September 12]. Dir. Mustafa Ünlü. Research: Hikmet Bila, Rıdvan Akar. Music Group Kybele. Pruction Ali İnandım. Türkiye: Cine 5, 1998, Show TV 1999. 80. Adım [The 80th Step]. Dir. Tomris Giritlioğlu. Screenplay Mehmet Eroğlu. Perf. Derya Alabora, Zuhal Olcay, Haluk Bilginer, Levent Ülgen, et al. Music Münir Nurettin Beken. Production Cafer Özgül. İstanbul: TRT, 1996. Abisel, Nilgün. Türk Sineması Üzerine Yazılar [Essays on Turkish Cinema]. Ankara: İmge, 1994. Adorno, Theodor W. “On Popular Music,” in Studies in Philosophy and Social Science, New York: Institute of Social Research, 1941. IX, 17–48. http:// www.icce.rug.nl/~soundscapes/DATABASES/SWA/On_popular_music_1. shtml. Access June 27, 2017. Ağaoğulları, Mehmet Ali. “Milliyetçi Hareket Partisi” [Nationalist Action Party], Cumhuriyet Dönemi Türkiye Ansiklopedisi, Vol. 8 İstanbul: İletişim Yayınları, 1983, 2015. Ağaoğulları, Mehmet Ali. “The Ultranationalist Right,” trans. Rezan Benatar and Irvin C. Schick in Turkey in Transition. Eds. Irvin C. Schick, E. Ahmet Tonak. New York: Oxford University, Press, 1987, 177–217. Ahıska, Meltem. Occidentalism in Turkey. Questions of Modernity and National Identity in Turkish Radio Broadcasting. New York: I.B. Tauris, 2010. Ahmad, Feroz. “Military Intervention and the Crisis in Turkey” MERIP Reports. No. 93 (January 1981): 5–26. © The Editor(s) (if applicable) and The Author(s) 2017 295 P. Başcı, Social Trauma and Telecinematic Memory, DOI 10.1007/978-3-319-59722-5 296 BIBLIOGRAPHY Ahmad, Feroz. The Making of Modern Turkey. New York: Routledge, 1993. Akbal Sualp, Zeynep Tül. “The Glorifed Lumpen ‘Nothingness’ Versus Night Navigations” in Cinema and Politics: Turkish Cinema and the New Europe. Ed. Deniz Bayrakdar. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2009, 221–231. Akçam, Taner. The Young Turks’ Crime Against Humanity. Princeton: Princeton University Press, 2012. Akgün, Mensur et al. “The Perception of Turkey in the Middle East 2010. Key Findings.” Istanbul: TESEV Foreign Policy Programme, 2011. Aksakal, Pertev. Bir Yerel Yönetim Deneyi. Fatsa [Fatsa. An Experiment in Local Government], Vol. 3. NP: Simge Yayınevi, 1989. Akser, Murat. “Yılmaz Güney’s Beautiful Losers: Idiom and Performance in Turkish Political Film,” in Cinema and Politics. Turkish Cinema and the New Europe. Ed. Deniz Bayrakdar. London: Cambridge Scholars Publishing, 2009, 142–153. Akser, Murat. “Towards a New Historiography of Turkish Cinema” in New Cinema, New Media. Reinventing Turkish Cinema. Ed. Murat Akser and Deniz Bayrakdar. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2014, 48–66. Akser, Murat and Bayrakdar, Deniz (eds). New Cinema, New Media. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. Akşin, Sina. Turkey. From Empire to Revolutionary Republic. Trans. Dexter H. Mursaloğlu. New York: New York University Press, 2007. Aktar, Ayhan. Varlık Vergisi ve "Türkleştirme" Politikaları. [The Wealth Tax and “Turkifcation” Policies] İstanbul: İletişim, 2002. Algan, Ece. “Privatization of Radio and Media Hegemony in Turkey” in Globalization of Corporate Media Hegemony. Eds Lee Artz and Yahya R. Kamalipour. New York: SUNY Press, 2003. Alpkaya, Gökçen. “The Issue of Human Rights” in Turkish Foreign Policy 1919– 2006. Trans. Mustafa Akşin. Ed. Baskın Oran. Salt Lake City: University of Utah Press, 2010, 636–646. Altınay, Ayşe Gül. The Myth of the Military Nation. New York: Palgrave, 2004. Altınay, Ayşe Gül and Çetin, Fethiye. Torunlar [The Grandchildren]. İstanbul: Metis Yayınları, 2009. And, Metin. Geleneksel Türk Tiyatrosu [Traditional Turkish Theatre]. Ankara: Bilgi Yayinevi, 1969. Anderson, Benedict. Imagined Communities. New York: Verso, 1983. Arat, Yeşim. “Feminist Institutions and Democratic Aspirations: the Case of the Purple Roof Women’s Shelter Foundation” in Deconstructing Images of “the Turkish Woman.” Ed. Zehra F. Arat. New York: Palgrave, 2000, 295–309. Arat, Yeşim. “Süleyman Demirel: National Will and Beyond” in Political Leaders and Democracy in Turkey. Eds Metin Heper and Sabri Sayarı. New York: Lexington Books, 2002, 88–105. BIBLIOGRAPHY 297 Arıkan, E. Burak. “Turkish Ultra-nationalists Under Review: A Study of the Nationalist Action Party,” Nations and Nationalism, Vol. 8 No. 1 (2002): 357–375. Armes, Roy. “Twelve Propositions on the Inaccessibility of Third World Cinema” in Turkish Cinema: An Introduction. Ed. Christine Woodhead, London: University of London, SOAS Turkish Area Study Group Publications, 1989, 1–9. Arsan, Esra. “Torture and Pain in a Spotlight.” http://esraarsan.blogspot. com/2009/11/torture-and-pain-in-spotlight-on-recent.html. Access January 19, 2010. Arslan, Savaş. “The New Cinema of Turkey,” New Cinemas: Journal of Contemporary Film, Vol. 7, No. 1 (2009): 83–97. Arslan, Savaş. Cinema in Turkey. A New Critical History. New York: Oxford University Press, 2011. Arslan, Savaş. “Tootsie Meets Yeşilçam: Narration in Popular Turkish Cinema,” Storytelling in World Cinemas, Vol. 1. Ed. Lina Khatib. New York: Columbia University Press, 2012, 25–33. Arslan, Umut Tümay. Bu Kâbuslar Neden Cemil? [Why, all these nightmares, Cemil?]. Istanbul: Metis, 2005. Aslı Iğsız. “Framing the Turkish-Greek Compulsory Population Exchange” in The Politics of Public Memory in Turkey. Ed. Esra Özyurek. New York: Syracuse University Press, 2007, 162–187. Atakav, Eylem. Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation. New York: Routledge, 2013. Atam, Zahit. Yakın Plan Yeni Türkiye Sineması [Close Up on New Turkish Cinema]. Istanbul: Cadde Yayınları, 2011. Atatürk, Mustafa Kemal. “Gençliğe Hitabe” [Address to Turkish Youth], Nutuk, October 20, 1927 in Turkish. https://www.kultur.gov.tr/TR,96304/atat- urkun-genclige-hitabesi.html. English translation. http://yunus.hacettepe. edu.tr/~sadi/dizeler/hitabe2.html. Access September 13, 2016. Atılgan, Yusuf. Motherland Hotel. Trans. Fred Stark. San Francisco: City Lights Publishers, 2016. Av Zamanı [Time of the Hunt]. Dir. Erden Kıral, Screenplay Ferit Edgü, Perf. Aytaç Arman, Şerif Sezer, Zihni Küçümen. İstanbul: Mine Film, 1988. Boyut Sinema VCD. Av Zamanı VCD Booklet. Dir. Erden Kıral, İstanbul: Boyut Sinema, 1988. Ayan, Canan (ed). “Gelenekel Türk Tiyatrosu” [Traditional Turkish Theatre]. 2005. http://www.tiyatro.net/sayfa/26/geleneksel_turk_tiyatrosu.html. Access April 23, 2016. Babam Askerde [Dad is in the Army]. Director. Handan İpekçi. Screenplay Handan İpekçi. Perf. Gülnihal Yazıcı, Ceylan Öcal, Yunus Gencer. Yeni Yapım, 1994. 298 BIBLIOGRAPHY Babam ve Oğlum [My Father and My Son]. Dir. Çağan Irmak. Screeenplay Çağan Irmak. Music Evanthia Reboutsika. Perf. Çetin Tekindor, Fikret Kuşkan, Hümeyra, Ege Tanman, Şerif Sezer et al. İstanbul: Avşar Film, 2005. DVD. Bachard, David. “Western Silence on Turkey,” MERIP Reports, No. 121 State Terror in Turkey (February 1984): 3–6. Bakhtin, Mikhail. Dialogic Imagination: Four Essays. Austin: University of Texas Press, 1990. Bal, Ihsan and Laçiner, Sedat. “The Challenge of Revolutionary Terrorism to Turkish Democracy, 1960–80,” Terrorism and Political Violence 13:4, 90–115. Bal, Meike. Introduction to Acts of Memory. Cultural Recall in the Present. Eds Jonathan Crewe, Leo Spitzer. Hanover: University Press of New England, 1999, vii–xvii. Balta, İbrahim. “Birand’dan Paul Henze’ye ‘sesli-görüntülü’ yalanlama” [Birand’s